Donald Bán and the Bócan

Although ATU 510A, ‘Cinderella’, is known to have ancient origins, it was widely thought that the ash-name did not become a feature of the tale type until Giambattista Basile’s ‘La Gatta cenerentola’ (The Ashy Cat) in the seventeenth century. However, it is preceded in this regard by a little-known fourteenth-century Icelandic romance, Vilmundar saga viðutan (The Saga of Vilmundr the Outsider). Using this saga as a starting point, this article traces the literary transmission of ATU 510A through the extant corpus of Old Norse literature, with particular reference to the development of three key aspects of ‘Cinderella’: the persecuted heroine; the lost-and-found shoe; and the cinder-name.     

Orality and the reception of late Byzantine vernacular literature

Abstract

The starting point for this paper is the belief that orality has to be understood in a wider sense than is given to the term by the oral-formulaic theory of Milman Parry and Albert Lord. This is the more important when the field of study is medieval or modern Greece, societies far removed from what Walter Ong (1982: 31–75) has termed the ‘primary orality’ of a culture from which writing is absent. The oral formulaic theory, although excellent as a tool for the analysis of materials actually transcribed from oral performance, has come to be seen in the last fifteen years or so as an unwieldy and often unreliable yardstick for assessing the interaction of oral and written types of discourse. The insistence of the theory that for a text to be considered oral, the three processes of composition, performance and transmission should be simultaneous, imposes a definition of orality which is unjustifiably restrictive, and despite the well-intentioned efforts of Albert Lord and others to address the problem of the ‘transitional’ text, the method of analysis developed through close study of one particular oral tradition in Yugoslavia has proved disappointingly inflexible in its attempt to account for texts which are neither, according to its own definitions, truly oral nor fully literary (cf. Beaton 1987).     

Materialist hermeneutics,textuality and the history of geography: print spaces in British geography,c.1500–1900

This essay canvasses a range of recent work in literary studies and the history of science advocating a ‘materialist hermeneutic’, an approach to the study of texts which takes seriously their printed format as a bearer of expressive meaning. The essay goes on to show the role of such a hermeneutic in revising our narratives of the history of geographical thought by looking at the print format of British geography books in the era 1500–1900. It is argued that the age of discovery created a ‘problem situation’ for geographical knowledge which was solved by the geographical grammar, this solution only collapsing with the closing of the world in the late-nineteenth century. It is further shown that the so-called ‘new’ geography of the late-nineteenth century developed a radically different print space for geography. The print spaces of early modern and new geography are shown to have been key determinants of the social and intellectual positioning of geography as a scholarly enterprise.     

Men Making Home: Masculinity and Domesticity in Eighteenth‐Century Britain

Eighteenth‐century England is, for many scholars, the time and place where modern domesticity was invented; the point at which ‘home’ became a key concept sustained by new literary imaginings and new social practices. But as gendered individuals, and certainly compared to women, men are notable for their absence in accounts of the eighteenth‐century domestic interior. In this essay, I examine the relationship between constructs of masculinity and meanings of home. During the eighteenth century, ‘home’ came to mean more than one's dwelling; it became a multi‐faceted state of being, encompassing the emotional, physical, moral and spatial. Masculinity intersected with domesticity at all levels and stages in its development. The nature of men's engagements with home were understood through a model of ‘oeconomy’, which brought together the home and the world, primarily through men's activities. Indeed, this essay proposes that attention to how this multi‐faceted eighteenth‐century ‘home’ was made in relation to masculinity shifts our understanding of home as a private and feminine space opposed to an ‘outside’ and public world.     

Women and the Nationalisation of Literature: Text and Image as Parallel Narratives with Multiplied Meaning in a Hindi Periodical (1927–1941)

The early twentieth century is a period in colonial Indian history marked, among other things, by nationalist explorations of what was commonly described as the upper middle‐class, Hindu high caste ‘woman's question’. In the process, gender roles and responsibilities in public and private spheres were being contemplated and negotiated in oral and written forms. This essay explores the text‐image combinations and relationships in a mainstream Hindi literary periodical published in North India in the 1930s. It focuses specifically on the gendered visual narrative that emerged from this periodical's engagement with the role of women in the Hindi public and private spheres. It argues that through the combination of text and image, the reader of the Hindi periodical Sudha was presented with verbal and visual messages that were deeply embedded in debates on literary and cultural nationalism.     

Governing events and life: ‘Emergency’ in UK Civil Contingencies

Emergency is now a taken-for-granted part of how 21st century life is governed, being applied by states, corporations and non-governmental organisations to a wide range of events. Despite its ubiquity, there are few reflections on emergency itself in distinction from the ‘state of emergency’. In this paper we complement and extend existing work on the legal–political geographies of the ‘state of emergency’, by arguing that distinct versions of emergency are produced in apparatuses of security. We exemplify this approach to the political geographies of security through a case study of the apparatus of organisational forms and techniques through which the UK state responds to a range of events: UK Civil Contingencies. Drawing on documentary analysis, interviews and observation, we show how events are governed in UK Civil Contingencies through a number of distinct versions of emergency that open up a specific field of action: an interval after an event occurs but before that event becomes a disaster. In relation to this interval, UK Civil Contingencies revolves around a ‘state of preparing for emergencies’ and a ‘state of responding in emergency’, whilst the ability to proclaim a ‘state of emergency’ remains in potential. In conclusion we set out the implications of our approach for future work on how events and life are governed.     

The Tale of Aladdin in Georgian Oral Tradition

The tale of Aladdin is an example of the adaptation of Middle Eastern fairy tales in Europe and then of the spread of European literary tales into world culture. This article gives an account of the Georgian folk versions of ‘Aladdin’. An overview of archival material and publications outlines the characteristics and transformations of tale type ATU 561 in Georgian folklore. The article also traces the literary path that directed Aladdin to Georgia and compares Georgian translations of the tale with its folkloric variants, including the neighbouring type ATU 560.     

Searching for the Land of the Golden Cocoa-Nut: Australian Travel Writing about Commercial Enterprise in the Pacific Islands

Pacific Island trade and commerce was a prominent theme in travel writing produced within Australia in the late 19th and early 20th centuries. This reflected the long history of European commercial exchange between the Australian continent and the Pacific Islands, and a European literary legacy that idealised the region’s economic potential. This article explores popular perceptions of commercial enterprise in the Pacific Islands as expressed in travel writing, focusing on authors with a significant connection, by birth or affiliation, to either the Australian colonies or the Australian nation. The formation of a distinctively ‘Australian’ vision of the Pacific that evolved since European exploration is traced. The voice that took shape in literary form in the Australian colonies during the late 19th century contributed to a national narrative in the early 20th century that imagined the Pacific Islands as a region for Australian investment, profit and colonial enterprise.     

Diaspora and identity in the Viking Age

This article investigates the implications of the recent application of the term ‘diaspora’ to the overseas settlements of the Viking Age and offers a speculative assessment, based on literary, historical, archaeological, sculptural and onomastic evidence, of how the concept might contribute to our understanding of the cultural dynamics of the period. This exploratory look at connectivity in the ‘viking world’ considers the respective roles of the Scandinavian homelands and overseas settlements in the interplay of cultural forces from the ninth to the eleventh century.     

Was Digenes Akrites an Oral Poem?

Abstract

It is often suggested that Digenes is in some way connected with oral poetry, whether the oral folk poetry of the modern ‘acritic’ ballads or the type of oral epic tradition identified by Milman Parry and A. B. Lord in the Homeric poems and in modern Yugoslavia. Some clarification of the possible role of oral tradition in the composition and transmission of Digenes now seems overdue, and in this paper I propose to examine the texts of the poem in the light of recent work on ‘oral literature’, so as to define more precisely in what sense any of these can be described as ‘oral’, and then, more tentatively, to suggest a possible framework for the growth and transmission of the poem which might account for these results.     

The nation remembers: national identity and shared memory in television documentaries

Abstract. This article explores the impact of recent trends towards globalisation on the ways in which national identity and ‘shared memory’ find expression in the media. Concentrating on television documentaries produced through international co‐ productions, I show how national consciousness became a key ideological component in the construction of televised narratives. This illustration will be made through the examination of a particular co‐produced television documentary, The Fifty Years War. To make this programme possible, funding from three television networks was secured, with each source given the right to use the produced footage to construct its own version of the final product. The completed series thus exists in three distinct versions, British (BBC2), American (PBS) and Middle Eastern (MBC). Since the final product of this co‐production was split into several national/cultural versions, the content of the different national/cultural projects became translated into different presentations of ‘reality’. In analysing the similarities and differences among the three end‐products, this article offers some reflections regarding the three‐sided interplay between television, shared memory and national identity in an age of globalisation.     

Trinovantum — the evolution of a legend

One aspect of that legendary ‘British history’ which was accepted as fact almost without question by historical writers until the early seventeenth century, and in popular and literary tradition much longer, was the story of the foundation of London, as Trinovantum or ‘New Troy’, by a group of exiled Trojans, long before the Roman conquest of Britain. In considering the relevance of this medieval story to the problems of London's actual origin, this paper traces its sources and development. Ambiguities in the Latin of Julius Caesar and Orosius led later writers, including probably Bede, to assume that there had once existed a British city called Trinovantum. The British writers, represented by Nennius, invented a Trojan origin for their people on well-tried models. These two independent traditions were combined in the twelfth century by Geoffrey of Monmouth, who identified Trinovantum as Troia Nova, and made the further identification of this city with London. Later Londoners-were well aware of this ‘Trojan foundation’, and found in the story a source of pride and a reason for the pre-eminence of their city.     

Imagining the Beloved: Gender and Nation Building in Early Twentieth‐Century Hebrew Literature

This article traces the gender dimensions of Zionist nation building by examining literary texts written in the first three decades of the twentieth century. It offers a gender‐oriented analysis of a range of canonic and marginal literary texts and their historical contexts, and pays special attention to the ways in which literary production in general, and in Hebrew in particular, became an essential component in the effort to create an image of a ‘New Hebrew Man’. This highly gendered image was a central foundation of the Zionist project of nation building in Europe, and in the Jewish community in Palestine. Hebrew poems, stories and novels produced and sustained the symbolic economy of gender of the Zionist cultural project. At the same time, I argue that some Hebrew writers resisted the overt and implicit ideological demands of this project by calling attention to the internal contradictions inherent in the feminine figuration of the nation and the attempts to transform Jewish masculinity.     

Tyrtaeus and the Civilian Poet of the Crimean War

Recent scholarship has delved into the impact of newspaper press upon Crimean War poetry and highlighted the challenges of war representation facing non-combatant poets. The Crimean conflict (1854–56), this essay will show, was not only a ‘media war’ but also a ‘literary’ one, during which mid-Victorian commentators and poets consciously reworked an array of established traditions of war poetry, especially those of Tyrtaeus, the Greek martial poet of the seventh century, to negotiate the duties and artistic endeavours of the civilian poet. Tracing the construction of a ‘Tyrtaean’ tradition from the Revolutionary and Napoleonic Wars (1793–1815), it explores how a Romantic reworking of Tyrtaeus’ war songs served as a precedent for the civilian poets of the Crimean conflict, and how newspaper reports of the suffering of soldiers intensified a widespread scepticism of the civilian’s knowledge and bodily experience of war, which in turn instigated a reconfiguration of the ‘Tyrtaean’ poet. It argues that whilst the poetic efforts of Tom Taylor, Louisa Shore, and Alfred Tennyson to refashion the figure of the civilian manifest Crimean War poets’ anxiety about their non-combatant status and the use of poetry, they evacuated the ‘Tyrtaean mode’, a poetic mode intended to arouse people’s patriotic sentiment and exhort them to military action, forging a new image of war poet within their work marked by the civilian’s detachment from the spectacle of war and critical engagement with distant suffering.     

Perfectly absent: the emergence of the Modern Greek perfect in Early Modern Greek

Abstract

This paper traces the emergence of the Standard Modern Greek perfect ?χω + infinitive in the Early Modern Greek period. It shows that the construction appears in written sources towards the very end of the seventeenth century. Special attention is given to ‘phantom’ perfects, which can be found in editions of sixteenth- and seventeenth-century literary and non-literary texts as well as in the bibliography and which distort the picture of its emergence.     

Redefining the Republic of Letters: The Literary Public and Mudie’s Circulating Library

In late 1860, Charles Mudie’s plans to expand his circulating library inspired his detractors and competitors to challenge the validity of his ‘right to selection’ – the process by which he chose which texts he would loan from his library. Over the next few months, prominent periodicals featured correspondence and editorials that decried or supported Mudie’s ostensible monopoly over literary exchange. While the initial argument was economic, the dispute extended beyond economics to religion, literary quality and culture. To connect these disparate fields, writers turned to the politics of interpretation: that is, whether specialists should define literary culture, or if a public comprised of individual, ‘common’ readers should determine their own standards for books. Mudie’s opponents advocated for individual readers’ right to read what they liked, how they liked. His supporters argued that the public needed specialists to guide their literary tastes. The resulting exchange about what I call the ‘literary public’ amplified conversations integral to the burgeoning field of literary studies as it was emerging in the London colleges through the 1850s and 1860s. The contributing authors, publishers and critics justified or refuted ideas foundational to the establishment of English literature as an academic study for the common reader. As part of the mid-century confrontation between popular literary consumption and academic culture, the Mudie debate helped to politicize the reception and circulation of English literature.     

Household knights,chamber knights and king’s knights: the development of the royal knight in fourteenth-century England

The fourteenth century witnessed a considerable change in the way in which knights were retained in royal service in England. The system of retaining ‘household knights’, which had been in operation since at least the twelfth century, gave way to a new system based around the retaining of ‘chamber knights’ and ‘king’s knights’. These new ranks were retained in different ways to the household knights and often performed different functions. Consequently, the place they occupied in fourteenth-century kingship was markedly different. Despite the significance of this development, the scholarship on it has been limited and often contradictory. This article offers a detailed reassessment of how and why this development occurred and what its impacts were for the fourteenth-century polity.     

Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

Shakespeare as a method. Carl Schmitt’s reading of Othello and Hamlet

While in the 1960s Allan Bloom suggested to read William Shakespeare’s works through the prism of political philosophy, a decade earlier Carl Schmitt used the works of English poet in a reverse way: he read political philosophy and history through Shakespeare. Deprived – under the influence of Leo Strauss – from the possibility of considering Thomas Hobbes a decisionist thinker, Schmitt in his ‘Hamlet or Hecuba’ used Shakespeare’s most famous work to interpret origins of disappearance of the state of emergency from English soil. Shakespeare was seen by Schmitt as a writer who captured the Sixteenth and seventeenth century changes in thinking about sovereignty and the state. Interestingly, Schmitt did not use Shakespeare as method for the first time: in first decades of twentieth century, in his diary, he made ‘Othello’ a prism through which he read his love life. Because the author of ‘The Concept of the Political’ is one of the less methodologically cohesive writers of twentieth century, his usage of Shakespeare twice, in different circumstances, is interesting. In an article, author links ‘Hamlet or Hecuba’ with Schmitt’s geopolitical works and presents Shakespeare’s works as the coherent method of interpretation in Schmitt’s philosophy of decisionism.