MARRIAGE MIGRANTS AS EMIGRANTS

This article examines the emigration dimension of marriage migration in Asia by focusing on remittances received by parents from daughters who married and migrated abroad. Based on a study of 250 migrant-sending households in Vietnam with a daughter living in an Asian country as a ‘foreign wife’, the analysis provides empirical evidence that emigrant spouses make substantial financial contributions to their natal families through remittances. A multivariate analysis of the determinants of remittance-sending shows that a woman's characteristics and living conditions abroad largely determine whether or not she remits, while the relative poverty level of her natal family has limited influence. Findings call for a broader conceptualization of ‘women who marry foreigners’ or ‘foreign brides’ as emigrants who contribute to the social development of their sending countries.     

No longer good girls: sexual transgressions in Indian women's writings

Indian women's writing in English has long depicted Indian women as victims of society, whose rights are routinely exploited and whose welfare and happiness are commonly sacrificed for the good of their families and communities. The literature has often depicted the women as complicit, accepting and upholding the definition of a good woman as one who is faithful, virtuous, self-effacing and obedient. This definition is also one the women instil in their daughters, thus reinforcing this code of ethics. This article observes that there is a tide running contrary to this and that there is a new breed of women in twenty-first century Indian literary fiction in English: women who are single and married, working and non-working, middle and upper-middle class and wives and mothers, who are no longer prepared to be ‘good girls’. These women knowingly, thoughtfully and successfully defy societal conventions to have pre and extramarital affairs, divorces and even custody battles for children, without shame, guilt, dire consequences or even societal condemnation. This article argues that these writings represent a quietly radical departure from the conventional depictions of the roles, expectations and morals of middle-class urban twenty-first century Indian women.     

‘The dearest sacrifice’: Catharine Maria Sedgwick and the Celibate Life

Catharine Maria Sedgwick, America’s most respected and popular female novelist of the early nineteenth century, never married. Yet while she chose a life of celibacy, most scholars have argued that her life represented ‘a deviation’ from the more conventional women’s roles she prescribed in her fiction. This article places Sedgwick’s marital decision within the context of several converging influences – her family history, her Federalist upbringing, and most important, her conversion to Unitarianism. Read through the lens of the complementary religious and social principles of Unitarianism and Federalism, Sedgwick’s novels reveal a persistent exploration of several themes – the ability to realize and advance truth, the centrality of character and moral cultivation, and the obligation to serve one’s community. Sedgwick’s exploration of these themes illuminates her choice of celibacy, and her conclusions contain a radical commentary on the appropriateness of marriage for women.     

Samuel Butler's Sheep

Alice Stopford Green, widow of proto-social and Teutonic nationalist historian J.R. Green, who went on to become an Irish nationalist historian and campaigner, complicates our view of fin-de-siècle women writers. Surprisingly for an amateur historian in an age of professionalization, she took a consciously separatist position, privileging the particular over the general, and defining her writing as both female and Irish.

This article focuses on Stopford Green's 1915 epilogue to her husband's Short History of the English People (1874), and her startlingly anguished periodical article of 1897 from Nineteenth Century, to demonstrate a separatism both bold and self-aware.‘Woman's Place in the World of Letters’ (1897) prefigures Cixous in its call for an écriture feminine. It views women as utterly alien to the established order of this world. Stopford Green at once acquiesces with female essentialisation – ‘woman’ comes in the singular – and undermines it by insisting that woman's true nature is almost never seen. In the ‘Epilogue’ (1915), which updates her husband's narrative to her war-torn present, Stopford Green voices jingoistic rhetoric, but employs unobtrusive asides to distance herself from these calls to imperialism. Through such surreptitious means, she uses her late-husband's popular textbook as the conduit of subversive ideas, both voicing and subverting his English nationalism.     

Woman's Work in the Service of Empire: Lady Margaret Field (1905–94) from School Teacher to Governor's Wife

The presence of single and also of married British women in overseas colonies, especially those employed by or married to men in the Colonial Service in the later colonial period, has been the subject of scholarly enquiry. Their lives, roles and values and their distinctive contribution, if any, to the development of empire and of its ending have been debated. Their gendered roles were usually subordinate in a masculine culture of empire, and especially as wives they are commonly regarded as marginalised. The archived records left by Lady Margaret Field reveal her commitment as a single woman to a colonial mission and her sense of achievement as a school teacher and educational administrator, while also acknowledging the independence and career satisfactions she subsequently lost when she married a senior Colonial Service officer who rose to be a governor. But it is also apparent that, though incorporated and subordinate as a governor's wife to her husband's career, she was not marginalised to a separate sphere. As is evident from this case study, governors’ wives had important and demanding political duties, and such responsibilities need to be acknowledged.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

Sisters in cahoots: female agency in the marriage of Beatrice of England and John of Brittany

As the study of queenship and female agency continues to flourish, this article contributes to recent historiography which has increasingly emphasised the importance of family ties in the functioning of the monarchy in the Middle Ages. This was particularly prevalent in thirteenth-century Anglo-French relations, as Henry III of England and Louis IX of France were married to the count of Provence’s two eldest daughters. The sisterly bond between Marguerite and Eleanor was one of the key components of improved relations between the two kingdoms. One of the ways the sisters were able to restore cordiality was through the marriage of Eleanor’s daughter, Beatrice, to the heir to the duchy of Brittany. This marriage demonstrates the many facets of female agency in reinstating and consolidating peace between England, France and Brittany. It also suggests that Beatrice was more than a pawn and played a role in the diplomacy involved in securing her marriage.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Exploring subject positions and multiple temporalities through an Iranian migrant mother's family photograph albums

In this article, I draw on a research study of one Iranian migrant mother's generation of selves through her material configuration of her personal photograph albums and through our verbal reading of her photographs. The research engages in a visual-material feminist ethnographic approach, and is informed by the work of Gillian Rose and the understanding that family photographs are a means by which women negotiate subject positions. In this article, I discuss an unexpected finding of my research, the significance of multiple temporalities in a migrant mother's production of selves. The photo album practices of the participant mother of this study, ‘Parvin’, depart from the common social convention of mothers arranging their photograph albums to chart family growth following the model of milestones occurring over linear developmental time. Parvin does not limit herself to linear developmental time, but rather she mixes up photographs in her post-migration family albums to generate multiple temporalities woven together by an enveloping ‘mixed’ time. Drawing on both Julia Kristeva and Homi Bhaba's theories of temporality and the subject, I suggest that Parvin produces subject positions for self and family through a continual interweaving of a multitude of pasts into the present and through a subsuming of milestones within cyclical family time. Further, I suggest that through her generation of multiple temporalities, Parvin produces the subject position of ‘accommodating mother’. Finally, I highlight the potential afforded by considering the temporal and the spatial together in studies of migrant identity.     

The Queen and the City: Royal Female Intervention and Patronage in Hellenistic Civic Communities

In 196 bce , Queen Laodike III issued a decree (I.Iasos 4, I) to Iasos in Caria, Asia Minor, announcing that she was giving the Iasians a ten‐year supply of grain to alleviate their penury after her husband's conquest of their city, and she specified that the grain ought to be sold and the income used to provide dowries for the daughters of poor citizens. This and other donations were part of rebuilding efforts in the wake of military violence by Laodike's husband Antiochos III. For her beneficence, Laodike was honoured by cities with foundations of festivals, priestesses and sacred areas dedicated to preserving her cult. This reciprocity of goodwill was gendered, not only in the establishment of priestesses, but in the nature of the honours given; for example Iasos celebrated Laodike III's birthday with a procession of a maiden priestess and couples who were about to wed (I.Iasos 4, II), and the people of Teos dedicated a fountain in their city centre to Laodike and required that all brides should draw from it the water for their baths (SEG 41, 1003). Laodike's patronage and the cities’ responses to her bring to light the role of female citizens within the structures, perpetuation and ceremonial of the civic body. At the heart of honours given Laodike and her own self‐promotion was the identity of sister and mother, roles shaping her own queenship and the civic participation and power of the women she assisted.     

Power and Historical Figuring: Rachael Pringle Polgreen's Troubled Archive

Rachael Pringle Polgreen, a freed‘mulatto’ woman who owned an infamous brothel/hotel in Bridgetown, Barbados during the 1770s and 1780s became known to her contemporaries through her role in the (sexual) entertainment of transient naval officers and the visits of Prince William of England. Piecing together ‘evidence’ from her will, estate inventory, a nineteenth‐century novel, a lithograph and an interview with a British officer, I engage Polgreen's complicated and fragmented archive, revealing how Polgreen represents an example of the problems with sources depicting women of African descent who lived in a slave society and the silences that inundate their archive. The first part of this article critically re‐examines pieces of her archive, through which an image of Polgreen emerges incommensurable with narratives of her triumphs. Next, through an analysis of the processes by which Polgreen is historically confined by powerful archival and subsequent historical representations, I challenge previous assumptions about her life. Finally, introducing material from the British parliamentary debates in which an incident involving Polgreen is described and new material from Barbados deeds left by Polgreen's former slave, I expose the nuances of Polgreen's ‘agency’ in a slave society – that which depended upon her sexual subjugation of other women of African descent.     

‘Mɔn’ (to marry/to cook): negotiating becoming a wife and woman in the kitchens of a northern Ghanaian Konkomba community

In this article, I consider the kitchen as domestic space that is at once gendered and gendering in its construction and use by women as they negotiate their social position across the life course. Deeply rooted patriarchal values structure Konkomba society in northern Ghana, and a woman's role is to be a wife, to prepare food in support of her husband's family and community. Although the normative definition of woman's role in society stems from a clear-cut division of labor between women and men, a woman must negotiate her social position and ability to fulfill these labor obligations; she becomes a woman and wife by working to gain access to and control over resources and labor. I explore the shifting dynamics of women's work and social position across the life course, emphasizing the transition from young woman to woman-as-wife-as-cook in her husband's community. These negotiations take place in the kitchen – a fiercely feminine space in which a woman becomes a wife when she earns the right to place hearth stones and prepare a ceremonial ‘first meal’ for her husband and his community.     

The Gender Dynamics of Dress Gifts from Elizabethan Men at the Court of Elizabeth I

This article explores the gender dynamics of giving dress gifts at the Elizabethan court (1558–1603). Current scholarship considers the role of elite women and the ‘favourite’ in giving dress gifts. In contrast, this article seeks to understand the significant but largely overlooked role of merchant and courtier men as both givers of dress to Elizabeth I and holders of vital information that others relied upon in giving dress gifts to her. Drawing on New Year's gift lists, correspondence and records of progresses this article shows how an approach informed by material culture and situated in a gendered framework actually complicates our understanding of the Elizabethan court's culture of dress gifts. A gendered analysis highlights that merchant and courtier male subjects, sometimes in tandem with their wives, played a vital role in shaping the fashion and economy of early modern England by providing innovative and tasteful offerings to their queen. Dress gifts from male subjects strongly influenced Elizabeth's image of magnificence and made the English court one of the most fashionable in Europe.     

Emer Martin and multimodal family dysfunction: More Bread or I’ll Appear (1999)

Emer Martin’s More Bread or I’ll Appear (1999) revisits the discourse of the family in Ireland between the 1970s and the 1990s. This article contends that Martin intersects her work with family “issues” of the day so as to accommodate the representation of what can be termed as multimodal family dysfunction. She provides insights to the role of women, family and global female diaspora. This paper draws upon work by Diarmaid Ferriter, Alpha Connelly and the tenets of transnational feminism to account for the historical, ideological and sociocultural contexts of the time. For Martin, dysfunction is multimodal in the way in which the Irish family portrayed faces real “hidden issues” from different discourses. Her novel also focuses on the “wounds” that have been the effect of abuse, secrets, appearances, violence and lack of communication within the family. Another mode of Martin’s representation of dysfunction considers the transnational experiences of her female characters on the margins of an Ireland becoming global. Her novel invokes transnational perspectives so as to commit to dislodging nation-centric and family-centric visions of Ireland.     

Religion,Community and The Infanticidal Mother: Evidence From 1840s Rural Wiltshire

Abstract

The existing literature on the history of infanticide has typically considered the crime as a reaction to a specifi c set of diffi cult individual circumstances, but has not attempted to place the infanticidal mother within a longer personal timeframe. Nor has the role of her religious belief been much examined. This article investigates three key elements in the case of Rebecca Smith (1807–1849), the last woman executed in England for the murder of her own infant: her bad marriage; her poverty; and her Baptist religion. These factors provide context for her socio-economic and psychological development, and thus for her status as England's best documented serial infant killer. The article suggests that, as a married woman, Smith's choices were infl uenced by conditions both wider and deeper than the more immediate issues which have tended to be associated with infanticide by unmarried women.     

Beyond the stereotypes: Mary Lavin's Irish women

This paper discusses Mary Lavin's place within the Irish literary tradition by means of an analysis of her representations of female characters. It argues, first, that Lavin's short stories depart from the short story tradition in general and the Irish short story tradition in particular by failing to subscribe to the cultivation of the romantic outsider and focusing instead on family relations and social responsibilities. Second, Mary Lavin's marginal position in a feminist or female literary tradition is explained through her unwillingness to portray women as victims and through the absence of a clear critique of patriarchy in her work. The paper then tries to characterise the relationship between individual and society in Lavin's short fiction in a more positive way, by focusing on the notions of individual fate and personal responsibility, which turn out to be crucial to Mary Lavin's philosophy. This philosophy is first discussed explicitly in a reading of the story ‘Happiness’ and ‘The Widow's Son’ and subsequently shown to lie behind the oppositions and dilemmas in several other stories. Finally, the article demonstrates how Lavin manages to realise her Nietzschean belief in an Amor Fati in some of her most positive female characters through a clever use of imagery and point of view, without thereby succumbing to sentimentality or cliché.     

The Meanings of Lesbianism in Post-War America

I had been a closet gay before I got married, about 1948, which means I had a relationship with a woman, and I'd been in love with her but I thought I was the only person in the world. There was no others in the world. I had never read a gay book. I didn't even know the word ‘gay’… I didn't know the word ‘lesbian’… And I really believe that women used to dress mannish simply to get you to know who they were … In those days it was very important.¹     

Telling Stories about the Colonies: British and French Women in Algeria in the Nineteenth Century

This article recounts the stories told about Véronique Eugénie Allix‐Luce and her school for Muslim girls founded in Algiers in 1845. Drawing on English feminist writings, including correspondence and travel narratives, it explores how women, such as Barbara Bodichon and Bessie Rayner Parkes, constructed this French schoolteacher as a modern day heroine. French colonial authorities and women's travel narratives provide a more complicated portrait and reveal the weight of cultural and gender politics within the French ‘civilising mission’ that ultimately erased the memory of this initiative. By retelling the story of Mme Luce's school through the double perspective of British and French contemporaries, the article offers insight into the disappearance of women's roles in the French story of Algerian colonisation.     

Daughters,Decisions and Domination: An Empirical and Conceptual Critique of Household Strategies

This article focuses upon the decision-making process in the household with regard to young women and factory employment in Java and Taiwan, and critically examines to what extent these processes reflect household strategies. While Javanese daughters may seek factory employment against parents' wishes, Taiwanese daughters may be obliged to submit to parental decisions and work for years in order to contribute income. The concept of ‘household strategies’, however, inadequately describes both situations, masking relations of power, resistance and inequality within the household. The assumptions underlying the concept of household strategies and their broader analytical implications are explored, leading to the conclusion that a more differentiated view of the household is needed, taking power relations and struggles between genders and generations into account.     

Andreas Kalvos and the Eighteenth-Century Ethos

Abstract

In the space of a few years the small isle of Zante, one of the Ionian group, produced three important poets: Hugo Foscolo, Dionysios Solomos, and the subject of this present study, Andreas Kalvos. Kalvos was born in 1792, fourteen years after Foscolo and six years before Solomos. His father's family may originally have come from Crete. His mother's family was one of the aristocratic families of Zante—the family name had been inscribed ever since the Venetian occupation of the island in the Gold Book of the island nobility. The marriage of the poet's parents does not seem to have been a success, for not many years after the birth of his younger brother in 1794, the father, taking the two children with him, left Zante for Leghorn, where his brother was consul for the Ionian Islands, and where there was a considerable Greek colony. In 1805 Andreas' mother obtained a divorce fron her husband on the grounds of desertion, and shortly afterwards she married for the second time. She died in 1815, never having seen her children again after their departure from Zante.