视觉文化时代的视觉困惑

在视觉已经成为当代文化的媒介平台时,视觉文化给我们带来了前所未有的满足,但这种视觉又使我们陷入了深深的困惑并导致一系列生存环境的改变,如何在这种文化语言的转型中把握机遇与挑战,将是我们面临的严峻现实。     

Vision and visualization

The art of visual communication is not restricted to the fine arts. Scientists also apply art in communicating their ideas graphically. Diagrams of anatomical structures, like the eye and visual pathways, and figures displaying specific visual phenomena have assisted in the communication of visual ideas for centuries. It is often the case that the development of a discipline can be traced through graphical representations and this is explored here in the context of concepts of visual science. As with any science, vision can be subdivided in a variety of ways. The classification adopted is in terms of optics, anatomy, and visual phenomena; each of these can in turn be further subdivided. Optics can be considered in terms of the nature of light and its transmission through the eye. Understanding of the gross anatomy of the eye and visual pathways was initially dependent upon the skills of the anatomist whereas microanatomy relied to a large extent on the instruments that could resolve cellular detail, allied to the observational skills of the microscopist. Visual phenomena could often be displayed on the printed page, although novel instruments expanded the scope of seeing, particularly in the nineteenth century.     

A Scandinavian Relief Brooch: Artistic Vision and Practical Method Combined

THIS PAPER considers the craftspeople that created ornamental metalwork, the contexts in which they operated, and the communication they had with their contemporaries. The study focuses on the Dalem brooch, a 6th-century Scandinavian relief brooch from Norway. By examining an object which expresses a complex symbolic language through intricate and demanding crafting processes, we emphasise the importance of considering both ornamentation and technology when studying these exquisite dress items. The brooch was manufactured from a variety of materials and decorated in Salin Style 1. This ornamentation, with its religious, political and social connotations, was completely integrated into the object from its conception. A combination of new and old designs indicates that the craftspeople purposefully created and transformed motifs for use on the brooch, operating within a creative, cross-disciplinary and intellectual centre of expertise.     

Sheehan,Brett.Industrial Eden: A Chinese Capitalist Vision

In Industrial Eden:A Chinese Capitalist Vision,Brett Sheehan offers an insightful portrait of what it meant to do business in China during the Republican period (1912-49) and the early years of the People's Republic of China (PRC).Sheehan's narrative focuses on two ambitious industrialists,Song Chuandian and his son Song Feiqing,their efforts to build an industrial empire,their visions of industrial modernity,and how they navigated the turbulent political waters of the first half of the twentieth century.     

Regional Journals in Geography: A Vision for the 21st Century*

Abstract

This paper (originally published in The North West Geographer, 1997, 1(1), 2–17)) contributes to the debate on journals in geography and the production of geographical knowledge by considering a hitherto neglected issue – the role of regional journals of geography. Initially, an overview is provided which considers issues such as the status of the regional journal within the discipline and its fortune relative to the changing concerns of geography in the late 20th Century. A case study of The Manchester Geographer then critically appraises this particular journal's contribution to geographical knowledge. Finally, and in conclusion, some suggestions are offered which it is believed would ensure that regional journals perform a useful and unique role in the production of geographical knowledge in the 21st Century.