论谷崎润一郎短篇小说的艺术特色

谷崎润一郎是日本唯关派文学大师。当前国内学者对其研究主要集中于其长篇小说方面,对其短篇小说尤其是其艺术特色研究甚少。本文欲从细腻的心理描写、精巧的奇妙构思、新颖的题材选取和独特的艺术视角等方面,解读其短篇小说集所呈现的艺术特色。     

‘Circulating commodities’: reflections on the movement and meaning of shells and stories in North Australia and Eastern Indonesia1

As Victor Turner (1974) so eloquently argues, symbols have the capacity to move people, in both emotional and physical terms. In this article, I explore the power of certain kinds of symbols, namely shells (trochus shell, Tectus niloticus) and stories, to do just this. Stories, I argue, construct pathways for the movement of people and objects. Shells too also evoke (e)motion through their ability to signify specific spheres of exchange and the relationships, identities and values which circulate within these domains. Importantly, stories and shells not only suggest movement but are themselves entities which are moved between differently valued social and political contexts. As things which are defined in terms of their high exchangeability quotient, shells and stories, at certain times in their biographies, correspond to Appadurai's (1986) notion of a commodity. Through an exploration of the commodity status and circulation of both shells and stories within the broad ethnographic context of Maluku Tenggara, Indonesia, I aim to challenge some of the commonly held beliefs and stories which are transmitted via the Australian media and along other lines of communication about the so-called ‘problem’ of illegal Indonesian fishermen in north Australian waters.     

News Photographs and Environmental Agenda Setting

Who and what influences the issues that policymakers attend to is central to the question of how power is exercised in politics. This study builds upon research by Soroka that proposes an expanded model of agenda setting as a means to examine how the media influences issue salience for the public and policymakers. It expands on Soroka's model by investigating the hypothesis that photographic attention to environmental issues in the news media influences issue salience for the mass public and governmental decision makers. There is little research that substantiates the idea, but it is widely believed that photographs have influence on the policy agenda. I use a dynamic, multidirectional model to estimate whether the volume of news photographs, in addition to news stories, influences issue salience among the mass public and policymakers. Data are longitudinal and measures of attention are operationalized as the number of congressional committee meetings, concern for the environment as a “most important problem” in public opinion polls, environmental news stories in The New York Times, and environmental news photographs in Time magazine. Results suggest that photographic attention does influence environmental policy agenda dynamics in some counterintuitive ways that are distinct from the effects of the news stories. While news stories appear to increase public attention toward the environment, they have little influence on policymaker attention. News photographs, on the other hand, appear to drive congressional committee attention but elicit an ambivalent public response.     

Guy Vanderhaeghe’s Notes Towards the “Big Book” of His Generation: Man Descending in the Sociopolitical Context of the 1960s and 1970s

Guy Vanderhaeghe’s historical novels starting with The Englishman’s Boy (1996) have been widely discussed and celebrated in academic books and journals, but his first collection of stories, Man Descending (1982), has been largely neglected by the academic critics. An examination of sociopolitical references, with a special focus on gender and masculinity, in a coherent group of these stories (“The Watcher,” “Drummer,” Cages,” “Man Descending,” and “Sam, Soren and Ed”), reveals a writerly personality that, while acutely sensitive to contemporary social and political developments, and itself deeply implicated in these trends, nevertheless stands uncomfortably apart from and assumes a critical attitude toward the prevailing, generally progressive, sociopolitical trends of the 1960s and 1970s. In the last story of Man Descending, the protagonist-narrator Ed emerges as an aspiring thirty-year-old author who has attempted, but could not finish, two novels of his society and times, and these early stories constitute Vanderhaeghe’s own notes toward a never fully realized “Big Book” of his generation of Saskatchewan men, born in the early 1950s, coming to young adulthood in the socially and politically transformative 1960s and 1970s, and surviving into an embattled early manhood in the late 1970s and early 1980s, a time, as it is depicted in these stories, in which the aspirations of 1960s progressivism were hardening into a conformist sociopolitical orthodoxy.     

Radon and Asbestos: A Study of Agenda Setting and Causal Stories

Employing Kingdon's model of agenda setting (1984) and Stone's notion of causal stories (1989), this article examines how public concerns about radon and asbestos reached the congressional agenda. Several conclusions about agenda setting and causal stories are offered: First, scientific consensus about health risks was a necessary, but not sufficient, condition for radon and asbestos to achieve agenda status. Second, media involvement and the presence of policy entrepreneurs were critical factors in the agenda setting process. Third, differing incentives within the policy stream (for radon) and the political stream (for asbestos) affected the speed by which agenda setting occurred, as well as the shaping of formal policy.     

Cerita Kentrung Sebagai Warisan Tradisi

Kentrung stories as a traditional heritage

Kentrung stories are performed orally by a story‐teller (dhalang kentrung), who is accompanied on simple instruments. Some stories take several nights to complete. The story is mostly spoken and in prose, but is interspersed with sung metrical passages not essential to the plot. Kentrung is performed on special occasions, including circumcisions, marriages, and ruwatan (ceremonies to avert disaster). A trainee dhalang learns the story's framework and certain passages by heart, but most of the story is not memorized verbatim. Hence variations occur between a dhalang's performance and his pupil's, and between different performances by one dhalang. Some pupils learn by imitation while working as servants for the dhalang, others while acting as his instrumental accompanists, and others receive direct teaching (this, however, is confined to members of the dhalang's family).     

Irruptions of the Dreamings in Post‐Colonial Australia

This essay is written round four ‘funny stories’ from Northern Australia. Metamorphosis instigated by a Dreaming is central to all four stories and this is why the stories are counted as ‘funny,’ and received with glee. The analysis illuminates a topic that has been attracting attention in recent contributions to Aboriginal ethnography: how Dreamings irrupt into contemporary histories and act in ways that have political significance, contesting whitefella paradigms and re‐asserting the world‐view of the original Australians.     

Passports,Citizenship, Residency and Asylum: The Meanings of Decolonisation in Lesotho

In late colonial Basutoland and early independence Lesotho, the issue of who could access citizenship rights and passports became increasingly important. Political refugees fleeing apartheid South Africa took up passports on offer in the territory to further their political work. Basotho residents also took up passports in increasing numbers as a way of safeguarding their economic, social and political rights on both sides of the border. The lure of a Citizens of the United Kingdom and Colonies (CUKC) passport drew refugees to Basutoland in the early 1960s, but it was South Africa’s decision to leave the Commonwealth in 1961 that spurred many in Lesotho to formalise their imperial citizenship as well, even as independence for Lesotho became increasingly likely. The stories of those taking up papers illuminate how citizenship became a space for contestation between individuals and governments. The stories also show how the concept of the transfer of power does not accurately reflect the ways in which the sovereignty of newly independent African states, apartheid South Africa and the United Kingdom were all limited by a series of decisions made in the late colonial period. Tracing these stories helps us better understand the limitations of the term ‘decolonisation’ for reflecting the understandings and complications of citizenship in 1960s and 1970s southern Africa.     

Stories of crossings and connections from Bawaka,North East Arnhem Land,Australia

This paper engages with Indigenous peoples' conceptualisations of borders, arguing that these unsettle dominant Eurocentric constructs of the border as terrestrial, linear, bound and defined through western legal frameworks. It does this by drawing on one aspect of the many storytelling experiences offered by members of the Indigenous-owned Yolngu tourism business Bawaka Cultural Experiences in northern Australia. We argue that stories told to visitors about multiple and diverse connections between Yolngu and Makassan people from Sulawesi, Indonesia, are intentional constructions which challenge dominant conceptions of Australia as an isolated island-nation. The stories redefine the border as a dynamic and active space and as a site of complex encounters. The border itself is continuously recreated through stories in ways that emphasise the continuity and richness of land and sea-scapes and are based on non-linear conceptions of time. The stories invite non-Indigenous people to engage with different kinds of realities that exist in the north and to re-imagine Australia's north as a place of crossings and connections.     

Stories of fracture and claim for belonging: young migrants' narratives of arrival in Britain

This article brings an anthropological approach to bear on the question of ‘children's voices’ and, particularly, on the stories told by some young migrants about their recent arrival as asylum-seekers in Britain. Young migrants' narratives are examined as situated and self-conscious claims to a certain identity as child refugee. The question of why a particular narrative of ‘arrival in Britain’ was offered by a diverse group of young migrants and asylum seekers is discussed. These stories present a view of their tellers as alone and irreconcilably detached from past lives and relationships. These narrative repertoires as well as their telling draw from and elaborate certain views of the ‘proper refugee child’ that circulate through various regimes of immigration, welfare and emancipatory community work that all involved these young people. An approach to the stories as accomplished as well as situated performances that collapse the ordinary division between stories as ‘facts’ or ‘fictions’ is introduced. In this sense, the ‘children's voices’ heard in this study are recognised as situated and interested products of a research relationship.     

Jane Eyre's ‘Arabian Tales’: Reading and Remembering the Arabian Nights

This article considers the significance of the Arabian Nights in nineteenth-century memoirs and accounts of childhood. Taking Jane Eyre (1847) as my chief example, I investigate the nature of the childhood encounter with the stories and the intensity of the child's emotional and sensory engagement with the work. I then consider how these stories and books function not only as childhood souvenirs, but also as stand-ins for childhood itself in the construction of an autobiographical subject. Finally, I offer a reading of the presence of the Arabian Nights within the narrative of Jane Eyre and its role in structuring the memories of its eponymous heroine.     

Some approaches to traditional Māori knowledge

In this essay I review two books of rather different focus, but with a common thread that is oral tradition: age-old tales passed orally down the generations to maintain the histories and used to educate the young. The focus of the Metge book is traditional methods of education, while McRae’s focus is on the stories themselves.     

A new approach to the tympanum of Neuilly-en-Donjon

Romanesque sculpture can be profitably studied by trying to create the thought processes of those responsible for designing the programs. In particular, the thought pattern of associating various biblical stories which contain the same or similar words can be applied to the program of the little church of Neuilly-en-Donjon (Allier). It is clear that the various stories depicted are related to one another by sound - for example the Adoration of the Magi and the fall of Simon Magus and Mary Magdalen at the house of Simon the Pharisee. However, just as the genius of a monastic author such as Bernard of Clairvaux was the thematic unity he could use to organize these aural associations, so does the importance of the program at Neuilly derive from the sophisticated thematic unity of the program around the theological virtue of faith. From this study, we can learn not only to appreciate the genius of the designer of the program at Neuilly but also to attempt to unlock other secrets of Romanesque sculpure by applying this or other elements of contemporary thought processes to the parts of a program.     

Bedding the Nightmare: Somatic Experience and Narrative Meaning in Dutch and Flemish Legend Texts

Most texts generated by folk narrative research in Flanders and The Netherlands fall into two main categories: memories, and stories with little immediate basis in experience. "Nightmare" texts occur in both groups. The nightmare appears in two guises: in the memories as a horrible nocturnal experience; in the stories as a woman with whom the male subject has sex. This formal division into two categories does not, however, imply that nightmares appear quite differently in them. The memories, like the stories, can be read as referring to a sexual experience. [1]     

Shattered Minds: Madmen on the Railways, 1860–80

Scholars have long pointed to stories of death and disaster on the railways as proof of profound Victorian anxieties about technology. And yet the traumatic crash was not the only anxiety revealed by sensational railway stories. In the 1860s, a surprising number of newspaper accounts emerged telling tales of ordinary men losing their minds on the railways. These stories were told and retold across the periodical press, exaggerating both the extent of the problem and the severity of the danger for the everyday traveller. Analysing a broad range of press accounts and government policy, this article traces a moral panic in the making. These stories reveal a great concern about the seeming fragility of the male mind when exposed to the modern, industrial world. As this article demonstrates, fears of madness were not limited to Lunacy Commissioners and alienists; they were in fact a staple of popular culture. If a railway journey was all it took to drive a seemingly sane man to madness, what did that say about the health of British manhood?     

Shared Spaces of Transnational Transit: Filipino Gay Tourists,Labour Migrants,and the Borders of Class Difference

Between 2006 and 2008, I conducted autoethnographic research in what I refer to as Manila's ‘‘bright lights'' gay scene. As part of that research, I collected travel stories from young, urban, middle and upper-class gay men, in an attempt to draw out the relationship between transnational mobility, urban gay life, and dreams of global belonging. This article comes out of those stories as well as out of my own stories of living in, leaving, and returning to Manila. Starting with the international airport as a trope for the shifting boundaries that exist between kinds of travellers based on class identity, the essay moves on to describe the nationalised, gendered and class-specific divisions that cut across the transnational flows of gay Filipino culture globally.     

Narrative policy images: Intersecting narrative & attention in presidential stories about the environment

Drawing on ideas about how narratives focus attention, this paper develops a “narrative policy image” using the Punctuated Equilibrium Theory and Narrative Policy Framework explanations of the policy process. The concept of a narrative policy image is applied to test partisan expectations about presidential environmental policy stories in State of the Union Addresses over 73 years. This research finds that Democratic stories focus on problems like climate change and victims and Republican stories emphasize solutions like new programs and upholding the status quo. These trends point to potential story types and suggest a narrative policy image, including both narrative components and valence, may be a useful concept for understanding narrative attention in macropolitics.     

The Case of the Case History: Detecting the Medical Report in Sherlock Holmes

Critics have examined both the influence of the medical case model and the newer laboratory sciences on Arthur Conan Doyle's Sherlock Holmes tales, but they have often overlooked key aspects of the stories' turn-of-the-century historical context. I argue that in response to the indefinite rewards offered by the up-and-coming laboratory sciences and the grandiose claims of many of those practicing these sciences, Conan Doyle chose to circle back to an earlier clinical method and to echo a type of case narrative that provides both closure and disclosure via post-mortem exam. Thus, Conan Doyle's stories, with their breakdown into Watsonian history and Holmesian summation, register the value of clinical procedures by using the established medical case study that ends in autopsy as a template. In his fictional echoing of the case culminating in post-mortem exam, Conan Doyle's Holmes stories draw attention to the accuracy of knowledge that only such cases can provide, and in doing so, Conan Doyle highlights the uncertainty inherent in both many Victorian medical practices and the unproven laboratory sciences of the day – an uncertainty, the tales suggest, that could only be remedied by accruing information through this particularly revealing type of case documentation. In the process, the Holmes tales reflect on the case's unique ability to narrate a type of resolution which cannot be otherwise represented. In its emphasis on making comprehensible that which defies mastery through other means lies the case's essential fit with literary narrative more generally – and narratives of detection like the Holmes stories, in particular.     

‘All mucked up’: sharing stories of Yolŋu–Macassan cultural heritage at Bawaka,north-east Arnhem Land

From the eighteenth-century Macassan traders from the Indonesian Island of Sulawesi made regular visits to northern Australia, where with the help of Yol?u, Indigenous Australians living in north-east Arnhem Land, they collected trepang (sea cucumber) for trade. Along with sharing language, technology and culture, the Macassans and Yol?u involved built relationships that are celebrated today in Yol?u art, songs and stories. While the trepang trade had officially stopped by 1906, resonances of this complex relationship continued and still continue today. This paper shares a number of stories told by one particular Yol?u family about this heritage and reflects on the ways in which for Yol?u, the tangible heritage (artefacts), intangible heritage (stories) and the land itself are locked in a symbiotic relationship where each depends on the others to define their existence. Looking after, or protecting this heritage, is therefore about attending to place, and the nature, storytellers, objects and stories contained within it.     

A new approach to the tympanum of Neuilly-en-Donjon

Romanesque sculpture can be profitably studied by trying to create the thought processes of those responsible for designing the programs. In particular, the thought pattern of associating various biblical stories which contain the same or similar words can be applied to the program of the little church of Neuilly-en-Donjon (Allier). It is clear that the various stories depicted are related to one another by sound - for example the Adoration of the Magi and the fall of Simon Magus and Mary Magdalen at the house of Simon the Pharisee. However, just as the genius of a monastic author such as Bernard of Clairvaux was the thematic unity he could use to organize these aural associations, so does the importance of the program at Neuilly derive from the sophisticated thematic unity of the program around the theological virtue of faith. From this study, we can learn not only to appreciate the genius of the designer of the program at Neuilly but also to attempt to unlock other secrets of Romanesque sculpure by applying this or other elements of contemporary thought processes to the parts of a program.