Thomas Carlyle's Calvinist dialogue with the nineteenth-century periodical press

This article signals at a dearth of critical engagement with Thomas Carlyle's Presbyterian heritage resulting from the received whiggish narrative of his Calvinism as unenlightened, anachronistic, and backward-looking. It proceeds to challenge this view by examining closely Carlyle's creative use of key Calvinist concepts in his cosmopolitan and enlightened dialogue with the contemporary periodical press over British and European cultures. Carlyle is shown to be an adept purveyor both of the Edinburgh Magazine's enlightened idiom and of Blackwood's morally conservative and artistically cosmopolitan agendas, while also making creative capital of the Anti-Jacobin's powerful Gothic imagery and of the critical verve of the Westminster Review. The main addressees of Carlyle's reading of the signs of the times, I argue, are contemporary Whigs. Carlyle's depiction of Macaulay as a ‘spiritual hippopotamus’ spells Carlyle's broader critique of the modern lack of imagination of the spiritual which sponsors deterministic religious and secular readings of reality. Carlyle displays his enlightened Calvinist perspective in discussing the French Revolution through such key Scottish Enlightenment concepts as free will, conscience, civilisational and moral progress, and divine providence. Insightful and creative use of his inherited Scottish Calvinist heritage characterises Carlyle's open, cosmopolitan reading of the signs of the times.     

What Reformed Theology in a Calvinist Key Brings to Conversations about Justice

Abstract

This essay distinguishes John Calvin's participatory stance toward civil government and society from Peter Rideman's Anabaptist view. It outlines three theological frames that Reformed theology in a Calvinist key brings to conversations about justice. And, in distinction from some other trajectories in Reformed theological ethics, for example, Karl Barth, Miroslav Volff, it tries to retrieve a Calvinist emphasis on natural equity and human moral sensibility with the help of philosophers such as John Rawls and Michael Walzer.     

Writers and politics in West Germany

This article argues that Archibald Campbell's Necessity of Revelation (1739) can be viewed as the first application of the ‘science of human nature’, a characteristic branch of the Scottish Enlightenment, to the study of religious belief. Adopting Baconian and Newtonian methodological principles, Campbell set hypotheses, collected historical data, and inferred conclusions about the capabilities of human nature to come to fundamental religious ideas without the aid of revelation. He did so not only to reject the ‘deist’ position on the powers of unassisted human reason, associated with Matthew Tindal's Christianity as Old as the Creation (1730), but also to refute Campbell's conservative critics within the Church of Scotland who had earlier tried him for heresy. Campbell's example is that of a university professor using the experimental study of religion to defeat both radical freethinking and Calvinist orthodoxy. His work is another instance of the complicated relationship between science and religion within eighteenth-century Scotland.     

Johannes Althusius’ Politica : The Culmination of Calvin's Right of Resistance

Jean Calvin's writings on the resistance to a tyrannical ruler appear as an addendum to his Institutes of the Christian Religion, but despite their limited discussion, his followers based their own writings on his original discussion of resistance. The most celebrated of these Calvinist tracts on resistance was the Vindiciae Contra Tyrannos written as a result of the St. Bartholomew's Day Massacre. This article argues that, whilst the Vindiciae is an important example of Calvinist resistance, an even more significant, but forgotten, Calvinist resistance theory can be found in Johannes Althusius’ Politica Methodice Digesta, Atque Exemplis Sacris Et Profanis Illustrata. Furthermore, the similarities in the social, political and religious position of both Althusius and Calvin, as well as their geographical location in Emden and Geneva respectively, allows Althusius’ work to be seen as the natural culmination of Calvin's original work on the right of resistance.     

A “Calvinist” theory of matter? Burgersdijk and Descartes on res extensa

In the Dutch debates on Cartesianism of the 1640s, a minority believed that some Cartesian views were in fact Calvinist ones. The paper argues that, among others, a likely precursor of this position is the Aristotelian Franco Burgersdijk (1590-1635), who held a reductionist view of accidents and of the essential extension of matter on Calvinist grounds. It seems unlikely that Descartes was unaware of these views. The claim is that Descartes had two aims in his Replies to Arnauld: to show the compatibility of res extensa and the Catholic transubstantiation but also to differentiate the res extensa from some views of matter explicitly defended by some Calvinists. The association with Calvinism will be eventually used polemically against Cartesianism, for example in France. The paper finally suggests that, notwithstanding the points of conflict, the affinities between the theologically relevant theories of accidents, matter and extension ultimately facilitated the dissemination of Cartesianism among the Calvinists.     

The Praelium Nuportanum by Isaac Dorislaus: Anglo–Dutch Relations and Strategic historiography1

This article investigates the Anglo–Dutch scholar and diplomat Isaac Dorislaus's sole published work, Praelium Nuportanum (PN; 1640), on the battle of Newport in 1600. After presenting some new or little known information about the work, it discusses PN's intellectual context and concludes that the work is a reminder of successful Anglo–Dutch cooperation in the past, of Dutch indebtedness to English assistance, and the Republic's importance as an ally for England, all relevant to the negotiations running in 1640 for an Orange–Stuart wedding, and their backgrounds in the British Civil Wars and Anglo–Spanish–Dutch relations at the time. After the troubles ensuing from Dorislaus's Cambridge lectures on Tacitus in 1627, PN shows the author reconciled with the Court and the Laudian faction. With respect to style and content, PN appears clearly Tacitist in style, with many direct quotations from Tacitus, but this Tacitism operates more on a literary than a political level. Much of PN's historical content is a reworking of Francis Vere's Commentaries (published 1657). From the perspective of the Protestant ‘Anglo–Scoto–Dutch public sphere’ recently discussed in the scholarship, PN might perhaps be read as a warning of the gradual emergence of an Anglo–Dutch Calvinist–parliamentarian ‘realm’ as a force opposing the Crown.     

Theological Innovation from Spiritual Experience: Henry Alline's Anti‐Calvinism in Late Eighteenth‐Century Nova Scotia and New England*

The strident anti‐Calvinism of Nova Scotian revivalist Henry Alline (1748–1784), who left a substantial mark on the religious landscape of Nova Scotia and parts of New England, has been noted but largely neglected by historians. This article investigates Alline's anti‐Calvinism and concludes that it is best explained as arising from his own interpretation of his vivid spiritual experiences, particularly his dramatic conversion. Rather than simply rejecting Calvinist theology in favour of an emotive, experiential religion, however, Alline drew on his experiences to formulate an alternative anti‐Calvinist theology. Alongside other examples from the period, Alline's case suggests that evangelical “democratization” of popular religion in the eighteenth‐century transatlantic revivals could result in theological innovation rather than the abandonment of theology.     

Rethinking the representation of Gustavus Adolphus: the case of William Watts and The Swedish Intelligencer, 1630–33

ABSTRACT

Between 1630 and 1633, English newsbooks resounded with tales of King Gustavus Adolphus of Sweden’s victories against the “popish” armies of Emperor Ferdinand II. Such literary praise has been widely associated with Calvinist disapprobation of Charles I’s pacific foreign policy. This article throws new light on the alternative, non-Calvinist sources of enthusiasm for Gustavus Adolphus in the newsbook, The Swedish Intelligencer, which portrayed the Swedish king as the figurehead of a broad, confessionally flexible, pan-Protestant cause. This has important implications for our understanding of the relationship between English and European Protestant nations in the context of the Thirty Years’ Wars. News from the military camp of the Lutheran King of Sweden offered a subtle way of promoting and normalising non-Calvinist forms of worship in England, and thus provides evidence that a range of Protestants were utilising the London news presses to advance their religious agenda in the early 1630s.     

From the Preface to the French edition of Une exigence infinie

Abstract

In 2008, Rowan Williams sparked a huge controversy in Britain by pleading for more recognition of shari'a law. The present paper aims to explore Mike Higton's suggestion that this plea actually results from Williams's defence of the Enlightenment. The paper will first show that Williams's plea for increased recognition of shari'a is in line with the Enlightenment ideal of sociability. It will subsequently show that this does not mean that Williams gives up on the importance of the secular law. Special attention will be given to the two fundamental principles behind Williams's views on shari'a and these principles will be developed with the help of Edward Schillebeeckx's view of ‘the humanum’. Finally, the paper will also indicate that Williams's two fundamental principles offer a way to better understand the biblical commandment to love one's neighbour—a view that will be developed with reference to the work of Slavoj Zizek.     

Archibald Campbell and the Committee for Purity of Doctrine on Natural Reason,Natural Religion,and Revelation

Summary

This article discusses Archibald Campbell's (1691–1756) early writings on religion, and the reactions they provoked from conservative orthodox Presbyterians. Purportedly against the Deist Matthew Tindal, Campbell crucially argued for two claims, namely (i) for the reality of immutable moral laws of nature, and (ii) for the incapacity of natural reason, or the light of nature, to discover the fundamental truths of religion, in particular the existence and perfections of God, and the immortality of the soul. In an episode that had its peak in 1735 and 1736, a Committee for Purity of Doctrine of the Church of Scotland scrutinised Campbell's writings. It attacked the second claim as contradicting Calvinist doctrines concerning the universal guilt of mankind after the Fall, and the first claim as contradicting doctrines concerning justification and salvation, and as supporting Deism. The study of this episode reveals new aspects of how the struggle to define orthodoxy crystallised in philosophical and theological debates in Scotland at the dawn of the Enlightenment, and before the rise of the Moderates.     

Lurching through Public Law: The Unsteady State of the Subfield

Abstract

David Walsh is a student of Eric Voegelin's political thought, and this essay evaluates the influence of Voegelin's work on Walsh, while also suggesting how Walsh deviates from Voegelin's philosophy. The analysis is performed in terms of several key concepts from Voegelin's work, including Gnosticism, metaxy, luminosity, equivalences of experience, and history. It is argued that Walsh makes extensive use of Voegelin's ideas of metaxy, luminosity, and the equivalences of experience, but that he transforms these concepts as he moves beyond Voegelin's philosophy of consciousness and turns to a philosophy of existence that is not subject to the epistemological problems that continue to challenge Voegelin's thought. Finally, it is suggested that, in so doing, Walsh is actually continuing Voegelin's philosophical project, rather than undermining it.     

Women's rituals and women's prototypes review article *

In this short passage of the Libellus de virginitate servanda (epist. 22) Jerome incorporates a number of striking formulations from Tertullian's De oratione and De corona. The influence of Ambrose's De virginibus would also seem to be discernible. Jerome systematically enhances the stylistic finesse of the material he borrows. At the same time its inclusion also entails inconcinnities.     

Les Fausses Confidences et “L'intendant de Qualité”

In Pierre Bourdieu's Les règles de l'art, Gustave Flaubert and Frédéric Moreau emerge as the ancestors of twentieth-century intellectuals, whose relative autonomy rests on a complex interplay of economic and political factors. What happens if one uses Bourdieu's discussion of L'éducation sentimentale as a model for analyzing an earlier pair of novels that also map out Parisian culture and society from the point of view of a young man who fails? Balzac's Illusions perdues and Splendeurs et misères des courtisanes offer a panorama of Parisian culture that, at least at first glance, bears a striking resemblance to the world of L'éducation sentimentale as seen through Bourdieu's lens.     

Strauss on Maimonides’ Secretive Political Science

Abstract

In this article, the authors review Joseph Cropsey's last collection of essays, Humanity's Intensive Introspection. They argue that Cropsey's essays draw on resources in the Western tradition, both from within liberal thought and from ancient sources, to elevate human life and to fortify modern society, especially against contemporary critiques of liberalism. Philosophy's discovery of the inscrutability of the whole opens it to revelation and also provides a basis for philosophy's active contribution to an open or liberal society.     

Marie Redonnet's L'Accord de paix: The question of resistance and the turn-of-the-millennium novel

This article discusses how Marie Redonnet's 2000 novel L'Accord de paix addresses the question of resisting the ideology of turn-of-the-millennium consumer society. It takes its bearings from Redonnet's explicit points de repère (Genet's travesty of the symbolic order, Debord's integrated spectacle and Sartrean engagement) and from the intersection of her critical works with Cixous's criture féminine and Houellebecq's Les Particules élémentaires. The discussion identifies how L'Accord de paix converges with and diverges from these writers' differing conceptions of agency, and how Redonnet self-reflexively seeks to counter appropriation by the order she seeks to oppose. Situating the questions of misogyny and difference within the question of resisting turn-of-the-millennium symbolic violence, it reveals a literary commitment that simultaneously harnesses the legacy of the past and makes a travesty of the market-driven symbolic order of the present. The article argues that by transmitting the responsibility for resistance from writer to readers, Redonnet inscribes in storytelling a hope for discovering new bearings for the future.     

WITH SPLINTERS (OR STARS) IN OUR EYES: ON READING THE FRANKFURT SCHOOL WITH MARTIN JAY

This mostly admiring review article focuses on Martin Jay's 2020 essay collection entitled Splinters in Your Eye: Frankfurt School Provocations. Though it highlights details and insights from nearly every essay in the collection, the review devotes significant attention to chapter 4, which focuses on the relationship of the Frankfurt School's first-generation scholars with Sigmund Freud. The departure point for my engagement with Jay's fourth chapter is the translation of the German word Trieb (drive) as “instinct” throughout The Standard Edition of the Complete Psychological Works of Sigmund Freud. Although Jay's treatment of Max Horkheimer's, Theodor W. Adorno's, and Herbert Marcuse's recourses to Freudian psychoanalysis emphasizes their abiding commitment to Freud's theory of instinctual forces (over and against objections to his biologism), the question of whether a drive differs from an instinct does not arise. This question therefore offers an occasion to speculate on how distinguishing more firmly between instinct and drive might matter for the Frankfurt School's opposition between first and second nature. Though I praise Jay's decision to include a chapter on Miriam Hansen's Benjaminian revision of the public sphere, I also criticize his practice, in this volume at least, of consigning most scholarship authored by women to the endnotes rather than engaging with it in the main text.     

FROM NIETZSCHE'S PHILOSOPHY OF HISTORY TO KANT'S—AND BACK

Reflecting on Anthony Jensen's Nietzsche's Philosophy of History, this essay describes Jensen's account of the three‐stage development of Nietzsche's historiographical practices and metahistorical positions: from his early philological writings, through The Birth of Tragedy, and into the mature philosophy of history that Jensen uncovers in Toward the Genealogy of Morality and Ecce Homo, which, so Jensen argues, consists in ontological realism combined with representational anti‐realism. While Jensen notes the importance of a like‐minded readership for the success of Nietzsche's historiographical projects, the essay asks whether Nietzsche did in fact have such a readership and further emphasizes that the Genealogy and Ecce Homo are structured in such a way that they seek to create one. A similar structure is identified in Kant's “Idea for a Universal History from a Cosmopolitan Perspective.” The essay concludes by reflecting on the significance of this similarity in light of the doctrines of eternal recurrence that are expressed in both Nietzsche's late writings and Kant's youthful cosmology.     

Continental Drift: Negotiating Male Performance in Canadian and American Cinema from the Late Sixties

Michel Brault's Entre la mer et l'eau douce (1967), one of the most accomplished feature films of the Quiet Revolution period, follows the journey of singer-songwriter Claude Fournier from the Charlevoix region to Montreal, where he drifts through a series of marginal jobs and love relationships before returning, disappointed, to his rural village. A portrait of “in-betweenness” in terms of identity, space and time, Brault's film tells the story of Quebec's increasing urbanization and of a people's collective entry into modernity, yet has received much less critical attention than other Quiet Revolution classics such as [Agrave] tout prendre and Le chat dans le sac. This article proposes a reading of this film that recognizes its importance as a key cinematic stepping stone in the Quebec national project, but also places it within a larger context of “coming-to-the-city” narratives. How does comparing Entre la mer et l'eau douce to English-Canadian and American classics which tackle similar themes (i.e., Goin' Down the Road, 1970; Midnight Cowboy, 1969) enable a larger discussion of the representation and appropriation of space, place and movement in the North America imaginary and Quebec's place therein?     

ET SI C'ÉTAIT PAR LA FIN QUE TOUT COMMENÇAIT? PEN BEFORE PLOT,OR TRESCH ON POE'S REVERSALS

This brief comment offers some reflections on John Tresch's “Compositor's Reversal.” Contrasting his approach with Gaston Bachelard's, I situate Tresch in the tradition of reading Edgar A. Poe's Narrative of Arthur Gordon Pym as a riddle to be decoded. I suggest that Tresch's analytical emphasis on material composition practices rather than Pym's content opens up insightful ways of reading both Pym itself in terms of its composition, style, and narrative voice, and also Poe's well‐known programmatic Philosophy of Composition. The key achievement of Tresch's article beyond its engagement with Poe scholarship is its contribution to the study of writing practices and media studies more broadly. By demonstrating the tight connection Poe forged between natural theology and the material practice of typography, Tresch inserts the typesetting process as an important step in the historiographical trajectory between pen and typewriter. He shows that the mid‐nineteenth‐century context of natural theology marks a decisive difference in connotation between Poe's compositional play with questions of authorship and plausibility, of truth and appearance both described in and performed by his narrative, and later concerns with the apparatus and its potential for the production of an écriture automatique.