Authors’ Response

Broca’s first patient presented in support of a relationship between a lesion of the frontal lobe and aphasia was patient Tan. Although Pierre Marie refers to this case as “indisputably aphasia of Broca,’” the clinical diagnosis of Tan’s aphasia has not been re-examined in light of current clinical criteria. Superficially, the patient’s extremely limited verbal output and intact comprehension appear to fit with the diagnosis of Broca’s aphasia, but a more thorough examination of the onset, evolution and nature of the patient’s speech symptoms suggests alternate interpretations. Contemporary evidence in support of a robust relationship between stereotypical utterances and Global aphasia suggests that patient Tan may have suffered from a Global rather than Broca’s aphasia.     

Of Peaceable Kingdoms and Lawless Frontiers: Exploring the Relationship between History,Mythology and Gun Culture in the North American West

The United States is more violent than Canada and it always has been. Even in the face of mass shootings, most Americans remain culturally and politically resistant to the sorts of gun control measures that have long existed in Canada. America’s unique gun culture is embedded in the history, imagery, and especially the mythology of the American frontier. Canada had its own frontier experience and has its own history of gun ownership, but it does not have a parallel gun culture. This article presents a comparative analysis of post-Civil War/post-Confederation frontier history and mythology, and examines the construction of contrasting cultural narratives of America’s “Wild West” and Canada’s “Mild West.” It suggests that US–Canadian differences in gun laws and gun culture—even in the borderlands region of Alberta/Montana—are better explained by the countries’ two different frontier mythologies than by their actual western histories.     

Europe's odyssey?: political myth and the European Union

The article argues that the European Union, despite being a different kind of polity, has political myths that are similar to those that have characterised nation‐states. It examines two types of political myth – foundation and exceptionalism – and demonstrates that they have been used in an attempt to make the European Union understandable and acceptable as a form of governing. The article also argues that political myths about the EU have had limited success not only because they are based on the same content as national myths but also because they do not always conform to recognisable narrative forms. The EU, with its ambiguous aim of creating ‘an ever closer union’, does not provide the basis for sacred narratives that become normative and cognitive maps that make the new polity ‘normal’ and provide the EU with ontological security.     

Writing Inside the Kaleidoscope: Re-Representing Victorian Women Public Figures

‘The myths that crystallize in the literary imagination are the buried lives of women whose lives are themselves further emboldened by these same myths.’¹     

‘Dissidence’ in Holocaust Memorials in Literature: Jáchym Topol’s The Devil’s Workshop (Chladnou zemí)

Abstract

Established Czech precedent has made the town of Terezín an important literary symbol of Holocaust memory, used in the 1960s to construct myths of Czech innocent victimhood. Jáchym Topol’s novel, The Devil’s Workshop (2009), returns to the theme with great originality, avoiding such myths by using a compromised first-person Czech narrator, who is involved in setting up ‘dissident’ commemorative museums at Terezín and in Belarus. These draw on documented accounts of real atrocities for their authenticity. Competitive in national terms, commercialized, and ethically compromised, they are finally, arguably inevitably, silenced. Topol’s ‘truth-telling’ is discussed in the context of Theodor W. Adorno’s criticism of committed Holocaust literature, Benedict Anderson’s interpretation of museums as commercialized constructions of nationality, and Timothy Snyder’s historical account of the killings in Eastern Europe; the ambiguous pessimism of his novel stands up well to criticism and, it is argued, has lessons even for historians of the Holocaust.     

The Turtle Garden: Tan Kah Kee’s last spiritual world

Abstract

This paper explores the role of diasporic subjects in China’s heritage-making through a case study of the Turtle Garden built by Tan Kah Kee in Xiamen, China. Tan is the first person with Overseas Chinese background who built museums in the P.R. China and has been regarded as a symbol of Overseas Chinese patriotism. This paper argues that the Turtle Garden, conceptualised as a postcolonial ‘carnivalesque’ space, is more than a civic museum for public education. It reflects the owner’s highly complex and sometimes conflicting museum outlook embedded in his life experience as a migrant, his encounter with (British) colonialism in Malaya, and integrated with his desire and despair about the Chinese Communist Party’s nation-building project in the 1950s. Rather than a sign of devotion to the socialist motherland as simplistically depicted in China’s discourse, the garden symbolises Tan’s last ‘spiritual world’ where he simultaneously engaged with soul-searching as a returned Overseas Chinese and alternative diasporic imagining of Chinese identities and nation. It brings to light the value of heritage-making outside centralised heritage discourses, and offers an invaluable analytical lens to disentangle the contested and ever shifting relationship between diasporic subjects, cultural heritage and nation-(re)building in the Chinese context and beyond.     

Unsettling sovereignty: Violence,myths and the politics of history in the Ethiopian Somali metropolis

An increasingly consolidated anthropological scholarship has moved from a legal notion of sovereignty towards an analysis of its violent enactment. Yet, it has paid insufficient attention to the ways in which the idea of sovereignty forms and operates in localized political struggles. Taking seriously Bonilla’s (2017) call for the “unsettling” of sovereignty, this article scrutinizes how ideas of legitimate rule have formed around myths of violence in the capital of the Ethiopian Somali region. It uses ethnographic material to examine the politics of history around material constructions through which myths of violence are entangled with the city's landscape of memory. It reveals sovereignty in the process of formation, becoming culturally and materially grounded in the myths of violence of an emerging Somali nation within the ethnic federal Ethiopian state. This article argues that past claims to sovereignty continue to affect the politics of history, with profound consequences for ongoing nation-state building projects and the corresponding territorial imaginations. It thus highlights the inherently fragile nature of ideas of state sovereignty in the frontier metropolis. On this basis, it contributes to a geographically differentiated anthropology of sovereignty and to an understanding of its co-constitution through violence in the frontier and myths in the metropolis.     

Transcendent myths,mundane objects: setting the material scene in rock,soul, and country museums

The many varied myths of origins, aesthetic transcendence, and greatness that surround popular music continue to proliferate in a variety of forms. One comparatively recent type of institution producing such forms of mythology is the popular music museum. This article uses the familiar idea of the ‘experience economy’’ to examine how three popular music museums produce experiences through objects that, while they are deliberately cast as mundane and everyday, work to support widely-shared narratives of the musical traditions of which they are a part. I argue that they do so in the service of larger myths of popular music. In each case I examine, I show that the myths on display are specific to the music that forms that content of the exhibitions. I argue that the specific kinds of spectator experiences these museums seek to produce are designed to enhance the value of these museums and their collections through claims made on specific types of musical patrimony made material through carefully contextualized objects of display. As such, traditionalist myths of musical greatness and aesthetic transcendence are well-served by the forms of exhibition and display produced by these institutions.     

杨端其人及其族别考

杨端是统治播州（今贵州遵义）达近七百二十五年的杨氏家族之始祖。近代以前,史载皆以杨端为山西太原汉人。上世纪四十年代学者谭其骧对其民族身份提出异议,认为杨氏族属为川南之罗族（今彝族）,文章发表后,又衍生出苗族、白族、仡佬族三说;杨端其人之存在,则在上世纪末禹明先撰文提出新见。杨端其人及其族别问题,事关黔北历史真伪、事关黔北少数民族文化与汉文化间复杂而微妙的关系。本文依据历史文献,对二学者之论逐一缕析,认为确有杨端其人,祖籍山西太原,汉族。     

略论新中国成立以来中国共产党对军队的绝对领导

中国共产党对军队的绝对领导,即"党指挥枪",是马克思主义建党建军学说与中国军事斗争实践相结合的伟大创造,是毛泽东建军思想的重要组成部分。新中国成立后,中国共产党逐步发展和完善了一整套领导人民军队的基本制度,实现了党的组织与军队建制的有机融合,实现了党的思想政治领导与军事行政领导的内在统一,并从新的高度深刻论述和发展了毛泽东"党指挥枪"的建军思想,为坚持党对军队的绝对领导奠定了新的理论基础。     

Marina Carr’s Hecuba: agency,anger and correcting Euripides

ABSTRACT

This paper focuses on Marina Carr’s 2015 adaptation of Hecuba for the Royal Shakespeare Company. Hecuba sees Carr return to a fascination with Greek tragedy, difficult female characters and reimagining foundational myths. Of all Euripides’ plays Hecuba has rarely been popular, yet the themes Carr prises open – of violence, desire, gendered experience and the politics of perspective – are acutely topical. Indeed, Hecuba seemed to anticipate the frustrations that erupted on 28 October 2015 in response to the Abbey Theatre’s “Waking the Nation” programme. Drawing on twentieth and twenty-first century debates around the politics of tragic form, Roland Barthes theorising of myth, and the tradition of Greek adaptation in modern Irish drama, this paper examines how Hecuba reorients its sources. It goes on to assess the outcomes of these reorientations in order to problematise the critical predisposition to find an inevitably progressive poetics/politics in her engagement with tragic myths.     

'TEXAS (WHEN I DIE)': NATIONAL IDENTITY AND IMAGES OF PLACE IN CANADIAN COUNTRY MUSIC BROADCASTS

As a nation linguistically and regionally fragmented, Canada faces unique problems of national unity and identity. The truth of Northrop Frye's observation that ‘Canada has passed from a pre-national to a post-national phase without ever having become a nation’ is illustrated by the trauma of partially sloughing the trappings of colonial status in 1982, 115 years after attaining de facto independence in 1867. National identity in Canada rests precariously on the shoulders of its peoples, for the fabric of national consciousness spun from myths and images is still being woven by its literati, bureaucrats, and politicians. Not only does Canada have a small population and, as Mackenzie King put it, ‘too much geography,’ but the country is bordered by a culturally aggressive and dynamic English-speaking nation outnumbering it by more than ten to one. If English Canadians are to formulate a distinctive cultural identity, to create their own images and myths of place, to come imaginatively into contact with the country, and to answer the fundamental question of ‘Where is Here?,’ they must do so on their own terms, not in a cultural vacuum but in a milieu protected in some measure from the onrush of values, attitudes, and beliefs emanating from beyond the borders of Canada.     

古黄河道考察日记(1977年6月3日—1977年7月9日)

1977年6—7月,邹逸麟先生随谭其骧先生在郑州、荥阳、安阳、浚县、滑县、濮阳、大名、邯郸、新乡、延津、开封、徐州作黄河古道考察。其间,邹逸麟先生撰考察日记,记述每日行程、见闻与思考。这份日记对于见证谭先生一行对黄河古道的考察,了解历史地理学者如何增加各自对黄河变迁的感性认识,有重要的学术意义。     

商周■、寻、谭诸地的纠葛及相关历史问题之检讨

卜辞■(■、■)、寻(■、■)、谭(■)诸地,尽管读音相近,但所指实不相同。■地在鲁中泰安东南,或与商周时期的姒姓斟寻阝氏相关;寻地在鲁北章丘附近,殆为子姓寻阝氏的族居地;谭地在鲁东沂水县北部,即《春秋》经传所记谭子国的所在地。此类卜辞地名的考定,有助于武丁时期军政大事及商代民族等重大问题的重新梳理,过去所论定的西部族群,如土方、■方和方方等,都应该在殷墟以东区域寻找。     

Challenging Myths of the 1960s: The Case of Student Protest in Britain

While much current scholarship and research on the 1960s takesthe existence of a number of myths about the 1960s for granted,effective attempts to define and challenge such myths are rare.One aspect of the period that has suffered conspicuously fromthis neglect, and indeed from a lack of detailed research, isthe series of protests by students that occurred in Britainin the second half of the decade. The myths that have been constructedaround these protests are numerous, and many are, at first glanceat least, persuasive. When they are analysed, however, theyare found to be misleading, and have resulted in the creationof a distorted view of this aspect of the period.     

Retrieving the Cultural Biography of a Gun

Abstract

The meanings of objects change as the people with whom they are associated change. Over the course of an artefact’s existence, the sum of these meanings constitutes a cultural biography, a life-story of the item. This is the case with objects associated with conflict, just as with those from other contexts; in this case, cultural biographies can have sharply contrasting phases. However, identifying the object in each of its changing relationships with people can be problematic. In the case of a World War I German 150 mm gun, that is one of the few of its type remaining in the world, this has been achieved by comparison of detailed characteristics, markings, and battle damage with historical photographs and surviving documentation. By these means, its role in the Battle of Amiens on 8 August 1918, and after its capture by the Australian Corps, can be pieced together. The biography of such a gun can include manufacturing technology, a means of destruction, a valued war trophy, a public exhibit, a neglected relic, a source of scrap metal, a museum showpiece, and even a children’s plaything, but the gun investigated here was more fortunate. It is preserved in a museum, although its relationship to people could continue to change.     

Constructing Policy Narratives in 140 Characters or Less: The Case of Gun Policy Organizations

This study examines interest groups’ framing of gun policy issues via an analysis of nearly 10,000 tweets by the Brady Campaign to Prevent Gun Violence and the National Rifle Association spanning from 2009 to 2014. Utilizing the Narrative Policy Framework (NPF), I investigate the extent to which interest groups use social media to construct policy narratives. This research shows that much can be conveyed in 140 characters; both gun control and gun rights organizations used Twitter to identify victims, blame “villains,” commend “heroes,” and offer policy solutions. This research sheds light on the politics of gun control by revealing trends over time in groups’ framing and suggests refinements for hypotheses of the NPF. Finally, this work underscores the importance of social media for public policy scholarship.     

辛亥革命元勋王天培将军遗文

辛亥革命元勋贵州籍将领王天培,一生追随孙中山先生革命,笃信三民主义,由于性情直率,胸怀坦荡,遭到蒋介石、何应钦等人嫉妒,以＂莫须有＂罪名陷害,英年早逝。从他撰写的一些对联、讲话、题词、诗歌、信函等遗文里,不难看出王天培聪颖的才华,直率的性格,忠诚的思想,坦荡的胸怀,以及坚定的信念和高尚的气节,不愧是贵州人民的好儿女。     

‘Social Exclusion’ Discourse and Chronic Poverty: A South African Case Study

This article questions the export of ‘social exclusion’ discourse to the field of development and poverty studies. It considers the findings of ongoing research into chronic poverty in the Western Cape district of Ceres, one of the centres of the South African deciduous fruit export industry. It explores the links between the livelihood options of poor people and processes of global integration, agro‐food restructuring and the modernization of paternalist farming styles. In this context the concept of ‘social exclusion’ is of only limited utility, and has significant disadvantages. Although it has the potential to focus attention on the disabling effects of poverty, its most common usage often fails to capture how poverty can flow not only from exclusion but also from processes of integration into broader economic and social networks. The author argues that these are better captured by the notion of ‘adverse incorporation’, and calls for a more cautious approach to the modernizing myths and moralizing narratives that shape policy debates.     

Covering up spying in the ‘Buster’ Crabb Affair: A note

Abstract

F EWER COLD WAR myths are more enduring in the United Kingdom than that of ‘Buster’ Crabb. In April 1956, Britain’s Secret Intelligence Service (SIS) coaxed Commander Lionel ‘Buster’ Crabb, a naval frogman from the Second World War, out of retirement to dive under the Soviet cruiser Ordzhonikidze, while it was docked in Portsmouth. It had brought the Soviet Premier Nikolai Bulganin and the First Secretary of the Communist Party, Nikita S. Khrushchev, to the United Kingdom on a state visit. The operation, routine by all accounts, ended in both personal and diplomatic failure. Fourteen months later, the decomposed body of a frogman washed up in Chichester harbour. Despite the British government’s hope that the discovery might be the end of the affair, it fired up the conspiracy theorists, who alleged that the body could not be Crabb’s; that, in fact, he had been kidnapped, taken to the Soviet Union, and renamed Korablev.¹ The government did little to dispel such myths. A few days after Crabb’s disappearance, The Times succinctly summed up the situation: ‘official reticence about the activities which led to the death of Commander Crabb has caused much speculation.’² Curiosity was further piqued a few days later when the prime minister, Sir Anthony Eden, stated m the house of commons on 9 May that ‘it would not be in the public interest to disclose the circumstances in which Commander Crabb is presumed to have met his death.’³