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LI Yueguang 《神州》2014,(5):22-23
Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》  相似文献   

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The study of the various inspirations of Ludovico Geymonat's epistemology (positivism and neopositivism, neorationalism, historicism and dialectical materialism) illustrates the way in which for the Italian philosopher the problem of objectivity of knowledge remains inseparable from the historicity of the sciences. Geymonat's epistemological approach associates scientific progress to its objectivity.  相似文献   

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International matrix theory of the 1930s is influenced by multiple phenomena and may be analyzed by looking at how local practices were globalized via pathways which manifested a short-term reappropriation between the two world wars of work developed over the long term. This article interrogates the constitution of the universality of matrix terminology and focuses particularly on phenomena of the collective circulation of texts which present cultural aspects proper to networks with complex identities.  相似文献   

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The purpose of this paper is to analyse the influence of Ferdinand Gonseth's epistemological and philosophical reflection on Gaston Bachelard. This will be done on at least two levels: on the one hand, on the level of direct quotations of Gonseth's texts and notions made by Bachelard; on the other, on the level of an agreement between the two conceptions concerning some central issues— agreement that lets one suppose an influence of Gonseth on Bachelard or an identity between their views. One concludes recalling the notion of «subjectivité quelconque», suggested to Bachelard by the gonsethean idea of «logique comme physique de l'objet quelconque», and seeking to grasp the differences between Bachelard's notion of «sujet quelconque», and Gonseth's one ofhomo phenomenologicus. One could define Bachelard's and Gonseth's epistemologies as two phenomenologies of the man of science: this is their main common feature.  相似文献   

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Against the classical point of view, for which the idea of the infinite is the expression of God’s in the human being, Diderot proposes a concept of the infinite that considers it as an immediate production of the body. Removing the infinite from its former divine origin, Diderot’s idea of the sentient body contests the classical concepts, particularly the one of order, which bound epistemology to theology. Thus, disorder acquires a new value, even in its pathological forms, which now can be considered as modes of an immanent and fundamentally creative process.  相似文献   

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By using a dialogical method in Le Supplément au voyage de Bougainville (1772), Diderot contrasts two places: the civilized European world and the primitive island of Tahiti. The dialogical structure of his work entails a questioning of the concept of libertinage through the theme of the corporeal. Indeed, the dialectical method he employs in the text unifies his vision on what the body represents. This work will demonstrate that for Diderot the body can be defined as three entities: the text, the physical, and the social. All these three categories are intertwined for him. Using them as a leitmotiv enables him to call into question the moral and social conventions of his own country.  相似文献   

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From The Theory of Moral Sentiments to his essay on The Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts, Adam Smith offered a vision of aesthetics combining beauty and utility. An echo of exchange value as the “ability to buy other goods” — the “power” to organize and achieve one’s goals — his definition of beauty was premised on the “aptness” of things, that is, the fact that they were also useful. Sustained by the commodification of products, a kind of “techno-aesthetics” thus emerged in England in the 18th century, one that implied designing, adapting, reducing and showcasing the means of production.  相似文献   

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Summary The term yóga must have designed an essential part of the sacrificial cult as known in the gveda: the putting in motion (“Int?tigkeitsetzen”, following Geldner), the launching of a specific activity with the ultimate goal to yoke, to join together or to pair the objects and the entities which match or can match each other or which can be viewed as comparable and even identical according to Vedic archaic speculative thought. Vedic sacrifice is in fact a powerful explicatory device, a set of gestures and of designs condensing a speculative experience. The verb yuj- and its derivates translate thus one of the central themes of the Vedic religion where the poet officiating in the sacrifice has to proclaim the connections and the identifications between the phenomena to be correlated (“yoked, harnessed”). The hippological vocabulary in the gveda as applied to the representation of the speculative practice is less an accidental metaphor than a true and meaningful translation of one of the basic principles this practice.   相似文献   

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This paper proposes a reconstruction of the Wolffian debate on Leibniz’s idealism arising from the initial response to Leibniz’s Monadology. This reconstruction requires us to revisit some problems central to the debate: an inaccurate translation of a term in the latin Monadology («le composé» is translated as «substantia composita»); status of body as composed substance; status of elements as simple substances from which bodies result (which goes against the Cartesian conception of substance); status of Leibnizian notions of perception, force and pre-established harmony; status of experience as a holistic and systematic process (which goes against its conception and the tabula rasa in Locke) in the Wolffian response and system. A thorough examination of the founding texts of the response (Bilfinger and Wolff) allows us to reconsider the relation between Leibniz and Wolff from a new perspective.  相似文献   

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The study of the financing of documentary films in France by its two main sources (TV channels and the film industry) enables us to uncover the conditions of possibility of the autonomy of filmmakers. It reveals an opposition between two patterns: a logic of “flows” within the audiovisual circuit (television) and a logic of “scarcity” within the film circuit, completed by new forms of financial support.  相似文献   

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