‘This is disco-wonderland!’ Gender,sexuality and the limits of gay domesticity on The Block

Gay men have been positioned as arbiters of ‘desirable’ domestic style—a domestic imaginary epitomised through their presence as designers and participants on lifestyle television. This paper offers a post-structural critique, examining how the intersections of gender and sexuality shape the contours of, and public responses to, gay domesticity. I scrutinise one telling example: commentaries on the domestic design created by a gay couple on The Block, an Australian lifestyle-reality programme. Applying discourse analysis to the public reception of their design, I argue the acceptability of gay domesticity is proscribed by norms of sexuality and gender, and consequently gay domesticity must be understood in both normatively feminine and masculine terms. While the desirability of gay domesticity reflects a feminisation of gay men, it is also constrained by processes of masculinisation that associate gay men's domestic tastes with Playboy-style bachelor domesticity. Through bachelor domesticity, tropes of partying and seduction undermine traditional feminine homemaking and the heteronormative ideology of home championing privatised nuclear family life. Scrutinising the intersections of gender and sexuality thus reveals limits to gay domesticity, with implications for the cultural politics around mainstream acceptance of gay masculinity: gay men and their homes are welcome when they reinforce heteronormative ideals.     

Gender and Sexuality in Latina/o Miami: Documenting Latina Transsexual Activists

This article examines the borderlands between transgender MTF (male‐to‐female) and gay male communities in Latina/o Miami through an analysis of the participation of Latinas in the Transsexual Action Organization (TAO). Previous research suggests that Cuban and Cuban American gay male culture have historically been associated with gender transgressive behaviour and identity. Because of this, it is often unclear how to distinguish between what is gay male/homosexual expression and transgender expression. If outward gender manifestations that we now call ‘transgender’ were understood in other historical and cultural contexts as ‘homosexual’, how do we label those manifestations today? By labelling them as homosexual are we simply reinscribing the marginalisation of transgender individuals? On the other hand, by labelling them as transgender are we imposing a contemporary category and therefore performing another kind of intellectual violence? In order to address these questions, I analyse a Latino/a organisation that explicitly labelled itself ‘transsexual’. TAO was an early transsexual rights organisation founded in 1970 by Angela Douglas in Los Angeles which moved to Miami Beach, Florida in 1972. Drawing on the organisation's publications, Moonshadow and Mirage Magazine (1972–75), and Douglas's self‐published autobiographical texts, Triple Jeopardy: The Autobiography of Angela Lynn Douglas (1983) and Hollywood's Obsession (1992), I analyse the rarely discussed participation of Latinas in the organisation.     

‘I am not a feminist but…’: women’s activism in post-1991 Albania

Abstract

This article examines the shape organized women’s activism took in Albania after the fall of the communist regime. It also analyses how gender and feminist studies have positioned themselves within the higher education system, the relationship between media and feminism and the new alternative spaces of women’s activism and feminist resistance to gendered power relations. The analysis follows the longue durée of the fraught relationship of debates around feminism during and after the fall of Communism starting with the communist top-down ‘women’s emancipation model’ as well as the lack of bottom-up women’s activism, the post-1991 neo-liberal frame and the generalized post-1991 stigma about ‘emancipation’, ‘equality’ or ‘feminism’, along with the need to resist post-1991 hierarchical gender regimes.     

‘Oh motherland I pledge to thee …’: a study into nationalism,gender and the representation of an imagined family within national anthems

In this paper, we argue that beyond understanding nations as imagined communities, the metaphor of an ‘imagined family’ or ‘filial community’ is a more useful concept towards understanding links between gender and nationhood as family relations in four ways: (1) providing a clear, hierarchical structure; (2) prescribing social roles and responsibilities; (3) being linked to positive affective connotations; and (4) reifying social phenomena as biologically determined. In order to empirically substantiate our claim, we will explore the prevalence and use of family metaphors in a key symbol of nationhood discourses. Through a qualitative analysis of national anthems as ‘mnemonics of national identity’, we demonstrate the widespread presence of family metaphors, discussing how they reproduce ideas of family and gender. Finally, we discuss how the ‘imagined family’ as present in anthems and other forms of national representation could inform future studies of nationalism and national politics.     

Mothers' business,work/life and the politics of ‘mumpreneurship’

Heralded by some as ‘the new feminism’, the new, internationally widespread phenomenon of ‘the mumpreneur’ represents a hotly contested and contestable subject identity. This article explores the debate, arguing that its themes drive to the heart of current issues regarding changing working practices, locations and gender identities in affluent societies. The analyses of women entrepreneurs' views presented here (n = 330) reveal that practitioners are sharply polarised on ‘the mumpreneur’. This article explores these views and progresses research agendas by asking whether such information and communication technology-enabled transformations in working practices (embodied in the figure of the ‘mumpreneur’) have the potential to deliver greater choice for mothers' labour, or whether, conversely, they re-enable iniquitous gender role expectations and arrangements within families.     

Queering Beirut,the ‘Paris of the Middle East’: fractal Orientalism and essentialized masculinities in contemporary gay travelogues

In this article, I analyse discourses that have been circulating in a number of Euro-American journalistic articles, gay travelogues and an international gay tour guide since 2005, which present Beirut as a new gay tourist destination. Since representations in gay travelogues often trade in imagined ‘sexual utopias’, promise encounters and the ‘discovery’ of unfamiliar and ‘exotic’ settings with other non-heterosexual men, I explore how both Beirut and the Lebanese are represented and made intelligible. I argue that even though these representations depart from a binary distinction between East/West and Self/Other, they are still premised on Orientalist depictions of both place and people. However, these depictions are complex as they rely on and produce what I call ‘fractal Orientalism’, or ‘Orientalisms within the Orient’, and essentialized, yet relational, understandings of both ‘tourists’ and ‘locals’. Hybridity and liminality become central, whereby Beirut is presented as safe but dangerous, and glamorous but war-torn, and the non-heterosexual Lebanese are racialized and represented as sexually available (in private) but discreet (in public). These representations rely heavily on linear narratives of progress, where progress is assessed in terms of ‘tolerant’ attitudes towards homosexuality, the presence of a Western-constituted ‘gay identity’, gay-friendly spaces and lesbian, gay, bisexual, transgender, queer organizations. Finally, I argue that these depictions, despite attempting to make Beirut and non-heterosexual Lebanese men intelligible, produce monolithic and essentialist understandings of both, which fail to take into account the complexities and intersections of gender, race, class and sexualities.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

To be a true Muslim: online discussions on the headscarf among Moroccan-Dutch women

The headscarf (hijab) and its relation to Muslim identity and gender relations within Islam is a major topic of contention for Muslim women living in Western Europe. One aspect of this is that they have to present an acceptable religious identity vis-à-vis other Muslims. The present study uses membership categorization analysis to examine the membership categories and category-bound attributes used in Internet forum discussions on the headscarf among Moroccan-Dutch women. The analysis shows how the category of ‘true’ Muslim is linked to wearing the headscarf out of religious submission. Women who did not wear the headscarf produced accounts that emphasized personal conviction and religious engagement as additional defining attributes of a ‘true’ Muslim, or emphasized other activities or predicates as being critical for a Muslim female identity. With these accounts, these women negotiated the normative religious context on which categorization practices with fellow believers are based.     

Reading Habits: Catalina de Erauso and the Subjects of Early Modern Spanish Gender and Sexuality

This article reconsiders the subject of early modern Spanish gender and sexuality studies by analyzing the relación de méritos y servicios presented by the famed ‘Lieutenant Nun’ Catalina de Erauso to the Council of the Indies. Studies have focused on the Vida i sucesos de la Monja Alferez, a biography of disputed authorship, and its transgressive protagonist who hides gender identity and illicit desires from persecuting authorities. In contrast, this article studies the petition to show how Erauso’s identity depends upon bureaucratic forms, their standardized content, and collective authorship. In so doing, it moves from a study of gender transgression to a reading of ‘hábitos’—a term that designates interlocking categories of gender, dress, profession, and social status. By shifting the subject of gender and sexuality studies to this web instantiated by ‘hábitos,’ this article shows how collaborative acts of reading and writing allowed privileged subjects to navigate identity and empire in the seventeenth-century Spanish Atlantic world.     

The family,sexual morality and gender identity in the communist tradition in Italy (1921–1956)

This essay will compare the model of the communist family during the era of Palmiro Togliatti's ‘partito nuovo’, beginning with the famous ‘svolta di Salerno’ in 1944, with the model outlined when the Italian Communist Party (PCdI) was first founded in 1921. The sources used vary, spanning memoirs, literature, the press and autobiographies of political activists. The aim of this essay is to expand the research on the ‘communist tradition’; to examine the characteristics of both its theoretical thinking and pedagogic structure; to explore the nature of its propaganda; and to study the individual experiences of activists.     

Manoeuvring men: masculinity as spatially defined readability at the grandes manoeuvres of the Belgian army, 1882–1883

This article uses the case study of the Belgian grandes manoeuvres of 1882 and 1883 to explore the ways in which self-defined ‘all male’ spaces can contribute to the study and deconstruction of historical masculinities. Using the manoeuvres of the Belgian army at the end of the nineteenth century as a theatre of (military as well as civilian) corporeal and discursive practices, the simultaneous enactment of masculinity and nation is analysed. The material spaces in which these military exercises took place are understood as contingent creators instead of passive containers of masculinity: that is, rather than as a passive background to soldiers' movements, the champ de manoeuvres appears as an active stage, aiding the construction of a gendered military identity, but also challenging dichotomous understandings of gender. Likewise, the gaze upon both landscape and soldiers by different audiences plays an active part in the story of the construction of masculinity and nation: the act of recognition, performed by male and female civilians, during and after the manoeuvres was crucial for the continuous repetition of the discourse that created and upheld notions of ‘man’ and of ‘Belgium’.     

Playing with digital gender identity and cultural value

In cyberspace, anything is possible. Playing with digital gender identity has particularly flourished in digital dating games. Women can become the ‘masters,’ while men are the ‘pets’ when fabricating and manipulating digital gender identity to develop alternative heterosexual relationships. This implies that the breaking down of social and cultural barriers in cyberspace is possible if the digital dating game is seen as playful or a potential liberation from the barriers of digital gender identity to challenge the existing masculine power base. The current study attempts to fill the gap in knowledge related to challenging heterosexuality as the masculine dominant norm in cyberspace by examining Taiwanese online heterosexual relationship developments between gender identity and cultural value while playing a ludic digital dating game. The study employs netnography and recruits 40 people total, including Taiwanese workers and full-time university students, for participation in this research. The results highlight that the digital dating game is in some ways liberating, enabling Taiwanese users to present themselves as they want to express emotions, establish online heterosexual relationships in a nontraditional way, and engage in alternative digital gender play. These ‘ludic gaps’ allow for a fleeting, but unsustainable escape from traditional Taiwanese gender cultural values and practices. It is suggested that culture is inescapable, regardless of whether we are in the real world or cyberspace.     

‘It was entirely his fault’: constructing white masculinities and the Haga Man assaults in Umeå, Sweden 1998–2006

Several cases of single repeat offenders in urban space have raised public concern in Sweden during recent decades. Few studies have been conducted on the consequences of the ‘hostage situations’ that emerge when one individual offender causes fear and affects a large group of people in a specific place. The concern of this article is to examine consequences of the Haga Man phenomenon: the case of a serial rapist operating between 1998 and 2006 in Umeå, a medium-sized Swedish city. The article focuses on the construction of white masculinities among male respondents in Umeå during the time of the attacks. I examine how men positioned themselves in relation to the public image of the offender as a ‘normal Swede’ and how they related to women's increasing fear of violence in urban space. Three prominent constructions of masculinity emerged from the research data: the dangerous stranger, the suspect and the protector. These three constructions of masculinity were not clear-cut and did not ‘belong’ to specific men – several of the interviewees articulated various forms of masculinities but stressed them in different ways depending on, for instance, age and/or ethnicity/race. I conclude that men largely positioned themselves as protectors as a strategy to distance themselves from the perpetrator (the image of the ‘normal Swedish man’ performing the rapes) and to ensure that they would not be perceived as suspects. However, men largely perceived that women's increased fear of crime was ‘one man's fault’ and broader issues about gendered power relations in space were not raised.     

The ‘Dividual Androgyne’ and Me: a Personal Affair

In the 25 years since Marilyn Strathern published The Gender of the Gift (1988) its signature concepts of the ‘dividual androgyne’ and ‘sociality’ have received almost no criticism in the anthropological literature and are now widely accepted as true. The ‘dividual’ is considered to be ‘a new, non‐unitary model of embodiment and … one of the most important theoretical accomplishments to emerge from Melanesian ethnography in the latter part of the 20^th Century’ despite the fact that it erases affect, agency, identity and other essential features of human beings (Lipset 2008). The present critique of Strathern's concept of the androgynous ‘dividual’ challenges its legitimacy as a Melanesian or any other ‘premodern’ form of personhood and suggests that it expresses the wish of academic feminists in the 1970s and 1980s to locate an indigenous model for androgyny and to characterise patriarchy, misogyny and sexual segregation as peculiarly Western. The article explores aspects of Gimi myth, ritual and exchange which Strathern claims helped her to formulate the concept of the ‘dividual’ (especially those surrounding men's sacred bamboo flutes) and concludes that she mistook a virulently anti‐female ideology – including a fantasy in which men may subsume or incorporate certain aspects of female anatomy – for benign accommodation between the sexes. The ‘dividual’ does not correspond to social reality among the Gimi and paradoxically affirms Lévi‐Strauss' classic demonstration in the Elementary Structures of Kinship (1949) that ‘the gender of the gift’ is invariably female.     

Shaping Public Perception: Polish Illustrated Press and the Image of Polish Naturalists Working in Latin America, 1844–1885

This article will investigate the ways in which Polish illustrated press contributed to communicating and reporting the work of Polish émigré naturalists working in Latin America to the Polish general public living in the Prussian, Russian and Austrian partitions of the Polish-Lithuanian Commonwealth 1844–1885. It examines the ways in which illustrations were used to shape the public's opinion about the significance of these migrants’ scientific achievements. The Polish illustrated press, its authors and editors were instrumental in shaping the public's perceptions of the reach of Polish scientists, and exploring their impact on broader scientific debates, thereby situating Polish people and their work in a global context. The didactic and opinion-making role of the illustrated press was highly influential among Polish audiences during this period, at a time when the survival of Polish identity, culture, language, and education was uncertain. Illustrated weeklies were one of the vectors through which high science was made accessible to the Polish public. A study of pictures in Polish illustrated press will help to explain how they contributed towards shaping the images in the public eye of naturalists’ scientific work, and discourses about science and its actors more broadly.     

Feeling and the production of lesbian space in The L Word

This article seeks to understand the production of lesbian space in the TV series The L Word (TLW) (Showtime 2004–2009). To do so, it departs from theories of the lesbian gaze to discuss the visibility of feeling. Specifically, I consider how TLW represents the visibility of feeling as constitutive of lesbian bodies, communities and spaces. In TLW, real spaces (actual locations) fold into virtual ones (on screen) in a deliberate construction of televisual lesbian space. TLW implicitly reflects and is embedded within real-life configurations of lesbian space. I identify four excerpts from the series – ‘gay LA’, ‘the pool’, ‘Olivia cruise’ and ‘High Art’ – that problematise lesbian visibility by foregrounding the relationship between feeling and place. Permission to feel, represented as permission to look, reproduces community as the threshold of lesbian identity. Critical to understanding this production of lesbian space is the way in which TLW associates feeling with social relationships as vividly depicted by ‘the chart’, a representational motif that maps lesbian sexual relations and the intelligibility of lesbian feeling. Finally, I develop my account of lesbian visibility through the example of the facial expression of feeling, at once a demonstration of the visible embodiment of lesbian feeling, and the intelligibility of lesbian space.     

‘She-who-must-be-obeyed’: Anthropology and Matriarchy in H. Rider Haggard's She

This essay examines the nineteenth-century debate about an imagined matriarchal past, arguing that it raised significant questions about gender and history. It scrutinizes the interdisciplinary nature of the debate, demonstrating that anthropology and literature intersected in a fraught investigation of ‘mother-rule’. The essay contends that H. Rider Haggard's novel She (1887) engages in complex ways with anthropological visions of a matriarchal past. The work of the major matriarchal theorists, J. J. Bachofen, J. F. McLennan, John Lubbock, and L. H. Morgan, often seen as triumphalist accounts of the transition from matriarchy to patriarchy, was beset by tensions about gender, power, and temporality, caught between evolutionary meliorism and nostalgia, between a defence of patriarchy and recognition of cultural variability. Haggard's She, the essay argues, exposes and deepens the tensions at the heart of the anthropological narrative. Critics have conventionally read She as a matriarchal dystopia, yet the novel offers an ambivalent dramatization of matriarchy, and is attracted as well as repelled by the matriarchal past embodied in the white African queen Ayesha and her people, the Amahagger. More than a femme fatale, Ayesha is sorceress and scientist, harbinger of life and of death; even her violence unsettles assumptions about gender and power. Haggard's evocation of the Amahaggers’ marriage practices works to question the anthropologists’ hierarchical cultural evolutionism, moving towards an appreciation of plural cultures. The narrative's insistence on cyclical temporalities also disrupts a linear narrative of progress from matriarchy to patriarchy, conveying the potent attractions of a resurgent female past.     

Towards transnational gender identity. A case study of Polish children growing up in Norway

This article focuses on migration experiences of Polish children living in one of the most gender-equal countries in the world – in Norway. Empirically, the article is based on 30 semi-structured interviews with children aged 6–13 who were born in Poland and migrated with their parents to Norway after Poland’s accession to the European Union. Observation of their rooms during the interview also contributed to the study. We discuss ways in which gender roles, practices and identities are shaped by mobility in the Polish-Norwegian context and how ideas about girls/women and boys/men are affected by the migration experience. The article seeks to explore children’s experiences in the two highly contrasting and differentiated contexts: one where the children were socialized and the other where they then moved, the former being highly traditional in terms of gender, the latter emphasizing gender equality. We argue that the Polish home is the most important site for the formation of the traditional gender identity, while the Norwegian school and peer group are the most important sites for the formation of the modern gender identity. This situation causes tension and ambivalence with regard to children’s gender identities across a number of different spaces and spheres of their lives.     

Shaping Women: National Identity Through the Use of Language in Franco'S Spain

In my article I show how a very particular identity was created for women during the period of Franco's Spain. I will draw upon a varied range of materials from official discourses, particularly the Sección Femenina (the women's branch of Falange); the Álvarez Enciclopedia and other texts such as songs, poems and the popular press. Following Foucault (1980: 30) I analyse an identity based on oppressive discourses whose power ‘reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning process and everyday life’. The nationalistic stress of this discourse is one that encourages women to create a new image of Spanish femininity that should be ‘different’ from the liberated portrayal of women coming from Europe, mainly through the path of growing tourism. The language of these discourses is somehow baroque, elaborated, energetic and highly dramatic. It tries to seek attention through an unnecessary and badly misorientated dramatism. It is cryptic and manipulative and claims to be poetical, but its main intention is to confine women indoors and to make them look at the world through the curtains or from a closed window. On the other hand it made women feel they were the representation of a unique matriarchal nationalism making them appear as the heroines of an essentialist national metaphor: women mothers of the nation. Inherent in Franco's equation of women = femininity = nation is a contradiction that defines women as ‘indoor heroines’ and bases nationalism in a naturalised representation of gender where women are a gendered representation of this nationalism.     

Auctoritas as sanctitas: Balthild's depiction as ‘queen-saint’ in the Vita Balthildis

This paper assesses the representation of Queen Balthild of Neustrian Francia in her seventh-century Vita as a new kind of saintly figure, a ‘queen-saint’ rather than as a traditional saint-queen. Balthild made herself unpopular among certain factions of the Frankish nobility during her son's minority by interfering in Church matters. In particular, she compelled bishops to grant episcopal exemptions to monasteries and promoted her own, unpopular, candidates to Neustrian dioceses, leading to her identification as a ‘modern-day Jezebel’ by her enemies, and her banishment to the monastic community at Chelles. Modern scholarship on Balthild, led by Lynda Coon, has assumed that Balthild's biographer was keen to erase from popular memory her actions as queen, actions which could be interpreted as inappropriate behaviour for a saint, and that the Life reflects this by emphasising Balthild's more stereotypical saintly behaviour as a nun once she had retired to Chelles. However, it will be argued that, rather than underlining her humility, the author of the Vita Balthildis was in fact keen to show that her interference in Church matters should be seen as contributing to her identification as a saint, by stressing that her autonomous and authoritative use of her power was actually a positive attribute.