Tesserae Recycling in the Production of Medieval Blue Window Glass

The purpose of this paper is to develop a means of quantifying glass recycling and to discuss the ‘anachronistic’ chemical composition of medieval blue window glass. This method relies on a new numerical method using kernel density estimates and is based on a database of published glass chemical compositions. It seeks to reveal when, to what extent and why blue tesserae were recycled for the production of French and English blue glass. First, it is suggested that blue glass had an ‘anachronistic’ chemical composition only before the 13th century. Second, the ‘anachronistic’ chemical composition of 12th‐century blue glass comes from the recycling of both blue tesserae and non‐coloured glass. Finally, this recycling was motivated by the scarcity of cobalt sources until mines were found in the 13th century.     

Diplomatic and the Cid revisited: the seals and mandates of Alfonso VII

The royal chancery of the kingdom of León- Castile appears to have adopted the use of the seal towards the middle of the twelfth century. Examination of the surviving impressions from the reign of Alfonso VII (1126-57) suggests that he had at his disposal not one seal but two. They were sometimes used for the authentication of the solemn diplomas by which lands or privileges were granted; it is suggested that they were used also for sealing the short administrative orders called mandates. Documents of this latter sort, which have not hitherto been studied, appear to derive from the mandates used by Aragonese rulers of the early twelfth century, and they in their turn from the Capetian mandement and the Anglo-Norman writ. The use of sealed mandates in Alfonso VII's chancery is a further example of the play of foreign influences upon the kingdom of León-Castile at this period and may be of more than fugitive interest to historians of literature who are concerned to date the composition of Spain's most famous medieval epic, the Poema de Mio Cid.     

The composition of ‘naturally coloured’ late Roman vessel glass from Britain and the implications for models of glass production and supply

Naturally coloured, blue or green are the most common glass colours found in assemblages from the Roman world from the end of the 1st century BC onwards. In the 4th century two different compositions have come to dominate this group, ‘HIMT’ and ‘Levantine 1’ glasses, both of which are now thought to have been produced in the eastern Mediterranean. Using Romano-British glass assemblages from the 4th and 5th centuries, it is shown here that although the two naturally coloured glass types predominate, by far the most common composition in British assemblages is HIMT, although older, earlier blue-green compositions are still present. The earliest date HIMT could be identified in these assemblages is around AD 330, although two distinct compositions can be identified within this group which relate to changes in composition over time. A similar change over time is seen in the Levantine 1 glasses. The reasons for these patterns within the assemblages are explored within the archaeological evidence currently available for glass production and consumption in the Roman world.     

ANALYSIS OF WEATHERED GLASS FROM YORK MINSTER

Non-destructive analyses are reported of a twelfth century stained glass panel from York Minster. The main conclusion from the results is that the observed differences in severity of corrosion between various glasses may be explained by variations in the proportions of potassium and calcium.     

CHARACTERIZATION AND PROVENANCE OF LATE ANTIQUE WINDOW GLASS FROM THE PETRA CHURCH IN JORDAN*

Fifth‐ to seventh‐century window glass fragments from the Petra Church in Jordan were analysed by EPMA and spectrophotometry to characterize their optical properties and chemical composition. The objective of this study was to determine the provenance of the raw glass and the secondary production procedures of the window‐panes. Judging from the material evidence, both the crown window‐panes and possibly the rectangular samples were produced through glass‐blowing techniques. The chemical data show that the assemblage forms a homogeneous group of soda–lime–silica glass of the Levantine I type. The green glass, however, has higher silica and lower soda contents than the aqua‐blue fragments. The composition of one sample suggested the recycling of Roman glass. Our results confirm the trade of glass between the Levantine coast and Petra during Late Antiquity. No colouring agents other than iron were detected. Spectrophotometry confirmed the presence of iron and showed that the window fragments absorbed light relatively equally across the visible part of the spectrum. The windows thus seem to have provided an almost colourless illumination for the sacred interior.     

SCIENTIFIC ANALYSIS OF SEVENTH‐CENTURY GLASS FRAGMENTS FROM THE CRYPTA BALBI IN ROME*

Inductively coupled plasma emission spectroscopy, reflectance spectroscopy and X‐ray diffraction were used to study seventh‐century AD glass fragments from the Crypta Balbi in Rome. All the samples were found to be silica‐soda‐lime glasses. Iron determines the colour of blue‐green, green and yellow‐green transparent glasses; chemical composition suggests deliberate addition of iron and/or manganese in about half the samples. Copper was found as the main colourant in red, pale blue and blue‐green opaque fragments; elemental copper acts as an opacifier in red glass, and calcium antimonate in white, pale blue and blue‐green glasses. Detection of antimony in transparent fragments suggests recycling of opaque mosaic tesserae.     

Diplomatic and the Cid revisited: the seals and mandates of Alfonso VII

The royal chancery of the kingdom of León- Castile appears to have adopted the use of the seal towards the middle of the twelfth century. Examination of the surviving impressions from the reign of Alfonso VII (1126-57) suggests that he had at his disposal not one seal but two. They were sometimes used for the authentication of the solemn diplomas by which lands or privileges were granted; it is suggested that they were used also for sealing the short administrative orders called mandates. Documents of this latter sort, which have not hitherto been studied, appear to derive from the mandates used by Aragonese rulers of the early twelfth century, and they in their turn from the Capetian mandement and the Anglo-Norman writ. The use of sealed mandates in Alfonso VII's chancery is a further example of the play of foreign influences upon the kingdom of León-Castile at this period and may be of more than fugitive interest to historians of literature who are concerned to date the composition of Spain's most famous medieval epic, the Poema de Mio Cid.     

ICP–MS ANALYSIS OF GLASS FRAGMENTS OF PARTHIAN AND SASANIAN EPOCH FROM SELEUCIA AND VEH ARDAŠ?R (CENTRAL IRAQ)*

Forty‐one glass fragments were analysed by inductively coupled plasma – mass spectrometry, determining 40 major, minor and trace elements, including rare earth elements. The fragments came from excavations carried out at the archaeological sites of Seleucia and Veh Arda??r in modern Iraq, and were dated to the Parthian and Sasanian epochs. Analytical data indicate that all the samples are silica–soda–lime glasses. Magnesium and potassium oxide contents below 1% suggest that eight out of nine glasses from Seleucia, dating from between the first and the third century ad , could have been obtained by use of an evaporite as a flux; the same conclusion can be drawn for some of the Sasanian glasses dating from the fourth and fifth centuries ad . The other glasses from Veh Arda??r, as well as the remaining sample from Seleucia, are characterized by higher contents of magnesium and potassium, which suggests recourse to plant ash; different magnesium and phosphorus contents allow one to separate these samples into two main groups, pointing to the use of different kinds of plant ash. Aluminium and calcium contents, together with trace element data, may indicate that different sands were used for preparing glasses of different composition. Samples from Seleucia and Veh Arda??r are mainly blue–green and green to yellow–green, respectively; iron and manganese contents suggest that the furnace atmosphere was mainly responsible for the development of these hues.     

Radical changes in Islamic glass technology: evidence for conservatism and experimentation with new glass recipes from early and middle Islamic Raqqa,Syria*

The chemical analysis of excavated glass fragments from dated archaeological contexts in Raqqa, Syria, has provided a detailed picture of the chemical compositions of artefacts deriving from eighth to ninth and 11th century glassmaking and glassworking activities. Evidence for primary glass production has been found at three excavated sites, of eighth to ninth, 11th and 12th century dates; the first two are discussed here. The 2 km long industrial complex at al‐Raqqa was associated with an urban landscape consisting of two Islamic cities (al‐Raqqa and al‐Rafika) and a series of palace complexes. The glass fused and worked there was presumably for local as well as for regional consumption. Al‐Raqqa currently appears to have produced the earliest well‐dated production on record in the Middle East of an Islamic high‐magnesia glass based on an alkaline plant ash flux and quartz. An eighth to ninth century late ‘Roman’/Byzantine soda–lime recipe of natron and sand begins to be replaced in the eighth to ninth century by a plant ash – quartz Islamic soda–lime composition. By the 11th century, this process was nearly complete. The early Islamic natron glass compositional group from al‐Raqqa shows very little spread in values, indicating a repeatedly well‐controlled process with the use of chemically homogeneous raw materials. A compositionally more diffuse range of eighth to ninth century plant ash glass compositions have been identified. One is not only distinct from established groups of plant ash and natron glasses, but is believed to be the result of experimentation with new raw material combinations. Compositional analysis of primary production waste including furnace glass (raw glass adhering to furnace brick) shows that contemporary glasses of three distinct plant ash types based on various combinations of plant ash, quartz and sand were being made in al‐Raqqa during the late eighth to ninth centuries. This is a uniquely wide compositional range from an ancient glass production site, offering new insights into the complexity of Islamic glass technology at a time of change and innovation.     

ARCHAEOMETRICAL STUDIES OF ROMAN IMPERIAL AGE GLASS FROM CANTON TICINO*

An archaeometrical study of Roman glass finds recovered in the Canton Ticino area was performed after the finding of traces of possible glass‐working at Muralto near Locarno. The aim of this work is to provide chemical characterization of these glass varieties—never analysed before—and to compare the results obtained with those for glass of the same period coming from other sites (Aquileia, Augusta Praetoria and Modena). The chemical data shows that the composition of Canton Ticino glass remained the same from the first to the fourth century ad . Moreover, the large amounts of Sb used as a decolouring agent in these samples represents a peculiar trait.     

Study of medieval glass fragments from Savona (Italy) and their relation with the glass produced in Altare

Altare was in the medieval and post-medieval period an important glassmaking center in the Liguria region in Northern Italy. The first historical evidence of glassmaking in Altare is dated to the twelfth century. In spite of that, due to the continuity of glassmaking up to the present time and the contemporaneous intensive urbanization of the territory, no medieval glass from Altare or its immediate vicinity has been analyzed up to now. In this work, glass from archaeological excavations in the center of Savona, city with close ties with the glassmaking center, was studied. Glass fragments, dated from the tenth to the sixteenth century were selected from the collections of the Archaeological Museum in Savona and non-destructively analyzed with quantitative PIXE-PIGE. The resulting compositions, compared with known glass productions of the same time and evaluated on the basis of historical documents, offer an interesting panorama on the variety of glass circulation in Liguria.     

Evidence for glass ‘recycling’ using Pb and Sr isotopic ratios and Sr-mixing lines: the case of early Byzantine Sagalassos

The secondary production (working) of glass from imperial to early Byzantine times has been proven at the ancient city of Sagalassos (SW Turkey) by the existence of glass chunks, fuel ash slag and kiln fragments related to glass processing. It had been previously suggested that local green glass might have been recycled from two other locally found glass types (blue glass vessels and chunks and HIMT glass chunks). This paper provides analytical evidence for the recycling of glass next to the use of imported raw glass. The heterogeneous lead isotopic composition of the green and HIMT vessel glass at Sagalassos, with as end members on the one hand the isotopic composition of local blue glass vessels and chunks and on the other hand that of the HIMT glass chunks, could indicate the production of ‘recycled’ glass, although heterogeneous raw materials could have been used. However, the use of Sr-mixing lines confirms local recycling. It is clear that the Sr in the green and HIMT vessels is a mixture of the Sr in the aforementioned end members. It cannot be proved whether the green ‘recycled’ glass was produced from a mixture of chunks alone, or from a mixture of cullet and chunks. Suggestions are made towards the possible origin of the raw materials for the blue and HIMT glass on the basis of Sr isotopic signatures and absolute Sr contents in the glass.     

MEDIEVAL GLASS FROM ROCCA DI ASOLO (NORTHERN ITALY): AN ARCHAEOMETRIC STUDY

An archaeometric study was performed on 33 medieval glass samples from Rocca di Asolo (northern Italy), in order to study the raw materials employed in their production, identify analogies with medieval glass from the Mediterranean area and possible relationships between chemical composition and type and/or production technique, contextualize the various phases of the site and extend data on Italian medieval glass. The samples are soda–lime–silica in composition, with natron as flux for early medieval glasses and soda ash for the high and late medieval ones. Compositional groups were identified, consistent with the major compositional groups identified in the western Mediterranean during the first millennium AD . In particular, Asolo natron glass is consistent with the HIMT group and recycled Roman glass; soda ash glass was produced with the same type of flux (Levantine ash) but a different silica source (siliceous pebbles, and more or less pure sand). Cobalt was the colouring agent used to obtain blue glass; analytical data indicate that at least two different sources of Co were exploited during the late medieval period. Some data, analytical and historical, suggest a Venetian provenance for the high/late medieval glass and a relationship between type of object (beaker or bottle) and chemical composition.     

Identification of PbO (BaO) faience from an early and middle Warring States period cemetery at Zhaitouhe,northern Shaanxi,China

Low‐temperature vitreous materials fluxed with lead (and barium) appeared in the early Warring States period (c.fifth century bce ) in ancient China. A range of lead vitreous products fluxed with the same agent, including faience/glass beads, glazed pottery and Chinese blue (purple) pigment, were developed subsequently. This study carries out scientific analysis of six vitreous beads unearthed from the Zhaitouhe cemetery site in northern Shaanxi dating to the early and middle Warring States period to investigate their chemical composition, microstructure and coloration. The lead (and barium) vitreous beads identified here are some of the earliest lead vitreous materials discovered in China so far, and therefore important for the study of the development of lead vitreous technologies in ancient China. This paper also points out that it is meaningful to evaluate the lead glass, glazed pottery and barium copper silicate pigments as a whole technological assemblage given their close relationships.     

XRF analysis of glass beads from the Mycenaean palace of Nestor at Pylos,Peloponnesus, Greece: new insight into the LBA glass trade

In recent years there has been a growing interest in Mycenaean glass among archaeologists and scientists. Scholars have traditionally thought that all Mycenaean glass was imported either in finished form or as ingots and simply shaped or worked at the Mycenaean sites. Chemical studies of other Mycenaean glass (50 and 43) support the hypothesis that glass was imported into Mycenaean Greece, but there is also indication for glass production in mainland Greece at the palace of Thebes (Nikita and Henderson, 2006). There is no evidence for glass making or working at the Palace of Pylos, yet there is an abundance of glass beads there. The aim of this paper is to identify the technology and source for the glass of these beads and thus to ascertain how Pylos was connected to the broader Mycenaean and Mediterranean economies. The composition of the glasses was determined by means of portable XRF analysis and compared to that of other Late Bronze Age glasses from Egypt, Mesopotamia and mainland Greece. Four blue beads coloured with cobalt and one blue bead coloured with copper have Ti and Zr compositions consistent with an Egyptian origin of manufacture while five other beads show Ti and Zr concentrations consistent with a Mesopotamian origin (Shortland et al., 2007). Based on the dearth of Egyptian and Mesopotamian imports in Pylos, the presented data support the hypothesis that Pylos was receiving via internal Greek trade routes foreign-produced glass, which may have been worked abroad or in Greece.     

Glass Fragments from the Crypta Balbi in Rome: the Composition of Eighth‐century Fragments

Eighth‐century glass fragments from the Crypta Balbi in Rome were analysed by inductively coupled plasma emission spectroscopy. The samples included fragments of artefacts as well as ingots of raw glass and wasters. All the fragments proved to be soda–lime glasses. Manganese‐to‐iron atomic ratios are highly variable and determine the colour of a large number of samples. Fairly high copper contents, generally associated with relatively high amounts of antimony and lead, were detected in some green and blue–green samples: this suggests recycling of glass in the form of opaque mosaic tesserae. All three elements are higher in eighth‐century than in previously analysed seventh‐century fragments. This may indicate greater recourse to recycled glass, related to a reduction in trade exchanges in the Mediterranean.     

Inaugural Address to The Annual Meeting of The Institute Held at Bedford

The Great Tower of Norham Castle has been considered to be a typical example of a two-cell rectangular donjon, divided unequally by a spine wall. Examination of the fabric shows that its history was much more complex, and that it was originally constructed in the early twelfth century as a single unit, two-storeyed building, perhaps as a ceremonial chamber above a vault. During the later twelfth century a second unit, containing private chambers and an upper room in a tower, was added against the original structure, and the present rectangular shape was achieved only as the result of further rebuilding during the fifteenth century. Parallels are suggested in the bishops' palaces of the twelfth century, and the significance of Norham for our appreciation of the complexity of design of great towers is emphasized.     

COLOUR ATTRIBUTES OF MEDIEVAL WINDOW PANES: ELECTRON PARAMAGNETIC RESONANCE AND PROBE MICROANALYSES ON STAINED GLASS WINDOWS FROM PAVIA CARTHUSIAN MONASTERY*

Stained glass windows from the Carthusian Monastery of Pavia, dating back to the 15th century, were studied by combining two analytical techniques: electron probe micro‐analysis (EPMA) and electron paramagnetic resonance (EPR). Chemical compositions and oxidation states of the transition ions, present as minor elements, were investigated by EPMA and EPR, respectively, in order to ascertain the role played by chromophorous ions in the glass coloration. The investigated glass can be defined as K–Ca glass, and the panes with red, green and blue colours were produced using flashing techniques.     

A geochemical study of Roman to early Byzantine Glass from Sagalassos,South-west Turkey

The finding of glass chunks together with fuel ash slag and kiln fragments related to glass processing strongly suggests local secondary production (working) of glass at Sagalassos (SW Turkey) from imperial to early Byzantine times. Chemical evidence shows that different silica raw materials were used in imperial and early Byzantine times for blue and green glass found locally. Colourless glass shows no clear difference in chemical composition and hence in silica raw materials between late Roman and early Byzantine times. Locally found early Byzantine yellow-green glass and chunks correspond to the previously defined Byzantine HIMT glass type. The chemical composition of the glass chunks found, identical to that of the contemporary glass of the same colour, strongly indicates that these chunks were used for the manufacture of early Byzantine green, colourless and yellow-green glass at Sagalassos.The homogenous lead isotopic composition of the chronological groups of blue glass, suggests the use of two distinct but homogenous silica raw materials for the manufacture of this glass. In view of this homogeneity, it is likely that contemporary blue glass was produced at a single location. The linear trend of the heterogeneous lead isotopic composition of the green and colourless glass is a strong indication of recycling effects in the glass composition. The end members of this trend are formed by the isotopic composition of the blue glass on the one hand, and of the yellow-green (HIMT) glass on the other hand. The heterogeneous lead isotopic composition of the yellow-green glass at Sagalassos is probably the result of recycling of this glass, reflecting mixtures of the original lead isotopic signatures of the broken glass and the original HIMT glass chunks.It should be noted that the two main raw materials for primary glass production (silica and soda) were available on the territory of Sagalassos. Moreover, the lead isotopic composition of quartz pebbles sampled from the artisanal quarter of Sagalassos, is similar to that of the local blue glass.     

Potash - a key raw material of glass batch for Bohemian glasses from 14th-17th centuries?

The aim of this work is to verify or refute hypothesis of existence of basic/universal glass batch: quartz sand: potash: limestone, at a ratio of 2: 1: 1 used in Bohemian glass production since the middle ages onwards and to simulate the preparation of a potassium glass type with the composition used in medieval Bohemia. The chemical composition of Bohemian glass, which incorporated in the proposed glass batch for glassmaking on a laboratory scale, was evaluated by (a) findings directly related to glassmaking (samples from glasswork in Moldava dating back to the 15th century) and (b) information from publications.Experimentally produced glasses for the present paper were prepared from raw materials such as ash, leached ash, potash, limestone and quartz sand. The plant raw materials (spruce, beech and bracken ashes, raw and refined potash) were treated and prepared by methods similar to the production procedures used in the pre-industrial era.The main contrast was found in the CaO/K₂O weight ratio, which was determined in glasses that were characteristic of given periods. While this ratio was often below 1 in glasses of the 15th century, it reached values above 1 in glasses at the turn of the 16th-17th centuries. This result may indicate that the composition of the glass batch had changed.The results of the present study reject the current scholarly work dealing with glass batch composition during the 14th-17th centuries and confirm that glass produced in some Bohemian medieval glassworks could have been melted from a batch that included plant ash, making the use of limestone unnecessary. The traditional suggestion of the exact ratios of raw materials, often cited in historical literature, seems to be impossible. The glassmakers had to react to the variable composition of the raw materials, especially plant ash.