Post-Byzantine hermeneiai zographikes in the eighteenth century and their dissemination in the Balkans during the nineteenth century

Abstract

This article focuses on the significance of the Orthodox painters' manuals, called hermeneiai zographikes, in the development of post-Byzantine iconography and painting technology and techniques in the Balkans during the eighteenth and nineteenth centuries. Using a number of unpublished painters' manuals (Greek and Slavonic) as primary sources for the study of Christian and Ottoman culture in the Balkan peninsula, it is possible to examine perceptions of Europe in the Balkans, in particular the principal routes for the transmission of ideas of the European Enlightenment, as well as the role of artists as mediators in the processes of 'Europeanization'.     

John Green. Notes on a neglected eighteenth century geographer and cartographer

Résumé

Le globe est composé de 12 fuseaux, actuellement collés cote à cote. La diamètre est de 73,5 cm.

Les planches originales, gravées sur cuivre, au nombre de 12, devaient mesurer 40 × 60 cm environ.

Les contours et la nomenclature sont postérieurs à 1581 et antérieurs à 1587. Six cartouches sont restés vides. 80 légendes sont inscrites sur diverses parties du monde.

L'auteur, anonyme, s'est servi d'une carte d'Ortelius ‐ dont on ne connait qu'un tirage unique ‐ publiée par Gérard de Jode en 1564, et d'une carte de Postel faite en 1581, dont il n'existe aussi qu'un tirage unique de 1621, ainsi que des cartes du Theatrum d'Ortelius de 1570. Certaines parties du monde, prises à Postel, furent utilisées par Cornelius de Jode dans son Speculum en 1593.

Le globe est antérieur à la grande mappemonde de Plancius de 1592, il est probablement anversois et aurait été établi dans l'entourage de Gérard de Jode. C'est aussi un unicum.

Le cartouche décoratif du 12e fuseau représente un personnage, peut‐être l'auteur, le graveur ou l'éditeur.     

A possible eighteenth to nineteenth century example of a popliteal aneurysm from Leicester

Examples of the impressions made on bones by arterial aneurysms are rare in the archaeological record. One such specimen was found in a collection of 5000 pieces of disarticulated human bone from a disturbed eighteenth to nineteenth century graveyard in Leicester. The distal end of an adult femur shows a lesion on the posterior surface that has been identified as that made by an aneurysm of the popliteal artery, by comparison with an authenticated museum specimen of that condition, also of eighteenth century data. © 1998 John Wiley & Sons, Ltd.     

John Bolton's Cinder Oven: An eighteenth century industrial re-use of a mediaeval tower

Abstract

In one of the two mediaeval towers built to defend the River Wensum in Norwich there is a beehive coke oven. Documentary evidence suggests that this 'cinder oven', as it is known locally, was built in c. 1792 by John Bolton to produce coke for his nearby maltings. Although unused for over a century, it is still intact and in relatively good condition. This short paper describes its history and structure.     

The impact of western science and technology on 'ukiyo-e' prints and book illustrations in late eighteenth and nineteenth century Japan

In the Edo period (c. 1600-1868), exposure to Western art, science and technology encouraged Japanese 'ukiyo-e' (pictures of the floating world) artists to experiment with Western perspective in woodblock prints and book illustrations. We can see its early influence in the work of Utagawa Hiroshige (1787-1858), as well as Utagawa Kuniyoshi (1797-1861). Unlike Hiroshige, Kuniyoshi lived to see the opening of the port of Yokohama to trade with the West in 1859. A whole genre of Yokohama prints emerged and one of the key artists was Utagawa Sadahide (1807-1873). In his illustrated books entitled 'Yokohama kaikō kenbunshi' (A Record of Things Seen and Heard in the Open Port of Yokohama) (1862), Sadahide plays with perspective in an effort to represent the dynamic changes that Japan was undergoing in its encounter with the West at the time. In the work of later artists such as Hiroshige III (1843-1894), Kobayashi Kiyochika (1847-1915) and Inoue Yasuji (1864-1889), we can see growing efforts to depict light, shadow and depth, and a continuing fascination with the steam locomotive and the changes occurring in the Tokyo-Yokohama region as Japan entered the Meiji period (1868-1912).     

Discovering the invisible Puerto Rican slave family: demographic evidence from the eighteenth century

Traditional notions that family life among slaves during the pre-plantation period in the non-Hispanic Caribbean was necessarily unstable are fading in light of new research. Although marriage among this segment of the population in Caguas, Cayey, San Germán, and Yauco--rural parishes in Puerto Rico--involved only a fraction of the overall number of marriages in these communities, the marriage of slaves was much more frequent than previously assumed. Family life among the eighteenth-century Puerto Rican slave population appears to have been quite stable, as shown by the reconstruction of birth intervals for both married and unmarried mothers. Married and unmarried mothers exhibited similar reproductive behavior. These results strongly suggest that a majority of the unmarried slave mothers lived in unions that were not institutionally recognized, but that were nevertheless stable, as indicated by the high percentage of their children born at intervals comparable to those of married mothers. If unmarried mothers were living in stable consensual unions, then our understanding of these slave family units during the colonial period must be reassessed not only for Puerto Rico but possibly for the rest of the Caribbean and Latin America.     

New technologies applied to family history: a particular case of southern Europe in the eighteenth century

In this article, the author explains how the support of new technologies has helped historians to develop their research over the last few decades. The author, therefore, summarizes the application of both database and genealogical programs for the southern Europe family studies as a methodological tool. First, the author will establish the importance of the creation of databases using the File Maker program, after which they will explain the value of using genealogical programs such as Genopro and Heredis. The main aim of this article is to give detail about the use of these new technologies as applied to a particular study of southern Europe, specifically the Crown of Castile, during the late modern period. The use of these computer programs has helped to develop the field of social sciences and family history, in particular, social history, during the last decade.