Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

Roovesmore Fort,and Stones Inscribed with Oghams,in the Parish of Aglish,County Cork

The results of excavations carried out in the Roman civil settlement at Heronbridge, two kilometres from the legionary fortress at Chester (Deva), since its discovery in 1929 are summarized and the overall history and character of the site assessed. Evidence from other provinces is deployed to show that the existence of two, nucleated civilian settlements in the immediate vicinity of a legionary fortress was a common, rather than an irregular, occurrence. The possible reasons for this phenomenon of ‘Siedlungsdualität’ are discussed and it is suggested that the more distant settlement, unlike the canabae, lay outside the boundaries of the prata legionis.     

中世纪研究在美国的建立及其早期风格

自19世纪70年代以来,美国的中世纪研究开始形成较为完整的知识与话语体系,亨利·亚当斯、赫伯特·亚当斯以及乔治·亚当斯在这个过程中扮演了重要角色。在早期建设阶段,业余学者和专门学会成为了推动学术发展和学科专业化的主要参与者,大学培养模式则主要受德国和法国的影响。到20世纪30年代,美国的欧洲中世纪研究形成了重视教科书写作、在对欧洲中世纪历史理解中的他者性和继承性相互叠加、宏大视野与碎片化研究相互交织等特色。这些早期风格塑造了美国中世纪研究的核心范式,同时也对20世纪中期以来国际中世纪史学界的发展产生了深远影响。     

On an Inscribed Stone Coffin-Lid in the Ancient Cemetery of the Temple Church,London

Excavations at Denny Abbey, Cambridgeshire, between 1968 and 1975, concentrated on the twelfth-century church and the area to the north. They revealed a remarkable building sequence on a site which was occupied successively by Benedictine monks, Knights Templars, and Franciscan nuns. After the Dissolution, the twelfth-century church was incorporated in a farmhouse. An examination of the foundations enabled a building sequence to be suggested for the upstanding remains.     

曲阳北岳庙收藏的石雕文物鉴赏——兼及曲阳石雕的发展史

曲阳因优越的地理条件和特有的石材资源而成为石雕之乡,历代留下了许多精美的石雕作品。本文对收藏在曲阳北岳庙内、具有不同时代风格的石雕文物做一简要介绍,并以曲阳石雕的发展史为序,略述其艺术风格及时代特色。     

HISTORY ENGRAVED ON THE STONES-Tubo Stone Inscription in Lhodrak——The 2~(nd) Record of Archeological Studies in Lhodrak

<正>Lhodrak Town is a small town on the border of the Tibet Autonomous Region(TAR) in China.This is a peaceful and beautiful town stretching from east to west along the Lhodrak River between a mountain and the river.The Xungqu River of Lhodrak runs day and night from the town to the distant border.The end of the downtown of the county seems to be the end of the access.Nevertheless,a single road suddenly appears before you,zigzagging to the village and surrounded by rich forest.In the morning when the fog is still lying on the land,we have     

东汉铜镜和画像石的图像比较

东汉时期的铜镜和画像石是两种不同质地、不同用途,分别处在阴阳两间的文物资料,然而,两者却有着相同的图案装饰,其创作设计的出发点都是为人生服务的。     

The Architectural Reuse of Roman Marble and Stone Spolia in the Early Medieval Monte Sorbo Church (Sarsina,Central Italy)

We present the results of a multi‐method archaeometric study concerning the architectural elements reused in Monte Sorbo church (Sarsina, central Italy) between the eighth and ninth centuries AD . The provenance study has focused on classical marbles and stones, which clearly do not originate from the local Apennine geological formations and are thought to come from extra‐regional sources. A large fraction of the tested marbles is from Asia Minor, coming from both the Proconnesian district on Marmara Island and, probably, the Hasançavuslar site near Ephesus (Greco scritto). Of the four remaining marbles investigated, one is from the Carrara district and three are from different Greek quarrying areas, such as Mount Pentelikon (Athens) and the Thasos and Paros islands. The data also highlight the reuse of decorated gravestones made of Pietra di Aurisina as architectonic elements. This limestone is a fossiliferous carbonate stone outcropping in the Trieste Karst region (north‐eastern Italy), which was exploited by both the Romans and the Byzantines. The assignment of all of the columns of the central nave to the same source area provides an argument in favour of their provenance from a single monument, which was probably located in Sarsina or Ravenna, with the ‘colourful taste’ that is typical of the late Antonine and Severian periods.     

论蒙古鹿石的年代及相关问题

The Deer Stone is an important cultural remain which is scattered a lot in Mongolia, Mainly in the west and northwest areas. It is also found in the Eurasian grasslands but very little in quantity. as for its age, there exist many different views for a long time. Actually the Deer stone displays a way of personification of stone statue, so we usually can find carved weapons and tools on the waist of it. Nevertheless, we can deduce the age according to these carvings. Archaeological discoveries in the northern-grasslands of China show that the carvings on Deer stone are all the typical vessels that were very popular in the late Shang period. Such as the beast-headed or bell-headed short sword with curved handle, the beast-headed sword with upright blade dagger, the ring-headed or double ring-headed short sword, the mushroom-headed short sword, the tub-shaped htchet, the arrow-shaped vessels and etc. Thus lead us to the conclustion that most of the Deer Stones must be of the late Bronze Age(11-7BC).As for the Deer stone culture‘s Similarity in some aspects to that of cultures like Lijiaya, Weiyingzi, third phase of Weifang culture or Xiajiadian culture in the north parts of China, that reflects the northern grasslands bronze culture of China left a strong influence on the cultures of Mongolia.