Tibetan Headgear in Rites of Passage

The Tibetan people have a long history and a richculture.They are distributed across the Tibet Autono-mous Region,mostly in Qinghai province and a partofSichuan,Gansu and Yunnan.They call themselves“Bod”and“Bodrigs.”Those living in Tibet are called“Bodpa”;those in western Sichuan,“Khampa”;thosein Qinghai,southern Gansu and northwestern Sichuan“Amdowa”;and those in northwestern Sichuan areknown as“Gyarongwa.”This shows that Tibetan cul-ture is widespread with regional differentiation.Theymaintain traditional rites of passage associated with     

The Greekness of Modern Greek Surrealism

Abstract

Surrealism as a full-blown artistic movement, or, as many of its exponents preferred to see it, a full-blown way of life, was very much a French product. The line of descent from larry's Ubu (1896), via the self-conscious modernism of Apollinaire and Blaise Cendrars, to the Dadaist activities of 1916 represents the continuation of that semi-official anti-culture which had existed throughout nineteenth-century France. With the destruction of the officially sanctioned culture of Nationalism and Catholic conformism in the debacle of the First World War, there was a sudden vacuum in French intellectual circles which the anti-culture was quite ready to fill. In the words of an early member of she movement, Roger Vailland: ‘Surrealism was not a literary school. It was above all a common ground and meeting-place for young petit-bourgeois intellectuals particularly aware of the futility of every activity expected of them by their background and their era’.     

流动的生命--读人生礼俗丛书

生命从无到有的神奇,生活跌宕起伏的变幻以及生物源于本能的冲动都使得生存其中的人们珍惜生命、礼赞生命并发自内心地希冀生命永久的绵延。中国人的一生中充满了摇曳多姿的繁复礼俗,积淀着中华民族几千年的文化传统。     

Perfectly absent: the emergence of the Modern Greek perfect in Early Modern Greek

Abstract

This paper traces the emergence of the Standard Modern Greek perfect ?χω + infinitive in the Early Modern Greek period. It shows that the construction appears in written sources towards the very end of the seventeenth century. Special attention is given to ‘phantom’ perfects, which can be found in editions of sixteenth- and seventeenth-century literary and non-literary texts as well as in the bibliography and which distort the picture of its emergence.     

The Influence of Katharevousa on the Phonology of Modern Greek

Abstract

Much has been written on Greek diglossia and the language struggle (between katharevousa and dhimotiki ). Defenders of katharevousa have emphasized the importance of the language's roots in ancient Greek, opponents of katharevousa have emphasized the idea that the Greek language should be first and foremost ‘the language of the people’. More recently, the focus of the discussion has shifted to what constitutes ‘true’ dhimotiki and the extent to which certain katharevousa elements are acceptable to the modern language; see for instance G. Babiniotis, <inline-graphic href="splitsection5_in1.tif"/><inline-graphic href="splitsection5_in2.tif"/>(Athens 1979) and A Linguistic Approach to the ‘Language Question’ in Greece (BMGS 5, 1979), E. Kriaras' reactions to Babiniotis' views in his ‘<inline-graphic href="splitsection5_in3.tif"/><inline-graphic href="splitsection5_in4.tif"/>(Athens 1979) and Mesevrinos' H <inline-graphic href="splitsection5_in5.tif"/><inline-graphic href="splitsection5_in6.tif"/>(Nicosia 1973). All of these writers are more concerned with determining what should be considered correct or acceptable to the modern language than with analysing actual usage. In general, very little of the discussion is concerned with the spoken language. M. Setatos' article (<inline-graphic href="splitsection5_in7.tif"/><inline-graphic href="splitsection5_in8.tif"/>1973) is particularly interesting because it sets out to analyse the place of katharevousa in the modern language (both written and spoken) rather than arguing for or against katharevousa. Setatos has also written the most detailed analysis of modern Greek phonology (<inline-graphic href="splitsection5_in9.tif"/>, Athens 1974). Other interesting articles on katharevousa elements in the spoken language have been written by Philippaki-Warburton, Tsopanakis, and Petrounias. However, there has in fact been scarcely any empirical research on modern Greek phonology and the extent to which spoken Greek has been influenced by katharevousa. It is perhaps understandable, given the social and historical context, that there has been so much emphasis on theory; the priority has been establishing norms on an acceptable theoretical basis, in the midst of the confusion caused by diglossia, and the question ‘what is actual practice in spoken Greek now, at the end of the twentieth century?’ has had to wait.     

The Ritual Year of Athena: The Agricultural Cycle of the Olive,Girls' Rites of Passage,and Official Ideology

Through the ritual year of ancient Athens, many festivals were dedicated to Athena. The Panathenaia was the most important festival. It has been regarded as a political festival, but the importance of agriculture is also illustrated through the offerings and rituals carried out during this main festival dedicated to the Goddess of the olive crop. All Athena's festivals were related to the olive, the third main crop of the Athenians, and protected by her, as her festivals were celebrated in the crucial period for the olive crop, from the flowering of the olive tree, growing period of the fruit, until the gathering in winter. The summer festivals, particularly, may be related to the importance of securing the dew for the growing fruit. Many rituals during the festivals reflect the daily activities of women, several rituals are also important to the rite of passage undergone by girls at puberty to prepare them for marriage.     

去杏仁糖博物馆 找寻纯真童趣

正在匈牙利首都布达佩斯往北20公里,有一座漂亮的艺术小镇——圣安德烈绝对不容错过,这里是艺术家的聚集地,保留了匈牙利的中世纪风情,拥有狭窄曲折的碎石街道、古老而迷人的房屋,以及很多小餐馆、艺术画廊和手工艺品博物馆。小镇里的小型博物馆有好多家,其中杏仁糖博物馆我尤其喜欢。这家博物馆是由Szamos Chocolatier家族糕点集团所创建的,博物馆内展览着数百和用杏仁糖制成的人物和动物雕像,栩栩动人,妙趣横生。     

Orality in Medieval and Modern Greek Poetry: Introduction

Abstract

A colloquium under the above title was held in Oxford on May 12–13, 1989, under the auspices of the British association of university teachers of Modern Greek studies known as SCOMGIU (Standing Committee on Modern Greek in the Universities). The following articles represent a selection of the papers given at this colloquium, some printed with minimal alterations (thus preserving some traces of their oral performance) and others extensively rewritten.     

Modern Greek in the European Union: Language,Economy and Culture

Abstract

For those teaching and researching in Modern Greek Studies outside Greece, discussion of the eighties and nineties is characterised by reference to changes in Greek political life, as well as in the Greek educational system and policy making directly connected with Greece's entry into the European Union. Greece became a member of the EU as recently as 1981. PASOK, viewed membership as temporary but these claims were dropped after 1985. In the same period changes introduced into the linguistic system of the Greek language led to discussions of educational and cultural interest. More recently, however, certain developments concerning the role of strong languages in the European Union have brought to the fore issues concerning weak languages, those spoken by less people in the European Union, and their related cultures. This has once again opened the forum of discussion regarding matters of linguistic survival and cultural variety.     

Harvest Rites in Ireland

LES FONCTIONS MENTALES DANS LES SOCIÉTÉS INFÉRIEURES. Par L. LÉVY-BRUHL. Paris: Félix Alcan, 1910. 8vo, pp. 461. Reviewed by E. A. Hooton.

THE FOLK-LORE OF HEREFORDSHIRE. Collected from Oral and Printed Sources. By ELLA MARY LEATHER. Intro, by EDWIN SIDNEY HARTLAND. Sidgwick &; Jackson, 1912. Large 8vo, pp. xxviii + 288. Ill. Reviewed by Charlotte S. Burne.

JOURNAL OF THE FOLK-SONG SOCIETY. NO. 16 (Vol. IV., Part iii., December 1911). A Collection of one hundred and five Songs of Occupation from the Western Isles of Scotland. Compiled by Miss FRANCES TOLMIE. 19 Berners Street, W., 1911. 4to, xiv, 143–278 + ix. Reviewed by K. W. Grant.

LA RELIGIONE PRIMITIVA IN SARDEGNA. By RAFFAELE PETTAZZONI. Piacenza: Societá Editrice Pontremolese, 1912. 8vo, pp. xxiii + 253. Reviewed by R. R. Marett.

LA CHANSON POPULAIRE DE L'ILE DE CORSE. Par AUSTIN DE CROZE. Avec conclusion de M. PAUL FONTANA. Paris: Librairie Honoré Champion, 1911. 16mo, pp. xv + 188. Reviewed by A. M. Spoer.

LE LÉGENDAIRE DU MONT SAINT-MICHEL. Par ÉTIENNE DUPONT. Paris: Robert Duval, 1911. Sm. 8vo, pp. xlvii + 173.

THEMIS. A Study of the Social Origins of Greek Religion. By JANE ELLEN HARRISON. With an Excursus on the Ritual Forms preserved in Greek Tragedy by Prof. GILBERT MURRAY, and a Chapter on the Origin of the Olympic Games by Mr. F. M. CORNFORD. Cambridge: Univ. Press, 1912. 8vo, pp. xxxii + 559. Ill. Reviewed by W. Crooke.

LA SOCIÉTÉ MUSULMANE DU MAGHRIB. MAGIE ET RELIGION DANS L'AFRIQUE DU NORD. Par EDMOND DOUTTÉ. Alger: Typographie Adolphe Jourdan, 1909. 8vo, pp. vi + 617. Reviewed by E. Sidney Hartland.

THE SUK : THEIR LANGUAGE AND FOLKLORE. By MERVYN W. H. BEECH. With Intro, by Sir Charles Eliot. Oxford: Clarendon Press, 1911. 8vo, pp. xxiv + 152. Maps and ill. Reviewed by A. R. Wright.

THE LAND OF UZ. By ABDULLAH MANSÛR (G. Wyman Bury). Macmillan, 1911. 8vo, pp. xxvii + 354. Ill. Reviewed by Hans H. Spoer.

MATERINSKAYA FILIACIYA v VOSTOCHNOY 1 CENTRALNOY AZII. [Mother-right in Eastern and Central Asia]. V?p. 1. Materinskaya Filiaciya u Kitaycev, Koreycev i Yaponcev [Mother-right in China, Korea, and Japan]. V?p. 2. Materinskaya Filiaciya u Tibetcev, Mongolov, Myaocz?, Lolo i Tai [Mother-right among the Tibetans, Mongols, Miaotzu, Lolos, and Tai]. By NICHOLAS MATSOKIN. Vladivostock, 1910–11. 8vo, pp. 40, iv + 147. Reviewed by M. Trophimoff.