Giordano Bruno's Infinitely Numerous Worlds and ‘Lunar’ Literature

This paper analyses Giordano Bruno's dialogue De l’infinito universo e mondi (The Infinite Universe and Worlds), written during his stay in England (1583–85), in the context of his philosophical works and, particularly, within the context of scientific and imaginative writings such as Cyrano de Bergerac's Other Worlds (published posthumously in 1662) and Francis Godwin's The Man in the Moone (1638). The article also discusses the contemporary speculations of Galileo and Kepler regarding the existence of a plurality of worlds and the presence of creatures on the moon and their rapport with humans. Besides the imaginative, fantastic and pseudoscientific elements, attention is also given to religious implications and attitudes, especially in the case of Godwin, who, like his countryman John Wilkins—author of The Discovery of the Worlde in the Moone (1638)–was a bishop and therefore wanted to avoid any controversy with the church.     

Introduction: Biographies of Anthropologists as Anthropological Data

Biographies of anthropologists are widely recognized as useful for the history of science and the discipline. Introducing this special issue “Biographies of Anthropologists,” I argue that they not only provide information about anthropology, but also data for anthropology because they are studies of human agents enmeshed in social and cultural contexts, comparable to life histories of ethnographic informants. Biographies of anthropologists are of similar importance for empirical and theoretical anthropology as ethnographies, grammars, and monographs in archaeology and biological anthropology. They depict cultural dynamics from a person-centered, intimate, experience-near, and diachronic perspective on anthropology's cluster of sodalities.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.     

Johannes Althusius’ Politica : The Culmination of Calvin's Right of Resistance

Jean Calvin's writings on the resistance to a tyrannical ruler appear as an addendum to his Institutes of the Christian Religion, but despite their limited discussion, his followers based their own writings on his original discussion of resistance. The most celebrated of these Calvinist tracts on resistance was the Vindiciae Contra Tyrannos written as a result of the St. Bartholomew's Day Massacre. This article argues that, whilst the Vindiciae is an important example of Calvinist resistance, an even more significant, but forgotten, Calvinist resistance theory can be found in Johannes Althusius’ Politica Methodice Digesta, Atque Exemplis Sacris Et Profanis Illustrata. Furthermore, the similarities in the social, political and religious position of both Althusius and Calvin, as well as their geographical location in Emden and Geneva respectively, allows Althusius’ work to be seen as the natural culmination of Calvin's original work on the right of resistance.     

Paradoxes,Protests and the Mujeres de Negro of Northern Mexico

On November 25, 2002, thousands of people marched through the streets of Mexico City and demanded, in the name of social justice, an end to the violence against women in northern Mexico. ‘Ni Una Más’ (not one more) was their chant and is also the name of their social justice campaign. Their words referred to the hundreds of women and girls who have died violent and brutal deaths in northern Mexico and to the several hundred more who have disappeared over the last ten years. These Ni Una Más marchers, many working with human rights and feminist organizations in Mexico, are protesting against the political disregard and lack of accountability, at all levels of government, in relation to this surging violence against women. And the symbolic leaders of their movement are the Mujeres de Negro (women wearing black), who are based in Chihuahua City. In this article, I examine how the Mujeres de Negro demonstrate how feminist politics so often plays upon the negotiation of spatial paradoxes in order to open new arenas for women's political agency. For while the Mujeres de Negro of northern Mexico are galvanizing an international human rights movement that is challenging political elites, they are also reinforcing many of the traditional prohibitions against women's access to politics and the public sphere. And I explore how the Mujeres de Negro devise a spatial strategy for navigating this paradox in an increasingly dangerous political environment.     

Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

From Beyond the Grave and Across the Ocean: Washington Irving and the Problem of Being a Questioning American, 1809–20

This article is a reconsideration of Washington Irving’s early career between the productions of his first two major works: A History of New York (1809) and The Sketch Book (1819–20). His life and writings in that period are treated as a study in the individual problem of being a ‘questioning American,’ specifically a questioning American writer, in the new republic, and as a broader critique of the developing new nation. Specifically it places those writings in dialogue with the dominant Jeffersonian narrative of a glorious national future. It thus rediscovers Irving as a critical alternative witness to this important period in American history and the entwined attempt to critique his country and to come to terms with it as the central, underappreciated theme both in neglected writings (his contributions to the Analectic Magazine (1812–15)) and familiar tales (Rip van Winkle, The Legend of Sleepy Hollow).     

In Search of the Absolute: the Nouvelle Revue française,and Uses and Meanings of the Orient (1920–1930)

In the intellectual history of the interwar period, the Nouvelle Revue française (NRF) occupies centre-stage. Valéry's essay La crise de l'esprit (1919), published in the review following the Great War, announced a crisis of faith in Western values and traditions. As elsewhere, intellectuals in France looked to the East for new inspirations. This article traces the interest and attraction of the East for certain key NRF writers, including André Malraux, and the teacher and philosopher, Jean Grenier, whose essay Sur l'Inde was published in the review in 1930. The article is informed partly by the correspondence of Jean Paulhan, the editor of the NRF.     

Secular Advice in Erasmus’s Sacred Writings

Research into Erasmus’s political ideas, notably his pacifism, should not be based on sources like Institutio Principis Christiani, Querela Pacis, or Dulce Bellum, which are rhetorical compositions and offer clichés rather than Erasmus’s personal opinions. At the very least, these sources should be checked against Erasmus’s theological writings, in which he presents specific and cogent arguments for his views and allows us to put them into their proper context.     

Introduction

Alberto Moravia was an ambiguous figure for the Fascists. His first novel, Gli Indifferenti, was an international success, and was praised by Bottai. His second novel, Le ambizioni sbagliate, ran into difficulties with Fascist censorship. His maternal uncle was a member of Mussolini's government. His paternal first cousins were Carlo and Nello Rosselli. This essay explores Moravia's relations with the regime in the light of archival evidence, contemporary ‘revisions’ of his reputation and recent controversy over his letters to Ciano and Mussolini.     

The Aims of Knowledge: Emile Durkheim's Critique of American Pragmatism

The lectures on American pragmatism given by the French sociologist Emile Durkheim in 1913 in Paris were first published in French in 1955 and finally translated into English and published in 1983 as Pragmatism and Sociology. For obvious reasons they have attracted considerable attention from philosophers and sociologists, especially the latter, in both continental Europe and the English speaking world. Durkheim's motives in giving the lectures have been scrutinized, his interpretations of the pragmatists widely discussed and his criticisms of William James, John Dewey, and F. S. C. Schiller have met with mixed receptions. However, after years of scholarly discourse on his motives, interpretations and criticisms, there is no common agreement on the significance and meaning of Pragmatism and Sociology. We briefly address the disagreement over Durkheim's motives in the introductory section before turning to our interpretation in the body of the article. There we focus on his criticisms of the pragmatists’ views on the aims and nature of knowledge, which is a classic confrontation between French rationalism à la Durkheim and American pragmatism of the James/Dewey variant.     

From the Body of Christ to Racial Homogeneity: Carl Schmitt's Mobilization of ‘Life’ against ‘the Spirit of Technicity’

This article traces the semantics of “life” and “vitality” in Carl Schmitt up to the 1930s. It shows that Schmitt deploys these vitalist elements against the modern “spirit of technicity” in his attempt to combat the lack of substantial ideas in modern politics. However, Schmitt himself cannot escape a fundamental political relativism. There remains an unstable tension at the heart of his thought between the quest for substance and the quest for order. The latter is relativist because it is a quest for order as such, any order. Although Schmitt's semantics of life and vitality is not drawn from a biological register, it adopted a völkisch meaning in 1933. Anti-Semitism becomes a form of life and racial homogeneity fills in for substance. The article concludes that, while there are good reasons for criticizing the modern “spirit of technicity,” Schmitt's critical model is fundamentally flawed.     

Emphasising the Positive: The Critical Role of Schlegel's Aesthetics

In its relationship with that which might be considered to exist beyond the perceived limits of philosophical discourse—for the sake of brevity let us call it the Absolute—Early German Romanticism tends to be presented either as mystically positivistic and therefore wholly unphilosophical, or as philosophically informed and committed to a sort of critical antifoundationalism that offers, at best, a negative non-relation to the Absolute. Naturally enough, these two opposing positions give rise to opposing reconstructions of Romantic aesthetics. Whilst broadly in agreement with the latter interpretation, this article argues, in relation to Friedrich Schlegel, that in the rush to establish the philosophical credentials of Frühromantik, some of its complexity has been jettisoned and along with it a more accurate understanding of the guiding spirit of Romantic aesthetics. Drawing on Fichte and Walter Benjamin, it will be argued that Schlegel's notion of the Wechselerweis is intended to bridge the ideal and the real in a positive experience of negation and that his much-vaunted aesthetics amounts to an attempt to develop a philosophico-literary form that would be able to express or, rather, perform precisely this.     

Zu monumentum ancyranum

Like many of his contemporaries, Montaigne quotes abundantly from classical sources. But unlike most sixteenth-century writers, he does not use his quotations primarily as a source of authority or as rhetorical ornament. He deploys them in such a way as to make his readers take note not only of the quotation itself but also of its original context. He thus engages in a much deeper and more complex dialogue with his sources, one which may be regarded as a form of cross-cultural communication. As such, his quotation practice illustrates a fundamental (but often overlooked) feature of human communication: a great part of the information transmitted through an utterance or a text is communicated implicitly.1 This article is based upon a paper given at the workshop “Virgil's Eclogues and Georgics, and their reception”, organized by Dr Juan Christian Pellicer and Professor Monika Asztalos at the University of Oslo in November 2007. 2 I wish to express my gratitude to Terence Cave and Kyrre Vatsend, who read with great care earlier drafts of this article and gave valuable advice on crucial aspects of it.      

Leo Strauss and the Defense of Western Civilization

To Father Ernest Fortin:

[The] highest achievement … of theology's handmaiden is to show that the arguments leveled against divine revelation are not compelling or demonstrably true.1 1.?Father Ernest Fortin, The Birth of Philosophic Christianity, Collected Essays, 4 vols. (Lanham, MD: Rowman and Littlefield, 1996): I: 230. View all notes

To the extent that we are now in the midst of the so-called “clash of civilizations,” it may be noteworthy that a major controversy—scholarly and journalistic––has emerged over the bearing of Leo Strauss on the defense of the West. This article explores the roots of the controversy as found in his “The Mutual Influence of Theology and Philosophy,” which raises and answers two questions: what is Western Civilization and is it worthy of defense? It is claimed that the very foundation of Western Civilization is constituted at its core by the twin pillars of revelation and Socratic philosophizing; and that the West merits life only if both of its pillars are defendable by reason against rational attack. In what follows, I attempt to trace Strauss's dialectical defense of the West by means of his demonstration of the irrefutability of revelation by reason and the theological-political bearing of this defense. I come to a dual conclusion: the existence of the monotheistic God of revelation is irrefutable by philosophy; yet, the human relevance of revelation, as the guide for a way of life—politically and individually—remains open to challenge by philosophy. Along the way, I also treat the recent research that is in conflict over Strauss's views.     

Say What You Like: Dress,Identity and Heritage in Zanzibar

The paper considers the significance of dress to identity and power among women living on the island of Zanzibar. Drawing on her own preliminary fieldwork in Zanzibar (June 2004) and on the work of Laura Fair (2001 Fair, L. 2001. Pastimes & Politics: Culture, Community, and Identity in Post‐abolition Urban Zanzibar, 1890–1945, Oxford: James Currey.  [Google Scholar]), the author discusses the ways in which dress (in general), and the wearing of kanga fabrics in particular, offers women a means of communication in an image conscious and historically stratified society. It is argued that kangas are still an integral part of ritual and social activities in Zanzibar and that they shed light on the complex history of the Swahili coast. Placing the ethnography in a broader and contemporary context, the author states that kangas contribute to the intangible heritage of Zanzibar in their encapsulation of the island's oral history, art, social commentary and concepts of beauty. The author concludes by outlining some of the challenges that heritage regimes face in the Indian Ocean region and potential strategies for preserving or managing its mixed cultural resources.     

Rethinking the Historical Genealogy of Orientalism

The publication of Edward Said’s Orientalism (1978 Said, E. 1978. Orientalism, New York: Random House.  [Google Scholar]) marked a paradigm shift in thinking about the relationship between the West and the non‐West. Said coupled his critique of European discourse on the Middle East to issues of representation generally, demonstrating that Western discourse on the Middle East was linked to power, trafficked in racist stereotypes and continually reproduced itself. Despite important achievements, the critique of colonial representations often appeared abstract and disengaged from its own history as well as the specific colonial histories it sought to explain. We contend that while colonial representations have been theorized, they have yet to be adequately historicized. To this end, we trace the genealogy of the critique of colonial forms of knowledge in Britain, France and the US from the mid‐1940s to 1978. We argue for the historicization of the critique of orientalism, and for a more philosophically adequate theorization of modernity in world history.     

Pigments from the Zuiddorp (Zuytdorp) ship sculpture: red,white and blue?

SUMMARY: The Dutch East India Company ship Zuiddorp (also known as Zuytdorp) met its demise in 1712 at the base of steep cliffs along the Western Australian coast. Material from the shipwreck includes an extraordinary example of a caryatid herm from the ship’s stern counter. A recent study of this sculpture and the pigments found on its surface demonstrates Zuiddorp’s archaic stern construction and adornment, which is more of a late 17th-century, than an early 18th-century, Dutch Indiaman. This paper discusses the results of this study and emphasizes how the smallest pieces of evidence can broaden our understanding of contemporaneous regional Dutch East India Company shipbuilding practices.