The Russian navy as Chartmaker in the eighteenth century

Abstract

The modern period of chart making in Russia began in the reign of Peter the Great. Peter created the country's navy, which became the main focus for cartography in the eighteenth century. In this paper the multi‐faceted duties of naval officers in the charting and mapping of seas, rivers, forest resources and other features important for ship building and the development of navigation, and essential to Russia's geo‐political interests, are considered. The history of the early stages of specialized naval education and the training of surveyors at the Moscow Mathematical‐Navigational School (from 1701) and the St Petersburg Naval Academy (from 1715) are outlined, and the first surveys in the Baltic and Caspian seas are described. Finally, special attention is paid to the hydrographical surveys and charting of the Aegean Sea during the Russian‐Turkish war of 1768–1774, the sources and methods involved, and the little‐known Atlas of the Archipelago (1788) which was created from the surveys.     

Concepts of citizenship in France during the long eighteenth century

François Furet famously described the French Revolution as ’the first experiment with democracy’, and modern French citizenship is often seen as having emerged during this period. Universal male suffrage was practised for the first time in 1792 and the Revolution also witnessed debate over such issues as: the rights of citizens; the extension of the franchise to poorer inhabitants and black slaves; and even whether women should be given political rights. Yet, the modern idea of citizenship did not emerge from nowhere in 1789. Rather it was the product of more than a century of debate. This article examines the different understandings of citizenship that were competing for dominance in France during the long eighteenth century: the ancient conception; the Bodinian understanding and the rights-based approach. Not only does it demonstrate the contribution of these approaches (and in particular the last) to revolutionary understandings of citizenship, but it also highlights how the tensions of the eighteenth-century debates, and the ambiguities inherent in the rights-based conception, sparked some of the key controversies of the Revolution.     

The Swiss foreign service and Bernese reform politics in the late eighteenth century

The political system of Berne during the enlightenment era was dominated by landowning patricians who represented a “republican type of gentry.” These landowners promoted agriculture, traded in grain, wood, wine, invested in cottage industries, and also were involved in foreign military service. In the debates about republican political economy in the 1760s, there was a cleavage within the Bernese aristocracy. On one side, conservatives defended the mercenary service as part of existing political obligations, above all towards France. Against this, the Economic Patriots combated corrupting influences from abroad and censured military service. Socio-moralistic principles, condensed in the term “civic virtue,” ranked higher in the patriots’ eyes than economic or political interests; in a virtuous and frugal republic, there should have been no place for mercenaries. The paper reconstructs these arguments over key decades in the eighteenth century.     

Post-Byzantine hermeneiai zographikes in the eighteenth century and their dissemination in the Balkans during the nineteenth century

Abstract

This article focuses on the significance of the Orthodox painters' manuals, called hermeneiai zographikes, in the development of post-Byzantine iconography and painting technology and techniques in the Balkans during the eighteenth and nineteenth centuries. Using a number of unpublished painters' manuals (Greek and Slavonic) as primary sources for the study of Christian and Ottoman culture in the Balkan peninsula, it is possible to examine perceptions of Europe in the Balkans, in particular the principal routes for the transmission of ideas of the European Enlightenment, as well as the role of artists as mediators in the processes of 'Europeanization'.