Learning to think the past: Heritage,identity and state education in Wales

Abstract

Despite its problematic nature, the term Celtic is often linked with Wales and its history. Commonly regarded as a Celtic nation, the concept has been used to engender a sense of identity and also a sense of difference between Wales and other parts of the British Isles, particularly with England. As the national curriculum has been adapted to the needs of schools in Wales, some of these aims and objectives have been made explicit in many parts of the syllabus. Heritage sites in Wales also relate their history and present archaeology to a Celtic past and a case study of a specific site in Pembrokeshire is used to exemplify this approach. There is evidence that children find these portrayals of their past, as contained in the teaching in schools and site visits, interesting and informative. The dangers lie in the over‐simplification of the contested concept of Celticity and in the shortage of good evaluative assessments of these learning to think approaches.     

«Non urbe, non vico, non castris»: territorial control and the colonization and urbanization of Wales and Ireland under Anglo-Norman lordship

By playing on the Classical belief that urbanity is a sign of civility, urbanism has often been used by Europeans to characterize the «other» as uncivilized. In the twelfth century, contemporary chroniclers in England made much use of the myth that Wales and Ireland were unurbanized and therefore uncivilized. This conviction provided, in their view, a justification for colonizing lands in Wales and Ireland, at the western edge of the Anglo-Norman kingdom. Throughout the twelfth and thirteenth centuries, the process of this colonization was intimately linked with urbanization. This paper examines the spatial dimensions of this process and proposes two views of how urbanization facilitated colonization. First, English domination was extended geographically by the use of particular Anglo-Norman urban laws, and by the foundation of chartered towns. These laws spread English legal practices into Wales and Ireland, reinforcing the myth that these areas lacked urbanity before colonization, whilst at the same time placing them under the watchful eye of Anglo-Norman lordship. Secondly, in the creation of chartered «new» towns, Anglo-Norman lords used exclusionary devices to structure the internal spaces of towns, separating English townspeople from Welsh and Irish and in the process marking them as «outsiders» in a «colonial» society.     

Ways of seeing the Scottish Highlands: marginality, authenticity and the curious case of the Hebridean blackhouse

This paper examines popular cultural constructions of the Scottish Highlands during the interwar period. Situating events within the literary and artistic context of the «Celtic Twilight», it traces the establishment, and subsequent links between, two pioneering «heritage» sites which used as their focus the «blackhouse», the vernacular form of habitation in the Highlands. These sites, created under the auspices of the National Trust for Scotland and the 1938 Glasgow Empire Exhibition, are understood as «official» expressions of a romanticized, imaginary geography heavily reliant on ideas of cultural authenticity and marginality. By considering aspects of the «Self/Other» representational dialectic and placing in question popular constructions of peripherality the paper considers how such projects, ostensibly motivated by remembrance and preservation, were also a highly selective means of national identification. Ultimately, the work demonstrates how the modern impulse to differentiate between, and thereby classify, distinctive cultural traditions and forms of knowledge facilitated an obvious Highland bias in what subsequently became Scotland's accepted historiography.     

Authorizing landscape: «authority», naming and the Ordnance Survey's mapping of the Scottish Highlands in the nineteenth century

A range of work in human and historical geography has discussed naming and mapping as reflections of social power. In historical contexts in particular, attention has been drawn to the ways in which native knowledges, even the natives themselves, were either «written out» by being excluded, or marginalized in the processes of «translation» and cartographic representation. This article examines the work of the Ordnance Survey in the nineteenth-century Scottish Highlands and the means this English-speaking body employed in providing authoritative names to what was, in placenames and in the language of the inhabitants, a Gaelic landscape. An examination of the Ordnance Survey's Original Object Name Books is used to explore how the landscape was «authorized», to discuss who was judged an authoritative source and, from this, to emphasize naming as a social process.     

Welsh Indians and savage Scots: History,antiquarianism, and Indian languages in 18th-century Britain

This paper compares late eighteenth-century claims for the authenticity of Macpherson's Ossian and for the existence of Welsh Indians. It shows that although both claims were supported in part by appeals to similarities between Celtic and American Indian languages, the appeals in each case were very different. On the one hand, the Edinburgh literati who supported Ossian's authenticity focused on expressive structures shared by all primitive societies. On the other hand, radically Protestant antiquarians and philologists focused on lexical similarities that they argued demonstrate a genetic link between certain American Indians and the Welsh. The paper uses this fundamental difference underlying a superficial similarity, to explore in greater detail the distinction between philosophical historians among the Edinburgh literati, who were religiously moderate, politically conservative, and promoted Scotland's integration into a modern, polite, commercial and English-speaking empire, and the Welsh antiquarians, who were religious and political radicals and whose interest in the Welsh Indians reflected and reinforced their attempts to resurrect a distant golden age of Celtic Britain.

pe’nguin. (1) A bird. This bird was found with this name, as is supposed, by the first discoverers of America; and penguin signifying in Welsh a white head, and the head of this fowl being white, it has been imagined, that America was peopled from Wales …     

Royal Agency and State Integration: Ireland,Wales and Scotland in a Monarchical Context, 1840s–1921

This article assesses the utility of the British monarchy as a hegemonic institution consolidating the British state from the mid- nineteenth to the early twentieth centuries. It does so by examining its relationship with the ‘Celtic’ regions—Ireland, Wales and Scotland. It was a relationship that fluctuated over this period. While a close personal as well as constitutional relationship existed between the monarchy and Scotland during the reign of Queen Victoria, as against her more distant—even antagonistic at times—relationship with Ireland and Wales, the personal dimension to monarchical allegiance underwent significant change under Edward VII and George V, with Ireland and, to a lesser extent, Wales, a closer focus of royal attention as these regions apparently posed serious threats to state stability in the early twentieth century. The article demonstrates how the monarchy's relationship with the ‘Celtic’ regions was shaped by a variety of interacting factors—historical, socio-economic, constitutional, political and personal—that illustrated its strengths and weaknesses. Thus a combination of reform and royal conciliation could function to unite Ireland with Scotland and Wales in defence of King and country in 1914, while the troubled post-1916 period posed problems royal influence had greater difficulty addressing. Nevertheless, the monarchy was a central institution in the constitutional settlement of 1921, which served to maintain, if in changed circumstances, its relationship with the three ‘Celtic’ regions.     

Welsh Indians and savage Scots: History, antiquarianism, and Indian languages in 18th-century Britain

This paper compares late eighteenth-century claims for the authenticity of Macpherson's Ossian and for the existence of Welsh Indians. It shows that although both claims were supported in part by appeals to similarities between Celtic and American Indian languages, the appeals in each case were very different. On the one hand, the Edinburgh literati who supported Ossian's authenticity focused on expressive structures shared by all primitive societies. On the other hand, radically Protestant antiquarians and philologists focused on lexical similarities that they argued demonstrate a genetic link between certain American Indians and the Welsh. The paper uses this fundamental difference underlying a superficial similarity, to explore in greater detail the distinction between philosophical historians among the Edinburgh literati, who were religiously moderate, politically conservative, and promoted Scotland's integration into a modern, polite, commercial and English-speaking empire, and the Welsh antiquarians, who were religious and political radicals and whose interest in the Welsh Indians reflected and reinforced their attempts to resurrect a distant golden age of Celtic Britain.

pe’nguin. (1) A bird. This bird was found with this name, as is supposed, by the first discoverers of America; and penguin signifying in Welsh a white head, and the head of this fowl being white, it has been imagined, that America was peopled from Wales …

—Samuel Johnson, Dictionary of the English Language, 1755.     

The experience of time in long-term travel

Travellers’ understanding and experience of the flow, pace of time and distinctions between past, present and future are culturally specific with many from advanced urbanised societies immersed in a life-style characterised as time-pressured. Leisure travel can provide opportunities for those from such ‘harried’ societies to escape these pressures of home. This paper explores the experience of ‘time’ of long-term, self-drive travellers in Australia. The findings demonstrate the change in perception of time flow and pace as the travellers took control of time to slow down. Their sense of time was also informed by the spatial and temporal narrative of the Australian landscape through which they were travelling. The further they moved inland and away from Western cities, the closer they came to experience the exotic, temporal otherness that has been constructed in relation to the Outback and Australian indigenous culture. The study confirmed that just as spaces, places and landscape are animated and co-produced through the practice of mobility so too is sense of time. There were physical and psychological benefits for the travellers in controlling their own sense of time by travelling slowly and living in the moment. The Australian landscape, especially in remote areas, provides a suitable backdrop, with its isolation, quietness, ancientness, ‘timelessness’ and indigenous living culture, to contemplate one's life and place in the universe. While these findings can assist destination managers in their promotion of regional Australia and self-drive, long-term travel, caution is required to avoid privileging an exotic temporal narrative at the expense of contemporary, political, indigenous and environmental concerns.     

The Line,the Void and the Current: Iron Age Art from a Design Theory Perspective

Objects from the European Iron Age decorated with swirls and scrolls, faces and figures, and generally referred to as Early Celtic Art, can offer deep insight into later prehistoric notions of creativity. By drawing on archaeology and social anthropology, art and architectural design, this theoretical discourse investigates the design processes involved in the creation of Early Celtic Art. Rather than attempting to decipher a meaning behind decoration, this enquiry uses architectural ‘Design Theory’ to explore the implications of certain design choices. It starts with the premise that these designs are integral to the objects in order to identify different layers of complexity, innovation and emulation, and ends with wider reflections on who was creative and how. This approach, borrowed from architectural analysis, aims to open a new line of enquiry into the fascinating world of Iron Age creativity.     

“An Ancient Celtic world had filled the air”: the Celtic turn in Louis MacNeice’s mid-century radio writing

This article focuses on the specific meanings and figurations of Celtic identity, myth and history in three works by Louis MacNeice: his long poem Autumn Sequel (1954), written for broadcast on the BBC, and his two late radio plays They Met on Good Friday (1959) and The Mad Islands (1961). It will demonstrate that the poet moves from expressing an archaic and insipidly romanticised form of Celticity in Autumn Sequel, to depicting a significantly more sophisticated Celtic character and identity in They Met on Good Friday and The Mad Islands; both dramas, it will be argued, are informed by a more thoroughly archipelagic conception of cultural formation and identity in the British and Irish isles. In all three texts, MacNeice’s radiogenic engagement with Celtic material functions as a means of interrogating, though not always successfully, the forms and potentialities of human agency, community, and artistic activity within a post-war climate of political disenchantment, social fragmentation and perceived cultural vacuity. The essay will also demonstrate that MacNeice’s Celtic themed radio writing is an important aspect of the poet’s lifelong exploration of his psycho-cultural genealogy and a means of further clarifying his complex maternal and paternal inheritance.     

Gender, nature, empire: women naturalists in nineteenth century British travel literature

Among the many British women abroad in the late nineteenth century were a number of travellers who toured the American West with a naturalist's pen and sketchbook. California, with its giant sequoias and redwoods, scenic Yosemite Valley and Sierra Nevada, and the Mediterranean flora of the southern coasts, especially attracted travellers with a naturalist orientation. We examine the botanical and naturalist writings and art of two well-known (and well-heeled) world travellers – Constance Gordon Cumming and Marianne North – and another more obscure British aristocrat, Theodora Guest, sister of the Duke of Westminster, who travelled in California in the late nineteenth century. We examine relationships among these elite women's association with the Romantic aesthetic and naturalist traditions, natural sciences, class-based associations between women and flowers, and emergent environmentalism. The works of these women indicate the process by which natural history rhetorics and styles became embedded within gender, class, and imperial relations; and how the division of natural history into professional and amateur domains relegated women to discursive margins.     

Looking back: the Cotswolds and English national identity, c. 1890–1950

This paper examines how history was appropriated to construct a unique regional identity for the Cotswolds and a national identity for England in the period c. 1890 to 1950. It explores how ideas of the past, tradition, history, longevity and (dis)continuity were woven into representations of the Cotswolds as incontiguous, set apart and remote in time from contemporary England. The analysis examines how the apparently whimsical devise of «locating» the Cotswolds in specific pasts was mobilized to mount serious criticisms of the condition of England and Englishness. This was achieved through the use of the «door ajar» motif which was a particularly powerful means of expressing the perceived disruption of historical continuity in both the Cotswolds and England and is therefore examined at length. These themes are explored through non-fictional rural writing, guides and other written representations.     

‘Dark cognition’: W.B. Yeats,J.G. Herder and the imperfection of tradition

In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.     

The real-and-imagined spaces of philhellenic travel

This article focuses on philhellenic travellers' perceptions and experiences of Greece in the early nineteenth century, especially during the War of Independence in the 1820s. The central argument is that philhellenes – that is to say, supporters of Greek independence from the Ottoman Empire – understand Greece as a ‘real-and-imagined’ space. Greece is an ‘imagined’ location in the sense that philhellenic conception of it is shaped by certain rhetorical assumptions and priorities. But, evidently, it is also a ‘real’ space, not simply in the obvious sense that the landscape has a tangible existence, but also in that those rhetorical constructions have concrete consequences and expressions. These expressions are especially significant because philhellenic travellers conceive the region as both a literal and conceptual borderland on the edges of Europe. They consider Greece fundamental to European history, culture and self-definition, but because it is ruled by the Ottoman Empire, it is also an unfamiliar space at the margins of Europe. In other words, Greece is both within and outside European space, and its liminal position represents wider uncertainties about the conception of Europe in the early nineteenth century.     

Class and nation in the Jewish settlement of Palestine: the case of Merhavia, 1910–30

This article examines the relationship between ideology and settlement in early twentieth-century Palestine by tracing the evolution of one co-operative, Merhavia, located at the heart of the «ideological settlement core» in the northern Jezreel valley. The study begins by looking at how socialist Zionist ideology was redefined in order to endorse permanent settlement where earlier it had rejected it. The article then examines two phases of further ideological change. In the first, class-based strategies were replaced by national solutions which favoured an exclusive Jewish economy. In the second, an «ideology from below» in the form of egalitarian and collectivist values was asserted, with the effect of destroying the Merhavia co-operative while sustaining its main rival, the kibbutz. Far from marking a clash between «ideology» and «geographical realities» the new ideologies provided the most effective long-term solution for settlement, one that would hold sway for over half a century.     

Archaeology and the Irish rediscovery of the Celtic past

This article examines the place of archaeology in the second wave of Irish cultural nationalism, and how archaeological findings were appropriated by rival ethno‐religious communities in Ireland. In particular, it focuses on George Petrie, who was the founder of ‘scientific’ archaeology and was also one of the leading figures in the nineteenth‐century Celtic revival that sought a moral regeneration of the Irish nation In Ireland, as elsewhere, archaeology was important in reconstructing an early history of the nation where few written records existed and in making this visible through material artefacts. However, archaeology was only significant as part of a wider cultural revival that presented artefacts and sites as national symbols to an island undergoing rapid social change. This article will explore the relationship between archaeology and this national revival, and how the material objects recovered by archaeologists extended and transformed the existing repertoires of how the nation was imagined and felt. It will assess the different reception of these images in the rival Catholic and Protestant communities. Finally, it will comment on the capacity of a medieval ‘Celtic’ repertoire to provide the basis of a dynamic modern Irish national culture.     

Moira Furnace

Abstract

Wales was, and to a lesser extent still is, an important industrial archaeological landscape. What has been preserved and what is left to be preserved may not give a total representation of the complexity and social implications of that period of history. This article seeks to assess what has been done and future requirements related to the main industries in Wales.     

Beyond the Fringe: Transfer-Printed Ceramics and the Internationalization of Celtic Myth

During the Romantic period of the nineteenth century, a wholesale invention of cultural myth and tradition took place in what we now think of as the industrialized West. One of the more interesting aspects of this invention of tradition was the development of the mythic Celtic past in Western Europe, particularly Scotland and Wales. This reinvention of the past is reflected in aspects of material culture, including contemporary transfer-print patterns, many of which contain scenes based on the themes of the mythic past. This paper surveys some of the more common Scottish- and Welsh-related patterns and attempts to place them in their appropriate cultural and historical context as well as demonstrating how they reflect certain cultural trends of the period. Some of the broader issues and implications surrounding these patterns, especially regarding their use as a vehicle for disseminating an ideological perspective internationally, are also examined.     

From sedition to patriotism: performance, place, and the reinterpretation of American ethnic identity

Between the two World Wars, many Americans changed their attitudes toward ethnic minorities and their place within American civic culture. States such as Wisconsin, with its dense concentration of diverse immigrant groups, came under especially harsh fire during the Great War, only to be celebrated 20 years later as microcosms of a pluralist democracy. Although much has been written about this profound transformation of American ethnic identity from the perspective of «official culture», or those governing élites in power, less is known about the role of immigrant communities themselves in this change. Examination of the intertwining of ideology with the social manifestations of cultural performance in one Wisconsin community provides a way to interpret the elusive experience of ordinary people. In the case of two interwar Swiss American cultural performances, a view of ethnic culture emerges that sought to refashion a more inclusive definition of what it meant to be American. In the process of redefining their own identity, third generation Swiss strategically used such performance-based memory work. Their efforts not merely reflected, but shaped a discourse of ethnicity between the wars that became decreasingly antagonistic and gradually more open to ethnic and cultural difference.