给我一天 还你万年 陕西历史博物馆

<正>在去西安之前我做了许多功课,设计了一个合适自己的行程,然后发了一条微博:总想去西安,似乎有前世的乡愁遗落在了那里。骊宫夜未央,千里秦腔瑟。如若,我的前生是废都往事中的哪一个篇章呢!文字挺文艺腔,但却是我对西安情怀的展露和希冀。     

历史与记忆

当代史学和历史哲学中关于记忆问题的探讨为我们关于史学的理解提供了新的视角。在这一视野下,记忆超越单纯个体心理的层次获得了作为脑外"文化记忆"的历史维度。在历史与记忆关系的层面上,历史记忆的多元性对历史记载的单一性提供了重要的补益,同时,史学文本的宏观视野对于历史记忆的微观局部性和片断性亦显示出认识上的优越性。在认识论维度之外,历史记忆诉诸历史正义的道义性是其十分显著的特质,于此凸显史学科学性与道义性维度复杂的张力关系,历史科学性不能成为漠视道义性的理由。最后,在历史与记忆关系上传统的历史本位立场之外,对人生有意义的历史终究要落实在人间的历史记忆中,从而彰显记忆本位的合理性,这或许是关注历史记忆所能带给我们的一点理论启示。     

陕西历史博物馆正源

本文回顾了近代以来陕西博物事业的发展历程,对陕西历史博物馆进行追本溯源,认为它的历史比各种传统的看法要久远的多,可以追溯到1909年成立的劝工陈列所。     

History, Memory, and the Law: The Historian as Expert Witness

There has been a widespread recovery of public memory of the events of the Second World War since the end of the 1980s, with war crimes trials, restitution actions, monuments and memorials to the victims of Nazism appearing in many countries. This has inevitably involved historians being called upon to act as expert witnesses in legal actions, yet there has been little discussion of the problems that this poses for them. The French historian Henry Rousso has argued that this confuses memory with history. In the aftermath of the Second World War, judicial investigations unearthed a mass of historical documentation. Historians used this, and further researches, from the 1960s onwards to develop their own ideas and interpretations. But since the early 1990s there has been a judicialization of history, in which historians and their work have been forced into the service of moral and legal forms of judgment which are alien to the historical enterprise and do violence to the subleties and nuances of the historian's search for truth. This reflects Rousso's perhaps rather simplistically scientistic view of the historian's enterprise; yet his arguments are powerful and should be taken seriously by any historian considering involvement in a law case; they also have a wider implication for the moralization of the history of the Second World War, which is now dominated by categories such as "perpetrator,""victim," and "bystander" that are legal rather than historical in origin. The article concludes by suggesting that while historians who testify in war crimes trials should confine themselves to elucidating the historical context, and not become involved in judging whether an individual was guilty or otherwise of a crime, it remains legitimate to offer expert opinion, as the author of the article has done, in a legal action that turns on the research and writing of history itself.     

History, Memory, and Identity in Modern Singapore: Testimonies from the Urban Margins

In 2006–2007, I interviewed elderly Singaporeans on theirexperiences of resettlement from an urban kampong (village)to emergency public housing after a great fire in 1961. I learnedmuch about the lives of semiautonomous dwellers in an unauthorizedsettlement and the individual and social transformation followingtheir rehousing. My informants also highlighted what the experiencesmeant to them and their identity in a modern city-state. Thispaper treats the testimonies as both source and social memoryand seeks to avoid the essentialism into which many social historians,oral history practitioners, and memory scholars have fallenin their approach toward the craft. As a source of social history,when used in conjunction with other historical sources, thereminiscences are patently useful for understanding the roleof public housing in transforming a marginal population intoan integrated citizenry. This enables the writing of a new socialhistory of postwar Singapore that departs from the discursiveofficial accounts of urban kampong life and of the 1961 inferno.At the same time, the oral history also underlines powerfulsocial and political influences on individual memory, beingmarked by nostalgia for the kampong and ambivalence toward theimagined character of younger Singaporeans. Statements on therumors of government-inspired arson in the 1961 calamity, however,constitute a significant countermyth in contemporary society,revealing a more critical side to the social memory.     

Mnemonic Schemes in the New History of Memory

Books reviewed in this article:
The Memory of the Modern By Matt K. Matsuda
Landscape and Memory By Simon Schama     

The tree as evolutionary icon: TREE in the Natural History Museum, London

As part of the Darwin celebrations in 2009, the Natural History Museum in London unveiled TREE, the first contemporary artwork to win a permanent place in the Museum. While the artist claimed that the inspiration for TREE came from Darwin's famous notebook sketch of branching evolution, sometimes referred to as his "tree of life" drawing, this article emphasises the apparent incongruity between Darwin's sketch and the artist's design -- best explained by other, complementary sources of inspiration. In the context of the Museum's active participation in struggles over science and religion, the effect of the new artwork is contradictory. TREE celebrates Darwinian evolutionism, but it resonates with deep-rooted, mythological traditions of tree symbolism to do so. This complicates the status of the Museum space as one of disinterested, secular science, but it also contributes, with or without the intentions of the Museum's management, to consolidate two sometimes conflicting strains within the Museum's history. TREE celebrates human effort, secular science and reason -- but it also evokes long-standing mythological traditions to inspire reverence and remind us of our humble place in the world.     

历史与实践:纽约大都会博物馆的中国艺术收藏

纽约大都会博物馆的中国艺术收藏已有130年的历程。其间收藏的器类始于制作精美、雅俗共赏的明清瓷器,继而扩展到玉器、金银器、珐琅器、牙雕等整个明清时代的装饰艺术,再进一步扩展到中国古代的青铜礼器、玉器、陶塑和佛教造像,并且随着西方对于中国艺术的研究的深入,观众和收藏家逐渐领略到中国书画艺术深邃的文化内涵,最终全面地了解绵延不断的中华五千年文明;其收藏历程则见证了美国,或是说西方对中国文化艺术的认知过程,收藏过程中所形成的收藏家、赞助人和博物馆业务主任成功的合作模式和经验或许可以给中国的博物馆提供有益的借鉴。     

The Conservation Department of the National Museum of Chinese History

TheConservationDepartmentofNationalMuseumofChineseHistoryisanorganiza-tionspecializedontheresearchandpracticeofconservationscienceandtechnology.Itcom-prisesthreelaboratoriesofconservation,utensilrestorationandpaintingrestoration,with30scientistsandtechnicians.Thedepartmentwasestablishedin1952.Intheperiodofmorethan40years,thede-partmentcarriedontheworkofconservationscienceandtechnologyinall-roundway,withtheaimofpreservingtheculturalrelicsofhumanbeings,thedispositionoflayingequalstressonbothba…     

陕西历史博物馆藏骨杂器概述

牙、骨、角、竹、漆、木器等,均属文物中的小器类,故往往被合称为杂项,但即如牙骨角漆竹木,一器之微,往往也穷工极巧,考工考史,源远流长。陕西独特的历史地位和丰富的文化遗存,使其在中国历史上占有非常突出的地位,陕西历史博物馆收藏的骨杂器即是历史的馈赠和厚爱。     

解构与重建:历史类博物馆展陈中考古文物信息的跨学科解读

考古文物是我国历史类博物馆的核心展品,在其主要社会职能中扮演了举足轻重的角色.随着考古学阐释理念的不断发展和完善,以物证史法、情境展示法、关联阐释法等已被逐渐应用到博物馆展陈中.但以传统考古学为核心的阐释方法在公众传播过程中仍然存在着单一视角与多元需求的矛盾、学科思维与展陈逻辑的矛盾、学术规范与启发教育的矛盾.对于历史...