苏南水乡村镇传统建筑景观的保护与创新

苏南水乡地区是吴文化的中心地带。这里优越的自然条件、悠久的历史渊源和深厚的文化底蕴创造了体现"天人合一"思想的建筑景观。该建筑景观的独特性体现在:顺应水势的空间布局;与生活紧密联系的建筑环境;简远清秀的建筑风格。然而,近年来,苏南许多水乡地区的经济和城市化进程发展迅猛,水乡村镇不断扩张,在实际建设中又缺乏长远的、综合的规划,从而造成传统的历史文化遗存和传统建筑景观面临困境。同时,在全球经济一体化的宏观背景下形成的文化趋同现象也导致了村镇传统建筑景观多元化的丧失。因此,在此基础上,本文从精神、制度和物质三个层面分析了苏南水乡村镇传统建筑景观特征形成的文化背景,初步探讨了水乡村镇传统建筑景观的保护、继承与创新问题,提出传统建筑景观的保护原则(保护与人们生活的改善提高相结合的原则;对传统建筑景观分等定级的原则;积极保护与有效利用相结合的原则),进而提出文化发展观,倡导创造有苏南水乡特色的绿色田园建筑景观。     

Transitions in the Ottoman Waqf’s traditional building upkeep and maintenance system in Cyprus during the British colonial era (1878–1960) and the emergence of selective architectural conservation practices

How did the Waqf, a widespread Islamic historic institution in the non-Western world which promoted traditional building upkeep and maintenance systems, cope with the emerging architectural conservation understandings of the modern era? How did colonial transfers of knowledge, expertise and political considerations influence these systems? The present study explores these questions by examining the case of the Ottoman Waqf (Evkaf) institution in Cyprus. By collecting and analysing archival evidence on conservation projects, initiated during the British colonial period between 1878 and 1960, a model framework of initiation, authorisation and implementation processes of the upkeep of the Waqf maintained properties has been identified. This framework has been used to show the transitional role of the colonial influence at different stages, which finally led to the dissolution of the Waqf system’s sustainable elements, and initiated the emergence of selective architectural conservation practices. By shifting the focus of conservation discourses to look specifically into the background dynamics of the institutional practice, a new argument has been developed. This revealed how heritage conservation practices are negotiated with the existing institutions and how they are transferred and/or transformed at different levels of institutional governance.     

The Choir of Auxerre Cathedral and the Question of a Burgundian Gothic Architecture

Despite criticisms, the classification of the choir of Auxerre Cathedral as Burgundian persists in recent literature. Yet the cathedral’s choir, begun c. 1215, demonstrates the problematic nature of the existing regional categories for French medieval architecture. Based on the 19th-century idea of progress, the conceptual model that conceives Gothic France as consisting of ‘centre and periphery’ and notions such as regional styles or period styles are deeply at odds with medieval concepts of innovation as inclusive of tradition, as evidenced in the biography of Bishop William of Auxerre (1207–20). Indeed, 20th-century studies in support of the classification are contradicted by recent archaeological findings, and neither the historical evidence nor the architectural evidence support a Burgundian label for the choir. The architecture’s distinctly trans-regional character with a mixture of both traditional and up-to-date architectural elements as well as the fact that patronal identities were strongly based on local affiliations and not attached to the duchy of Burgundy, invite a profound reconsideration not only of the position of the choir in the architectural landscape of the early 13th century but also of Gothic architecture of north-eastern France in more general terms.     

Bridging the cultures: architecture,models and computers in 1960s Cambridge

ABSTRACT

In the 1960s a unique research centre was founded in the Department of Architecture at the University of Cambridge. Before that date research in architecture was fragmentary and consisted largely of individual studies of topics in architectural history. Under the direction of Sir Leslie Martin, who had been appointed Professor of Architecture in 1956, a group of young architecture graduates embarked on a programme of research in the newly established centre for Land Use and Built Form Studies. Informed by the interest in the idea of the ‘model’ that was prevalent across the disciplines in Cambridge at this time and by using the power of the University Mathematical Laboratory’s ‘Titan’ mainframe computer, the group developed conceptual and mathematical models that operated across the range of architectural scales from building to city. This paper describes that work and sets it in the context of Leslie Martin’s role in reshaping architectural education in Britain.     

Utopian Promise or Burdensome Responsibility? A Critical Analysis of the UK Government's Building Schools for the Future Policy

Abstract: This paper critically analyses a nationwide school‐building programme in England: Building Schools for the Future (BSF). It is argued that, between 2003 and 2010, the UK Government's policy guidance for BSF represented a (re)turn to utopian discourse in governmental policy‐making, mobilised in order to justify a massive programme of new school building in the UK. In doing so, BSF connected with the promise of three further discourses: school(‐children), community and architectural practice. It anticipated that new school buildings would instil transformative change—modernising English schooling, combating social exclusion and leaving an architectural “legacy”. However, it is argued that BSF constituted an allegorical utopia: whilst suggesting a “radical” vision for schooling and society, its ultimate effect was to preserve a conventional (neo‐liberal) model of schooling. The paper highlights the critical role that notions of utopia might have in negotiating—and challenging—promise‐laden mega‐building policies like BSF. In doing so, it develops recent geographical research on utopia, education and architecture.     

Dom Hans van der Laan’s Architectonic Space: A Peculiar Blend of Architectural Modernity and Religious Tradition

This article discusses the design methodology of the Benedictine monk-architect Dom Hans van der Laan (1904–91), famous for his manifesto De Architectonische Ruimte (Architectonic Space, 1977), in which he proposed his ideal elementary architecture. In the past, this ideal achitecture was linked to Van der Laan’s proportional system and to his general approach as an architect rather than to his Catholic background. Consequently, the changing conceptual landscape in which he developed his ideas on the relation between religion and design was neglected. Yet, as this article will argue, it is only by carefully exploring the relation between Van der Laan’s attempts to define a fundamental architecture and his ambition to understand the religious traditions they may have sprung from that one can understand how his religion and design methodology influenced each other. Based on unedited primary sources (letters, notes, design sketches, lectures), this article reveals forgotten interconnections between Van der Laan’s religious and architectural thinking. By analysing these motifs, it offers new insights on the interrelationships between religion and architecture that go beyond the traditionalist-modernist dichotomy.     

Uses of Gypsum in Spanish architectural heritage: Typologies and some unique construction techniques

ABSTRACT

In Spain, gypsum and its many typologies play an important role as a construction material in Spanish architectural heritage. Its historical use is mainly a direct consequence of the abundance of gypsum deposits and a constructive tradition which began in ancient times. In addition to being a sign of constructive identity, gypsum is a clear example of the strong link between traditional architecture and the natural resources of the territory. The aim of this article is after to identify gypsum deposits and gypsum architectural heritage found in different parts of Spain and to explain the different gypsum typologies—other than powdered gypsum—used. Finally, the most unique construction techniques are described, differentiating between structural elements, partitions, and enclosures, as well as architectural elements and surface finishes.     

Dwelling(s) in a north‐west Arabian oasis: decoding residential architecture at Taymāʾ

The definition of an ancient, autochthonous north‐west Arabian residential architecture is still a major void in the archaeology of the region. This preliminary case study is intended to shed some light on this “blind spot” by presenting and analysing the architectural complex E‐b9 from Taymā? (c. fourth/third century BCE until the first/early second century CE). A meticulous study of the architecture identified a modular concept as a key to understanding the complex. Furthermore, underlying patterns of household organisation can be deduced from the architectural remains resulting in the definition of potential household units. Those are indicated by a set of activity areas which are congruent with patterns of accessibility and the use of specific wall types. These findings provide insights into the organisation of households and daily life in the oasis of Taymā?, and may help to define local or regional traditions in the future.     

‘The Indian Gift’: A critical debate

In 1986 Jonathan Parry’s ‘The Gift, the Indian Gift and the “Indian Gift”’ claimed to overturn conventional understandings of Marcel Mauss, by arguing that market societies most idealize the distinction between gifts and commodities, and gift giving need not entail reciprocity. Based on an analysis of Hindu religious gifts, Parry proposed a broad framework for understanding how ideologies of exchange function in different economic and cosmological contexts. Thirty years later, this symposium considers the intellectual milieu in which The Indian Gift was written, and interrogates whether or not the work remains relevant to contemporary research and analysis. The symposium opens with a short introduction that provides some background to Parry’s essay and incorporates material from a recent interview with him. This is followed by critical comments on it by five influential thinkers on gift exchange: James Carrier, Chris Gregory, James Laidlaw, Marilyn Strathern and Yunxiang Yan. It ends with a short ‘revisionist’ note by Parry in which he tries to identify some of the limits of the Maussian approach for contemporary anthropology.     

Sydney owenson's wild indian girl

In 1811, Sydney Owenson (Lady Morgan) published a novel set in India, The Missionary: An Indian Tale, arguably the first Irish Orientalist text. If, as Madeline Dobie has recently argued, the discourse of Orientalism in France was used to avoid moral questions about colonialism and slavery, Owenson used the genre in order to confront the brutalities of British colonialism. Owenson's intertextuality drew on not only other works about the east, but also her own literary productions and experience of authorship as an Irish woman of undistinguished background performing for an imperial audience. As she did in The Wild Irish Girl: A National Tale, her first publishing success, in The Missionary Owenson exploits just those equivalences imperialism posits among its peripheries. This essay examines The Missionary's intervallic position between the Irish novels The Wild Irish Girl and O’Donnel, and its possible role in the oft-noted shift in Owenson's practice of textualist history.     

Anarchy in Our Churches? The American Architectural Press, 1944–65

In the mid-twentieth century American architectural journals, including Architectural Forum, Architectural Record, and Progressive Architecture, routinely ran features on the state of contemporary church architecture in the United States. Rapid suburban expansion and the revival of religious life in the post-Depression, postwar era generated tremendous amounts of construction, with a great deal of work available for architects. This article examines the concerns and hopes of modernist editors in the 1940s–1960s, as they sought to stabilize a “direction” for church architecture. Specifically, it examines the role of the architectural press as the self-established gatekeepers for acceptable church design, and their relationship with theologians, liturgists, and building commissions within the Catholic Church. Questions of authority (who was competent to determine whether a church design was successful?) and expertise (whose theological knowledge should be weighted more heavily?) lay behind the stark assertions commonplace in these discussions. Editors, generally not themselves Catholic, used their professional positions to weigh in on hot debates within the Catholic Church over the purpose of a church building, the relationship of the Church to modernity (and modernism), and the appropriateness of new materials and engineering techniques.     

Dress-code: gender performance and misbehavior in the manor

This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored ‘on the one hand’ as a representation of social norms and ‘on the other hand’ as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called ‘the most famous manor in Sweden and of Swedish manors the most famous in the world’ (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858–1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy – a national monument. Lagerlöf continuously worked on the main building. In 1919–1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal ‘power suit’, which enabled a lifestyle that deviated from the norms of society.     

ARCHITECTURAL MOVEMENTS,UTOPIAN MOMENTS: (IN)COHERENT RENDERINGS OF THE HUNDERTWASSER‐HAUS,VIENNA

This article explores some of the manifold entanglements of architecture and utopia. It takes as a case study a social housing block in Vienna: the Hundertwasser‐Haus. The house was designed by the artist‐architect Friedensreich Hundertwasser and has attracted enormous attention from the architectural press and tourists. I articulate a series of architectural “movements”, manifest in Hundertwasser's design philosophy, press reportage about the house, residents' experiences of living at the house, and visitors' activities outside it. I argue that from these movements, a series of essentially unconnected utopian “moments” emerged. The article makes two contributions. First, it builds upon gathering interest in the geographies of utopia – specifically by moving beyond an emphasis upon utopian hope. It locates utopian impulses that are imbued with euphoria and joy, and which are not beset by a sense of lack. It also provides empirical examples of “unsettling” utopias of different registers (such as textual and experiential). Second, the article contributes to recent geographical approaches to studying architecture. It uses the analytical motif of movements to gain a sense of how a material building – and the idea of that building – is constituted as much by tenuous relations and disjunctures (even non‐relations) as by relations. Whereas contemporary geographies of architecture do not leave room for tenuous relations and disjunctures in their narratives, this article tries to do so. It highlights how utopian moments at the Hundertwasser‐Haus are proximate to each other: they are located metaphorically and/or literally at the house. Yet those moments neither conform to a coherent, singular narrative, and in some cases, nor do they relate to each other. The article opens debate about the significance of non‐relational sociotechnical constituents to the geographies of architecture.     

Research on the Characteristics of Timber Frames of Tingtang in Residences of Ming and Qing Dynasties in Shanghai

ABSTRACT

The majority of research on residential architecture of Shanghai has focused on modern Shikumen. While in Shanghai, there are more than seventy representative residential buildings of Ming and Qing Dynasties, which demonstrate great achievements in technology and art; few efforts have been made on them. Via literature research and on-site investigation, this article contributes to the investigation of timber frames of tingtang of Ming and Qing residences in Shanghai. It studies the characteristics and influential mechanism from three aspects. First, it reviews the history of residences development in Shanghai. Second, it interprets the establishment of the timber frame style. Through-jointed frame in ancient Wu Area was influenced by the space need and the Central Plains’ raised-beam frame. It finally evolved into “zhengtie raised-beam frame + biantie through-jointed frame” style by Xiangshan Bang carpenters. Third, the article discusses the regional characteristics of being material economic and flexible collocation, which reflects the local customs. The study clarifies the importance of social background influence on timber frames of tingtang of Ming and Qing residences in Shanghai. It is one of the series of architectural studies in Jiangnan region, and appeals for more attention to the protection and maintenance of traditional architectures in Shanghai.     

Comment habiter le monde ? Michel Houellebecq architecte

ABSTRACT

In Michel Houellebecq’s criticism and novels, a scathing critique of functionalist architecture is at work. For him, this architecture seems to have become the tool by which the « market society » structures contemporary space according to it’s own demands. How, then, is it possible to inhabit the world? The architectural imagination of Houellebecq’s work is at odds with functionalism, rather deriving from impossible (such as nature) or anachronistic models (cathedrals). It is, however, possible to pinpoint a number of architectural techniques that resonate with the construction and style of Houellebecq’s novels, suggesting that—in an uninhabitable world—literature presents itself as the sole possible refuge for the author and his readers.     

Towards a Definition of the pre-Classical Phoenician Temple

ABSTRACT

Though our knowledge of Iron Age Phoenician cultic architecture is quite limited, the available data suggests that pre-Classical Phoenician temples followed a similar plan which displayed several unique architectural features. This plan originated from a long held, Bronze Age, Canaanite tradition which became especially prominent along the northern Levantine coast from the Middle Bronze Age II, appearing alongside other temple plans. This article aims to demonstrate that during the Iron Age and most of the Persian period, this temple plan became the predominant temple type in Phoenicia and its dependencies. It was only during the late Persian period, that a drastic change occurred, and this millennia-old plan was abandoned in favor of other temple types. Nevertheless, it appears that despite this seemingly radical change, the most notable feature of the traditional plan was preserved.     

Solitude or Performance? The Papal and Royal-Imperial Residences of Benedict XII and Charles IV in Avignon,Prague and Karlstein

A comparison of the architectural models applied, on the one hand, at the papal residence in Avignon (Benedict XII) and the royal and imperial residences in Bohemia (Charles IV) and, on the other, at the first forms of baronial apartment consisting of public (sala regia) and private rooms (studiolo; thalamus, locus) offers a new way of approaching this aspect of architectural history. The baronial apartment was a specific type of room in the residence and an early sign of the gradual transformation of the fortress architecture that had been associated with itinerant rule. Accordingly, it should be interpreted as one of the first example of the ‘state-building’ architecture used to construct fixed or temporary residential locations.     

From verifiable authenticity to verisimilar interventions: Xintiandi,Fuxing SOHO,and the alternatives to built heritage conservation in Shanghai

ABSTRACT

The introduction of contemporary architecture into historic urban environments creates an open heritage discussion that includes the underlying relationship between development and conservation. This discussion requires theoretical clarification, as heritage conservation is frequently mistaken for other architectural design approaches that, even though they may operate within the historic environment as their primary source, do not comply with the complex definition of heritage authenticity used today. This article aimed to contribute to this debate, offering a characterization of such architectural design strategies operating through principles of verisimilitude that target authentication for tourists and the creative classes in a global city like Shanghai. Comparative studies of Xintiandi (Ben Woods, 2001) and Fuxing SOHO (Von Gerkan, Marg und Partner, 2015) provided an insight into the concepts of historic re-creation and abstract inheritance, currently used as ways of interpreting the historic residential typology of the Shanghai lilong according to the economic and political aims of the entrepreneurial model of governance. This allowed a critical evaluation of the growing attention paid to heritage in Shanghai in the last 25 years, and whether the substitution of the principle of authenticity for authentication has solved the contradictions between urban conservation and development in contemporary China.     

The 14th-Century Rebuilding of the Collegiate Church of St Mary’s,Warwick

The 14th-century rebuilding of the collegiate church of St Mary’s by the earls of Warwick has received surprisingly little scholarly consideration, despite the status of its patrons and the distinctiveness of its architecture. This article uses drawings of the building before the fire of 1694, which destroyed its west end, together with the college’s extensive cartulary and other records, to reconstruct the 14th-century church. From this a timeline for the construction of the church is proposed. Regional, national and international stylistic precedents and antecedents are explored and used to test the validity of the ‘centre/periphery’ model of architectural change. The article concludes with a brief discussion of methodological insights drawn from the analysis.     

历史文化街区表征与非表征之间的关联——以北京历史文化街区文化意义变化分析为例

历史文化街区存在建筑实体要素保护好,蕴含文化意义传承差的现象.本文从新文化地理学的角度,将街区作为景观,分析建筑使用形式和使用者变化后,景观意义的传承情况.本文以北京西四历史文化街区为景观对象,采用表征、非表征理论,调查当地居民对建筑实体体现意义的理解,及其具身的、实践的文化意义.研究结果显示:第一,该区表征文化主要是...