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Jack Hiu-Yu Cheun 《Frontiers of History in China》2014,(2):311-314
Despite the splendor and historical significance of Huizong's reign (r. 1100-26) in Song history, little research has been done on this period in recent years. Chinese scholarship provides several interesting biographies of Huizong and a few monographs about his reign, mostly literary, if not fictive. 相似文献
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拉巴平措 《中国藏学(英文版)》2011,(1):1-13
Honorable experts and scholars: On this frosty winter’s day,we gather here together to hold the first China Tibetology Qomolangma Forum.Hereby on behalf of the China Tibetology Research Center I extend to you our warm welcome and heartfelt thanks.Following the Beijing Tibetology Symposium,Tibetology Qomolangma Awards-giving activities and the Coordination Meeting of Tibetology Work across the Country,the Tibetology Qomolangma Forum is held for the purpose of building another platform for academic exchanges within 相似文献
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《中华文史论丛》2013,(4):389-398
Exile of Litterateurs and Literary Creations: New Literary Orientation from the Years 1067 to 1162
Shen Songqin ( p. 1 )
During the hundred years between the reigns of Shenzong and Gaozong of the Song Dynasty, thousands of litterateurs were put in exile. These exiled litterateurs were the major players in the literary creations in the Song period In the times of exile or imprisonment, they were fraught with desperation and sorrow of life. In the face of the life blow, they strove to practice the teaching of inward sagehood of Confucianism and cultivated their mind and nature. In this way, they were able to remove the burden of sorrow and came to terms with themselves. Thus, they experienced the' spiritual progress from sorrow, transcendence to yearning for home. The spiritual progress dictated that the exiled group proceeded from the "outward" to the "inward"in literary creations. This turn to the sentimental poetry was a thorough one. The desperation and sorrow of life were transformed into the songs of ease and leisure. Thus, 相似文献
Shen Songqin ( p. 1 )
During the hundred years between the reigns of Shenzong and Gaozong of the Song Dynasty, thousands of litterateurs were put in exile. These exiled litterateurs were the major players in the literary creations in the Song period In the times of exile or imprisonment, they were fraught with desperation and sorrow of life. In the face of the life blow, they strove to practice the teaching of inward sagehood of Confucianism and cultivated their mind and nature. In this way, they were able to remove the burden of sorrow and came to terms with themselves. Thus, they experienced the' spiritual progress from sorrow, transcendence to yearning for home. The spiritual progress dictated that the exiled group proceeded from the "outward" to the "inward"in literary creations. This turn to the sentimental poetry was a thorough one. The desperation and sorrow of life were transformed into the songs of ease and leisure. Thus, 相似文献
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