‘Brazil,Tell Me How It Feels’: Soccer,Music, Narcissism,and the State,or Mascherano’s Failure

During Brazil's 2014 World Cup finals, Argentine fans popularized a chant that stated “Brazil, tell me how it feels”. The chant became viral, and produced a Brazilian response, “Argentina, me diz que se sente”: both discussed relationship of rivalry by joking at the other's expenses. But it was surprising that the chant was based on the melody of a very old song from the American rock band Creedence Clearwater Revival, recorded in 1969, possibly before the birth of those who sang the melody in Brazil (“Bad Moon Rising”, a very popular song recorded many times). This paper discusses several topics derived from that fact: the relationship between popular music and football chants; the uses of popular music and global pop at the World Cups from 1962 to our days; the self-presentation of the “local” (national) fans before a globalized media scene; and, last but not least, the role of sport icons and heroes for the fans but also for the construction of national epics (the icons and heroes invoked in the chants included, obviously, both Maradona and Messi, two of the most important football heroes from the ‘80s until today). The core idea is to show how contemporary football culture must be described and interpreted in the continuous intersection of local texts -and fans’ practices- and global events.     

Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

THE WORDS OF HISTORY

In From History to Theory, Kerwin Lee Klein writes a history of the central terms of the discipline of theory of history, such as “historiography,” “philosophy of history,” “theory of history,” and “memory.” Klein tells us when and how these terms were used, how the usage of some (“historiography” and “philosophy of history”) declined during the twentieth century, and how other terms (“theory” and “memory”) became increasingly popular. More important, Klein also shows that the use of these words is not innocent. Using words such as “theory” or “historiography” implies certain specific ideas about what the writing of history should be like, and how theoretical reflection on the nature of history and its writing relates to the practical issues of the discipline. In the second half of his book, Klein focuses more on the concept of memory and the memory boom since the later part of the 1980s. He observes that “memory” came to be seen as a kind of “counterhistory,” a postcolonial, fragmented, and personal alternative to the traditional mainstream discourse of history. Klein does not necessarily disagree with this view, but he does warn us about unwanted side effects. More specifically, he argues that the discourse of memory is surprisingly compatible with that of extremist right‐wing groups, and should be treated with suspicion. Although Klein certainly has a point, he presents it in a rather dogmatic fashion. However, a more nuanced version of Klein's criticism of memory can be developed by building on Klein's suggestion that there is an intimate connection between memory and identity.     

Onstage Rumor,Offstage Voices： The Politics of the Present in the Contemporary Opera of Li Yu

Much scholarly work on the literary culture of the early Qing dynasty has focused on notions of memory, trauma, and nostalgia. In contrast, this essay investigates the ＂contemporary operas＂ （shishi xiqu） of the seventeenth-century Suzhou playwright Li Yu to argue for the importance of the notion of＂the present day.＂ How is this notion of the present day given dramatic form in Li Yu＇s operas and what implications does this interest in the contemporary have for the broader cultural scene of the early Qing dynasty？ This paper will answer these questions by investigating one dramatic technique favored by Li Yu： the inclusion of snippets of rumor and ＂news＂ reports into the play. By including such contemporary media reports, Li Yu not only generates a constantly evolving sense of the present, he also projects this sense of immediacy beyond the fiction of the stage into the ＂reality＂ of the audience, creating a form of opera eminently suited for both reflecting and producing local Suzhou activism, as evidenced in Li Yu＇s most famous work, Qing zhong pu （Registers of the pure and loyal）, a work chronicling the popular Suzhou protests of the mid-1620s and Wanli yuan （Reunion over ten thousand miles）, which stages the dissolution and reintegration of family and empire right after the fall of the Ming.     

Shajaó—Histories of an Invented Savage

Through multiple stories about Shajaó, an untold history of the Peruvian Amazon unfolds. This article, based on extensive archival research and fieldwork, brings together multivocal accounts about an Ese Eja man who allegedly killed a Catholic priest in 1932 and who, despite the large-scale expeditions sent out to capture him, was not apprehended until 1942. Through ongoing tales of Shajaó, the intersubjective ways in which memory is shaped and employed to influence and make sense of sociopoltical contexts is revealed in the exchanges between a notable “savage” and various economies in different historical settings—the rubber boom, extractivism upheld by debt-peonage, Catholic missionization and today's environmental service economy. This exploration questions the construction, reproduction and transformation of the multiple, though not always shared, experiential and interpretive frameworks that shape the historical consciousness of individual and collective memories over time. It also suggests that “disremembering”, in archival and oral accounts, reflects a critical political awareness of history's valid flexibility. Here, narratives are rewoven so that history continues to be told in ways that ensure that “Shajaó stories” never truly end.     

The texted and textured construction of Irish identity in the theatrical world of Charleston,South Carolina

On the eve of the American Civil War, the Irish who had immigrated to the United States as a result of the Great Famine were in the process of constructing an Irish working-class identity in Charleston, South Carolina. A “legacy” for such construction had been created in the previous century: those who had come from Ireland then had used public displays of celebration and concomitant rhetorical devices to create the impression that they were willing and eager to assimilate. Their rituals at banquets and other public occasions “set the stage”, so to speak, for the next century's generation of immigrant Irish who also found it necessary to articulate publicly their claim to an ethnic American identity. Theatrical venues and staged performances served the Famine Irish well in this endeavour.     

Toward a Received History of the Holocaust

In this article, I examine both the problem of so-called postmodern history as it relates to the Holocaust and suggest the ways that Saul Friedlander's recent work successfully mediates between the somewhat overly polemicized positions of “relativist” and “positivist” history. In this context, I find that in his search for an adequately self-reflexive historical narrative for the Holocaust, Hayden White's proposed notion of “middle-voicedness” may recommend itself more as a process for eyewitness writers than as a style for historians after the fact. From here, I look at the ways Saul Friedlander's reflections on the historian's voice not only mediate between White's notions of the ironic mode and middle-voicedness, but also suggest the basis for an uncanny history in its own right: an anti-redemptory narrative that works through, yet never actually bridges, the gap between a survivor's “deep memory” and historical narrative. For finally, it may be the very idea of “deep memory” and its incompatibility to narrative that constitutes one of the central challenges to Holocaust historiography. What can be done with what Friedlander has termed “deep memory” of the survivor, that which remains essentially unrepresentable? Is it possible to write a history that includes some oblique reference to such deep memory, but which leaves it essentially intact, untouched and thereby deep? In this section, I suggest, after Patrick Hutton, that “What is at issue here is not how history can recover memory, but, rather, what memory will bequeath to history.” That is, what shall we do with the living memory of survivors? How will it enter (or not enter) the historical record? Or to paraphrase Hutton again, “How will the past be remembered as it passes from living memory to history?” Will it always be regarded as so overly laden with pathos as to make it unreliable as documentary evidence? Or is there a place for the understanding of the witness, as subjective and skewed as it may be, for our larger historical understanding of events? In partial answer to these questions, I attempt to extend Friedlander's insights toward a narrow kind of history-telling I call “received history”—a double-stranded narrative that tells a survivor-historian's story and my own relationship to it. Such a narrative would chart not just the life of the survivor-historian itself but also the measurable effect of the tellings—both his telling and mine—on my own life's story. Together, they would compose a received history of the Holocaust and its afterlife in the author's mind—my “vicarious past.”     

“Playing the away game”: AFRICOM in the Sahara-Sahel

This article presents evidence to revise hypotheses of how biopolitical strategies are deployed in contemporary global security regimes, and with what effects. It is based on research into the US military's Africa Command (AFRICOM). Elaborating on two concepts that Michel Foucault hypothesized in his Security, Territory, Population lectures –the “people” and the “milieu” –I argue that AFRICOM's strategy is informed by biopolitical rationalities, but that this does not necessarily situate African populations as either part of a population to secure or as a threat to that population. Instead, I suggest that (unlike in the urban and national contexts that Foucault analyzed) biopolitical security strategies at the global scale are characterized by varying degrees of distance between the way(s) of life they aim to defend and what Foucault termed the “field of intervention” or “milieu” that they target. This hypothesis, and its elaboration through the case of AFRICOM, contributes to efforts to historicize and spatialize accounts of contemporary biopolitics. Specifically, it suggests that we can better understand the production of very uneven geographies of security and insecurity by attending to the relationships between the ways of life being secured and the (potentially distant) material contexts situated as relevant “fields of intervention”.     

TOWARD A DEFINITION OF POPULAR CULTURE

The most common definitions of popular culture suffer from a presentist bias and cannot be applied to pre‐industrial and pre‐capitalist societies. A survey reveals serious conceptual difficulties as well. We may, however, gain insight in two ways. 1) By moving from a Marxist model (economic/class/production) to a more Weberian approach (societal/status/consumption). 2) By looking to Bourdieu's “cultural capital” and Danto's and Dickie's “Institutional Theory of Art,” and defining popular culture as “unauthorized culture.”     

El padre transgresor: Crisis familiar y crisis social en el teatro popular bonaerense, 1896–1934

This article analyzes how five exemplary works of Argentine popular theater (1896–1934) construct unconventional readings of a perceived social crisis during Argentina's insertion into the global capitalist market. While dominant discourses focused on women's “errant” sexuality as the source of social demise, these works place the father figure —metaphor for social leadership— at the center of the debate to explore the chain of factors that hinder these fathers from fulfilling their “proper” gender roles, which ultimately causes the so-called social crisis. This focus on the paternal figure allows these plays to posit that social crisis stemmed from a destructive capitalistic logic based on the circulation of money, fraud, competition, and theft rather than from “errant” women. The recovery of these unconventional perspectives contributes to a more complex understanding of discourses on gender in the period, as well as of the relationship between discourses on everyday life and modernization.     

Laundering Leo Strauss

Robert Howse's book on Leo Strauss tries to defend Strauss by emphasizing how different he was from today's “Straussians.” In Howse's telling, Strauss's best-known followers favor war and oppression, though Strauss himself did not. To make this case, Howse relies not only on absurd caricatures of Strauss's students but on highly distorted (or highly selective) accounts of what Strauss himself wrote. Howse tries to make a positive case for Strauss as a “man of peace” by showing that Strauss supported “international law.” He makes that case by depicting “international law” as one continuous tradition since Grotius, oblivious to the many varieties of outlooks and doctrines that have invoked some version of international law. On Howse's account, those who have qualms about the United Nations or the European Union must be regarded as nihilists—hence at odds with “Leo Strauss, Man of Peace.”     

Sri Lankan Muslims: between ethno‐nationalism and the global ummah

ABSTRACT. Sri Lanka's Sunni Muslims or “Moors”, who make up eight percent of the population, are the country's third largest ethnic group, after the Buddhist Sinhalese (seventy‐four per cent) and the Hindu Tamils (eighteen per cent). Although the armed LTTE (Tamil Tiger) rebel movement was defeated militarily by government forces in May 2009, the island's Muslims still face the long‐standing external threats of ethno‐linguistic Tamil nationalism and pro‐Sinhala Buddhist government land and resettlement policies. In addition, during the past decade a sharp internal conflict has arisen within the Sri Lankan Muslim community between locally popular Sufi sheiks and the followers of hostile Islamic reformist movements energised by ideas and resources from the global ummah, or world community of Muslims. This simultaneous combination of “external” ethno‐nationalist rivalries and “internal” Islamic doctrinal conflict has placed Sri Lanka's Muslims in a double bind: how to defend against Tamil and Sinhalese ethnic hegemonies while not appearing to embrace an Islamist or jihadist agenda. This article first traces the historical development of Sri Lankan Muslim identity in the context of twentieth‐century Sri Lankan nationalism and the south Indian Dravidian movement, then examines the recent anti‐Sufi violence that threatens to divide the Sri Lankan Muslim community today.     

The romance of the Inland Isle: Tocqueville's Democracy in America and the landscape of Providence

Nearly two centuries after its publication, Alexis de Tocqueville's Democracy in America (1990a) remains among the most influential accounts of American political culture. This essay argues that the rhetorical foundation of the Democracy's enduring cultural power is its “imaginative geography” (Said 2000), about which I make two, interrelated claims. The first has to do with the Democracy's identification of the American land with divine Providence. I claim that the providential landscape is the chief means by which Tocqueville contains and organizes the account of the tension between achieved liberty and natural freedom that drives the Democracy. My second focus is on the romantic character of the providential landscape. Cosgrove (2005, p. 302) reflects upon the “tenacity of the island condition on the Western imagination” as frame and vessel of “imagination, desire, hopes and fears.” I argue that the Democracy's “Inland Isle,” as I call it, is a metaphorical island in this sense, and that its theoretical capacity and exhortative power derive from Tocqueville's use of an idiom expressive of a distinctively French tradition of landscape theorizing in which garden metaphor was used to construct meanings of equality and freedom, and voice and identity, in an emerging national, bourgeois order.     

Biofuels and the politics of mapmaking

On a world scale companies and governments are acquiring tracts of land from rural communities across the developing world in what some describe as a global “land grab.” Yet looking into local settings reveals that negotiations and arrangements are often piecemeal and halting, with little resemblance to a coordinated seizure of land. Conflicting maps, overlapping territorial claims, and unclear acquisition processes are creating land disputes, mistrust, and ambiguity. Resulting cycles of contention are enabling companies to obtain—even appropriate—some land. Still, in at least some locales the process is doing more to undermine development opportunities for all parties.To probe into these local politics of mapmaking, this article draws on fieldwork from 2010 to 2011 in Tanzania's Rufiji District, located in the lower floodplain of the Rufiji River. Companies, one might surmise, should be able to exploit information asymmetries to wrest control of land from local villagers. Interviews, primary documents, and field observations reveal, however, that this is not occurring as much as one might expect along the lower Rufiji River. The politics of such land acquisitions, we argue, would seem to be better understood in terms of cycles of contentious politics, as an ongoing process in which movements and counter-movements vie for control through the strategic use of images, maps, and discourse.This research extends the understanding of the processes changing global agriculture and energy production by bridging the frames of the “politics of mapping” and “cycles of contention” to more fully reveal how and why control over land and resources is shifting in the global South.     

Transitional justice from the margins: Collective reparations and Tunisia's Truth and Dignity Commission

The Tunisian revolution of 2011 moved from socio-economic to political concerns, and from the margins and periphery of the South and West of the country to the centre, Tunis, driven by the slogan of “jobs, dignity and freedom”. The goal of this article is to understand the potential of using the spatially informed concept of marginalisation to reimagine transitional justice, using the “victim zone” as a case study. The Truth and Dignity Commission's founding legislation tasked it with identifying victim zones that had “suffered systematic marginalisation or exclusion” and proposing reparation for structural violations suffered. Empirical data collected from two disadvantaged regions of Tunisia are used to provide a bottom-up, victim-centred, look at structural and economic violence. The IVD has largely failed to-date to deliver on its promise in relation to collective reparations, but a combination of theory and empirical data provides a springboard for a discussion of how the margins could unsettle current transitional justice practice, both normatively and practically. The article concludes by outlining an unfinished business agenda for Tunisia and implications for future transitional justice. Specifically, it argues for a transitional justice from the margins that focuses on space as well as time, collectives as well as individuals, a normative plurality rather than a single universalised global framework, decentralised agency rather than centralised institutional primacy, and a new social contract (forms of participation and recognition) rather than the continuity of elite bargains.     

The predicament of pastoral sovereignty

This paper seeks to understand the conditions of possibility of “sanctuary” – the claiming of a “sacred” space of (humanitarian) exception - in the midst of civil war. Sanctuary codifies an exceptional space where sovereign and pastoral registers of power converge into a form of “pastoral sovereignty” that can temporarily “interrupt” the law of violence of sovereign power. In civil war this can enable civilians to be saved and protected from killings and suffering. However, this pastoral sovereignty is precarious as it depends on the belligerents' good will and tacit authorization: this is what we call the predicament of pastoral sovereignty. Using the case study of Church sanctuary in Sri Lanka's civil war, this paper explores how this predicament of pastoral sovereignty comes into effect in moments of acute crisis. Throughout Sri Lanka's brutal civil war, Catholic priests provided “sanctuary” to Tamil civilians in the form of territorial sanctuary (Church compounds), bodily sanctuary (the priests' bodies providing protection), and numerous other humanitarian activities. Our ethnographic material illustrates the force and fragility of the Church's claims to pastoral sovereignty and its sanctuary practices and provides detailed accounts of numerous constellations. The paper thereby raises fundamental questions about the ontology of sovereignty and its operability in moments of humanitarian crisis.     

“Mad” Elves and “Elusive Beauty”: Some Celtic Strands of Tolkien's Mythology [1]

Contrary to Tolkien's refutation of “Celtic things” as a source for his own mythology, this article attempts to show how his work has been inspired by Celtic folklore and myth. The article is not just a source study. It concentrates on one main example from Tolkien's early literary writings that betrays a Celtic influence. At the same time it discusses Tolkien's complex attitude towards “things Celtic” within the context of his strong sense of English identity. Finally, it seeks to explain Tolkien's derogatory comments on Celtic material as a result of popular ideas of “Celticity.”     

Torah as maternal return: chiastic copulation and the reconception of sacred history. or,un(k)notting the love in the law1

Torah, the name of the first five books of the “sacred history” comprised by the Hebrew Bible, tends to be translated as “Law” and to be affiliated with the separating “Law of the Father.” But Torah means “teaching.” Venerable tradition allies this teaching with feminine Wisdom, “a tree of life.” Theories of poetic language elaborated by such scholars as Julia Kristeva and Hélène Cixous facilitate discovering beneath the Torah's fractured and labyrinthine surface a way of return to the mother. This way is embodied in the inversions, textuality, and concentricity of the rhetorical trope of chiasmus, which exceeds the bounds of the Law to provide a form for the expression of “woman's desire” and so for the feminine text. Exploring as such the doubly chiastic poem in which, when naming woman in Eden, a human being (adam) changes its name to man (iysh) challenges man's biblical history, while restoring the memory of interconnection with the mother and all life. Reduplications of this transformative moment expand upon sacred history in terms of the Torah's central injunction to love one's neighbor as oneself.     

Set-determined Process and the Growth of Spatial Structure

We present an analysis of the effects of different information flow patterns on the growth of spatial structure in a broad class of systems. Examples are drawn from plant and message diffusion processes, the growth of herding in animal populations and, in particular, the evolution of cities in human populations. We model the actions of an “individual” as a response to gradients in a transformation of the “real” space, this transformation being the individual's information map of the space. Interesting deductions occur as a result of allowing the individual's information map to vary from extremely local to extremely global. In the city growth model for example, if migration decisions are based upon extremely local information, then the system is characterized by instability and the lack of any well-defined spatial structure. As the localness of this information map decreases, the system is characterized by the development of well defined spatial structure with a characteristic distance separating the “cities.” In a particular case, we show that the wavelength of the dominant spatial structure is directly related to the size of an individual's information field. These effects are a consequence of interactions between individuals that arise from the nonlocalness of the information fields. We interpret the early growth stages in these models in terms of linear filters.     

The Bible and Leo Strauss

According to Leo Strauss, the Hebrew Bible is to be regarded as being in “radical opposition” to philosophy and as its “antagonist.” This is an influential view, which has contributed much to the ongoing omission of the Bible from most accounts of the history of political philosophy or political theory. In this article, I examine Strauss's arguments for the exclusion of the Bible from the Western tradition of political philosophy (i) because it possesses no concept of nature; (ii) because it prescribes a “life of obedient love” rather than truth-seeking; and (iii) because it depicts God as “absolutely free” and unpredictable, and so without a place in the philosophers' order of “necessary and therefore eternal” things. I suggest that Strauss's views on these points cannot be accepted without amendment. I propose a revised view of the history of political philosophy that preserves Strauss's most important insights, while recognizing the Hebrew Bible as a foundational text in the Western tradition of political philosophy.