Studies in Urban Ecology: Strangler Figs in the Urban Parklands of Brisbane,Queensland, Australia

This study investigated the establishment dynamics of strangler figs and the constraints on their development in the urban parklands of Brisbane, Queensland, Australia. Of 3580 trees and palms in the study parks, approximately 5% support at least one Ficus species. Six Ficus species occur epiphytically in older parkland. Four are Brisbane natives: F. macrophylla, F. obliqua, F. platypoda and F. virens; and two are from elsewhere in Australia: F. benjamina and F. rubiginosa. A lack of pollinator wasps in the Brisbane area prevents exotic and other native Ficus spp. from reproducing. Though they form predominantly open communities, the percentage of phorophytes (support trees) in the study parks is similar to that associated with natural, closed communities. Ficus spp. become established in structural features that accumulate humic soil, such as the forks of trunks and branches on trees, and behind marcescent leaf bases on palms. Plants with few humus pockets support few Ficus species. Environmental factors such as atmospheric quality, canopy shade, bark texture and whether or not a park is irrigated, seem not to be consequential to Ficus establishment. Significantly greater numbers of Ficus occur on deciduous trees, perhaps because avian seed dispersers favour them as perches over evergreen trees. Ficus also occur significantly more frequently on the western sides of palms with marcescent leaf bases. These western flanks offer shelter from the prevailing sea breezes: fewer Ficus are therefore likely to be torn from these sides in strong winds.     

A GIS Atlas of the Fossil Pollen and Modern Records of Ficus and Related Species for Island South–East Asia,Australasia and the Western Pacific

Ficus has been described as a keystone genus in the tropics. This paper reviews the Quaternary palynology literature, and vegetation research literature in Island Southeast Asia, Australasia and the Western Pacific with the aim of increasing the knowledge of the distribution history for Ficus and related species within this area. Specifically, this paper describes a GIS atlas designed to aid further analysis of the history and spread of Moraceae species. This research project synthesises the knowledge of the distribution and history of Ficus and related species in the greater Australasian area through the production of a GIS atlas, and describes the project, specifically focusing on the data collation and production of the GIS.     

Early Triassic mastodonsaurids (Temnospondyli,Stereospondyli) from Western Australia,with remarks on mastodonsauroid palaeobiogeography

A newly discovered partial skull of a temnospondyl from the Early Triassic Blina Shale of the Erskine Range, Western Australia, is referred to the mastodonsaurid species Watsonisuchus aliciae. A partial skull described as ‘Parotosuchus’ sp. by Warren (1980) is also referred to W. aliciae. Both taxonomic assignments should be treated with caution because of the relatively poor state of preservation of the specimens. W. aliciae is the fourth temnospondyl species to be described from the Blina Shale. The worldwide distribution of mastodonsauroids at the base of the Triassic suggests a rapid phase of radiation and dispersal following the Permo-Triassic extinction event.     

Growing Knowledge in Bolivip,Papua New Guinea

Knowledge practices in the Mountain Ok or Min area of Papua New Guinea have, since Fredrik Barth's pioneering Baktaman study, come to exemplify ‘secrecy’ in Melanesian ethnography and have consequently represented something of an enigma to anthropological interpretation. This paper reports research among the Angkaiyakmin of Bolivip village, Western Province, and addresses the problem posed by Min revelatory practices. The Barthian paradigm interprets awem as ‘secret knowledge’, and holds that revelations are restricted to infrequent performances of male initiation rituals which serve to manage the distribution of secrets exclusively among suitably qualified men. The Bolivip data, however, suggest that awem (glossed here as ‘important’) is more widely known, and conventionally revealed to women and junior initiates in hidden contexts. Through analysing the movements involved in composing efficacious forms by combining ‘halves' in Bolivip, and illustrating the comparison Angkaiyakmin draw between taro gardening and cult ritual, the paper argues for a reorientation of approaches to ‘secrecy’ and to conceptions of ‘knowledge’.     

Was there an early Polynesian ‘sky father’?∗

Abstract

There is a recurring Polynesian cosmogonic tradition whereby the primordial world was transformed into the modem world by a series of events often consisting first of vague cosmic beings (whose names and nature are not generally cognate) giving rise to a Primordial Pair who then gave rise to first order anthropomorphic gods. The Primordial Pair in Tonga were ‘Seaweed’ and ‘Sediment/Slime’ while in Nuclear Polynesian we find the female named Papa‐adj. and evidence for the male being named Papa‐adj. in Proto Nuclear Polynesian and Proto Central Eastern Polynesian as well. These are thought of as physical strata or rock in Samoa while in Central Eastern Polynesia there was commonly the notion that Papa (the female) was the earth itself and that her mate was the sky or the space between the sky and the earth. It was, however, only amongst New Zealand Maori that the male was specifically given the name ‘Sky’ although an alternative name for the male in the Marquesas is ‘Sky Parent’ but seems a (lexical) development independent of the N.Z. Maori.     

Bodies,gender, place and culture: 21 years on

This article examines research on embodiment published in Gender, Place and Culture (GPC) over the past two decades. We searched using the keywords ‘body’, ‘bodies’, ‘embodiment’, ‘embody’, ‘flesh’, ‘fleshy’, ‘corporeality’ and ‘corporeal’, the titles and abstracts of all the articles that have appeared in GPC since it first began publication in 1994. Articles containing these keywords were listed in a searchable bibliography. What we found was a growing volume of research inspired by ‘body politics’ produced over a 21-year period that compares favourably to cognate geography journals. We also found that various themes have emerged including maternal and geopolitical bodies. In other areas, we identified gaps. Throughout the article, we engage with the question: has the upsurge of interest in embodiment, as expressed in the pages of GPC since 1994, led to an upheaval of masculinist ways of thinking in the discipline? We conclude by expressing our feelings of ambivalence.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Trauma,Male Fantasies,and Cultural Capital in the Films of Pablo Larraín

This paper explores the visualization and intersection of trauma, male fantasies, and cultural capital in the first four feature-length films of Chilean director Pablo Larraín: Fuga (2006), Tony Manero (2008), Post Mortem (2010), and No (2012). Larraín’s first feature sketches out these themes in individual and familial terms; the subsequent three, forming what Larraín has called an ‘unintentional trilogy’ of the Pinochet dictatorship, visualize them in a more collective, historical, and political register. Categorizing these films as examples of ‘posttraumatic cinema,’ I demonstrate how Larraín images the fantasy scenarios that structure Chile’s ‘true horror’: namely, the weaponization of male fantasies and of cultural capital – the combination of which induced indelible traumas during the dictatorship. The attendant institutionalization of injustice, impunity, and neoliberalism – which, as Larraín shows, was conserved during the country’s transition to democracy – has limited the possibilities of working through the recurring traumas ever since.     

Of Winds,Worms and Mana: the Traditional Calendar of the Torres Islands,Vanuatu

This paper explores how the expression of ‘capacity’ (mena, more commonly known as mana in other Oceanic settings) and the evocation of abundance are played out in relation to seasonal change and human‐environmental relations, as observed in the Torres Islands, Vanuatu. It considers the importance for communities of North and Central Vanuatu of the appearance of a ubiquitous sea worm known as the Palolo, in combination with the regular motions of the sun and the moon, the prevaling winds and various other ecological patterns. While human‐environmental relations are often mediated by the idea of mena, this also constitutes a basic social value that informs local senses of place and belonging. The study of temporality and environmental knowledge can help to de‐centre territorial notions of ‘place’ by situating this concept within the broader context in which people experience it. Finally, because these data bear on macro comparisons that span the Western Pacific, this article is aimed in part at putting the interpretation of time and calendrics within the Indo‐Pacific frame of reference that they should begin to take.     

A new Pliocene tree kangaroo species (Marsupialia,Macropodinae) from the Chinchilla Local Fauna,southeastern Queensland

A new species of very large tree kangaroo, Bohra wilkinsonorum, is described from a maxillary fragment from the Pliocene Chinchilla Sands of southeastern Queensland. Allocation to Bohra, which has previously been known from postcranial material only, is suggested on the basisof its similar size and stage of evolution to Bohra paulae. Both species of Bohra are plesiomorphic with respect to species of Dendrolagus, and are much larger than any known species of Dendrolagus. This new taxon from Chinchilla has expanded the tree kangaroo record from the Pliocene of southeastern Australia, supporting the hypothesis that the group originated in the late Miocene of ‘mainland’ Australia, finding refuge in north-eastern Queensland and New Guinea as climate became drier in the Quaternary. Fossil tree kangaroos are unknown from the Pliocene of Papua New Guinea where most living species now occur.     

A new ‘bone-cracking’ dasyurid (marsupialia), from the Miocene of Riversleigh,northwestern Queensland

Ganbulanyi djadjinguli gen. et sp. nov. is described on the basis of an upper molar and premolar from an early-late Miocene site in Riversleigh, northwestern Queensland. The paucity of material constrains certainty in the determination of it's phylogenetic position. But, among dasyuromorphians, and dependent on the interpretation of tooth homology, this species shows unequivocal synapomorphies only with the derived dasyurine Sarcophilus, and/or Barinya wangala, a possible sister taxon to the modern dasyurid radiation (i.e., Sminthopsinae, Phascogalinae, Dasyurinae). Other apomorphies, evident in G. djadjinguli, are common to both carnivorous thylacinids and dasyurids within the order. Some dental features of Ganbulanyi djadjinguli are treated as adaptations to a ‘bone cracking’ habitus. If this interpretation is correct, then this species represents the only pre-Pliocene Australian taxon known to occupy such a niche and perhaps the smallest specialist ‘bone-cracker’ within Mammalia.     

A new species of Scirrotherium Edmund & Theodor, 1997 (Xenarthra,Cingulata, Pampatheriidae) from the late Miocene of South America

Góis, F., Scillato-Yané, G.J., Carlini, A.A. & Guilherme, E. 2013. A new species of Scirrotherium Edmund & Theodor, 1997 (Xenarthra, Cingulata, Pampatheriidae) from the late Miocene of South America. Alcheringa 37, 175–186. ISSN 0311-5518.

A new species of Scirrotherium Edmund & Theodor (Pampatheriidae) is described: S. carinatum. This genus was previously represented by a single species, S. hondaensis Edmund & Theodor, 1997, recorded from the middle Miocene (Laventan) of Colombia. Pampathere remains are common in the ‘Conglomerado osífero’ (late Miocene) of the Ituzaingó Formation in the Paraná River cliffs of Entre Ríos, Chubut (Argentina) and Acre (Brazil). All of them were referred to Kraglievichia paranense, and they are mostly osteoderms. However, only a few of these specimens are strictly consistent with that species. The new species described herein differs from S. hondaensis in having very thin osteoderms with more elaborate ornamentation. The movable band (or imbricate) osteoderms have a sculptured exposed surface and a single transverse row of anterior foramina; the lateral margins are wider and also bear foramina, and the longitudinal central elevation is long and proximally wide, and forms a posteriorly raised crest. This elevation is delimited by a fairly broad and shallow depression on each side, separating the marginal elevation from the longitudinal central one. The exposed surfaces of fixed (or fused) osteoderms bear large and deep anterior foramina, the longitudinal central elevation and delimiting depressions are very pronounced. This new species increases the known diversity of the pampatheres from the ‘Conglomerado osífero’. Additionally, a new nomenclatural scheme for Pampatheriidae osteoderms is proposed.

Flávio Góis [goisf@fcnym]unlp.edu.ar], Gustavo Juan Scillato-Yané [scillato@fcnym.unlp.edu.ar], Alfredo Armando Carlini [acarlini@fcnym.unlp.edu.ar], Departamento Científico Paleontología Vertebrados, Museo de La Plata, Paseo del Bosque, s/n, 1900, La Plata, Buenos Aires, Argentina and CONICET; Edson Guilherme [guilherme@ufac.br], Universidade Federal do Acre, Laboratório de Pesquisas Paleontológicas (LPP), BR 364, Km 04, 69.915-900. Rio Branco, AC, Brazil. Received 11.5.2012; revised 31.7.2012; accepted 4.9.2012 .     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

Other messages,other missions; or,Sahlins among the Melanesians

Responding to a number of developing critiques, Sahlins (1991) has recently adapted his ‘structural history’ model to accommodate endogenous change in pre-colonial conditions. His reformulation, however, critically restricts the model's applicability to mythopraxis of a specific sort, viz. the historical actions of divine heroes in societies structured along Dumontian lines of ‘hierarchy’ as supposedly exemplified in Fiji and Polynesia generally. This article examines certain implications of this new structural history – particularly Sahlins's revision of the ‘structure of the conjuncture’ notion – by analyzing a case of relatively late historical contact and change involving exogenous Europeans as well as Melanesians (i.e. the later phases of the so-called Yali movements of post-World War II Papua New Guinea). Here, neither ‘heroic history’ nor ‘hierarchy’ as Sahlins has incorporated them into his new model are evident. What is apparent instead is a dialectical interplay of articulated messages and enacted missions on the part of a complex and shifting multiplicity of both expatriate as well as indigenous constituencies.     

Warrior Women,the Holy Spirit and HIV/AIDS in Rural Papua New Guinea

ABSTRACT This article analyses a group of Gogodala Christian women in the Western Province of Papua New Guinea who are referred to as ‘Warrior women’ and who pray, sing and call upon the Holy Spirit to cleanse their own bodies and ‘turn their eyes’, so that they are able to see those who threaten the health and well‐being of the wider community. These women have focused primarily on bringing male practitioners of magic — iwai dala — shadowy and powerful men who operate covertly and away from the gaze of others, out into the open. Whilst this has been happening for many years, the spread of HIV and AIDS into the area, fuelled by what many in the area believe is the rise of unrestrained female and male sexuality and the waning of Christian practice and principles, has meant that those perceived to bring harm to the community through their sexual behaviour have become recent targets for Warrior women. HIV/AIDS, referred to in Gogodala as melesene bininapa gite tila gi — the ‘sickness without medicine’ — is understood as a hidden sickness, one that makes its way through the community without trace until people become visibly ill. Warrior women seek to make both AIDS and those who, through their behaviour, encourage or enable its spread more visible. In the process, however, a small number of them are overcome by the Holy Spirit, so much so that they become daeledaelenapa — mad ‐ their behaviour increasingly characterised by childishness and uncontrolled sexuality.     

Engaging with place: artists,site-specificity and the Hebden Bridge Sculpture Trail

This paper traces the creative processes employed by artists participating in the 2004 Hebden Bridge Sculpture Trail and examines relationships between place, art and site-specificity. The Trail is a popular, temporary annual local arts event that invites international artists, students and community art groups to create and exhibit site-sensitive sculpture within Hardcastle Crags in Yorkshire, England. We consider some of the multiple ways in which artists mediate relationships between ‘site’ and artwork. We connect geographical concepts of place that highlight location, locale and sense of place, with mobile understandings of site as porous and flowing. The paper positions geographical research of art, opening out art and site in a non-urban environment through comparative discussion of concepts of ‘place’ and three ‘paradigms’ in site-specific art (phenomenological, social/institutional and discursive, Kwon 2002 Kwon, M. 2002. One Place After Another: Site-specific Art and Locational Identity, Cambridge MA: MIT Press. [Crossref] , [Google Scholar]). Three elements of site-specificity – histories, natures, interactions – are then explored through fourteen artists' creative practices and our documentation of the installation of their artwork in the Trail. We highlight the juxtaposition of ‘sites’ within the Trail, the over-lapping of ‘paradigms’ within individual artworks, and transitory aspects of ‘site’ to suggest that ‘time’ holds great significance in understanding site-specificity, place and art outdoors.     

Explorations in Rome, 1871, 1872

The identification of an eighteenth-century plan and a set of nineteenth-century photographs, in conjunction with a new survey of its remains, has permitted the reinterpretation of an early eleventh-century building at Avranches, in the Département of Manche, Normandy. This has shown that it measured 37 m by at least 27 m, was at least 16 m high, and that it can be considered as a donjon or ‘keep’, or, as now more usually termed, a ‘tour maîtresse’ or ‘great tower’. The remains of the building and its interpretation are described, with the aid of plans and the key material referred to above. Among the largest ‘great towers’ known (at least in plan) and one of the three known pre-Conquest examples in the Duchy, it is of great significance to the rapidly advancing study of this class of building.     

Gender and Sexuality in Latina/o Miami: Documenting Latina Transsexual Activists

This article examines the borderlands between transgender MTF (male‐to‐female) and gay male communities in Latina/o Miami through an analysis of the participation of Latinas in the Transsexual Action Organization (TAO). Previous research suggests that Cuban and Cuban American gay male culture have historically been associated with gender transgressive behaviour and identity. Because of this, it is often unclear how to distinguish between what is gay male/homosexual expression and transgender expression. If outward gender manifestations that we now call ‘transgender’ were understood in other historical and cultural contexts as ‘homosexual’, how do we label those manifestations today? By labelling them as homosexual are we simply reinscribing the marginalisation of transgender individuals? On the other hand, by labelling them as transgender are we imposing a contemporary category and therefore performing another kind of intellectual violence? In order to address these questions, I analyse a Latino/a organisation that explicitly labelled itself ‘transsexual’. TAO was an early transsexual rights organisation founded in 1970 by Angela Douglas in Los Angeles which moved to Miami Beach, Florida in 1972. Drawing on the organisation's publications, Moonshadow and Mirage Magazine (1972–75), and Douglas's self‐published autobiographical texts, Triple Jeopardy: The Autobiography of Angela Lynn Douglas (1983) and Hollywood's Obsession (1992), I analyse the rarely discussed participation of Latinas in the organisation.