Experimental Pesah or,How do you Eat a Lamb while Holding a Staff in your Hand?

The Passover festival has been the ritual expression of Jewish cultural identity ever since the Old Testament got the form it has today. This article looks at the ways cultural identity was expressed in antiquity, critiques the traditional prioritising of the story of exodus over its biblical ritual expression in understanding ancient Jewish identity and explores various Pesah sacrifice instructions in Exodus 12 as an implicit polemical ritual discourse engaged in constructing a ritual of cultural distinction. The article pays close attention to the tension between the invented and the real of the instructions, and attempts to identify the possible cultural other against whom some of the Exodus instructions were constructed.     

The Dormition of the Virgin Mary on the Island of Tinos: A Performance of Gendered Values in Greece

On the Greek island of Tinos, the Dormition of the Virgin Mary is celebrated on 15 August. This death, fertility, and healing festival is important for several reasons: the church of the “Annunciation” owes its fame to a miraculous holy icon; the miracles worked by this icon have made Tinos a centre of pan‐Orthodox worship; and pilgrimages are particularly made to the shrine during the Dormition. The celebration is also an important ideological festival for the Greek nation‐state, as illustrated through several ceremonies, particularly the procession when the icon is carried from the church to the harbour. The date 15 August is a special one for Hellenism; it combines religion with patriotism, and the Dormition is a profound social event. There are several meanings and values connected to the festival — female and male, popular and official — the pilgrimage site on Tinos presents an interrelationship of history, ritual, and gender.     

CIRCLE DANCE FESTIVAL “GORKA”: TRADITIONS AND INNOVATIONS*

The circle dance festival “gorka” is one of the oldest Russian rituals of the spring and summer cycle, preserved by the Priestless Old Believers (Pomortsy) living in the Ust-Tsilma Region of the Komi Republic. This ritual activity requires the performance of seven dance fi gures or moves. Particular songs that are called “gorka songs,” correspond to each of the fi gures. In the past, the symbolism of the circle dance was linked to the renewal of life. The transition of adolescents to adulthood was arranged in ritual form; dramatized songs helped young people to fi nd potential marriage partners and to approve couples that had been formed earlier. The modern festival is held as a tribute to the ancestors. A recent innovation can be seen in the children's “gorka” and the inclusion of children into a single circle dance.     

Place, Culture and Identity: Summer Music in Upper Galilee

The Kfar Blum festival is an annual chamber music festival at a kibbutz in northern Israel involving three public bodies. Soon after its inauguration, it was dominated by audiences of élite groups who gave it a specific character and made it a highly desirable social event. The demand created for participation caused the festival to change in character, and what had been an artistic celebration became a cultural commodity. This challenged the overall purpose of the festival and brought changes in artistic direction, as new audiences were sought through programmes with wider appeal. The Kfar Blum festival is an example of a contested arena reflecting social trends in Israel. Place becomes a metaphor for social trends.     

The Spring Festival of Akaška / Nunal Celebrated by the Southern Udmurts in the Late 19TH–EARLY 20TH Century

The article describes the traditional spring festival of Aka?ka celebrated by the Southern Udmurts. The content and form of the festival indicate that some elements were borrowed from the Turkic world. While some borrowed elements have their counterparts in the ritual practices of the Turkic-speaking peoples of the Middle Volga region and the Urals, the sources of other borrowed elements can be found in the Turko-Mongolian environment of southern Siberia and the Altai.     

The Ritual Year of Athena: The Agricultural Cycle of the Olive,Girls' Rites of Passage,and Official Ideology

Through the ritual year of ancient Athens, many festivals were dedicated to Athena. The Panathenaia was the most important festival. It has been regarded as a political festival, but the importance of agriculture is also illustrated through the offerings and rituals carried out during this main festival dedicated to the Goddess of the olive crop. All Athena's festivals were related to the olive, the third main crop of the Athenians, and protected by her, as her festivals were celebrated in the crucial period for the olive crop, from the flowering of the olive tree, growing period of the fruit, until the gathering in winter. The summer festivals, particularly, may be related to the importance of securing the dew for the growing fruit. Many rituals during the festivals reflect the daily activities of women, several rituals are also important to the rite of passage undergone by girls at puberty to prepare them for marriage.     

“Make Hell While the Sun Shines”: Proverbial Rhetoric in Winston Churchill's The Second World War

M.M. Bakhtin's social construction of Renaissance carnivals, and his views on carnival in general, encounter trouble when tested against a presentday enactment, the Cajun country Courir de Mardi Gras, a processional begging ritual celebrated in southern Louisiana. The living festival reveals structures missing from Bakhtin's élite sources and consequently from his writings: structures that articulate the folk community's autonomous values and cooperative survival strategies. As long as literary studies based on Bakhtin find in carnival only that which opposes élite culture, they will fail to recognise the dimensions of community selfcelebration and self-definition essential to many folk festivals.     

Commentary Individuation in Country Music: A Modern Pilgrimage

Cattle festivals and cattle rites are much neglected elements of the Indian cattle complex. This study examines Gopashtami and Govardhan Puja, two cattle festivals identified with the cult of Krishna. Although Krishna assumes several aspects in Hinduism, the pastoral Krishna is one of the most popular forms of the deity. Gopashtami and Govardhan Puja are important festivals in Braj, the traditional homeland of the cowherd god. Their origins can be traced to medieval Hindu texts, but Govardhan Puja contains ritual elements that suggest ancient rites have been absorbed into a later Hindu festival. Gopashtami and Govardhan Puja, like any religious festival, can be interpreted at several different levels. They have symbolic meaning, raising questions of conflicting religious traditions or economic systems in the past. They mirror regional patterns of culture and historical tradition in India. They assume a range of social functions, and in addition, form part of the process by which people are exposed to their cultural heritage. Above all, however, they are festivals dedicated to cattle and to the cowherd god Krishna. The myths and rituals of Gopashtami and Govardhan Puja reflect the strong historical ties between Krishna and the cow, as well as reinforce traditional Hindu concepts concerning the sanctity of the cow.     

The unbearable weight of music: The intermezzo

The affordances of musical experience, its capacity to become our mode of being-in-the-world, especially in ritual situations, can be turned against us into an aversive sonic attack that bends the social arc into a liminality without end, a time in between that goes nowhere. And when this happens, we have entered the realm of music torture, a relatively recent innovation in that dark art that was ushered into the world in full force at the beginning of the 21st century. Music became part of a regime of no-touch torture inflicted upon detainees in the ‘global war on terror’, itself a war without end. In this article, the author argues for an ontomusicology that understands music as ritual and ritual as music – in this case, ritual that inverts Victor Turner’s notion of communitas, with all of its attendant modes of being-with, into a solitary mode of existence with no hope of escape, a musical ritual torture, a perpetual intermezzo.     

关于上海旅游节发展的若干思考

节庆旅游的发展相当迅速,经济效益、化效益、社会效益都很明显。本综合评述旅游节庆的地位与作用,对上海旅游节的发展进行了SWOT分析,并根据实际情况提出若干对策。     

Recent Research on Chaco: Changing Views on Economy, Ritual, and Society

Current research on Chaco Canyon and its surrounding outlier communities is at an important juncture. Rather than trying to argue for the presence or absence of complexity, archaeologists working in the area are asking different questions, especially how Chacoan political, economic, ritual, and social organization were structured. These lines of inquiry do not attempt to pigeonhole Chaco into traditional neoevolutionary types, but instead seek to understand the historical trajectory that led to the construction of monumental architecture in Chaco Canyon and a large part of the northern Southwest in the 10th through 12th centuries. This review discusses the conclusions of current research at Chaco including definitions of the Chaco region, recent fieldwork, histories of Chaco archaeology, chronology, paleoenvironmental reconstruction, demography, political organization, outlier communities, economic organization, social organization, ritual, violence, and the post-Chacoan reorganization. Although many issues are hotly debated, there is a growing concensus that power was not based in a centralized political organization and that ritual organization was a key factor in the replication of Chacoan architecture across a vast regional landscape. Exactly how ritual, social, and political organization intersected is a central question for Chaco scholars. The resolution of this problem will prove to be of interest to all archaeologists working with intermediate societies across the globe.     

The production of emancipatory feminist spaces in a post-socialist context: organization of Ladyfest in Romania

Ladyfest – a Riot Grrrl feminist do-it-yourself festival – has been organized independently in cities around the world since the year 2000. The emancipatory spaces that activists at Ladyfest seek to cultivate through workshops, music, and art provide seeds of inspiration for transformative social change. The main strength of the festival is the capacity to strengthen networks. This article discusses how the idea for this festival arose in Olympia, Washington, expanded to other locations, and was later organized by young feminists in Romania. In 2005, young women in Timisoara organized the first such festival in their city with a community of women from both inside and outside of Romania, and held another festival in Bucharest in 2007. Retrospective interviews are used to unpack the meaning of such organizing in a post-socialist context with reflections on how feminism has changed in Romania over the past decade. Specifically, the analysis of this event offers insight on how the production of space can be used to catalyze interconnections between emancipatory feminist spaces, the mode of production, and flows of feminist knowledge and concepts.     

Food Rituals and Their Social Significance in the Mid‐Second Millennium BC in the Southern Levant: A View From Megiddo

Ceremonies involving intentional burial of animals with humans are acknowledged to bear religious, social and political connotations, and we explored both the ritual activity and the social trajectory of these activities. To date, these ceremonies have rarely been examined within the context of nearby daily activities. We studied faunal remains associated with intramural burials in comparison with contemporaneous daily life in the midsecond millennium bc at Tel Megiddo, as well as comparison with concomitant extramural burials and locations of public feasts. Our study highlights the human interaction with animals that are not often treated as bearing social meaning or having interrelationships with human, the livestock animals. We demonstrate that livestock animals in the second millennium bc had a significant social role as well as economic value. The choice of animals consumed and sacrificed in these rituals is strongly related to the animal's symbolic potency and is based on the desired social message that the population aims to convey. Finally, the form of luxury food that is found in the Megiddo funerary rituals supports the hypothesis regarding the intramural burials' role in creating and enhancing social family bonds. Copyright © 2017 John Wiley & Sons, Ltd.     

陕西临潼康家龙山文化遗址1990年发掘动物遗存

一、前言 陕西临潼康家遗址是龙山时期的村落遗址,面积约１９万平方米。自１９８１年以来,曾进行过多次发掘①,出土了大量动物骨骼,本文将分析１９９０年夏秋两季发掘中出土的动物遗存。 １９９０年发掘是在遗址的中南部进行的,发掘 １０ × １０米探方１个（１２６）。康家遗址Ｔ２６的龙山地层厚度约３米,发现迭压多层的房屋一排,房前的院子里有许多灰坑。大部分兽骨出于灰坑和房屋的夯土墙内。发掘报告尚未发表,但为叙述方便本文根据建筑遗迹的分布情况初步将龙山文化地层分为早晚两期。早期：厚度约２米,每层房基包括４间房屋…     

南宋临安节日活动的时空结构研究

在城市地理学研究中,由于缺乏有关历史城市物理空间的基础性研究工作及受研究资料所限等原因,关于历史时期的城市居民生活空间方面的研究较少开展。本文选择南宋时期的临安作为城市空间研究对象,在全面梳理相关历史文献记载的基础上,尝试结合目前应用最广泛的功能分区法和时间地理学两种方法,对南宋临安节日活动空间进行剖析,揭示其城市节日活动的时空间结构特征。同时,文章还探讨了城市社会空间的形成机制,提出物理空间奠定了临安节日活动空间的基本格局、都城地位是临安节日活动空间形成的控制因素、城市经济主导了临安节日活动的空间分异过程等结论。     

The “Nation of Poetry”: Language,Festival and Subversion in Macedonia

This article critically examines the Struga Poetry Festival established in 1961 when it placed Macedonian poets and writers on the wider map of world poetry, international literature and language. With this the festival carried a subversive and an emancipatory task that not only promoted Macedonia's national poetry but also pushed the nation itself onto the world stage. Although highly politicized (and deeply political), the festival emerged as a seemingly apolitical event that celebrated the “universal language of poetry”. Yet, with its aesthetic form of an open event devoted to poetry, this festival (in a very Bakhtinian manner) pinpoints the obvious carnivalesque element in manoeuvring and subverting established social and political hierarchies. Initially, it allowed Macedonian language and poets to join established national states that have “undisputed” (or less disputed) literary traditions. The subversive nature of this festival after the 2001 military conflict in Macedonia changed the direction and intensity of the Albanian struggle for improving their status into the Macedonian society. This event has effectively allowed a minority group to initiate social movement and engage in serious identity politics related to territorial self-governance, language and cultural representation.     

南京农事节庆活动与旅游业发展的时空耦合研究

运用耦合指数和ESDA方法,从时空维度动态分析2002-2013年南京农事节庆活动与旅游业发展的耦合状况,得到以下结论:①在年际尺度上两者存在明显正向相关关系,农事节庆活动呈现"协调发展、效益提升、快速发展、优化调整"阶段性波动特征;在季节变化上则呈现整体相似特征,3-4月和9-11月出现较明显的峰值期,但农事节庆活动表现出更强的季节性。②2002-2013年农事节庆活动空间耦合差异较明显,耦合指数稳定变化的有主城区、高淳区和六合区,偏离1的有江宁区,波动变化的有溧水区和浦口区;农事节庆活动空间耦合整体存在南北方向上以主城区为中心自北向南,东西方向上由偏西部向偏东部演化的特征。最后,提出南京今后农事节庆活动与旅游业发展的建议。     

Mahishi's rage: Communitas and protest at Sabarimala,Kerala

In September 2018, the Supreme Court of India lifted the ban on females of menstrual age entering the sacred site to Lord Ayyappan at Sabarimala in the Indian state of Kerala. Violent protests, for and against, engulfed Kerala throughout the main festival and pilgrimage season of 2018–19. This article explores the major sociopolitical and cultural forces that underpinned the violent protests at one of India’s (and also the world’s) major centres of religious pilgrimage. The central argument extends Victor Turner’s thesis in The ritual process to show how the dynamics of liminality and communitas created an intense vortex of crisis of potentially sociocultural transformational effect.     

异托邦：音乐节事活动的空间实践——以迷笛音乐节为例

文章使用异托邦理论为概念框架,以迷笛音乐节为案例,通过参与式观察与深度访谈法,试图揭示音乐节空间实践中构建的另类特征。研究发现,迷笛音乐节所承载的功能逐渐由叛逆的“出口”转变为“好玩”的生活方式;音乐节事空间实践中呈现出多元的功能并置,矛盾与流动的融合;音乐节事空间的文化实践也呈现出日常结构的超越与反抗,以及作为理想的补偿空间。周期性节事时空实践中文化的稳定性则使其成为对称而不可分割的系统性时空。该研究为节事空间提供了新的认知途径,也从节事的角度丰富了异托邦理论的微观案例。     

Animate Objects: Shell Trumpets and Ritual Networks in the Greater Southwest

For over a millennium, shell trumpets have been an important part of Southwestern US ritual practice. We investigate the distribution of Southwestern shell trumpets, arguing that they are objects that are accorded animacy and can be used to track the history of different social networks. Using ethnohistoric and ethnographic documentation, at least two traditions of historically linked ritual practices are identified: one associated with serpent iconography and the other with curing, warfare, and sorcery. These two traditions represent enduring dispositions that link various regions of the Southwest through the introduction and adoption of ritual practices associated with migration and the transformation of late prehistoric societies.