Hard core and cutting edge: experimental manufacture and use of Magdalenian composite projectile tips

The technology of the European Upper Palaeolithic yielded abundant evidence of the use of composite projectile heads, in the form of osseous points on the side of which one or several (micro)lithic elements are attached. Yet, little experimental work has been devoted to testing and assessing the parameters of use of this type of composite tips. In this paper we present a pilot experiment with replicas of Magdalenian composite spear tips, made of an antler point with one or two rows of flint backed bladelets. Two series of replicas were manufactured after the lithic and osseous record of, respectively, the Lower Magdalenian from southwest France (c. 20–18 Ky cal BP) and the Upper Magdalenian of Pincevent in the Paris Basin (c. 15–14 Ky cal BP). The 34 experimental composite heads were hafted to spears that were then shot with a spearthrower at the carcasses of two young deer. The results provide some insight into the performance characteristics of the osseous and lithic components, both in efficiency and durability. Finally, possible improvements of the experimental protocol are discussed, as well as the implications of our results for the understanding of projectile point variability in the Upper Palaeolithic.     

The Significance of Social Gestures and Technologies of Embellishment in Paleolithic Portable Art

This paper analyzes the gestures and technologies used to make Paleolithic portable art. Contextualized within the theoretical schools of the anthropology of technology and using the chaîne opératoire methodology, the approach advanced here quantifies the relationships between technology, society, and aesthetics in the production of Paleolithic art. Focusing on Pavlovian art, dating to between 28,000 and 24,000 radiocarbon years BP, this paper assesses the suite of art production technologies, particularly those used when modifying and decorating ivory, and traces the relationship between decorative techniques and other characteristics of art. These analyses offer insight into Pavlovian art traditions and the emergence of innovative techniques in Paleolithic societies.     

Assessing Hafting Adhesive Efficiency in the Experimental Shooting of Projectile Points: A new Device for Instrumented and Ballistic Experiments

With the aim of providing better control of shooting experiments performed with replicas of prehistoric projectiles, we have conducted an instrumental archaeology study on the efficiency of prehistoric projectile points by placing emphasis on their adhesion and ballistic characteristics. In order to avoid any reproducibility problems, hafting adhesives were made with controlled mixtures of commercial rosin (also called ‘colophany’) and beeswax added as a plasticizer. An original experimental device has been developed to instrument a bow, allowing the control of both the trajectories and the velocities of the different shoots. In the course of an experimental programme on Sauveterrian microliths from the Mesolithic period of the South of France, the experimental system was applied to composite replica projectile tips of Mesolithic hunters. Arrows being shot at transparent targets were filmed in order to evaluate the penetration length and residual damage. Interestingly, this study reveals that the properties of the mixture are highly dependent on the velocity of the arrows. It was shown that—contrary to previous experiments that usually used a mixture in which rosin predominates— the most efficient adhesive is made of 70 wt% beeswax with only 30 wt% rosin. This result is of great importance for improving further shooting experiments and overcoming the problems frequently mentioned due to the loss of the flint armatures before they reach the animal target, or at least before penetration. When using this appropriate mixture, the lateral armatures are resistant to most of the shots. Experiments performed on real boars’ flesh have also shown that the presence of lateral microliths allows the laceration inflicted on the target to be enlarged. Finally, a critical parameter has been identified, which is the location on the arrow of the microlithic element.     

Projectile points,people, and Plains Paleoindian perambulations

Archaeologists generally agree that Paleoindian residential groups moved regularly over extremely large ranges. However, on the Great Plains, this argument depends substantially on datasets derived largely or entirely from projectile points rather than from systematic analysis of a wide range of artifacts. This paper argues that projectile points differ from most Paleoindian tools in ways that make such datasets unlikely to be reliable sources of information on range sizes. Furthermore, evidence from Paleoindian tool caches and the condition of discarded points suggest strongly that the raw material used to produce projectile points at least sometimes moved across the Plains independently of material used to make most other kinds of flaked stone tools. This, in turn, implies that not all stone used during Paleoindian times was procured by visits of whole residential groups to raw material sources, raising serious questions about the validity of widespread views of Paleoindian mobility.     

Mississippian Plazas,Performances, and Portable Histories

Although plazas have a lengthy and variable history in southeastern North America, by the Mississippian period (ca. 1000–1500 CE), they had assumed some degree of conformity: they were square to rectangular in shape, anchored the approximate center of a settlement, often had additional inclusions such as public buildings or earthen monuments, and were the arenas of secular and religious public activities. We suggest that the importance of these architectural features to Mississippian life ways can be attributed to two characteristics that are widely shared with other cultures that also employed plazas as a form of axis mundi. First, their construction represents an event that arrests temporality and draws attention to their pivotal role in synchronizing ritual life. Second, their relatively open architecture confers them a relational flexibility that allows for the linkage of a wide variety of spaces, things, and beings. A quantitative and qualitative study of 35 Mississippian plazas demonstrates discrepancies from a linear relationship between plaza size and site size that may be related to variation in the kinds of performances that were conducted in these public places at different types of settlements. Despite this variation, the ubiquity of plazas suggests that they were pivotal to the founding of Mississippian places, and may have been important for reestablishing a sense of cosmological order for migrating communities.     

Toward More Continuous and Practical Artifact Analyses: Defining and Learning From Key Dimensions of Fort Ancient Triangular Projectile Points in the Miami Valleys

Artifact typologies are routinely created, debated, and modified, but too rarely is the goal to focus on small geographic regions and to define key axes of variation. Our goal is to further this practice by examining the utility of a long-standing artifact typology from the U.S. Midwest, one associated with discerning temporal changes in triangular projectile-point forms. Our samples are derived from nine well-dated Fort Ancient villages along the Great and Little Miami Rivers of southwest Ohio and southeast Indiana. Our approach statistically explores numeric and nominal measurements of projectile-point morphology. Findings reveal significant differences among formal variables that are consistent with most of the typology as recently amended by other researchers. However, by focusing on numeric variables, we also have found that there are a series of additional significant temporal changes. Collectively, we identify a series of distinctions in temporal, morphological, and geographical variation among triangular projectile points. Various hypotheses are discussed regarding cultural transmission of the observed changes in projectile points.     

On stone-boiling technology in the Upper Paleolithic: behavioral implications from an Early Magdalenian hearth in El Mirón Cave,Cantabria, Spain

Stone boiling is one of the principal cooking methods used by hunter-gatherer societies. The present paper proposes behavioral and organizational inferences as to how stone boiling was incorporated into hunter-gatherer subsistence practices through an examination of a shallow-basin hearth in an Early Magdalenian level (c. 15,500 ¹⁴C B.P.) of El Mirón Cave, Cantabria (northern Spain). Exploratory analysis of spatial patterns of archaeological remains (bones, lithic artifacts, and fire-cracked rocks) and use-life analysis of fire-cracked rocks demonstrate that the hearth was used and maintained during visits of humans who preyed mainly on ibex and red deer near the site. The relative accessibility of these ungulates and cost-induced technology of stone boiling suggest the implication that stone boiling was employed to maximize the energy and nutrition obtained from carcasses of these game taxa under the circumstance of resource intensification.     

The Art of Taphonomy and the Taphonomy of Art: Layer IV,Molodova I,Ukraine

Level IV of Molodova I, an open-air Middle Paleolithic site in the Ukraine has been described by some researchers as a possible source of evidence for early symbolic behavior. We examined bone objects from this layer that were identified by Ukrainian researchers as exhibiting possible Neandertal produced engravings including two anthropomorphic figures. While we have determined that there is no evidence of symbolic activity at Molodova I, the database we have created, with its systematic recording of traces left by taphonomic agents on faunal remains, provides a better understanding of the overall site taphonomy.     

Children's Strikes, Parents' Rights: Paterson and Five Points

While Karen Calvert's book, Children in the House, deals with middle-class play, there is very little work devoted to children's toys and games in a working-class context. This paper uses the toy assemblages from two working-class sites to begin a discussion of working-class play and the struggle nineteenth-century working-class parents waged to impart their own values to their children. Because marbles were the predominant toy recovered from both sites, the nature of the game is discussed, and its relationship to working-class values is considered.     

Art,Fame, and Commerce

In Praise of Commercial Culture. By Tyler Cowen (Cambridge: Harvard University Press, 2000), ix?+?278 pp. $14.95 paper.

What Price Fame? By Tyler Cowen (Cambridge: Harvard University Press, 2000), 248 pp. $22.00 cloth.     

Defusing Dualism: Mind,Materiality and Prehistoric Art

The paper presents a sculpture made of a fossilised shell. It was found during an excavation at the site Torpum 9b in Østfold, south‐eastern Norway. The site and thereby the figure are dated to the late Mesolithic period. The sculpture is interpreted as an essence of female attributes, that is the hips and pelvis of a female human with the genitalia marked. This interpretation requires a discussion of the relations between general principles and actual historical situations. The interest in fossils is presumable universal, but the specific culture‐historical interpretation of the sculpture from Østfold must take the local Mesolithic context as its framework. Through an examination of fossils in folklore and prehistory, and a presentation of the particular fossil's geological origin and context, the universal and non‐historical meaning of the sculpture is presented. This perspective is then discussed in the context of the east Norwegian Mesolithic.     

Art,history, and gender: women and clay in West Africa

Women dominate the production of pottery in Africa, yet few scholars have considered women the likely creators of the figurative ceramic sculpture recovered archaeologically across the savanna. Indeed, the question of who made these highly celebrated ceramics is rarely raised. A close look at the art historical and archaeological literature exposes the gender biases that privilege men's high art over women's low craft, making men the presumed creators of these works. Examples of women's predominance in the production of ritually-destined figurative ceramics in Nigeria alone counters such unsubstantiated assumptions. Through such production women play important roles in the construction of social and cultural meanings. It does make a difference in our reading and writing of history to understand and reconstruct what women make as well as what men make.

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Résumé Les femmes dominent la production d'objets en argile en Afrique, mais peu d'experts ont considéré les femmes comme créatrices probables des sculptures figuratives en céramique découvertes dans des fouilles archéologiques dans toute la savane. De fait, la question de savoir qui fabriquait ces céramiques hautement prisées est rarement soulevée. Une étude plus approfondie de la littérature ayant trait à l'histoire de l'art et à l'archéologie met en évidence les partis pris sexuels qui privilégient l'art élevé des hommes par rapport à l'artisanat vulgaire des femmes, faisant des hommes les créateurs présumés de ces oeuvres. Des exemples de la prédominance des femmes dans la production de figurines rituelles en céramique au Nigéria contredisent ces suppositions non prouvées. Par cette production, les femmes jouent un rôle important dans l'élaboration de notions sociales et culturelles. Comprendre et reconstruire ce que font les femmes, de même que ce que font les hommes, nous fait lire et écrire l'histoire différemment.