共查询到20条相似文献,搜索用时 15 毫秒
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Robert G. Bednarik 《Journal of World Prehistory》1994,8(4):351-375
While the Pleistocene art of Europe has been described, discussed, analyzed and explained in thousands of publications, that of Asia has attracted almost no interest at all. This paper is a brief summary of all known Ice Age art of Asia, both rock art and portable art. The current evidence is critically reviewed, region by region, and hundreds of specimens purported to be art are rejected by the author. Those considered to be authentic are often extremely isolated, in both time and space. It is argued that this record can only be explained effectively as having been greatly distorted by several factors. The geographical distribution, for instance, is clearly conditioned by such factors as intensity of research activities and local preservation conditions. Thus the pronounced paucity of available evidence is, at least in part, imposed by taphonomic biases of various types. 相似文献
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柯璜(1867—1963年),宁定础,号绿天野人,浙江黄岩人。现代名书画家、教育家。年少时资质聪颖而体弱多病,后游居山东、河北、山西等地,潜于书画,终得修身养性之道,年过耳顺,童颜鹤发,精冲矍铄,不辍书画,常与朋辈谈笑于高堂,言珠语玑,启人冲智。 相似文献
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Calvin B. Kendall 《History of European Ideas》2013,39(5):735-738
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山东史前时期的陶塑艺术 总被引:1,自引:0,他引:1
陶塑艺术的产生与发展有着悠久的历史,在山东地区,生活在这里的先民们通过世世代代的劳动,不仅发明了陶器,同时也创作出一些优美的陶塑艺术作品。据考古资料介绍,在距今大约8000多年以前的后李文化遗址中就有许多陶塑艺术品的发现,这些陶塑艺术品不仅形体较小,且造型简单,制作粗 相似文献
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Neal White 《Interdisciplinary science reviews : ISR》2017,42(1-2):214-224
ABSTRACTArtist and researcher Neal White argues for the potential role of radical engagements in science by drawing on the work of pioneers of conceptual art: John Latham (1921–2006), Gustav Metzger (1926–2017) in the UK, and György Kepes (1906–2001) and Robert Smithson (1938–1973) in the US. Starting with destruction as a positive force in artistic practice, White examines the ideas developed by these artists as a conceptual framework for thinking through time, chemical process and event structures within the context of the Cold War. In further examining the social context and contemporary landscape of cultural forms servicing science in terms of the communication of ideas, or underpinning further a knowledge economy, he argues for artists to engage science on their own terms, through a renewal of radical practices. This would in turn create new and critically framed work of benefit to culture and society more generally. 相似文献
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Peter T. Furst 《Reviews in Anthropology》2013,42(2):29-45
Leonhard Schultze Jena. Popol Vuh: Das Heilige Buch der Quiché‐Indianer von Guatemala. Stuttgart and Berlin: Verlag von W. Kohlhammer, 1944. 314 pp. Leonhard Schultze Jena. Indiana I: Leben, Glaube und Sprache der Quiche von Guatemala. Jena: Gustav Fischer, 1933. 394 pp. 相似文献