Stand(ing) up for the immigrants: the work of comedian Des Bishop

This article examines the work of white Irish American stand-up comedian Des Bishop in the context of Ireland's changing demographics. In particular, it situates Bishop within current and controversial debates on ‘undocumented Irish’ in the USA versus ‘illegal immigrants’ to Ireland, debates in which Bishop himself has explicitly intervened. A New York native who has been living in Ireland since the age of fourteen, Bishop's comedy draws upon the convention of the US stand-up as ‘ethnic’ outsider who exposes the foibles of the dominant mainstream, while he also self-consciously asserts his comic persona within the ‘returned Yank’ tradition in Irish American culture. In an increasingly multicultural Ireland, I contend that Bishop has established himself as a mediating figure between white (read: desirable) and non-white (read: undesirable) immigrants to Ireland, a strategy which, I argue, must be approached with caution.     

‘Dark cognition’: W.B. Yeats,J.G. Herder and the imperfection of tradition

In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.     

Paul Touvier et L'église: rapport de la commission historique institutée par le cardinal decourtray

Burke's view of history is an aspect of his thought that has been largely neglected by scholars, despite the wide recognition of its importance. In Burke's view, history, led by providence and by a human nature designed by God, is necessarily progressive. It is, nevertheless, human beings who are largely responsible for building their nations. A variety of civilisations could be generated if people governed a nation in harmony with its peculiar manners and circumstances. Nations can, however, be unstable, because their fortunes fluctuate. Although Burke was very familiar with—and influenced by—several different traditions of historiography, his ideas on history should also be seen as the product of his own reflections.     

Family stories,public silence: Irish identity construction amongst the second‐generation Irish in England

Formal narratives of history, especially that of colonial oppression, have been central to the construction of national identities in Ireland. But the Irish diasporic community in Britain has been cut off from the reproduction of these narratives, most notably by their absence from the curriculum of Catholic schools, as result of the unofficial ‘denationalisation’ pact agreed by the Church in the 19th century (Hickman, 1995). The reproduction of Irish identities is largely a private matter, carried out within the home through family accounts of local connections, often reinforced by extended visits to parent/s ‘home’ areas. Recapturing a public dimension has often become a personal quest in adulthood, ‘filling in the gaps’. This paper explores constructions of narratives of nation by a key diasporic population, those with one or two Irish‐born parents. It places particular emphasis on varying regional/national contexts within which such constructions take place, drawing on focus group discussions and interviews for the ESRC‐funded Irish 2 Project in five locations — London, Glasgow, Manchester, Coventry and Banbury.     

Patrick O’Farrell and the Irish History Wars, 1971–1993

While Patrick O’Farrell's achievements as an historian of the Irish and of Catholicism in Australia are well recognised, little attention has been paid to his significance as an historian of Ireland. This article takes his two major Irish monographs, published in 1971 and 1975, and considers how they influenced leading Irish political historians of the 1970s and 1980s. In doing so, the article examines the crisis created for historians by the Northern Ireland Troubles. It demonstrates that the work of O’Farrell, which called into question the primacy of politics and of the nation state, helped open up new avenues for the analysis of Irish culture and identity. Yet, at the same time, such an approach challenged the republican reading of Irish history as a struggle against colonialism, and thus O’Farrell's work attracted severe criticism.     

On national dress and the problem of authenticity in Ulysses

This article considers James Joyce’s representation of Irish dress, arguing that his ambivalent treatment of it accurately reflects his fractious relationship with the Irish Revival movement. The article begins with a discussion of the metaphor of performance and relates this to issues around “authenticity”. From here, it discusses Douglas Hyde’s thoughts on dress, as presented in “The Necessity for de-Anglicising Ireland”, contextualising these within a brief history of nineteenth and early-twentieth-century Irish dress history, and recognising the important work of women in this. Assessing Joyce’s depictions of Irish dress, especially in “Scylla and Charybdis”, “Cyclops” and “Circe”, this article argues that Joyce sees Irish dress as a contingent and fragile cultural performance.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

Archaeology and the Irish rediscovery of the Celtic past

This article examines the place of archaeology in the second wave of Irish cultural nationalism, and how archaeological findings were appropriated by rival ethno‐religious communities in Ireland. In particular, it focuses on George Petrie, who was the founder of ‘scientific’ archaeology and was also one of the leading figures in the nineteenth‐century Celtic revival that sought a moral regeneration of the Irish nation In Ireland, as elsewhere, archaeology was important in reconstructing an early history of the nation where few written records existed and in making this visible through material artefacts. However, archaeology was only significant as part of a wider cultural revival that presented artefacts and sites as national symbols to an island undergoing rapid social change. This article will explore the relationship between archaeology and this national revival, and how the material objects recovered by archaeologists extended and transformed the existing repertoires of how the nation was imagined and felt. It will assess the different reception of these images in the rival Catholic and Protestant communities. Finally, it will comment on the capacity of a medieval ‘Celtic’ repertoire to provide the basis of a dynamic modern Irish national culture.     

C.S. Lewis: an Irish writer

This article examines the effect of C.S. Lewis's Irish background on his work. It attempts to contradict the assumption that this Belfast-born writer should be included in the English and not the Irish canon. It emphasises that Lewis saw himself as Irish, was seen by others as Irish, and that his Irish background, contrary to what some have written, was important to him throughout his lifetime. It goes on to demonstrate the ways in which his work was influenced by his youth in Ireland and by the Irish mythology that he loved. Furthermore, this article maintains that, as a child of pre-partition Ireland with roots throughout the island, Lewis was influenced by the country as a whole, not just his native Ulster. Finally, it attempts to understand why Lewis, a proud Irishman, did not do more to promote himself as an Irish writer.     

‘Underhand Dealings with the Papal Authorities’: Disraeli and the Liberal Conspiracy to Disestablish the Irish Church

During the parliamentary election of 1868, Prime Minister Benjamin Disraeli sent a ‘gentleman spy’ to Ireland to seek evidence showing that William Gladstone had agreed to disestablish the Church of Ireland in return for the Vatican's promise of Irish catholic votes. Proof of this conspiracy, Disraeli hoped, would prompt an anti‐catholic backlash and tip the election to the Conservatives. Disraeli's spy spent four weeks interviewing various Liberal politicians and Irish catholic prelates and claimed to have discovered not only a secret agreement between Gladstone and the bishops, but also a vast Vatican conspiracy to use Irish nationalist agitation to undermine the English constitution. Unfortunately, he never found written proof of any either scheme. The Liberals won the election by a large margin and soon passed an act disestablishing the Church of Ireland. Although out of office, Disraeli remained in contact with his secret agent, using him for further missions in England and on the continent. Despite its failure, the spy's mission offers fresh insight into Disraeli's character and policies. Disraeli combined opportunistic political scheming with a weakness for conspiracy theories. His agent's mission to Ireland was certainly an intrigue meant to turn the political tables on the Liberals but was based on Disraeli's belief that Rome actually had conspired with Gladstone. Recognition of Disraeli's faith in the existence of papal conspiracies helps to make his public statements about disestablishment more comprehensible and suggests a new explanation for his ongoing inflexibility in regard to Irish grievances and reforms.     

Discourses of nation among migrants from Northern Ireland: Irishness,Britishness and the spaces in‐between

Narratives of nation and identity are highly contested in Northern Ireland, with allegiance usually given to an Irish nation or a British nation, or located somewhere along a continuum between the two. The negotiation of one's identity along this continuum can become particularly complex once one migrates outside Northern Ireland. Adopting a sense of belonging to or exclusion from an Irish diasporic community is part of this process of negotiation. This paper explores these negotiations of identity among both Catholic and Protestant migrants from Northern Ireland to England. It utilises an oral history archive of interviews with individuals who migrated in the latter half of the 20th century, and focuses on narratives of nation and identity among these migrants. Drawing on the notion of England as a diaspora space, in order to make sense of these narratives, the intersections between diasporic Irishness and different British identities are untangled in an attempt to draw out the spaces ‘in‐between’ two, often polarised, narratives of nation.     

Janus and Gender: Women and the Nation's Backward Look

Abstract. This article considers how nations are imagined and characterised in relation to the national roles allocated to women, with particular reference to the early Irish state. It examines two related dichotomies, that between ‘civic’ and ‘ethnic’ nationalisms, and the concept of the nation itself as ‘Janus‐faced’, simultaneously looking ahead to the future and back to the past. It has been suggested that women bore the burden of the nation's ‘backward look’ towards a putative traditional rural past and an organic community, while men appropriated the nation's present and future. This thesis is examined with reference to Ireland and the representation of women in visual imagery and travel writing.     

Protecting the honour of the daughters of Eire: welfare policy for Irish female migrants to England, 1940–70

Across the middle decades of the twentieth century, approximately 500,000 people left Ireland for Britain. Around half were young, single females migrating alone. Drawing on archival material in Ireland and England, this paper analyses the ways in which Catholic and secular agencies became aware of female Irish migrants; and how they understood and responded to their needs. Catholic organisations focused on maintaining religious belief and practice as a means of avoiding social problems in migrants. Some female migrants, such as nurses, were considered exemplars of Catholic and Irish femininity. However, female sexuality was problematised when associated with single motherhood, prostitution and cohabitation. The Irish hierarchy expected to lead policy development for migrant welfare. The framing of female migrant social needs within a moral and religious discourse led to solutions prioritising moral welfare delivered by Catholic priests and volunteers. Both the Irish government and British institutions (state and voluntary) accepted the centrality of Catholicism to Irish identity and the right of the Catholic Church to lead welfare policy and provision for Irish female migrants. No alternative understanding of Irish women's needs within a secular framework emerged during this period. This meant that whilst the Irish hierarchy developed policy responses based on their assessment of need, other agencies, notably the British and Irish governments, did not consider any specific policy response for Irish women to be required.     

Translocational Irish identities in Edna O’Brien’s memoir Country Girl (2012)

A rural-urban exodus subsequently followed by overseas migration has characterised geographical movement in Ireland. While Irish women have outnumbered men in their diaspora, physical and symbolic identification with Ireland has been decisive to the polemic of Irish female migration. This article explores how real and symbolic contradictions in Irish women experiencing displacement are reflected in Edna O’Brien’s memoir Country Girl (2012). Using translocational positionality as an intersectional research framework, the article reveals the importance of spatiality in the ‘life writings’ of a particular situational subject and its major role in identity construction processes. Furthermore, this article relates the individual biography to the collective and complex construction of identity of Irish women abroad in the second half of the twentieth century. The analysis sheds light on many unvoiced experiences shared by female migrants and discloses key aspects of Irish migration that result in a problematic gendered relation with the land still unresolved.     

The Last September: Irish modernism,narrative deferral,historicist determinism

This article questions the idea that Irish literary modernism is defined by Irish postcoloniality. The continued influence of historicist approaches in literary studies have inspired an understanding of Irish modernism as determined by material base. An oversight of such approaches, however, is that much of the respective fiction which constitutes Irish modernism resists representing the cultural circumstances from which it emerges. Particular to this predicament is Elizabeth Bowen’s The Last September given that it is the novel which is often read as representing Ireland’s transition from colonial to postcolonial status. Through an analysis of its fractured, and thus typically modernist, narrative strategy, this article argues that colonial history is an absent presence which lacks constitutive meaning in this fiction, and thus suggests that Irish literary modernism does not neatly correspond to or reflect the story of Irish monumental history.     

Edmund Burke,Strauss, and the Straussians

In Natural Right and History, Leo Strauss accused Edmund Burke of being ignorant of the nobility of last-ditch resistance; defending a conception of history that set the path for historicism; and discarding a vision of politics as it ought to be. By separating philosophy from politics, Burke, according to Strauss, helped lay the intellectual foundation for modern political ideologies. While a number of scholars have attempted to vindicate or refute Strauss' criticisms through textual exegesis, my article aims to lay a sharper emphasis on particular historical episodes of Burke's political life in which his political thought and statesmanship calls into question Strauss' interpretations. I argue, moreover, that Burke's legislative activities retain a closer resemblance to Strauss' conception of classical statesmanship than Strauss suggests in Natural Right and History. I conclude by maintaining that Straussian scholars could enrich their framework of the Western canon by giving greater attention to Burke's political thought.     

Clyve Jones and Parliamentary History

The ‘constitutional revolution’ which occurred in Ireland after 1691 meant that parliamentary management became one of the prime functions of the viceroyalty. Interest focused on the Commons, where supply legislation was drafted. But the upper House, though smaller, less busy, and on the whole more easily managed, could not be ignored, since it could still cause major problems for government. The situation for the incoming ministers in 1714 was problematic, since the Lords had been a tory stronghold, and the ‘Church party’, buttressed by the bishops, remained powerful. The situation was a mirror image of Westminster in 1710, when Robert Harley's tory ministry had to cope with a whig-dominated house of lords. This essay analyses the means by which Lord Lieutenant Sunderland (1714–15), and his successors, Lords Justices Grafton and Galway, brought the Irish upper House under control, constructing a court party with some of the elements which Clyve Jones has identified as having been crucial to Harley's strategy in 1710–14: moderate or non-party men, pensioners and placemen depending on government largess, new episcopal appointments and a block creation of peerages. In Ireland it was the new peers who played the most important part. The whigs were able to make some inroads into the episcopal bench, previously a stronghold of toryism, until the issue of relief for dissenters rekindled anxiety over the maintenance of the ecclesiastical establishment, prefiguring future problems.     

A Land and a People of Extremes – Ireland and the Irish in German Cinema

Irish film history has often been seen as a pragmatic “creative bricolage” that draws almost exclusively on images of Ireland and Irishness that have emanated from the cinema industries of the USA and the United Kingdom. Yet, Ireland has also featured in the film industries of other non-Anglophone countries and the images produced in these contexts also represent an element within the vast and extensive archive of Irish filmic images. This article writes the first chapter in the expansion of Irish film history by examining the depiction of Ireland and Irishness in German film. Ireland and the Irish, not unlike the Anglo-American gaze, are depicted as a people and a land of extremes marked by an intensity of emotion, nationalism, Catholicism and alcohol, while extremes of poverty and wild untameable landscapes also feature prominently.     

“Tearing Down the Burning House”: James Buchanan's use of Edmund Burke

The 1854 Ostend Manifesto has long been scorned as an expansionist treatise, a leading indicator of “Young America's” hold on the antebellum Democratic Party, and a signal of Franklin Pierce's failed presidency. Unnoticed is the genesis of the document's most famous metaphor, of Cuba representing a neighbor's “burning house” that could cause American intervention. The primary author of the Manifesto was minister to Great Britain and future president James Buchanan, and he attempted to smooth over the rough suggestion of an American takeover of the island by borrowing imagery from Edmund Burke's 1791 Reflections on the Revolution in France. Buchanan's use of Burke, the anti‐revolutionary English philosopher of prudence and critic of ideology, demonstrates the wide but underappreciated popularity of Burke with American politicians of all parties. Not just Whigs and Southern planters, but also Northern Doughface Democrats such as Buchanan, especially in the 1850s, used Burke to preach calm, moderation, and political prudence. As his use in the Manifesto makes clear, a larger study of Edmund Burke's appeal to Americans is badly needed to plot his broad influence on American politics leading up to the Civil War.     

Criticism of Henry II's expedition to Ireland in William of Canterbury's miracles of St Thomas Becket

The long collection of miracles of St Thomas Becket written by William, a monk of Christ Church, Canterbury, between 1172 and c.1179 is, like many other examples of the genre, a rich source for attitudes towards sanctity, relics, and pilgrimage. A far more unusual feature of William's text is the author's criticism of the recent English presence in Ireland. William's comments on this score amount to a loaded stretching of the normal parameters of his textual medium, resulting in an evaluative engagement with current affairs of the sort that we would more normally associate with reflective forms of history-writing. William's criticism focused in particular upon the expedition to Ireland undertaken by King Henry II (October 1171–April 1172), inverting the very rhetoric that Henry had used to justify his Irish adventure. William was not himself Irish, as has sometimes been supposed, nor was he registering his institution's frustrations about its exclusion from the new ecclesiastical order in Ireland, as might be implied by the traditional but questionable ‘Canterbury plot’ interpretation of the much-debated papal bull Laudabiliter. Instead, William was skilfully engaging with current debates about the rectitude of Henry II's Irish expedition, and more broadly contesting emerging prejudices about England's ‘uncultivated’ neighbours, in order to effect a subtle critique of the king's involvement in Becket's murder.