共查询到20条相似文献,搜索用时 0 毫秒
1.
The original fineness of coins is very important information that can help us to understand the commercial situation in a wide historical context. This paper deals with a comparison of analytical methods suitable for the evaluation of the actual and original fineness of coins based on a detailed case study of a medieval coin sample. Both non‐destructive (i.e., scanning electron microscopy/energy‐dispersive X‐ray spectroscopy, X‐ray fluorescence, atomic force microscopy and hydrostatic weighing) and destructive (i.e., inductively coupled plasma – mass spectrometry and the Volhard titration method) techniques were used. The original fineness can be also deduced from knowledge of the internal structure of the coin (limited miscibility of copper and silver). A new analytical method based on a combination of a micrograph of the metallographic cross‐section with consequent image analysis was developed for determination of the original fineness. The proposed approach is relatively simple and provides reliable values. Sample heterogeneity and its impact on the determination of fineness are also discussed. 相似文献
2.
Here, we report the physico‐chemical characterization of wall paintings from the Petros and Paulos church in Ethiopia. This work represents the first technical study of paintings located in Ethiopia, rather than paintings in museum collections outside the country, using diverse analytical techniques. In situ examination with a portable X‐ray fluorescence spectrometer (pXRF) was followed by analysis of samples using optical microscopy (OM), scanning electron microscopy coupled with energy‐dispersive X‐ray spectroscopy (SEM/EDS), micro‐Raman spectroscopy (MRS), attenuated total reflection – Fourier transform infrared spectroscopy (ATR‐FT–IR), X‐ray powder diffraction (XRD) and pyrolysis gas chromatography – mass spectrometry (Py‐GC/MS). The paint stratigraphy, the compositions of the support material, the preparatory and painting layers were studied, as well as the morphology of the pigment particles. The results revealed the use of earth pigments and carbon black. The preparatory layer was uncommon; composed of dolomite, clay rich in clinochlore and sand, in contrast to the more common gypsum and calcite. The binder and the stratigraphic analyses suggested a distempera technique. 相似文献
3.
Catalina Genestar Carmen Pons Juan G. March David Sanz 《International Journal of Architectural Heritage》2015,9(3):201-213
Samples of mortars and stone of Portal de ses Taules from the Renaissance city walls of Eivissa (16th century) were characterized using thermal analysis— thermogravimetry and derivative thermogravimetry (DTG)—x-ray diffractometry, and scanning electron microscopy. The granulometric fraction of particle size <63 μm was selected as representative of the binder, while the fraction 0.5–1 mm was taken as representative of the aggregate in order to characterize mortar samples. The results show that local materials were used. Lime was the main component of most of the samples tested. Thermal analysis revealed the hydraulic nature of the lime mortars. High amounts of sodium chloride were found in the samples analysed. 相似文献
4.
便携式X射线荧光光谱仪作为快捷的无损分析技术,广泛应用于壁画文物的现场分析中.本文利用便携式X射线荧光光谱仪分析了西藏拉萨大昭寺转经廊壁画,选取部分样品,利用实验室X射线荧光分析,发现所分析颜料的主要显色元素具有一致性,并利用拉曼光谱确定了壁画颜料的成分.通过比较研究,发现便携式X射线荧光光谱仪可确定大部分色彩较为纯正的颜料的成分,同时,由于西藏拉萨大昭寺壁画颜料的杂多性,对于含砷的橙色颜料、含砷或含铅与含铁的黄色颜料、含铜砷的绿色颜料、含钙硫的白色颜料、群青与孔雀石的混合颜料则需结合拉曼光谱确定之.本研究工作显示,利用便携式X射线荧光光谱仪开展现场检测,可极大地减少实验室分析样品的取样数量,有利于壁画颜料的无损分析与微损分析. 相似文献
5.
Scanning electron microscopy has been applied to experimentally cut bone samples and an ethnographical example of trephination on a human skull in order to produce diagnostic criteria for the identification of mollusc shells as cutting implements used in trephination. Shell scrapes are identifiable by parallel striations in the direction of cut, crossed at 90° by chatter marks caused by uneven movement of the fragile shell-edge across the bone surface. 相似文献
6.
达玛沟佛寺是新疆和田地区重要的佛教遗址,具有极高的佛教及艺术价值,对我国乃至东亚的佛教艺术都有着重要的影响。为研究新疆达玛沟佛寺遗址出土壁画颜料成分及工艺,以壁画文物残块为研究对象,利用体视显微镜、X荧光光谱仪、X射线衍射仪、拉曼光谱仪、偏光显微镜等多种仪器对其进行了分析鉴定。结果表明,达玛沟佛寺所使用的颜料全部为矿物颜料,其中蓝色颜料为青金石,绿色颜料为氯铜矿,白色颜料为石膏,红色颜料为朱砂,褐色颜料为铁红,赭黄色颜料为铁黄。该研究为探索中国西域佛教史、美术工艺史及后期修复保护材料、工艺选择提供科学依据。 相似文献
7.
This paper presents the results of analyses carried out on three decorative phases of the presbytery of the church of Santa Maria Antiqua al Foro Romano in Rome: the fourth‐century ad mosaics setting bed; the Adoration of the Cross, dated to the papacy of John VII (ad 705–7); and the paintings in the apse of the Pope Paul I (ad 757–68) phase. The research allowed the characterization of the painting techniques, pigments, organic compounds and degradation products by means of a video microscope, optical microscopy, and μ‐Raman and FT–IR spectroscopy, contributing to a better understanding of the changes in the techniques and materials used throughout the centuries in one of the most relevant medieval Christian monuments in Western Europe. 相似文献
8.
Micro‐residue analysis of stone tools is generally performed with optical light microscopy and the visual observations are then compared with experimental, replicated pieces. This paper complements such archaeological research by providing physico‐chemical evidence. Raman spectroscopy and scanning electron microscopy have been used to confirm the presence of hematite on red‐stained medial and proximal parts of 71 000‐year‐old Still Bay bifacial tools from Sibudu Cave. Our results confirm the conclusion from optical light microscopy that the tools were hafted with an ochre‐loaded adhesive. However, we point to some instances when hematite residues are incidental or may be inclusions in the rock used to make the stone tools. 相似文献
9.
Veronica Puente Pablo Martín Botta Paula Mariela Desimone Cinthia Paula Ramos José Manuel Porto Lopez 《Archaeometry》2023,65(1):64-83
The results obtained from the multi-analytic compositional characterization of ceramic pastes and paints of the Santa María style, from the El Bolsón valley (Belén Department, Catamarca Province, Argentina), are presented here. This pottery style had a wide regional distribution in Northwestern Argentina between ca. 1000 and1600 ce and is characterized by its complex iconography painted in black, cream and red. The analyses show that the containers correspond to the technical tradition of using grog temper and suggest that its manufacture involved a double firing process. This reveals a new practice for the time. 相似文献
10.
西藏壁画表面大多刷有保护涂层。据记载,其材质主要是桐油、牛胶或清漆等。但目前,对该涂层材质科学的研究却较少,不利于后期保护修复。为配合拉卜楞寺壁画保护修复项目,本研究以衰减全反射红外光谱法(ATR-FTIR)、核磁共振氢谱法(~1H-NMR)、热裂解-气相色谱-质谱联用(Py-GC-MS)技术等分析手段,对甘肃夏河拉卜楞寺弥勒佛殿、时轮学院主殿壁画的涂层进行了分析。结果表明,两处佛殿壁画涂层可确定是一种干性油,种类与桐油较接近。但由于西藏壁画在材料和工艺上的独特性,材料老化等因素,拉卜楞寺壁画涂层在组成和结构上,与现代桐油有一定差别,表现出一定的丰富性和复杂性。后期修复,可采用性质与西藏传统涂层材料接近的干性油,例如桐油,作为新的壁画表面涂层材料。 相似文献
11.
Heterogeneous quartzite artefact finds from North America's Late Paleoindian period occur in several areas throughout the Northern Great Lakes region. Standard petrographic analysis, back-scatter scanning electron microscopy and cathodoluminescence are used to identify the properties of a regionally abundant, high-quality orthoquartzite stone as compared with high-quality Hixton silicified sandstone from the Silver Mound Archeological District in Jackson, Wisconsin. The results demonstrate the potential for reducing misidentification among material sources, and also exhibit the acutely discerning tendencies of pre-contact peoples. Lithological interpretations of thin sections identify the different properties of the Hixton material. Conversely, Mesnard quartzite, while it functions adequately as a tool stone, is fundamentally compromised of a tightly packed microstructure. This microstructure produces a hard, less tractable material with erratic breakage, possibly explaining Mesnard quartzite's limited distribution prehistorically. 相似文献
12.
The skeletal remains of a child aged 13–15 years, recovered from Wharram Percy, England, and dating from AD 960–1700, were examined using gross observation, radiography and scanning electron microscopy. Lesions suggestive of renal osteodystrophy were found. Palaeopathological recognition of renal disease has hitherto relied upon the identification of soft tissue lesions or the presence of urinary calculi. This appears to be the first palaeopathological identification of renal insufficiency on the basis of skeletal changes alone. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
13.
M. D. Robador L. De Viguerie J. L. Pérez‐Rodríguez P. Walter J. Castaing 《Archaeometry》2016,58(2):255-270
Wall paintings from the Islamic epoch (10th to 12th centuries) and the Christian monarchy (14th to 16th centuries) have been recovered in discarded materials and on walls after reconstruction works in the Seville Alcazar. These paintings have spent centuries underground or under a plaster coat. Portable X‐ray fluorescence (XRF) and combined XRF/X‐ray diffraction (XRD) were employed in situ, as well as scanning electron microscopy (SEM–EDX), grazing angle incidence XRD and micro‐Raman spectroscopy, on cross‐section samples to fully characterize the materials in the wall paintings. Using these methods, the fresco technique was demonstrated, and many kinds of pigments were identified in accordance with the various periods of the history of the Alcazar, thus assessing the authenticity of all the wall paintings studied here. 相似文献
14.
George J. R. Maat 《International Journal of Osteoarchaeology》1993,3(2):77-86
By means of scanning electron microscopy, four out of a series of twelve inhumations from the Hellenistic Period were examined for traces of the decay process. The changes represented the result of erosion and biological decomposition of human bones on a small island in the northern part of the Persian Gulf over a period of ca. 2200 years. Special emphasis was given to bone preservation and blood cell survival, and to bone changes due to physicochemical erosion and fungus, bacterium, insect and plant-root activity. Related soil and climatic conditions were taken into consideration. The observations should be evaluated to understand the unusual state of preservation of the bones and to avoid possible misinterpretation of pseudo-pathological bone changes as ante-mortem pathology. 相似文献
15.
Frederick E. Grine Gisle Fosse David W. Krause William L. Jungers 《Journal of archaeological science》1986,13(6)
Ultrastructural features of deep, intermediate and superficial enamel were quantitatively assessed for the mandibular first permanent molars of 10 specimens each of the domestic sheep (Ovis aries) and goat (Capra hircus). The means of a number of variables differed interspecifically at high levels of statistical significance, especially with regard to the enamel of intermediate depth. A canonical discriminant function analysis employing nine variables at all three enamel depths resulted in the correct taxonomic assignment of 95% of the specimens comprising the present sample. These results, coupled with the simple preparative and analytical methods presented here, may enable archaeozoologists to utilize enamel ultrastructure in order to discriminate between fragmentary dental remains of these caprine species. 相似文献
16.
17.
18.
在自然环境因素的长期作用下,花山岩画颜料褪色脱落。为了治理岩画颜料褪色病害,应用偏光显微镜分析、电子探针面分析、X射线衍射分析、红外吸收光谱分析,系统研究了花山岩画的颜料及其粘合剂成分。结果表明,铁红是花山岩画红色颜料中的基本显色成分,但红色颜料中存在朱砂。颜料粘合剂属植物性的,岩画作成后其中的植物性粘合剂在老化分解过程中分泌出有机酸,其中的草酸与立壁岩石中的钙质发生反应,形成一层水草酸钙。依据现状调查与采访结果,提出了岩画颜料褪色病害及其防治对策。 相似文献
19.
In the present study, the fragments of wall painting found in the Roman Temple Complex at Horvat Omrit were analysed for the first time using the non‐destructive techniques of X‐ray diffraction (XRD) and scanning electron microscopy (ESEM) equipped with energy‐dispersive X‐ray spectroscopy (EDS). The application of these methods enabled unambiguous identifications of the pigments and plaster components of the samples. Quantitative information on mineral composition, crystallite size and elemental composition of each studied paint layer and plaster was collected. Based on the results of the XRD and EDS analyses, the green pigment was identified as celadonite. It was revealed that the Egyptian blue pigment does not contain impurities of tin and lead, and this excludes the use of bronze scrap in its synthesis. Comparison of the mineral composition of the paint layers indicates that a wider palette of colours was obtained by mixing the available mineral pigments. The study of cross‐sections of painted specimens revealed the usage of slaked lime for plastering. The obtained results give a new insight into the wall painting technique employed by ancient artists at Horvat Omrit, in northern Israel. 相似文献
20.
岩体开裂是危害花山岩画最严重的病害,会对岩画造成毁灭性的破坏。为制定有效的灌浆加固措施,在对岩体开裂成因及影响因素分析和现场调查的基础上,做了统计分析。结果表明:1)岩画区共有418处开裂病害,开裂岩体以风化开裂体为主,占69%,且构造开裂体的厚度大于风化开裂体;2)构造开裂体的钙质、钙质与泥质共同充填比例为78%,高于风化开裂体的52%;3)构造裂隙和风化裂隙的张开度均以小于6mm为主,可知当张开度大于6mm时,开裂体将发生剥离掉块;4)风化开裂体的危险性I级、Ⅱ级所占的比例为57%和22%,小于构造开裂体的64%和27%,但风化开裂体多发育于岩画存在部位,易出现开裂和掉块,破坏更大;5)构造开裂体的厚度较大、裂隙连通性好、危险等级高,而风化开裂体厚度较薄、裂隙贯通性差、危险等级较高。本研究结果可为开裂岩画岩体灌浆加固及后期修复提供理论依据。 相似文献