Patriotism,Self-Interest and the ‘Empire Effect’: Britishness and British Decisions to Invest in Canada, 1867–1914

This paper builds on the growing body of literature on the British World, which has shown that people in the dominions had a strong British identity and their claims to Britishness were recognised by people in the British Isles. It attempts to gauge the extent to which this British World identity influenced the global allocation of British capital. Much of the existing literature on British investment in the dominions dismisses the possibility that the pattern in Britain's capital exports was significantly affected by imperial patriotism. This article will suggest that imperial sentiment did indeed influence the destination of British capital exports. Imperialist sentiment influenced the legal and political institutions of the dominions in ways that encouraged British investment. Moreover, imperial ideology may have influenced investors' decisions in ways that the existing historiography does not adequately explore: at least some British investors may have been willing to accept a lower anticipated rate of return because they valued the psychological satisfaction of investing in territories that happened to be part of the British Empire. This article compares the experience of British investment in the United States, which has an ambiguous relationship with the British World, with that of investment in Canada with a view to understanding the impact of the British World identity on investment patterns.     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

Integration and the negotiation of ‘here’ and ‘there’: the case of British Arab activists

Immigrant-receiving societies are increasingly emphasizing the need for immigrants to integrate into mainstream life. In Britain, this trend has manifested itself in ‘social cohesion’ discourses and policies. Discussions about social cohesion have often focused on the residential patterns of immigrant and minority groups in British cities, with the assumption that residential patterns are an indication of social integration. Integration, however, is also a socio-political process by which dominant and subordinate groups negotiate the terms of social membership. We explore the ways in which British Arab activists conceptualize their membership in and responsibilities to their places of settlement; we also consider how they reconcile notions of integration with their connections to their places of origin. Our study participants speak of the need for immigrants to participate actively in their society of settlement, but they reject the idea that integration requires cultural conformity or exclusive loyalty to Britain. Their definition of integration as a dialogue between distinctive but equal groups sharing a given place provides a normative alternative to social cohesion discourses.     

Marx–Lenin–Rotten–Strummer: British Marxism and youth culture in the 1970s

This article uses the debate on youth culture that took place in the pages of Marxism Today (1973–75) to explore the ways by which cultural changes and identity politics began to challenge, complement and redefine the British left. The debate revealed much about the tensions that ultimately pulled the Communist Party of Great Britain apart. But it also uncovered faultlines that had ramifications for the left more generally and, perhaps, the wider British polity.     

‘‘This Secret Town’: British Intelligence,the Special Relationship,and the Vietnam War’

This article seeks to revise our understanding of Cold War intelligence as a practice. The conventional view is that Britain's MI6 waged a battle in the shadows consisting of espionage and covert action. However, a number of MI6 officers operated as observers, conducting what we might call ‘intelligence without espionage’. The dual identity of these officers raises important questions about how intelligence operated in the blurred space between traditional diplomacy and human espionage using agents. Using the case of MI6 officers in the British Consulate-General in Hanoi between 1965 and 1972, this article explores how a dual identity provided alternative means of acquiring intelligence within a highly secure state that exhibited remarkable paranoia about foreign spies. Furthermore, the United States lacked diplomatic representation in Hanoi and so the British Consulate provided a remarkable window for Western intelligence on the effect of ‘Operation Rolling Thunder’, Lyndon Johnson's escalating air campaign against North Vietnam. Both Johnson and Harold Wilson were avid readers of this material. Accordingly, in the context of the Cold War intelligence partnership between the UK and US, the consulate in Hanoi was an example of the ‘inverse’ special relationship, in which Britain enjoyed unique value.     

Modernity East and West: Melodrama and yanqing in Shanghai’s popular culture*

The rise of the melodrama as a literary and theatrical genre appears to have had a co-relation with the rise of industrial cities in modern times around the globe from Europe, North America, to East Asia. In China, this phenomenon manifested itself in the yanqing (lit. speaking of feelings) genre that dominated the popular culture scene in Shanghai in the most part of the twentieth century. While the yanqing genre was an expression of particular Chinese modern experiences, it also provided a channel for these local experiences to partake in and enrich a global experience of modernity. This study shows how yanqing arts helped ordinary Shanghai residents deal with changing patterns of gender, love, and family relations in the fast-growing and modernizing city. Through such re-examination of the yanqing culture this study tries to shed new light on some important questions in modern Chinese history and help correct traditional elite views of this history.     

‘Queen’s Day – TV’s Day’: the British monarchy and the media industries

In contemporary British history, Elizabeth II’s coronation in 1953 is typically imagined and narrated as the moment where television was anchored as a national cultural form. In addition, it is well documented by commentators and scholars that during preparation for the coronation, politicians and the palace had reservations that live television might fracture the carefully constructed mystique of monarchy. This article revisits the coronation to consider why and how television was perceived as a watershed moment for both monarchy and television, and what difference this has made to royal representations since. Using the work of Michael Warner, it argues that the mediated intimacies facilitated by television as a new cultural form encouraged viewers to enact participatory and active processes of spectatorship as royal ‘publics’, who are brought into being through being addressed. That is, it was the act of emphasising the centrality of television’s role in the coronation, and in reinforcing the apparent distance between monarchy and (popular) media, that these ‘meanings’ of the coronation were constructed in the public and historical imaginary.     

‘Postponing the Evil Day’: Sir Edward Grey and British Foreign Policy

ABSTRACT

Sir Edward Grey is remembered largely as Britain's Foreign Secretary when ‘the lights went out all over Europe’ in the summer of 1914. His record remains contested. From David Lloyd George's crafty deception in his wartime memoirs to more recent revisionist historians, writers have sought to blame Grey for the outbreak of the First World War. Drawing on substantial research in private and official, British, and foreign archives, this paper will reconstruct Grey's career as Foreign Secretary with an emphasis on his objectives and the means which he employed to obtain them. Crucially, it places Grey's stewardship of British foreign policy within the broader international context, defined by the steep decline and subsequent renaissance of Russian power in the years between 1905 and 1912/13, with the aim of establishing the limitations of British power. More especially the shift in the international balance around 1913/14 shaped towards Russia, and away from Germany, shaped Grey's calculations during Europe's last summer. The July Crisis showed both the strengths and the limitations of Grey's diplomacy, this persistent and subtle pressing for mediation, but also his misreading of Austro-Hungarian policy.     

The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’

This article demonstrates that the Profumo affair, which obsessed Britain for large parts of 1963, was not simply a political scandal, but was also an important cultural event. Focussing on the production of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. Many Profumo-related cultural products found an audience, and thus formed an integral part of, and helped to shape public attitudes towards, the Profumo affair. However, these products did not go uncontested, and resistance to them, and especially to the idea that Keeler might benefit materially from her role in the scandal, speak to concerns about cultural mediations of sex, politics and humour in early-1960s Britain.