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1.
ABSTRACT

This paper argues that John Locke’s interactions with the Quakers and his reflections on their doctrines and behaviour provide the salient background for understanding the content and polemical orientation of the chapter on enthusiasm in An Essay concerning Human Understanding. The terms of reference and key features of the vocabulary of the chapter “Of Enthusiasm” that Locke added to the fourth edition of the Essay derive from the Quakers and from Locke’s critical reflections on their doctrine of immediate inspiration. While Locke acknowledged that the phenomenon was to be found among other religious groups, it was the Quakers whom Locke had in mind when he formulated his philosophical critique of enthusiasm.  相似文献   

2.
ABSTRACT

Complicite's A Disappearing Number is one of the best examples of contemporary plays that use theatrical strategies to convey complex scientific ideas. Complicite uses performance to stage the complex mathematical concepts of partition and infinite convergent series, taking inspiration from the statement by renowned British mathematician G. H. Hardy that “a mathematician... is a maker of patterns”. As well as performativity, other elements in the play contribute to performing mathematics on the stage, elements such as time and space, narrative structure, thematic content, and characterization. Complicite introduces a complex pattern that runs throughout the play to connect these elements to form a complete whole. These elements effectively work with each other to release a set of clues that guide the audience towards decoding the play's pattern. This study provides an in-depth analysis of these connections and the complex process of decoding the pattern in the play.  相似文献   

3.
ABSTRACT

This article develops recent scholarly efforts to take seriously the scientific work of evangelical missionaries in the South Pacific. Ellis’s Polynesian Researches gives us an insight into the broader issue of the way in which theological concepts could inform the framework of missionaries’ observations of the traditions, manners and functioning of human societies. Central to Ellis’s observations was the idea of idolatry. I argue that Ellis brought together a theological definition of idolatry – in which idolatry represented the sinful worship of created things rather than the creator God – with an Enlightenment idea that polytheistic idolatry was a universal stage in the historical development of civilization. Ellis’s Polynesian Researches gives us a point of entry into understanding some of the ways that European theological ideas were put to new uses in the South Pacific, against the backdrop of the increasingly global exchange of people, goods and ideas.  相似文献   

4.
Editorial     
Abstract

Global science will benefit from better 'international market places' in which potential participants in international scientific cooperation can gather, trade information, and do business, should they choose. Problems with projects such as particle accelerators and space stations underscore the timeliness of institutional innovation. Changes should occur in both non-governmental infrastructure, which brings together the people with the ideas, and intergovernmental mechanisms, which convene people who control financial resources. A major international commission on international institutions for cooperation in scientific research should be formed to assess needs and to propose and build support for more efficient, capable, and reliable mechanisms.  相似文献   

5.
Summary

R. G. Collingwood presented his major work of political philosophy, The New Leviathan, as an updated version of Thomas Hobbes's Leviathan. However, his reasons for taking Hobbes's great work as his inspiration have puzzled and eluded many Collingwood scholars, while those interested in the reception of Hobbes's ideas have largely neglected the New Leviathan. In this essay I reveal what Collingwood saw in Hobbes's political philosophy and show how his reading of Hobbes both diverges from other prominent interpretations of the time and invites us to reassess Hobbes's complex association with the origins of liberalism. In doing so, I focus on Collingwood's science of mind, his ideas on society and authority, and his dialectical theory of politics, in each case showing how he engaged with Hobbes in order to elucidate his own vision of civilisation. That vision is based on the development of social consciousness, which involves people coming to understand the body politic as a joint enterprise whereby they confer authority upon those who rule.  相似文献   

6.
《History of European Ideas》2012,38(8):1191-1210
ABSTRACT

We can easily misread historical texts if we take ideas and passages out of their textual contexts. The resulting errors are widespread, possibly even more so than errors through reading ideas and passages out of their historical contexts. Yet the methodological literature stresses the latter and says little about the former. This paper thus theorises the idea of textual context, distinguishes three types of textual context, and asks how we uncover the right textual contexts. I distinguish four kinds of textual-context error, and offer practical tips for avoiding these errors. However, the beating heart of this paper is the history–philosophy debate: in contrast to the prevailing assumption that historical and philosophical analysis are fundamentally different, I show that a commitment to textual context, which should be entirely uncontroversial, also commits one to think philosophically.  相似文献   

7.
Summary

Historians of all kinds are beginning to return to temporally expansive studies after decades of aversion and neglect. There are even signs that intellectual historians are returning to the longue durée. What are the reasons for this revival of long-range intellectual history? And how might it be rendered methodologically robust as well as historically compelling? This article proposes a model of transtemporal history, proceeding via serial contextualism to create a history in ideas spanning centuries, even millennia: key examples come from work in progress on ideas of civil war from ancient Rome to the present. The article concludes with brief reflections on the potential impact of the digital humanities on the practice of long-range intellectual history.  相似文献   

8.
Abstract

Teaching methodological courses means providing students with general ideas to think with, rather than specific facts to think about. Rethinking the teaching task must be informed by an awareness of ideological, philosophical, technical and analytical perspectives, and should look for basic themes uniting apparently different approaches. Almost all quantitative methodologies are actually specific examples of the mathematical operation of mapping. Genuine understanding is achieved by visualisation of a problem, rather than algebraic manipulation, and the teaching task could be aided greatly by employing the power of interactive computer graphics. It is suggested that the analytical and pedagogic approaches used by experienced teachers might be shared initially in an international conference, and so form the basis for more effective and efficient teaching in the future.  相似文献   

9.
Abstract

David Walsh is a student of Eric Voegelin's political thought, and this essay evaluates the influence of Voegelin's work on Walsh, while also suggesting how Walsh deviates from Voegelin's philosophy. The analysis is performed in terms of several key concepts from Voegelin's work, including Gnosticism, metaxy, luminosity, equivalences of experience, and history. It is argued that Walsh makes extensive use of Voegelin's ideas of metaxy, luminosity, and the equivalences of experience, but that he transforms these concepts as he moves beyond Voegelin's philosophy of consciousness and turns to a philosophy of existence that is not subject to the epistemological problems that continue to challenge Voegelin's thought. Finally, it is suggested that, in so doing, Walsh is actually continuing Voegelin's philosophical project, rather than undermining it.  相似文献   

10.
Abstract

After the international success of Mnemonic, Complicite have once again brought science and drama together in a new theatre piece, A Disappearing Number. Both plays place scientists in the limelight, though their 'scientific' content is very different: Mnemonic was based on the discovery of a Neolithic man in the Alps, and used neurology and archaeology to explore notions of memory and history; A Disappearing Number focuses on our fascination with infinity, and dramatises the 'mysterious and romantic mathematical collaboration' between G. H. Hardy and Srinivasa Ramanujan. The two pieces are, however, remarkably similar in plot and structure, and in their common exploration of the metaphorical and theatrical potential of scientific discourse. Moreover, they both use science as a narrative tool to explore our relation to time and mortality. This review presents them in parallel and examines the particular integration of ideas and aesthetics which characterises Complicite's work: a tireless search for connections, and a constant translation of ideas between different theatrical languages, be they verbal, visual or musical.  相似文献   

11.
ABSTRACT

In 2002, following an interview with the magazine Lire where he described Islam as ‘la religion la plus con’, Michel Houellebecq was prosecuted, and eventually acquitted, for ‘injure raciale et incitation à la haine religieuse’. In discussions of Houellebecq’s case, supporters were quick to invoke the ‘special value’ of the literary space for the free discussion of ideas, however provocative or unpalatable. Houellebecq’s acquittal, and support from figures such as Salman Rushdie, have afforded the writer an unprecedented degree of literary freedom. Subsequent novels such as La Possibilité d’une île (2005) and Soumission (2015) show the author fully inhabiting this freedom in order to undertake a provocative critique of Islam. This article explores how both literary technique and authorial presence endorses the controversial ideas of his texts within Houellebecq’s writing and demonstrates how a movement from ambiguously undermining towards reinforcing those ideas can be observed. In particular, the framing of provocative ideas and assertions expounded in his fiction has become less robust throughout his career. This leads to, I suggest, a greater porosity between Houellebecq’s fiction and that of contemporary right-wing essayists such as Alain Finkielkraut and Renaud Camus.  相似文献   

12.
《Northern history》2013,50(2):195-207
Abstract

'The Vita Gregorii and Ethnogenesis in Anglo-Saxon Britain'. During the Migration Period, ethnic and political identities emerged amongst the barbarians in the West. In Britain, the barbarian newcomers came to see themselves as a single gens — the English people. Although this has usually been seen as a smooth and almost inevitable process of ethnogenesis, an analysis of an oft overlooked hagiography, the Vita Gregorii, will demonstrate that ideas of ethnicity carried political currency, at least in early-eighth-century Northumbria. Moreover, the notion that all the barbarian newcomers belonged to a single gens found dissenters, evidenced in part by the Vita Wilfridi, which regarded a local, Northumbrian identity as primary. This interpretation places the Anglo-Saxons alongside their Continental counterparts, allowing events in Britain to be understood in a manner harmonious with the broader experiences of the West.  相似文献   

13.
ABSTRACT

In recent years, there has been sustained critique of the conceptual and normative foundations of UK cultural policy – the paternalism of ‘excellence and access’ and the neoliberal logic of ‘creative industries’. Whilst these critiques are well established, there is little work offering alternative foundations. This paper makes a contribution to this task. It does so in three ways. Firstly, by identifying ‘cultural democracy’ as a key discourse offering a counter-formulation of what the aims of cultural policy could and should be, and analysing uses of this term, it highlights the need to more effectively conceptualize cultural opportunity. Secondly, drawing on research with one UK-based initiative, Get Creative, the paper identifies a particularly consequential aspect of cultural opportunity: its ecological nature. Thirdly, it shows that the capabilities approach to human development provides ideas with the potential to help build new conceptual and normative foundations for cultural policy. Proposing a distinctive account of cultural democracy characterized by systemic support for cultural capabilities, the paper concludes by indicating the implications this may have for research, policy and practice.  相似文献   

14.
Summary

This essay closely examines the highly contested but widely employed historiographical category ‘absolutism’. Why are scholars so divided on whether it is even legitimate to use the term and, if they agree to do so, why are they still much at odds in explaining what it is? What are the main historiographical currents in the study of absolutism? Is it the same thing to speak of absolutism in regard to the practices of early modern European monarchies and with reference to the political ideas of so-called absolutist theorists? By addressing these questions through the methodology of intellectual history, this essay provides a comprehensive account of debates on absolutism and, at the same time, suggests that further work needs to be carried out on its theoretical aspects. In this respect, the author will propose a series of key ideas and principles which are meant to encapsulate the core of an early modern doctrine of absolutist monarchical sovereignty. It will also be argued that, when studying political thought, the term ‘absolutism’ might be abandoned in favour of the plural ‘absolutisms’ as a better way of understanding the past, its languages, opinions, people. In so doing, a thorough analysis of what political absolutism(s) is will be set forth, and a series of more general considerations on history-writing will also be advanced.  相似文献   

15.
ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.  相似文献   

16.
ABSTRACT

The aim of this article is to present the work of Emil Utitz, the Czech-German Jewish philosopher and psychologist, who was also a survivor of Theresienstadt. The power of the imagination and its intensification by the daily reality of the concentration camp was central to Utitz’s conception of life, which reveals the influence of the then popular ideas of Hans Vaihinger, and especially his theory of the importance of the human ability to act as though something was true. More specifically, the article reconstructs and contextualizes Utitz’s thought along two axes: the Kantian philosophical tradition, and Viktor Frankl’s and Hans Günther Adler’s conceptions of the Holocaust experience.  相似文献   

17.
In 1935, the British scholar Eliza M. Butler published The Tyranny of Greece Over Germany, in which she explored the appeal of Greek art and poetry to modern German writers. She argued that Hellenism had exerted a baleful influence on German literature and culture, and that Germans were especially—even dangerously—susceptible to the power of ideas. In her view, the most dangerous Hellenic concept to German culture and society was the daimon, which had reached Germany via the work of Winckelmann. Butler's thesis and methods may be problematic, as some reviewers of Tyranny pointed out, but her work is noteworthy as the product of a scholar who had lived in Germany and was a witness to history, familiar with German language, literature, and culture, writing on Germany during difficult times. As a British scholar who began studying German just before World War I and ended her career after World War II, Butler had an ambivalent relationship with Germany and Germans. But in addition to political factors, she was also influenced by her family, her educational and research experiences in Germany, and her preference for 18th- and 19th-century over 20th-century Germans. Moreover, her perception of Germans and Germanness was consistently posed against her perception of England and Englishness, and she defined the two cultural identities in terms of their relation to each other. Writing Tyranny as the National Socialists came to power in Germany, Butler judged Germans and their relationship to the daimon harshly. In 1956, Butler reconsidered the daimonic in a study of Byron and Goethe, and in this work it received a more sympathetic and nuanced analysis. A comparison of these two works is useful for understanding the evolution of Butler's thought in the 20-year interval between their publication.  相似文献   

18.
Abstract

I locate the Leveller John Lilburne within the broader literature on the history of political thought and I challenge scholars who associate Lilburne's Leveller political thought with Hobbesian liberty, with proto-libertarianism, or with proto-bourgeois political thought. I advance an understanding of Lilburne as creatively merging central tenets of proto-liberalism with central tenets of republicanism. To develop this amalgamation of ideas, I go considerably beyond the Agreement of the People and the Putney Debates to explore the larger Leveller corpus. Through this investigation I articulate Lilburne's account of key concepts in the history of political thought including: liberty, tyranny, rights, rule, political participation, popular sovereignty, civic virtue, self-interest, harmony, antagonism, and institutional design. I conclude by arguing that we should consider the Levellers, particularly John Lilburne, as offering an early example of what has come to be called liberal-republican political thought, a way of theorizing found within the writings of English Commonwealthsmen.  相似文献   

19.
ABSTRACT

The role of sport and cultural practices in policy initiatives tends to be assessed in both cases in terms of their assumed social benefits. However, the areas of sport and culture are often understood separately in research. Through an analysis of interviews with key local policy-makers and civil servants in two Swedish municipalities, the aim of this article is to explore how sport and culture are formed as means to promote social policy objectives regarding young people. In addition, we reflect on the political significance of this in relation to the development of local policy. The analysis demonstrates how a discourse of urban segregation and unequal opportunities underpins actions to mobilise non-participant and at-risk youth. This is achieved by establishing centres for sport and culture, and by enabling an educational approach which focuses on participation, empowerment and good citizenship. Reasons for mobilising practices involving culture and sport overlap, though each area of policy appears to be differently underpinned by discourses of enlightenment and conformity. Differences in emphasis between the discourses on sport and culture are discussed in relation to scientific discourse on the social utility of each policy area.  相似文献   

20.
Abstract

This essay considers the ancient antecedents to the “new field” of the ethics of philanthropy, arguing that key questions such as “to whom should we give our money?” have already been explored by ancient authors and that the answers they give to these questions can be quite different to the answers given by contemporary scholars. By analysing the treatment of giving in Aristotle’s Nicomachean Ethics, Cicero’s De Officiis, and Seneca’s De Beneficiis, I argue that the focus of ancient thinkers upon giving within one’s own community can be viewed as a possible response to a number of issues that have been raised by modern scholars, including the “problem of acting at a distance” and the “problem of accountability.” Moreover, these ancient thinkers have additional, positive reasons for thinking that philanthropy should take place within one’s own community, based upon their ideas of man’s natural duty to his political community, and the social benefits that can be derived from local philanthropy. The integration of ancient perspectives, then, into these modern debates, can serve to complement and broaden research in this emerging field.  相似文献   

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