Portraits of two merovingian bishops in the poetry of Venantius Fortunatus

The poetry of Venantius Fortunatus is frequently used as source material for prosopographical data, for the roles and images of certain categories of individuals, and for details of buildings and topography. His poetry, however, can be used further to provide detailed personal portraits in some cases. There are several groups of poems to individuals which use a range ofgenres and arise from a variety of occasions, illuminating several aspects of the patron and his way of life. Two such clusters are to the bishops Leontius of Bordeaux and Gregory of Tours. The poet works from traditional genres but varies the structure and wording of these poems to respond sensitively to each bishop in his particular circumstances. Comparison of the two groups of poems, and especially of the formal panegyrics, builds up internally consistent and vivid pictures of the attitudes, ambitions and characters of two very different men. Fortunatus' poetry thus enables us to supplement bald prosopogrophical details and generalities about social roles, in a way unique in this period.     

Romans,barbarians, and Franks in the writings of Venantius Fortunatus

This paper aims to contribute to the broader discussion of strategies of identification and of Romanness by exploring the changing meaning of Roman, barbarian, and Frankish identity in the writings of Venantius Fortunatus. A close examination of the cultural, ethnic and political nuances of these terms in Fortunatus's works highlights the ways he used the resources available to him within his social context to promote Roman identity as still prestigious and as compatible with a barbarian‐ruled society.     

The Translation of the Unseen Self: Fortunatus,Mercury and The Wishing-Hat

This article examines the popular early German prose text Fortunatus both as folktale and as mercantile myth, concentrating on the hitherto critically neglected Wishing-Hat, which is regarded in this essay as a descendant of the Petasus of Mercury. In the original Fortunatus text dating from 1509, there are many points of contact centred in the Hat, such as its appearance, the themes of speed, secrecy, invisibility, theft, and commerce, between Fortunatus and Mercury. The manner in which these themes were developed in subsequent German revisions of Fortunatus and in seventeenth-century English translations and adaptations of the text is discussed. From embodiment of knowledge to a signifier of multipresence, from being a representation of travel to an accessory to raptorial attack, the uses and meanings of the Wishing-Hat are seen to be many and varied.     

Frankish military duty and the fate of Roman taxation

Frankish kings exacted unpaid military service from their subjects in both Merovingian and Carolingian times. The basis for this right has long been uncertain. A study of the term ‘manse’ as a Carolingian measure of assets brings to light the ostensibly hidden property on whose basis Franks went to war. This military duty reached back to the origins of the Frankish kingdom, when a large share of Roman taxes was awarded in individual allotments to soldiers obligated to serve, otherwise unpaid, when summoned, and heavily fined if they did not. Both demesne and tributary manses – contributory units – were the main part of state resources applied to military costs. They cannot be simply envisaged as components of an agricultural scheme (grand domaine). A tax‐like military obligation was one among several institutions actively surviving from the fifth century to the ninth, and it suggests that Frankish government was more law‐based and administrative than is often allowed.     

Economic incentives for the Frankish conquest of Saxony

Contrary to received scholarly wisdom, this article argues that the Frankish conquest of Saxony under Charlemagne in the late eighth and early ninth centuries was driven in no small part by the pursuit of material wealth. Specifically, most scholars have viewed pre‐conquest Saxony as too materially impoverished for economic incentives to have played a significant role in Frankish expansion into the lands between the Rhine and the Elbe. However, a thorough review of the written and archaeological evidence suggests that Saxony had much to offer its Carolingian conquerors in the form of plunder and tribute, land and mineral resources, revenue from royal and ecclesiastical renders and taxation, and access to and control of trade routes.     

Of calves and kings: The Canaanite dimension in the religion of Israel

Abstract

In this article, the author studies the question how pastoral metaphors shape or construct the argumentative development and the internal structure of the Oracle against Babylon (Jer 50–51). Methodologically, the article draws on the insights provided by the cognitive linguistic approach to metaphor stating that metaphor is not merely a literary ornament, but rather a fundamental way in which people think. On the basis of these insights, the pastoral metaphors occurring in Jer 50,6–7; 8; 11–13; 17–18; 19–20; 44–45 and 51,38–40 are subjected to close scrutiny. It is shown that these metaphors display a strong internal development, challenging the view that the Oracle is an ongoing repetition of the same ideas. Moreover, the pastoral metaphors occur at structurally important positions in the Oracle, thus contributing to its overall architecture, and they provide important thematic links to other crucial texts in the book, e.g. Jer 25. Finally, the close analysis of the pastoral metaphors in Jer 50–51 has shed a new light on a number of the text's interpretational problems, for which new solutions were consequently proposed.     

The poetry of nationalism*

The poetry of nationalism has roots in ancient literature, particularly the Hebrew Bible, but is mostly a product of nationalism since the French Revolution. Many national poets are politically active and serve in government. Asserting artistic individuality, they express national individuality, though nationalism can also suppress creativity. Calling for moral regeneration, poets inspire their people with memories of heroism, real or imagined, and with myths unique to the nation. Their poetry often springs from defeat but anticipates national liberation and independence. Yet there is also a dark side to some national poets, particularly in their glorification of violence and lust for revenge against oppressors. National poetry changed after the failed revolutions of 1848–9. National poets were less inclined to believe in liberal ideals and progress toward universal goals and there was greater disillusionment and ambiguity toward the national role. World War I severely limited the militarist tendency in national poetry.     

The presence of Sikelianos in the poetry of George Seferis

Abstract

Echoes of Sike1ianos' poetry can be detected in many poets, but his presence in Seferis is particularly interesting in the light of the close personal relationship which developed between the two poets from the 1940s. The poetic dialogue starts with Seferis' Στρo?η (1931) and develops continuously until his last book of poems, Tρια Kρυ?? Φoιημα&tauα (1966). Seferis, attracted by Sikelianos' linguistic richness, recreates the older poet's words ingeniously in his search for a new poetics. I examine this dialogue chronologically to show that exploring the presence of Sikelianos in Seferis' poetry enhances the understanding of the younger poet and reveals that, however great the differences in matters of technique between the two poets, their attitudes to poetry and poetics are in the end closely related.     

Lawcourt proceedings in the Lombard kingdom before and after the Frankish conquest

The Frankish conquest of the Lombard kingdom in 774 is considered a basic event and even a turning point in the early medieval history of Italy. Lombard institutions are believed to have disappeared in favour of Frankish rules and customs. This article seeks to refute this view by demonstrating that there is a very great deal of continuity between the two periods for one of the most important judicial institutions, the trial. It will be shown that the different phases of court procedure remain nearly unaltered after the acquisition of Northern Italy by the Franks and that even the most striking difference between the Frankish and the Lombard trial, namely the distinction between judges and scabini, was not introduced in this part of the Carolingian Empire before 827. Even after that date the Frankish distinction was only applied in some trials, while the Lombard procedure remained the more common.     

我的诗词研究之路

此文是本刊的特约稿。作者刘扬忠是中国社科学文学研究所学术委员会委员,中国古代文学研究室主任、研究员、博士导师《文学遗产》杂志编委会委员,中国作家协会会员、中国宋代文学学会副会长、中国李清照辛弃疾学会副会长等。     

The importance of the emperor: Lothar I and the Frankish civil war, 840–843

Lothar I's perspective on the Frankish civil war has not previously been explored. Close analysis of the distribution and wording of the most significant body of evidence produced by Lothar's circle, his charters, casts new light on the politics of the civil war. The imperial title and questions of legitimate inheritance emerge as factors of crucial importance, which shape not only Lothar's self-presentation in the charters, but also Nithard's influential account of the war, and negative portrayal of Lothar.     

The uses of Greek Orthodoxy in the early poetry of Yannis Ritsos

Abstract

The influence of Greek Orthodoxy on Ritsos' poetry, previously neglected because of the poet's political commitments, is examined. Against the backdrop of the poet's Orthodox upbringing and his early conversion to communism, Ritsos' uses of Orthodoxy in certain poems written before 1948 are considered. The diversity is demonstrated during this period of Ritsos' conception and treatment of the tensions and oppositions between Orthodoxy and Marxism. The ideological influence of Varnalis on the earliest collection, Tρακτ?ρ, can be contrasted with the more nuanced use of Orthodox material in Eπιταφιο? and the sympathetic depiction of childhood religion in Mια πυγολαμπιδα φωτιζ?ι τη νυχτα. Only in the particular conditions of wartime Greece does Ritsos manage a bridge between Orthodoxy and Marxism: H Kυρα Aμπ?λιων synthesizes Ritsos' liberation message with images rooted in popular religion.