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本文針對學界關於古人"重神輕形"的傳統見解,提出古代文藝學的基本形神觀是"主神重形"。首先考察古代思想史上的形神論,認爲其中已貫穿着重神而不輕形的觀念,爲文藝學史上"主神重形"的形神關係學說奠基。其次分析東晉顧愷之及其後畫論家的主神重形論,强調其在文藝學史上主神重形論中的導夫先路作用。最後討論古代形神關係研究中的有關問題,提出一直都重形、形神不可分等觀點,並由此抉發出尚未被充分重視的古人"形神兼具"觀念下"真"的概念,藉以進一步說明"主神重形"纔是古代文藝學形神關係論的基調。 相似文献
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Marilyn Schneider 《Romance Quarterly》2013,60(2):252-253
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本文以黄征,张涌泉校定P.2133号《金刚经讲经文》录文为基础,参照《御注金刚般若波罗蜜经宣演》、《金刚经旨赞》、《金刚般若论》等文献,校正了P.2133号《金刚经讲经文》中的四处歧异与问题。 相似文献
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Kate Lee 《Folklore》2013,124(2):178-179
English-speaking soldiers of the Great War created a large ‘trench press’, a body of periodicals by, for, and about their experiences. They contain a wealth of folkloric material and indications of its significance and functions. While acknowledging the constraints involved in retrieving once-living traditions from the fragmentary survival of mostly makeshift periodicals, this article describes and discusses the processes involved in the creation and development of an especially well-defined folk culture in unprecedented and extreme circumstances. While some elements of soldier folklore, especially song, verse, and language, have been the subject of usually discrete interest by folklorists, this is the first attempt to understand a range of folkloric practice and expression in the context of a particular set of combat circumstances. 相似文献
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Gawa Tashi 《中国西藏(英文版)》2014,(4):47-51
One day, I was searching the Internet to find a gift for a distant friend. As I browsed lists of teas, immediately I foundsomething that has been regarded as a necessity of life since I was young and nowadays had been packaged as an attractive gift or collectables. It is the Tibetan tea. 相似文献
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《中国西藏(英文版)》1994,(6)
LhobasRetainHuntingTradition¥byWangGuoxingBowsandArrowsMembersoftheLhobaminoritynationality,wholiveincompactcommunitiesinLhoy... 相似文献
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Liyakatali Takim 《Muslim world (Hartford, Conn.)》2000,90(3-4):459-478
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民间故事流传主要是口耳相传,由于记忆的局限性,如果不求助于文字文献就很难发现其变化的历史线索。然而在传统社会文字却主要掌握在官方系统,搜集整理民间故事的专业人士被称为稗官,西汉班固《汉书·艺文志》,“小说家者流,盖出于稗官。街谈巷语,道听途说者之所造也”。余嘉锡的《小说家出于稗官说》里认为,稗官是士人,“士传民语”,下情上达,沟通之用。 相似文献
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