Gerhard Schøning,Gothicism and the Re‐evaluation of Northern Landscapes

In this article we shall survey some central views of the north and the people living there, as it was presented by different scholars from the 16th to the 18th century. In particular, we will focus on Gerhard Schøning (1722–1780). Many historians have stressed the big influence that French Enlightenment philosophy had on Schøning. This article, however, will also point to other ideas and traditions that inspired him. One is the old Swedish cultural and patriotic movement called Gothicism. Schøning did, no doubt, share many ideas with Swedish Gothicism. Even so, important factors like aesthetics, scholarly orientation and religious ideas changed greatly during this period, and this effected both Gothicism and Schøning's relation to it. It is also fundamental for us to clarify these changes when trying to explain the re‐evaluation of northern landscapes in the 18th century.     

France - History and Story

Although the career of Thierry de Martel, one of France's most illustrious neurosurgeons, would seem primarily of interest to historians of medicine, his life and self‐inflicted death can be inscribed into different contexts. De Martel can be considered representative of what Jean Touchard calls ‘l'esprit des années trente’, a spirit both of malaise and revolt which prompted many among the First World War generation to seek new political and intellectual alternatives to replace what they deemed the morally bankrupt ones of the Third Republic. Both because of his connections with Parisian literary and political circles, and the paradoxical nature of his ideological itinerary between the wars (encompassing both proto‐fascism and Germanophobia), de Martel's case is particularly interesting. This biographical portrait of a previously unstudied ‘nonconformist’ in turn serves as a prism through which to view the ferment of the interwar period.     

Command Centre Bjorn: the conflict heritage of a Swedish Cold War military installation

This text presents the results of a contemporary archaeological investigation of an important Swedish Cold War installation, Command Centre Bjorn. This centre was connected to the Air Force Attack Squadron and together with the coastal artillery and the navy it constituted a crucial part of the Swedish defence efforts during the Cold War period. The text also discusses questions concerning heritage processes, and it stresses that a contemporary archaeology approach can contribute with new insights into the Cold War and its heritage in Sweden, as well as canalize and offer guidance to the huge public interest in the material remains from this period in Sweden.     

Remembering Lee Kuan Yew: politics,heritage and political heritage in Singapore

The paper discusses issues of political heritage and the commemoration of notable figures within the context of the small city state of Singapore, a former British colony which celebrated 50 years of full independence in 2015. Particular reference is made to Mr Lee Kuan Yew, hailed as the founding father of the modern republic, who also died that year. Heritage overall is shown to occupy an important place in official nation building efforts, including political heritage dominated by the narrative of the success of the government formed by the party created and led by Mr Lee. Approaches to remembering the man and his legacy are considered, focusing on debate about turning his home into a memorial and possibly a national monument. The case confirms the generally observed manner in which formal depictions of political heritage, encompassing stories of influential individuals, are inextricably tied to contemporary politics. It also reveals the particular challenges of heritage management in Singapore arising from its history and official endeavours to shape public and private memories.     

Thomas Carlyle's Calvinist dialogue with the nineteenth-century periodical press

This article signals at a dearth of critical engagement with Thomas Carlyle's Presbyterian heritage resulting from the received whiggish narrative of his Calvinism as unenlightened, anachronistic, and backward-looking. It proceeds to challenge this view by examining closely Carlyle's creative use of key Calvinist concepts in his cosmopolitan and enlightened dialogue with the contemporary periodical press over British and European cultures. Carlyle is shown to be an adept purveyor both of the Edinburgh Magazine's enlightened idiom and of Blackwood's morally conservative and artistically cosmopolitan agendas, while also making creative capital of the Anti-Jacobin's powerful Gothic imagery and of the critical verve of the Westminster Review. The main addressees of Carlyle's reading of the signs of the times, I argue, are contemporary Whigs. Carlyle's depiction of Macaulay as a ‘spiritual hippopotamus’ spells Carlyle's broader critique of the modern lack of imagination of the spiritual which sponsors deterministic religious and secular readings of reality. Carlyle displays his enlightened Calvinist perspective in discussing the French Revolution through such key Scottish Enlightenment concepts as free will, conscience, civilisational and moral progress, and divine providence. Insightful and creative use of his inherited Scottish Calvinist heritage characterises Carlyle's open, cosmopolitan reading of the signs of the times.     

Byron to D'Annunzio: from liberalism to fascism in national poetry, 1815–1920

ABSTRACT. From Byron's death at Missolonghi in 1824 to D'Annunzio's capture of Fiume for Italy in 1919, the nationalism of universal liberalism and independence struggles changed, in literature as in politics, to cruel dictatorial fascism. Byron was followed by a series of idealistic fighter‐poets and poet‐martyrs for national freedom, but international tensions culminating in World War I exposed fully the intolerant, brutal side of nationalism. D'Annunzio, like Byron, both a major poet and charismatic war leader, was a key figure in transforming nineteenth‐century democratic nationalism into twentieth‐century dictatorial fascism. The poet's ‘lyrical dictatorship’ at Fiume (1919–20) inspired Mussolini's seizure of power in 1922, with far‐reaching political consequences. The poet became the dangerous example of a Nietzschean Übermensch, above common morality, predatory and morally irresponsible. This article shows how the meaning of nationalism was partly determined and transformed by poets, illustrating their role as ‘unacknowledged legislators of the world’.     

‘A Wagner for the Jews’: Moses Pergament,Richard Wagner and anti-Semitism in Swedish cultural life in the interwar period

This article deals with the Finnish-Swedish, Jewish composer and author Moses Pergament and his relationship with Wagner's theories, anti-Semitism in particular, and their influence on the development of modern Swedish classical music during the interwar period. The author emphasizes the importance of recognizing that Pergament's reaction to Wagner's cultural theories was part and parcel of his struggle for assimilation. The basis of Pergament's interpretation of Wagner was the notion that it is possible to separate life and belief: the anti-Semitism and enthusiastic lechery were part of Wagner's life, to which it was not necessary to attach much importance. The beliefs, on the other hand, were there to be analysed. Furthermore, an explicit and public critique of Wagner's anti-Semitism was inconsistent with an attempt to gain a foothold in Swedish cultural life. As Wagner's anti-Semitism was well known but was deemed either acceptable or irrelevant, paying attention to it was by definition proof of a Jewish identification. To be accepted as a Swedish music critic, Pergament had to follow the unwritten rules of the game, amongst them the requirement not to exhibit his ‘Jewishness’ openly. The actions of certain members of Föreningen Svenska Tonsättare (FST, the Association of Swedish Composers) indicate that Pergament's work was not thought to indicate a Swedish identification. On the contrary, his reviews were seen as a threat to ‘Swedish music’, and with implicit references to Wagner this was attributed to Pergament's supposed lack of feeling for the ‘spirit of the Swedish people’.     

小森阳-关子《浮云》的新阐释

日本当代著名文学理论家、社会活动家小森阳一的文学理论、批评能融东西方文化精髓,紧密结合日本文学理论实际,锐意创新,不仅对日本近代文学,当代文学的研究具有开拓性,对我国文艺理论建设也极富借鉴意义。小森阳一对二叶亭四迷《浮云》的新阐释紧密结合文本,灵活运用所接受的批评方法,让人耳目一新。     

“AND DAVID PERCEIVED” (2 SAMUEL 5,2)

Abstract

2 Samuel 5,12 is shown to be important. It does not merely repeat verse 10 and is not an addendum that is poorly integrated into the literary unit.

Its importance is that it presents David's inner world: he ascribes his success to the Lord, Who acts for the benefit of His people. This alludes to two aspects of the monarchical covenant in Israel: king-the Lord and king-people. In both realms David is perceived as embodying the book's criteria for the ideal leader.

In addition, the language of the verse is examined against the background of the entire book of Samuel. The verse suggests that David is Saul's successor (whereas verse 10 suggests that he is Samuel's heir).     

Bernard Faÿ, Antoine Compagnon: the modern/anti-modern,or the delicate balance of the ‘Entre-Deux’

This article examines Antoine Compagnon’s Le cas Bernard Faÿ: du Collège de France à l’indignité nationale in the light of Compagnon’s intellectual trajectory and in connection with his conception of modernity, in particular French modernity. A sum of contradictions, at once modern and anti-modern, modernity is for Compagnon essentially ambivalent. Its emblem is Baudelaire, whose aesthetic predilection for the modern beauty of the present was paradoxically entwined with his hatred for modernization. Compagnon sets Baudelaire’s intensely nostalgic and somehow already postmodern modernity against the effusive ideology of ‘modernism,’ identified with the cult of progress, the equation between aesthetics and politics, and the lyric militancy of the avant-garde. Through the Janus-like figure of Bernard Faÿ, a modernist aesthete who was Gertrude Stein’s best friend and who turned into a collaborator and a persecutor of Freemasons during the Second World War, Compagnon excavates, at the crossway between aesthetics and politics, at the intersection of modernism and fascism, the contradictions of modernity and the paradoxes of the history of twentieth-century France. In the meantime, going against the linear grain of the great modernist narrative, Compagnon defines the tasks of the new literary history of modernity.     

“Did that play of mine …?”: James Connolly,Cathleen Ni Houlihan and staging revolution

Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.     

Uncomfortable proximity. Literary technique,authorial provocations and dog whistles in Michel Houellebecq’s fiction

ABSTRACT

In 2002, following an interview with the magazine Lire where he described Islam as ‘la religion la plus con’, Michel Houellebecq was prosecuted, and eventually acquitted, for ‘injure raciale et incitation à la haine religieuse’. In discussions of Houellebecq’s case, supporters were quick to invoke the ‘special value’ of the literary space for the free discussion of ideas, however provocative or unpalatable. Houellebecq’s acquittal, and support from figures such as Salman Rushdie, have afforded the writer an unprecedented degree of literary freedom. Subsequent novels such as La Possibilité d’une île (2005) and Soumission (2015) show the author fully inhabiting this freedom in order to undertake a provocative critique of Islam. This article explores how both literary technique and authorial presence endorses the controversial ideas of his texts within Houellebecq’s writing and demonstrates how a movement from ambiguously undermining towards reinforcing those ideas can be observed. In particular, the framing of provocative ideas and assertions expounded in his fiction has become less robust throughout his career. This leads to, I suggest, a greater porosity between Houellebecq’s fiction and that of contemporary right-wing essayists such as Alain Finkielkraut and Renaud Camus.     

Socialist architecture as today’s dissonant heritage: administrative buildings of collective farms in Estonia

The heritage studies of the socialist built legacy of the former Soviet Socialist Republics have mainly concentrated on the buildings and monuments representing the political ideology of the socialist era due to their evidently controversial character, while the more mundane and ordinary legacy has seldom been the focus. The administrative buildings of collective farms represent a particular socialist architecture of the 1960s–1980s in Estonian rural areas and small towns. These prosaic buildings, which used to play important role in the Soviet-time rural life, have become a dissonant heritage today, although their controversial nature lies in the complicated contemporary environment they fell into after the collapse of the socialist regime, rather than in the fact that they were constructed for ideological purposes. This paper examines the dissonant processes and the present contexts that affect the re-use and preservation of the administrative buildings of collective farms, as well as the acceptance of them as a meaningful part of Estonian history that should not be ignored or forgotten.     

Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

François bauduin's de institutione historie (1561): A primary text behind anders s⊘rensen vedel's de scribenda historia danica (1578)

Although acknowledged as well‐read in contemporary humanist literature, the Danish historian Anders S?rensen Vedel (1542–1616) has never been shown to draw inspiration from any one particular international author of the 16th century (apart from the general influence of Melanchthon and his school). Now, it turns out that the French jurist and pioneer of historical theory, François Bauduin (1520–73), was used extensively by Vedel in one of his early treatises. This leads to a reassessment of Bauduin's intellectual influence around the turn of the century—his theory of history had not yet receded out of sight.     

The Baptism of an Indian Juggler: Event and Narrative in the Swedish Press, 1827–1852

In 1827, an Indian juggler named Mooty Madua Samme converted to Christianity in Stockholm, Sweden. This historical event got much attention in the press at the time – as did his succeeding marriage to a Swedish woman named Erica – and was celebrated as a victory for the Evangelical Lutheran faith. Later, in the 1840s, a narrative depicting the event spread via a travelogue by Xavier Marmier, which was translated and mediated through the Swedish press, and reacted to by Samme's priest; in the 1850s, Samme's name surfaced again – now in context of the contemporary freedom of religion debates in Sweden. In this article, we explore Samme's baptism (and interrelatedly, his marriage) by looking at newspaper mediations of the event and the related narratives. Seen from a microhistorical perspective, we show how Samme's conversion and religious otherness was utilised in contemporary religious and political discussions, and we argue that the event and narratives surrounding the baptism can augment our understanding of the Swedish nineteenth century religio-cultural landscape in which he was situated.     

The Development of Comparative Judicial Politics

Abstract

Much of the scholarly debate over the Heidegger controversy has endeavored to either connect or free his philosophy from fascism. Against both these tendencies, I argue that the central concepts of Heidegger's philosophy are politically underdetermined. Throughout both his late and early periods, Heidegger's primary ambition remained the illumination of the question of being, a project that I argue made his ontological framework inherently relativistic.     

“And There Renew the Kingship”: The Double Coronation of Saul (1 Samuel 10-11)

This article deals with the two accounts of Saul's coronation that appear in I Sam 10-11. As opposed to the traditional critical approach, I propose a literary perspective, positing that both coronation episodes belong to a single story that is developed by means of concentric parallelism. The concentric structure of the accounts (which indicates a reversal in the conception of monarchy), the strange and unique literary formulations, and the other well-known literary devices such as analogies and leitwort all flesh-out the ideal character of the king of Israel. This is done while establishing Saul's character as the perfect king, who is worthy to lead. The purpose of the story is to teach the proper approach to understanding the status of the king of Israel, and to show that at this stage of the story Saul recognizes his limitations as a flesh-and-blood king who is aware of God's role as the leader and savior of the Nation of Israel.     

“Visions on the Battlefields”: Alexander A. Boddy,Early British Pentecostalism,and the First World War, 1914–1918*

This article investigates the relationship between religion and politics in the First World War by examining the work of Rev. Alexander A. Boddy, a Church of England minister and key leader in early British Pentecostalism. The article surveys a wide variety of responses to the war in Great Britain, but focuses, in particular, on how Pentecostalism shaped Boddy's distinctive understanding of events, especially his view of supernatural phenomenon, his attitude toward the nations involved, and his eschatology. The article explores how Pentecostalism, by focusing on signs and wonders in everyday life, contributed to an interpretation of state politics and world events that placed unique emphasis on determining the role of the supernatural in contemporary events that remains part of popular Pentecostalism today.     

“Wachstum” oder “Revolution”? Ernst Cassirer und die Wissenschaftsgeschichte

“Growth” or “Revolution”? Ernst Cassirer and History of Science. Ernst Cassirer's contributions to history of science have been long time neglected. The aim of this paper is to show the historical and philosophical framework of Cassirer's engagement in this field, starting from his seminal work about the problem of knowledge in science and philosophy of the modern age. Moreover the author suggests that Cassirer's late studies about Galilei and the origins of mathematical science are of some interest in order to comprehend both his commitment to contemporary history of science (from Burtt to Koyré) and his intellectual heritage for our agendas in a post‐Kuhnian era.