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In recent years the central Ottoman archive in Istanbul has been gradually releasing and computerizing thousands of maps stored in its collections. Our study introduces 137 maps already available to researchers that focus either directly or indirectly as part of broader presentations of imperial domains on the Ottoman Empire’s Arab provinces. These maps, which all date to between the middle of the nineteenth century and the First World War, differ widely in character, content and function. The maps are briefly described according to their content and set in their historical context.  相似文献   

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Swedish activism was a political movement during World War I that demanded Sweden’s entrance into the war as an ally of Germany. The article proposes a more systematic way of conceptualizing the nature of this movement, based on the activists’ beliefs about Sweden’s geographical and historical situation, their region-building goals, and the response to the war. The second and simultaneous aim is to suggest a way of distinguishing more clearly between ‘activism proper’ and other, closely-related viewpoints of the time (‘activist tendencies’).  相似文献   

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From the late nineteenth century, both Argentina and Chile were integral parts of Britain’s ‘informal’ empire in Latin America. It has been suggested by historians that this ‘informal empire’ came to an end around the mid-twentieth century. By analysing contemporary sources from within the British government and the findings of later economic historians, it is the purpose of this article to contest this viewpoint. It will instead argue that the end of ‘informal’ empire in these countries was a direct consequence of the First World War, and that the decline in British influence in the region was registered by British policy-makers much earlier than has previously been argued.  相似文献   

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Histories of the British Empire’s strategic outposts in the Far East have traditionally focused on their traumatic loss to the Japanese adversary during the Second World War. Only in the past decade-and-a-half have historians begun to examine the post-Second World War importance of these outposts to the continued defence and security of Britain’s empire in the Far East. In taking this line of historical enquiry still further, the article examines how Singapore and Hong Kong were used to project British military power, specifically army deployments, across the Far East, and far beyond the imperial frontier, in support of Britain’s involvement in the 1950–53 Korean War and therefore in pursuit of the empire’s foreign and defence policy objectives. It adopts an essentially operational analysis to this end, relying on operational and army ‘ground-level’ sources from the records of the Colonial, Foreign, and War Offices at the British National Archives. It uncovers the hidden workings of the mechanisms of imperial military power projection through strategic outposts, which ranged from training to logistical support to the exercise of command and control, and how these mechanisms and outposts were utilised by the British Far Eastern land forces involved in the Korean War. In so doing, the article sheds much valuable and original light on the historical importance of these strategic outposts to imperial defence.  相似文献   

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Before his death in 2003, Brazilian poet, critic and translator Haroldo de Campos had produced a robust body of work on translation theory, which consistently addressed the problem of subordination of target literatures to their source. His audacious concept of ‘transcreation’ championed that translation should be a creative re-invention instead of a mere reproduction of texts. In this article I demonstrate that De Campos’s translation theory subverts the hierarchical categories and values that have structured the field of world literature. Positioning himself as an intellectual from an ‘ex-centric’ literary culture, situated outside of the centers of global circulation, De Campos critiqued the unequal weight usually assigned to translated and original texts, author and translator, established and ascending traditions. His theory effectively illustrates how power differentials between diverse literary contexts affect the ways in which world literature is conceived. I argue that De Campos’s response to the standing inequality that characterizes translational exchanges involved a literary solution. As a creative act in its own right, imbued with the values of originality and difference, transcreation offered an aesthetic answer to the problems of authenticity, influence and literary dependence.  相似文献   

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This article examines the importance of Calvinism in producing the public/political “mind-set” of the United States, and how, after the Second World War, the export of this mind-set was as significant as the export of democracy, rock-’n’-roll, jeans, and Coca-Cola. It discusses the historical legacy and evolution of Calvinism from a civil religion to a religion of civility, and how the form and manner of Calvinist thinking—more specifically its ethic and aesthetic—has persisted in a secular manner so that much that Calvin would have found damnable is now intrinsic to the “religion of civility.” It then concludes that the central principles and practices of this religion of civility have had success within nations already “Christianized” but, perhaps understandably, not outside of that sphere.  相似文献   

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In contemporary British history, Elizabeth II’s coronation in 1953 is typically imagined and narrated as the moment where television was anchored as a national cultural form. In addition, it is well documented by commentators and scholars that during preparation for the coronation, politicians and the palace had reservations that live television might fracture the carefully constructed mystique of monarchy. This article revisits the coronation to consider why and how television was perceived as a watershed moment for both monarchy and television, and what difference this has made to royal representations since. Using the work of Michael Warner, it argues that the mediated intimacies facilitated by television as a new cultural form encouraged viewers to enact participatory and active processes of spectatorship as royal ‘publics’, who are brought into being through being addressed. That is, it was the act of emphasising the centrality of television’s role in the coronation, and in reinforcing the apparent distance between monarchy and (popular) media, that these ‘meanings’ of the coronation were constructed in the public and historical imaginary.  相似文献   

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The collection of official war art housed in the Australian War Memorial has played an important role in shaping a memory of the First World War for almost a century. This article explores the importance of eyewitness testimony in the production of war paintings for the Memorial's collection during the interwar years. Focusing on the repainting of official artist Harold Septimus Power's canvas Saving the Guns of Robecq, it explores the reasons why—in the inevitably contested construction of memory—Charles Bean and John Treloar privileged veterans’ memories over artists’ interpretations of the conflict. It argues that in the process of memory making aesthetics mattered less than portraying the war in a way acceptable to the men who had experienced it.  相似文献   

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