England's interwar suburban landscapes: myth and reality

An investigation of suburbs created by private enterprise in interwar England reveals that their development was more problematic, and their physical characteristics were more diverse, than has been widely assumed. Differences between initial proposals for the development of an area and the reality that eventually emerged on the ground were widespread. Though architectural styles, building types and road patterns were generally distinct from those of the period before World War I, they varied considerably both within and between cities. Two main types of process affecting the landscape can be recognized. The first is systemic change, exemplified by the practically universal adoption, during the course of the 1920s, of the garden-suburb ethos and the creation of markedly different landscapes from those that existed previously. The second is adaptive change, involving adjustments, usually piecemeal, before, during and after developments, but conforming to the dominant period characteristics of the layouts; for example, reductions in plot sizes associated with increases in land values. Though conceptually fairly distinct, the two types of change may not in practice be separable.     

Crime highways: The effect of motorway expansion on burglary rates

Burglars can exploit a high-quality road network to transport stolen goods quickly. To study the effect of motorway connections on burglary rates, spatial variation in connectivity to the motorway network and the timing of new connections are exploited using an annual panel of 562 policing Sub Districts in Ireland during 2004–2015. On average, burglary rates rise by 10% in the year of motorway connection. This paper shows for the first time that major road construction affects the spatial distribution of crime.     

“To see things in an objective light”: the Dakota Access Pipeline and the ongoing construction of settler colonial landscapes

ABSTRACT

This paper examines the discourses used by proponents of the Dakota Access Pipeline (DAPL) as claims of universality to which the Standing Rock Sioux tribe and allied activists mounted a movement of opposition in 2014–2017. We position our analysis within the historical context of Lakota and Dakota resistance to settler colonialism, which has endured since the nineteenth century. From publicly available texts circulated by key actors in the conflict over the construction of this pipeline project, we identify themes that proponents of this project drew upon to articulate their representations of the land as universal. We suggest that claims like these, when naturalized in practice, have historically materialized in settler colonial landscapes. With the concept of settler colonial landscapes, we focus on ways of seeing and representing places that have facilitated the dispossession of Indigenous people from their territory as well as the construction of a settler-dominated community. In this way, we develop a cultural geographical understanding of the ongoing construction of settler colonial landscapes as a process dependent on claims to neutrality and objectivity.     

Evolving retail landscapes: power retail in Canada

During the last fifteen years the Canadian retail landscape has been transformed by the growth and clustering of big box retailers into a range of 'power retail' developments. This has brought new retailers into Canada (predominantly U.S. retailers) with different business strategies that have lead to different consumer behaviour. The power retail phenomenon encompasses all aspects of the retail offer (price, product, service, etc.) and is not simply about the size of stores. These developments have led to new types of commercial clusters—power centres and power nodes—that have challenged both planning policy and the existing retail hierarchy across Canada, and conversely, provided substantial scope for retailers and developers to exploit market opportunities. The article discusses the alternate definitions of power retail, estimates the magnitude of this activity, and examines the spatial pattern and preferences of these new retail locations. The development of power retail is tracked across Canada and regional variations examined. The key trends in power retail growth are identified and potential directions for future development suggested.     

The rise of cultural landscapes

The new interest in cultural landscapes is forcing a reappraisal of concepts of countryside heritage. First the traditional split between cultural and natural values is challenged. Second, modern landscape studies emphasise the subjectivity of landscape assessment, and this is subverting the former tendency to aspire to objectivity in evaluation. The acceptance of ‘associative’ value in landscape is an indicator of this. Modern landscape studies also emphasise the interrelationships between processes and aspects of value, and this is encouraging specialists to communicate across disciplinary frontiers. The desire by ecologists in the mid‐1980s to have cultural landscapes inscribed on the World Heritage list caused a re‐assessment of the World Heritage Criteria, and an initiative by ICOMOS brought this process to a conclusion in 1992. However the reappraisal of concepts of countryside value imply that there are many other philosophical and practical matters still to be resolved.     

Reconnecting with darkness: gloomy landscapes,lightless places

This paper investigates the effects and affects of darkness, a condition that is progressively becoming less familiar for those of us in the over-illuminated West. In countering the prevailing cultural understanding that darkness is a negative condition, I draw attention to other historical and cultural ways of positively valuing darkness. Subsequently, in drawing on two sites, a gloomy landscape at a dark sky park in South Scotland, and a tourist attraction in which a simulation of New York is experienced in a completely dark environment, I explore the multivalent qualities of darkness. In foregrounding the becoming of sensory experience in gloomy space, I highlight the mobilisation of alternative modes of visual perception in as well as the emergence of non-visual apprehensions, and suggest that the potentialities of darkness might foster progressive forms of conviviality, communication and imagination.     

也论郭店M1年代问题

郭店M1年代问题一直是学术界关注和争议的热点,其分歧主要存在于考古学者和思想史研究学者之间。这其中的一个主要原因,是考古学者判断墓葬在战国晚期偏早之前的类型学方法往往不为思想史学者所接受。本文尝试从一般性的社会背景出发,讨论思想史学者质疑点的问题所在,同时,将郭店M1的年代,放在白起拔郢前后的社会背景中考虑。     

Ancestral memories and early medieval landscapes: the case of Sierra de Ávila (Spain)

This paper focuses on early medieval funerary practices from a landscape perspective in central Iberia. Rock‐dug graves constitute the most conspicuous remains in this region, but their informative potential has not yet been realized. The preliminary outcomes of an ongoing research project are presented here. This aims to contextualize such funerary cases by examining a mid‐altitude mountain study‐area. Through the use of intensive archaeological surveying and geographic information systems, the paper characterizes two basic funerary types: isolated graves and rural disordered cemeteries, which responded to two social strategies led by local households. By recalling ancestorship, they constituted effective mnemonic resources, contributing to claiming rights and forging identities among these dispersed and predominantly small‐scale herding communities.     

对盘龙城Ⅰ号磁异常场源性质的认识

本文介绍了2006年在盘龙城进行的田野考古物探工作的过程和新的发现。文章从投入田野考古物探的方法技术要求、野外数据资料采集的质量评价、数据资料的处理和图示进行了介绍·重点描述了对所发现的M1磁异常场源性质的认识、分析和探讨的过程,指出引起位于盘龙城府河河滩上的Ⅰ号磁异常的场源很可能是规模较大的地下人文构筑物。     

Rooting diaspora, reviving nation: Zionist landscapes of Palestine–Israel

This paper explores the politics of landscape and nature within the process of nation-building. In it I examine how landscapes can operate in multiple, intersecting ways in the service of an ideological discourse and how the politics of nature, specifically trees, can contribute to the shaping of a new national space and subjectivity. Focusing on the multiple renditions of Palestine promulgated by the Jewish National Fund (JNF) , I discuss how landscapes can entangle diaspora and homeland, aesthetics and embodiment, antiquity and modernity, with both conceptual and material consequences. Drawing on histories of the JNF and on a selection of historic newspaper articles and children's literature, I explore the circulation of aesthetic renderings of Palestine and the performance of embodied landscapes during the children's tree-planting holiday, Tu B'Shvat. I argue that the centrality of trees to the JNF, and the imagery of roots, renewal, family and innocence that they conjure, legitimised Zionist colonisation and naturalised the Israeli nation state and body politic. I also demonstrate how JNF landscapes and afforestation work assisted in the demarcation of Israeli nation-space and therefore in the material dispossession of the Palestinians.     

Public art as public pedagogy: memorial landscapes of the Cambodian genocide

Historical memory in the form of public art acts as a pedagogical tool, both revealing the artist’s interpretation of history and serving as a historical device for the viewer. In Cambodia, new generations are developing an understanding of the Khmer Rouge regime (1975–1979) and its effect on their country’s history. Young peoples’ understanding of history is constructed through institutional, living, and public memory pedagogies. These pedagogical channels do not always work in unison, leaving gaps in historical education. In Cambodia, institutional and living memory pedagogies on the Khmer Rouge genocide often fail to transmit this important national history to those who did not live through it. Publicly accessible memorial art has the potential to supplement the historical understanding of young, rural Cambodians. Three murals sites in rural Cambodia act as landscapes of public pedagogy by depicting scenes of Khmer Rouge atrocities. This paper aims to understand the significance of the impact and implications of public memorial art as an educational supplement, and how public art can be utilized as public pedagogy in Cambodia and beyond.