National Identity and Everyday Cultures in Contemporary France: Re-Constructing Frenchness through ‘Third Kind’ Representations of the Cités (1960–2000)*

This article examines the role played in France by the culture du quotidien (everyday culture) in establishing a more integrated image of the nation and identity. It suggests that since the 1960s, dominant media discourse in France, and artistic representations of the urban periphery, have often perpetuated an image of the cités as menacing spaces detached from the national community and emblematic of France's postmodern crisis. Focusing on everyday cultural creations about the Grand Ensemble in La Courneuve, it argues that the ‘ordinariness’ of the lives these creations convey, along with the residents’ cultural practices and their continuing sense of belonging, effectively treats geography, culture and history in a way that questions the standard externalising discourse about the cités. Despite their limits in terms of circulation, these cultural artefacts of a ‘third kind’ offer images that contribute to challenging the ‘banlieues myth’ and help re-construct a French identity perceived under threat. 1 ?[1] I express my gratitude to Dr Karima Laachir, Professor Kate Ince and Dr Jackie Clarke for their support, comments and advice, while preparing this article. I am also indebted to the challenging and inspiring contributions made by the participants of the ASMCF conference held in Manchester in September 2008. Finally, my thanks go to the inhabitants of La Courneuve who, like Dr Roger Amar, kindly accepted to discuss their views on French contemporary society.      

From enlightenment to experience: cultural centres in Helsinki neighbourhoods

The article explores how key cultural policy objectives have been negotiated and realised in the urban cultural centres of three neighbourhoods in the city of Helsinki, Finland. We analyse how the ideological basis and the meaning of the centres for their users are related to the overall rationales of urban cultural policy: Enlightenment, Empowerment, Economic impact and Entertainment (Skot‐Hansen 2005 Skot‐Hansen, D. 2005. “Why urban cultural policies?”. In EUROCULT21 Integrated Report, Edited by: Robinson, J. 31–39. Helsinki: EUROCULT21.  [Google Scholar]). Based on our data, consisting of documents on the centres, interviews with decision makers, producers and other professionals, as well as a survey (N = 814) of the visitors to these centres, we argue that even though the roots of the centres date back to 1970s concepts about the democratisation of culture and cultural democracy, the centres are not old‐fashioned fortresses of outdated cultural forms. On the contrary, as providers of experiences, the cultural centres reflect the latest developments of society.     

“Back in the heartland”: Seamus Heaney's “Route 110” sequence in Human Chain

This essay foregrounds the increasingly significant role translation has played in Seamus Heaney's compositional and creative practices since the 1970s, and how it functions as a means of displacement and route into imagined homecomings. It offers a detailed analysis of the sequence which occupies a central position within Human Chain, in which Heaney HeaneySeamusStations. Belfast: Ulsterman Publications, 1975. [Google Scholar] attends to and seeks to reconcile once more the different “voices of my education”, that of originary familial/parish culture of Mossbawn and Bellaghy, and that acquired at St Columb's College and Queen's University that furnished him with rich linguistic and cultural assets, but sentenced him also to a “migrant solitude” (“The Wanderer”, Stations). “Route 110” illustrates the enduring effects of both bequests, as Heaney takes scenes and motifs from Virgil's Aeneid, Book VI, which details Aeneas' experiences on his descent into the seventieth year, Heaney takes readers with him on a road back to pre-Troubles Northern Ireland in the mid-twentieth century, stopping off initially at Smithfield Market, Belfast, in order to pick up a “used copy” of the Virgil that will become his guide. What he subsequently assembles is an album of snapshots of his youth, part of his legacy to his newly-born granddaughter.     

‘Please Tell Me Who I Am’: Resisting Media Representation of Arab Masculinity and Violence in Wajdi Mouawad's Incendies

In Wajdi Mouawad's play Incendies (2003), a photojournalist stands offstage, photographing a sniper who, it can later be deduced, is half-Lebanese and half-Palestinian by birth. The sniper sings along to Supertramp's ‘The logical song’ Supertramp. 1979. “The Logical Song.” Breakfast in America, CD. A&M. [Google Scholar], using his rifle as a guitar. But he refuses to allow the photojournalist to capture his silent image. The sniper shoots him, drags him onstage and verbally tortures him before he kills him. The sniper then uses the photojournalist's arm as a microphone and interviews himself in a rock star fantasy to reveal his biography. This scene is examined in detail to tease out the themes of listening and tracing origins and identities in war, exile and diaspora, and leads to questions about the role the media plays in the construction of Arab masculinity as both menacing and marginal. The article argues in conclusions that, as one of the leading voices in Francophone theatre today, Mouawad offers a new variation on engaged theatre, one that frames origins as a process rather than a matter of fact.     

Irish Republican Politics and Violence before the Peace Process, 1968–1994

Analyses of the Provisional IRA in Northern Ireland tend to underplay the influence of political strategy in the 1970s, preferring to emphasise militarism. Similarly, the persistence of militarism in the 1980s is often obscured by the attention paid to a ‘new’ republican political orientation. This article seeks to draw attention to the IRA's evolving attitude to the ‘problem’ of Ulster unionism, and republicanism's various estimations of the likely efficacy of violence throughout the period. Republicanism is best understood as a deeply rooted working-class ethno-nationalist movement interacting closely with the other agents of the Northern Ireland conflict: constitutional nationalism, unionism and the British government. ‘Armed struggle’ became a declining asset for republicanism as it came to be seen less as a form of ‘popular guerrilla warfare’ and more as ‘terrorism’. 1 [1] For valuable advice, thanks to Prof. Roy Foster. Opinions expressed are my own. View all notes     

Generational differences in women's attitudes towards paid employment in a British city: the role of habitus

Most studies of women's work orientations are based on the attitudes and experiences of women with dependent children and conceptualise women's decision-making in terms of moral positions on the combination of paid work and motherhood. Thus, work orientations are understood within a ‘gender model’ (Dex 1988 Dex, S. 1998. Women's attitudes towards work, New York: St. Martin's Press.  [Google Scholar]), which assumes that women's family situation drives their attitudes towards paid work. This article draws on qualitative interview data collected from interviews with women in two age groups living in Oxford, UK, to explore generational differences in women's work orientations and labour market behaviour. Drawing on a Bourdieusian framework, it considers specifically how changing social, economic and moral geographies, incorporating expectations about women's economic and caring roles, have influenced the habitus of older and younger women. The results of the study suggest that whilst caring responsibilities clearly influence women's attitudes and employment patterns, paid work is more important to younger women's sense of themselves and ‘gender models’ of work orientations do not adequately describe their attitudes.     

‘It Was Another Skin’: The kitchen as home for Australian post-war immigrant women

This article examines the importance of the kitchen for immigrant women who arrived in Australia in the late 1940s and 1950s. Using oral history interviews with 27 immigrant women I examine the multiple and overlapping ways in which they ‘make’ home. Women construct home through the kitchen by re/negotiating the kitchen space to ensure that the kitchen and their central placement within it produces a ‘feeling’ of being ‘at home’. Women shape the architecture and design of the kitchen in terms of their own understandings of the discourses of efficiency and domesticity, and also through colour and decoration, to ‘make’ the kitchen home. These understandings will be explored through nuanced readings of the immigrant women's stories of their kitchen lives.

In those days a woman's home, [well] you were in the kitchen all the time. You felt safe and confident in your kitchen because it was yours, your job, your work or whatever you do, you feel confident, but if you meet someone else outside of that you lose a little bit of that confidence … In the kitchen, I felt good … Cooking or whatever it may be, we just sat down at the table and it was a wonderful feeling. (Emily: interview, 1998, Scottish immigrant)1 1. Emily is a Scottish immigrant woman who arrived in Western Australia in 1951. Pseudonyms are used to maintain anonymity. View all notes.     

Charity and Political Protest in French Popular Music

This article explores the cultural assumptions expressed in the self-proclaimed ‘alternative’ and ‘protest’ sector of French popular music, and how these become problematic when leading a charity concert. Liberté de circulation (1999) is a small-scale concert set up for the benefit of the Groupe d'Information et de Soutien des Travailleurs Immigrés (GISTI) in support of illegal immigrants, and its participants (artists and organisers) have a confused relationship with contestation and media exposure. While they convincingly wrap their pro-migration discourse in notions of solidarity and universality, they often confine themselves in artistic and production terms to a certain marginality, which fails the objective of raising funds and public awareness for the charity targeted. Drawing on a comparison between Liberté de Circulation and Les Enfoirés, a high-profile, televised charity show supporting the destitute, the article observes the problematic articulation of charity to political commitment and, in so doing, contributes to debate about the formation of cultural identities around the concept of ‘resistance’ in contemporary France. This discussion follows the pluridisciplinary method of popular music studies and includes an analysis of song lyrics, orchestration, artists' declarations in interviews and the media reception of charity concerts.     

Participant observation in obesity research with children: striated and smooth spaces

This article discusses the value of conducting participant observation in obesity research with children in an Australian community setting. Obesity is highly stigmatized, and the use of activity-based interviews exposed the intellectual and embodied consciousness that children negotiate when they take part in research about food and bodies. Instead of opening up possibilities, interview-based activities can lead to a moral correctness about healthy lifestyles. It was through participant observation, in engagement with what Deleuze and Guattari [1988 Deleuze, G., and F. Guattari. 1988. A Thousand Plateaus: Capitalism and Schizophrenia. London: Athlone Press. [Google Scholar]. A Thousand Plateaus: Capitalism and Schizophrenia. London: Athlone Press] call striated and smooth (or regulated and unregulated) spaces of children's everyday activities, that richer understandings of obesity and children's bodies became apparent. We argue that without participant observation, our understandings of what children say and draw about healthy lifestyles may be limited by the striated spaces in which we conduct our research and the constraints that accompany the cultural politics of childhood and obesity.     

Playing and affective time-spaces

In this paper I have two objectives. The first is to critically explore definitions of playing that have underpinned a great deal of research in children's geography. In so doing I want to highlight some of the assumptions that various authors within geography have made (often implicitly) about the ontological status of playing. This will in turn, lead me to work with, between and sometimes against three authors who have tried to theorize playing. In following this route, I hope to come to some tentative conclusions about the status of playing, which paradoxically will eschew any (strong) ontological commitment at all. This leads to my second objective, which is to explore four particular aspects of playing—embodiment, affect, objects and time-space—to examine how they are interleaved with spaces and spacing. In necessarily situating this work within my research at Hilltop Primary School1 1. This is a pseudonym, used as part of a confidentiality agreement signed with the school. View all notes in the summer of 2001, I hope to show that geographical studies can contribute to definitions of playing as much as playing can inflect certain notions of space.     

EU media policy and/as cultural policy: economic and cultural tensions in MEDIA 2007

This article is an examination of the cultural and economic tensions that arise in the formulation and implementation of media policy in the European Union. Through an analysis of the MEDIA 2007 MEDIA Desk Germany. 2007. Interview with Aviva Silver, head of the MEDIA Programme, European Commission carried out by MEDIA Desk Germany in preparation of the Programme launch at Berlinale 2007 [online] Available from: http://www.mediadesk.co.uk/usr/images/news_images/interview_with_aviva_on_media_2007.doc [Accessed 17 May 2010] [Google Scholar] program, the authors investigate how the priorities of cultural policy and media policy interact and conflict. EU policy goals from the mid‐2000s onwards have emphasized attention to the economic potential of the creative and cultural industries, which complicates the cultural potential of audiovisual media. MEDIA 2007 MEDIA Desk Germany. 2007. Interview with Aviva Silver, head of the MEDIA Programme, European Commission carried out by MEDIA Desk Germany in preparation of the Programme launch at Berlinale 2007 [online] Available from: http://www.mediadesk.co.uk/usr/images/news_images/interview_with_aviva_on_media_2007.doc [Accessed 17 May 2010] [Google Scholar] in particular demonstrates these tensions, as the design of this policy mechanism emphasized audiovisual media’s potential for European economic growth as a precondition for achieving cultural objectives.     

A l'attac. Globalisation and Ideological Renewal on the French Left

The question of globalisation has become a focus of intense debate on the French Left with growing attempts to redefine the nature and forms of leftist opposition. More than any other grouping Attac, created in 1998, has been at the centre of a movement of opposition that contests the terms of neo-liberal globalisation and posits an alternative vision of social and political change. This article focuses on Attac's role in constructing a new discourse of opposition in relation to a global economic order. Whilst Attac seems to offer the possibility for ideological renewal on the Left, it has so far been unable to mobilise widespread support behind its political project. For some observers, Attac has failed to make explicit the connections between particular social problems and grievances in France and a universal context of change at international level. It tends to treat globalisation as an abstract ‘scientific’ problem, a distant and reified phenomenon rather than a social reality affecting millions of French citizens in their everyday lives.

Comment cela s'appelle-t-il, ce moment o[ugrave] un autre monde devient possible? Cela a un très beau nom, camarades. Cela s'appelle l'aurore.1 ?[1] Ramonet, I. (2002 Ramonet, I. 2002. “Cela s'appelle l'aurore”. In Attac au Zénith, 13–25. Paris: Mille et Une Nuits.  [Google Scholar]) ‘Cela s'appelle l'aurore’, in Attac au Zénith, Attac, Mille et Une Nuits, Paris, p. 21. The slogan un autre monde est possible was first devised by Attac and has since become the main symbolic reference for the French anti-globalisation movement.      

Dark Nightmare: The Shooting of William Alexander as Canon Scott Saw it

Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.     

From “Dead Things” to Immutable,Combinable Mobiles: H.D. Skinner,the Otago Museum and University and the Governance of Māori Populations

This paper draws on Callon's [2005 Callon, Michael. 2005. “Why Virtualism Paves the Way to Political Impotence: A Reply to Daniel Miller's Critique of The Laws of the Markets.” Economic Sociology: European Electronic Newsletter 6 (2): 3–20. [Google Scholar]. “Why Virtualism Paves the Way to Political Impotence: A Reply to Daniel Miller's Critique of The Laws of the Markets.” Economic Sociology: European Electronic Newsletter 6 (2): 3–20] concept of agencement, together with Latour's [1987. Science in Action: How to Follow Scientists and Engineers Through Society. Cambridge, MA: Harvard University Press] concept of immutable combinable mobiles to illustrate how Henry Devenish Skinner, ethnologist and anthropology lecturer at the Otago Museum and University sought to form and shape Māori identity, history, culture and populations as subjects of liberal government. It does this through an exploration of Skinner's fieldwork and collecting practices. The paper suggests that forms of analysis mediated through the American History School, and the culture area concept were deployed during the emergence of anthropology as a discipline in New Zealand (between 1919 and 1940) to produce ethnographic authority that then acted as a point of connection between scientific networks and the colonial administrative field.     

THE DAILIES IN REVOLTS

The article addresses the following questions: How newsworthy were the global unrests as phenomena and which areas did the Norwegian press focus on? Did the global protest become a part of the Norwegian media agenda in 1968? Did the party commitments of the selected newspapers influence their reporting of protests and revolts as phenomena? Which of the Norwegian newspapers had the most extensive coverage of the protests and revolts? Furthermore, with respect to the Nordic countries: Did geographical and cultural proximity to events in Scandinavia lead to a more comprehensive coverage of these events? Based on a quantitative analysis of the total coverage of demonstrations, strikes and riots in selected Norwegian dailies in 1968, this article disputes Galtung and Ruge's Galtung, Johan and Ruge, Mari Holmboe. 1965. ‘The Structure of Foreign News’.. Journal of Peace Research, 2(1): 64–90. [Crossref] , [Google Scholar] classical hypothesis about geographical and cultural proximity as one of the most important news criteria.     

Barcelona as urban palimpsest: Architectonic memory and structural violence in José Luis Guerin's En construcción (2001)

This article presents an analysis of the Spanish director José Luis Guerin's “documental ficticio” titled En construcción (2001) En construcción. Dir. José Luis Guerin.Ovídeo TV S.A., 2001. Film. [Google Scholar]. In particular, I will examine the filmic representation of urban and architectonic spaces within post-industrial Barcelona, as well as the relationship of space and place to the construction of historical (post)memory in post-Francoist Spain, as “lieux de memoire.” While contemporary Spanish film has tended toward the engagement of Franco's lingering specters, I contend that Guerin's filmic discourse rather focuses on the new totalitarian state imposed by the emergence of social democracy and free-market capitalism in post-Francoist Spain, as inscribed via the urban architecture within Barcelona's public spaces.     

Korea's Aristocratic Moods: Re-examining Chos[obreve]n Social and Political History

Despite the vast influence of “Chinese culture” on Korea, the Chos[obreve]n dynasty (1392–1910) was a distinct cultural sphere governed by its own internal logic that centred on the aristocracy. Over the past twenty years, the importance of this fact has received emphasis in detailed studies by Deuchler (1992 Deuchler, Martina. 1992. The Confucian transformation of Korea: A study of society and ideology, Cambridge, MA and London: Council on East Asian Studies, Harvard University.  [Google Scholar]), Palais (1996 Palais, B. James. 1996. Confucian statecraft and Korean institutions: Yu Hy[obreve]ngw[obreve]n and the late Ch[obreve]son dynasty, Seattle and London: University of Washington Press.  [Google Scholar]) and Duncan (2000 Duncan, B. John. 2000. The origins of the Chos[obreve]n dynasty, Seattle and London: University of Washington Press.  [Google Scholar]). The recent works by Hwang, Park and Kim that are the subject of this essay constitute a triptych of studies that further illuminate theimplications of social status in Chos[obreve]n and show how South Korea's transformation over the past five decades represents a radical deviation from the defining characteristics of its Confucian past.     

Postcolonial border crossing

Through a postcolonial lens and based on in-depth interviews with British expatriates who moved to Hong Kong in the first decade after its handover, this paper highlights the contested role of borders in the everyday making and remaking of skilled migration. It draws on Paasi's (2003 Paasi, A. (2003). Boundaries in a globalizing world. In K. Anderson, M. Domosh, S. Pile, & N. Thrift (Eds.), Handbook of cultural geography. London: Sage. doi:10.4135/9781848608252.n33[Crossref] , [Google Scholar]) definition of boundaries to denote that borders are not merely geographical lines but zones of mixing, blending and reconfiguring historically formed material connections, identities and power relations through which contemporary skilled mobility is constituted. The border crossing of skills in Hong Kong and elsewhere is a historically contingent phenomenon whose meaning derives not only from economic forces and social networking but also the accumulated history of the borders they cross. The notion of ‘postcolonial border crossing’ highlights the dis/continuity in skilled migration and integrates social, cultural and economic spheres into the same framework in interpreting skilled mobility.     

Zu monumentum ancyranum

Like many of his contemporaries, Montaigne quotes abundantly from classical sources. But unlike most sixteenth-century writers, he does not use his quotations primarily as a source of authority or as rhetorical ornament. He deploys them in such a way as to make his readers take note not only of the quotation itself but also of its original context. He thus engages in a much deeper and more complex dialogue with his sources, one which may be regarded as a form of cross-cultural communication. As such, his quotation practice illustrates a fundamental (but often overlooked) feature of human communication: a great part of the information transmitted through an utterance or a text is communicated implicitly.1 This article is based upon a paper given at the workshop “Virgil's Eclogues and Georgics, and their reception”, organized by Dr Juan Christian Pellicer and Professor Monika Asztalos at the University of Oslo in November 2007. 2 I wish to express my gratitude to Terence Cave and Kyrre Vatsend, who read with great care earlier drafts of this article and gave valuable advice on crucial aspects of it.      

Airports and air-mindedness: spacing,timing and using the Liverpool Airport, 1929–1939

Some popular texts have associated airports with a lack of identity. It is supposed that people are alienated from these ahistorical and interstitial spaces (Augé 1995 Augé, M. 1995. Non-places: Introduction to an Anthropology of Supermodernity, London: Verso.  [Google Scholar]; Castells 1996 Castells, M. 1996. The Rise of the Network Society, Volume 1: The Information Age: Economy, Society and Culture, Oxford: Blackwell.  [Google Scholar]). Other approaches have tended to ignore their sociality, exploring their role within transport networks rather than what goes on within. Through a discussion of the early beginnings of British airport development and the construction of Liverpool Airport at Speke, I attempt to show how there are other contextual geographies to airports. By using the concept of air-mindedness—a moral geographical concept that promoted the belief in the possibilities of aircraft mobility, this paper discusses how social identities became bound to flight, forming the context to the development of the airport and both local and national belonging. This examination will reveal the embeddedness of airports within the times, spaces and uses from which they are produced and consumed. Archival research provides the material for this discussion.

Les aéroports et le sens des choses de l'air: l'espace, le temps et l'utilisation de l'aéroport de Liverpool, 1929–1939

Un nombre d'écrits populaires ont dressé un parallèle entre les aéroports et un déficit d'identité. Les gens, suppose t'on, se sentent aliénés par ces espaces ahistoriques et interstitiels (Augé 1995 Augé, M. 1995. Non-places: Introduction to an Anthropology of Supermodernity, London: Verso.  [Google Scholar]; Castells 1996 Castells, M. 1996. The Rise of the Network Society, Volume 1: The Information Age: Economy, Society and Culture, Oxford: Blackwell.  [Google Scholar]). Dans d'autres cas, on a fait fi de leur socialité, explorant alors leur rôle au sein de réseaux des transports plutôt que de s'intéresser à ce qui se passe dedans. Une discussion sur les tout débuts de l'expansion des aéroports britanniques et de la construction de l'aéroport de Liverpool à Steke tente de montrer comment les aéroports sont situés dans des contextes géographiques différents. Grâce au concept du sens des choses de l'air—un concept moral en géographie qui renforçait la croyance dans les possibilités de mobilité qu'offre l'avion, cet article traite de la façon dont les identités sociales se rattachent au vol créant ainsi le contexte dans lequel se situe le développement de l'aéroport et de l'appartenance locale et nationale. Dans cette étude, il est question de l'enchâssement des aéroports dans les époques, espaces et usages à partir desquels ils sont produits et consommés. La discussion fait état des résultats d'une recherche en archivistique.

Mots-clefs: aéroports, géographie, contexte, mobilité, identité, sens des choses de l'air.

Aeropuertos y air-mindedness: espacio, tiempo y el uso del aeropuerto de Liverpool 1929–1939

Algunos textos populares asocian los aeropuertos con una falta de identidad. Se supone que la gente se siente distanciada de estos espacios ahistóricos e intersticiales (Augé 1995 Augé, M. 1995. Non-places: Introduction to an Anthropology of Supermodernity, London: Verso.  [Google Scholar]; Castells 1996 Castells, M. 1996. The Rise of the Network Society, Volume 1: The Information Age: Economy, Society and Culture, Oxford: Blackwell.  [Google Scholar]). Los enfoques de otros no tienen en cuenta el aspecto social y exploran el papel del aeropuerto en las redes de transporte en vez de explorar lo que pasa dentro del mismo aeropuerto. Por un estudio de los inicios del desarrollo del Aeropuerto Británico y la construcción del aeropuerto de Liverpool en Speke, pretendo mostrar que, con respecto a los aeropuertos, hay otras geografías contextuales para explorar. Haciendo uso de la idea de ‘air-mindedness’—un concepto geográfico moral que fomentaba confianza en las posibilidades de movilidad aeronáutica—este papel habla de cómo las identidades sociales llegaron a ser vinculadas a la aviación, así formando el contexto para el desarrollo del aeropuerto y un sentido de pertenencia, tanto local como nacional. Este estudio revela hasta qué punto los aeropuertos se han arraigado en los tiempos, espacios y usos de los cuales son producidos y consumidos. Hago uso de investigaciones de archivos para este debate.

Palabras claves: aeropuertos, geografía, contexto, movilidad, identidad, air-mindedness.