Routes of Resistance: Mobilizing Discourses of Opportunity in Ann Petry’s The Street and Austin Clarke’s The Meeting Point

Ann Petry’s The Street and Austin Clarke’s The Meeting Point provide important representations and affirmations of black people’s use of movements such as educational attainment and economic advancement to create routes to resist inequitable treatment and demand equal access to the benefits of belonging to American and Canadian national communities. In The Street, Lutie employs intellectual and economic movements to achieve her American dream but learns that systematic inhibitions block her intended ascension. In The Meeting Point, Bernice also tries to attain education and make financial strides to achieve her Canadian dream but finds herself barred from fully materializing that dream. Lutie and Bernice continue their quests to fulfill their mobility ideals, despite obstructions they face. Through that movement, which is driven by their knowledge of the implications of their exclusions from promises of the nations they call home, they counter boundaries intended to restrict them. While they do not accomplish fully their upward mobility ideals, their resistance demonstrates their refusal to be denied the benefits of American and Canadian discourses of opportunity. Petry’s and Clarke’s representations of this persistent resistance help inform and give voice to struggles against exclusionary practices blacks in the United States and Canada continually experience.     

“The Men of the North” Redux: Nanook and Canadian National Unity

This article explores the operation of nordicity as a discursive resource in Canadian national identity. Drawing on the late nineteenth-century idea of Canadians as “the men of the north” and therefore having a particular national character, this article examines the way that the Inuit have been drawn into this discursive frame since the 1950s. The key argument advanced in this article is that idealized images of the Inuit as exemplars of “northern people” operate in various ways to affirm a “northern” identity for all Canadians. This claim is explored with reference to the images of Nanook of the North and of the Inuit as “a quintessential Canadian Folk.” Continuities between the nineteenth- and twentieth-century versions of the “northmen” thesis are examined in this article.     

Tradition and critique in Paul Muldoon's “Madoc: A Mystery”

Paul Muldoon's “Madoc: A Mystery” remains his longest poem and most thorough vision of an alternative history. This article argues that Muldoon's poem works to stage not only a visionary history of America but also, via the uneasy relations that develop between its two main characters (semi-fictionalised versions of Samuel Taylor Coleridge and Robert Southey), a dramatisation of the conflict that obtains between competing modes of historical understanding. Muldoon's Coleridge and Southey represent stances that may be usefully regarded as parallel to positions advanced in the famous debate regarding interpretation between Hans-Georg Gadamer and Jürgen Habermas, thinkers whose names appear in the poem itself. To read the poem in light of this connection between its fantastical transatlantic history and the history of critical theory allows a reading of Muldoon's treatment of both literary and political histories as secondary to the work's playful exploration of struggles between modes of historical interpretation.     

The Abeng’s Call: The Articulation of Place and the International in Black Power Print Production

This article engages with radical Black Power print production in order to examine the articulation of Black practices of place-making and Black internationalist spatial politics. These spatial politics and practices are developed through engagement with the Jamaican Black Power newspaper Abeng which was produced at the height of Black Power activity on the island in 1969. The paper draws on Black Geographies scholarship to demonstrate that Abeng represented a material and discursive means through which subaltern practices and places of resistance in Jamaica were enacted in opposition to and excess of plantation spatialities and regimes on the island. The carving out of such subaltern places allowed for the articulation of transnational imaginaries and translocal solidarities with similarly aligned communities and struggles across the diasporic world. The Abeng newspaper was again central in crafting these imagined Black internationalist geographies and coeval praxes of transnational solidarity.     

“The stone in the sling”: Frederick Douglass and Belfast abolitionism

Frederick Douglass’s sojourns in Belfast during 1845–1846 coincided with the “Send Back the Money” controversy in the Free Church of Scotland over the receipt of money from and fellowship with slaveholders, the South Carolina minister Thomas Smyth’s exclusion from the Presbyterian General Assembly in 1846, and the aftermath of the debate at the inaugural meeting of the Evangelical Alliance over fellowship with slaveholders. Since Douglass regarded Belfast as the central location of Presbyterian sympathy for the Free Church outside of Scotland, he believed that the town was crucial in the crusade against the Free Church. The attacks on the Free Church, however, cost the Belfast Anti-Slavery Society considerable support in the long term. Belfast also played a role in the personal development of Douglass. His dispute with his Dublin publisher, Richard Davis Webb, over the ministers’ recommendations to his Narrative constituted evidence of growing maturity. Although William Lloyd Garrison united with Douglass in Belfast to denounce the Evangelical Alliance, this essay argues that Douglass displayed evidence of independence from strict Garrisonianism.     

‘Making Black More Beautiful’: Black Women and the Cosmetics Industry in the Post-Civil Rights Era

This article explores how the ‘Black is Beautiful’ movement transformed attitudes towards beauty standards within black communities and how the cosmetics industry tried to capitalise on these shifts in their marketing strategies. It charts how redefined beauty standards generated a proliferation of cosmetics companies and products exclusively for black women, and their success attracted widespread attention from across the industry. However, this article demonstrates that while the cosmetics industry removed certain racialised barriers to mainstream American beauty culture, the commodification of the language and imagery of “Black is Beautiful” in cosmetics advertising often reinforced gendered expectations as well as heightening tensions within black communities in regard to colourism and business ownership.     

“Turkish Dames” and “English Mastiffs”: The “Turk” and the Female Body in Massinger’s The Renegado

Abstract

In early modern travel discourse, exploration of ‘distant’ or ‘other’ lands is typically configured as some aspect of the female body. Power relations between East and West were often described in terms of conquest or ravishment, the site of which is typically the female body, as might be seen in early modern English literary response to the Ottoman. Couched in terms of the menace the Ottoman poses to the Western Christian, Massinger’s The Renegado courts parallels between sexual license, female rebellion, and religion to address domestic threats at home–not from the Ottoman Empire, but rather from the rebellious English women, who represent a clear danger to the patriarchal hegemony.     

Redefining the Republic of Letters: The Literary Public and Mudie’s Circulating Library

In late 1860, Charles Mudie’s plans to expand his circulating library inspired his detractors and competitors to challenge the validity of his ‘right to selection’ – the process by which he chose which texts he would loan from his library. Over the next few months, prominent periodicals featured correspondence and editorials that decried or supported Mudie’s ostensible monopoly over literary exchange. While the initial argument was economic, the dispute extended beyond economics to religion, literary quality and culture. To connect these disparate fields, writers turned to the politics of interpretation: that is, whether specialists should define literary culture, or if a public comprised of individual, ‘common’ readers should determine their own standards for books. Mudie’s opponents advocated for individual readers’ right to read what they liked, how they liked. His supporters argued that the public needed specialists to guide their literary tastes. The resulting exchange about what I call the ‘literary public’ amplified conversations integral to the burgeoning field of literary studies as it was emerging in the London colleges through the 1850s and 1860s. The contributing authors, publishers and critics justified or refuted ideas foundational to the establishment of English literature as an academic study for the common reader. As part of the mid-century confrontation between popular literary consumption and academic culture, the Mudie debate helped to politicize the reception and circulation of English literature.     

The Irish Sí Tradition: Connections Between the Disciplines,and What’s in a Word?

One of the most prominent features of the Irish landscape is the great multitude of megalithic sites which date back to the Neolithic. In this paper, I will attempt to demonstrate that the understanding of these sites in Ireland can be enhanced by referencing the native tradition, including the Irish word for the sites, sí, and the sís powerful cultural tradition attested to throughout native Irish folklore, literature, onomastics, and traditional knowledge. In doing so, I will explore the difficulties and the potentials of interdisciplinary communication between archaeology and folkloristics, and the related issues regarding communication between official and unofficial discourses.