Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

E. H. Carr,Norman Angell,and Reassessing the Realist–Utopian Debate

While the realist argument presented by E. H. Carr in The Twenty Years’ Crisis has received much attention from scholars, recent scholarship has suggested that traditional interpretations of the work and the debate in which it figured have not accurately reflected the inter-war discourse. In this article, the author provides detail to support these claims through an examination of Carr's landmark work in comparison with prominent ‘utopian’ counterparts, primarily Norman Angell but also others such as Leonard Woolf and Arnold Toynbee. The conclusion of this article calls for increased emphasis on the works of internationalist writers of the inter-war period. It also echoes other scholars in calling for renewed focus on early twentieth-century internationalist thought and a critical reappraisal of Carr's landmark work through the prism of his policy recommendations and the critique he received during the original ‘great debate’.     

East and West in Jewish nationalism: conflicting types in the Zionist vision?

ABSTRACT. This article analyses the ethnic and civic components of the early Zionist movement. The debate over whether Zionism was an Eastern‐ethnic nationalist movement or a Western‐civic movement began with the birth of Zionism. The article also investigates the conflict that broke out in 1902 surrounding the publication of Herzl's utopian vision, Altneuland. Ahad Ha'am, a leader of Hibbat Zion and ‘Eastern’ cultural Zionism, sharply attacked Herzl's ‘Western’ political Zionism, which he considered to be disconnected from the cultural foundations of historical Judaism. Instead, Ahad Ha'am supported the Eastern Zionist utopia of Elchanan Leib Lewinsky. Hans Kohn, a leading researcher of nationalism, distinguished between ‘Eastern’ and ‘Western’ nationalist movements. He argued that Herzl's political heritage led the Zionist movement to become an Eastern‐ethnic nationalist movement. The debate over the character of Jewish nationalism – ethnic or civic – continues to engage researchers and remains a topic of public debate in Israel even today. As this article demonstrates, the debate between ‘Eastern’ and ‘Western’ Zionism has its foundations in the origins of the Zionist movement. A close look at the vision held by both groups challenges Kohn's dichotomy as well as his understanding of the Zionist movement.     

Mythology Wars: The Indian Diaspora, “Wendy's Children” and the Struggle for the Hindu Past

A schism has appeared between sections of the Indian diasporic community and members of the Western academy over the authority to present and interpret Hindu mythology. This paper tells the story of these “Mythology Wars”. It focuses on critiques of Western scholarship by self-identified Hindu critics, primarily Rajiv Malhotra in his articles ‘RISA Lila–1: Wendy's Child Syndrome’ and ‘RISA Lila–2: Limp Scholarship and Demonology’ (Malhotra, 2002 and 2003). The primary foci of diasporic criticism are Wendy Doniger's writings, including The Hindus (2009), and three works by other scholars, Jeffrey Kripal (Kālī's Child,1995), Sarah Caldwell (‘The Blood-thirsty Tongue and the Self-feeding Breast’, 1999) and Paul Courtright (Ga[ndot]e?a, 1985). There is no end in sight to the Mythology Wars. It is unlikely that critics in the diaspora will become less vigilant or less vocal. While members of the Western academy may become more circumspect and more sensitive to the potential strife they face, they are unlikely to impose any form of self-censorship. The defence of “academic freedom” has a long and deep history.     

Who speaks for Islam?: ‘authenticity’ and the interpretation of Islamic law in America's war on terror

Recognising that America's response to the events of 11 September would do well to maintain a sharp distinction between the ‘war on terror’ and a war ‘against Islam’, this article argues that American diplomatic rhetoric would benefit from an explicit effort to engage ‘frameworks of legitimacy’ within Islam, including the terms of Islamic jurisprudence and Islamic legal debate. The article examines the merits of such an approach in the context of several recent diplomatic dilemmas, including the Jyllens-Posten cartoon controversy. It concludes with an assessment of the American (domestic) political environment within which this approach tends to encounter its most ardent critics.     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.     

Erschöpfte Literatur. Über das Neue bei Samuel Beckett

Exhausted Literature. The Emergence of the New in Samuel Beckett's Novels and Plays. The article investigates literary subjectivity in some texts by Samuel Beckett. The article proceeds by relating the ways of how narration and speech acts constitute literary subjectivity to the problems of subjectivity that scientific investigations deal with. While successful self‐regulation of the organism nourishes the roots of subjectivity, i. e. the habits, subjectivity decomposes in states of exhaustion, when self‐regulation breaks down. As soon as a certain threshold is transgressed, fatigue sets in, alters the personality and eventually leads to exhaustion – a state, which psychiatrists compare to mental illness. Notwithstanding the different explanations given, scientists agreed about the effects of exhaustion. According to their investigations, the decomposition of personality by exhaustion generally does not involve apathy, withdrawal from activity or termination of movements, but rather mere action. Similarly, in Beckett's novels and plays exhaustion is much more than tiredness, as French philosopher Gilles Deleuze observed. For Beckett, exhaustion is rather the model for both literary innovation and a new concept of subjectivity, which he explores on the basis of a detailed knowledge of physiology, psychology, and psychiatry, but using his own literary means. The exhausted subject is beyond any calculus of activity. It will perform an activity even if he or she makes mistakes or loses control, and will thus act in an unpredictable way. This unpredictable action is not an exception in the continuation of the habits, but rather points to the moment when a new subjectivity emerges. Such new subjectivity surfaces in Beckett's novels and plays in forms of literary innovation.     

‘What say you to free trade in literature?’ The Thief and the Politics of Piracy in the 1830s

Between 1832 and 1834, Henry Mayhew and Gilbert Abbot à Beckett produced a weekly twopenny paper called The Thief. As its title suggested, this publication consisted of articles, stories and illustrations extracted, condensed and brazenly stolen from other periodicals, magazines, newspapers and books. Modelled on the format of Le Voleur, an early paper of Émile de Girardin, the great innovator of French popular journalism, scholars of Mayhew have generally treated The Thief as inconsequential hack work, if they even mention it at all. This essay, the first analysis of the paper itself, argues that The Thief is less ‘throwaway’ than it first appears. In satirical fashion, the paper used the methods of the radical press to critique the ‘liberal values’ of useful knowledge and free trade. Mayhew's involvement with The Thief connected him with a vibrant radical underground print culture. Moreover, in its suspicion of middle-class liberalism and of the rhetoric of free trade, The Thief set the thematic tone for much of Mayhew's later work.     

Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

“Words fail us”: Beckett,Leacock, and Johnson

ABSTRACT

This article will look at political treatments of language in Samuel Beckett’s early novel Watt and place the novel’s linguistic scepticism in conversation with three authors, the lexicographer Samuel Johnson, the language theorist Felix Mauthner, and the English-born, Canadian parodist Stephen Leacock. The paper will argue that Beckett, like Leacock, engages in Mauthnerian critiques of language, destabilising Johnsonian formulae for language standardisation. But while Leacock fails to develop the political implications of his critique of language, Beckett’s understanding of language standardisation is implicitly political, informed by Johnson’s conception of speech as the predicate of national identity, a standard for inclusion which Watt gleefully antagonises. Challenging nationalist calls for controls on language, Watt interrogates the ways that campaigns for linguistic unity will engender exclusionary attitudes towards the nonconforming and bar access to that speech and identity which falls outside of normative frameworks.     

Beyond Brassens: Twenty-First Century Chanson and the New Generation of Singer-Songwriters

This article considers the relevance of the notion of ‘generation’ for the study of cultural shifts in the production and critical reception of singer-songwriters in contemporary France, in the period 2005–12. Defining a ‘generation’ as an age cohort sharing socio-cultural characteristics and patterns of socialisation, it focuses on Camille, Benjamin Biolay, La Grande Sophie, Barbara Carlotti and other singer-songwriters who were all born in ‘the long 1970s’, and who achieved notoriety and success in the period in question. It demonstrates that the traditional discourse of chanson, dominant since the 1950s, defined by literariness and embodied by Georges Brassens, is being replaced by an emphasis on seduction, Anglophilia and multi-instrumental sophistication. Although these features have been central to the compositions of a number of ‘older’ singer-songwriters, including Serge Gainsbourg, Françoise Hardy and Alain Souchon, the deployment by today's critics of the notion of ‘generation’ helps to give superficial coherence and symbolic originality to the younger artists who uphold these values and techniques. As a result, and because the music reviews referenced in this article are extracted from ‘high-brow’ magazines (including Télérama), this article also considers the changing place of chanson in the elite discourse of contemporary France.     

Writers and politics in West Germany

This article argues that Archibald Campbell's Necessity of Revelation (1739) can be viewed as the first application of the ‘science of human nature’, a characteristic branch of the Scottish Enlightenment, to the study of religious belief. Adopting Baconian and Newtonian methodological principles, Campbell set hypotheses, collected historical data, and inferred conclusions about the capabilities of human nature to come to fundamental religious ideas without the aid of revelation. He did so not only to reject the ‘deist’ position on the powers of unassisted human reason, associated with Matthew Tindal's Christianity as Old as the Creation (1730), but also to refute Campbell's conservative critics within the Church of Scotland who had earlier tried him for heresy. Campbell's example is that of a university professor using the experimental study of religion to defeat both radical freethinking and Calvinist orthodoxy. His work is another instance of the complicated relationship between science and religion within eighteenth-century Scotland.     

‘Her Cause Against Herself’: Margaret Fuller,Emersonian Democracy,and the Nineteenth‐Century Public Intellectual

Recent interpretations of Margaret Fuller's ideological significance have embedded her biography in an older understanding of Transcendentalism's history that imagines a post‐Brook Farm cleavage between ‘Emersonian individualists’ and more socially conscious communitarians. In late 1844, Margaret Fuller left New England for employment at Horace Greeley's New‐York Tribune, a moment that a number of biographers and critics have imagined as Fuller's own personal Brook Farm, her resignation from the ‘party of Emerson.’ Recent work in the history of Transcendentalism and romantic liberalism more generally, however, has been more careful about confusing romantic individuality with modern bourgeois individualism. This essay furthers the discussion of Transcendentalist ideology by arguing that Fuller's New York journalism was representative of the broad intellectual unity of the movement's democratic experiments – experiments that experientially, socially, and intellectually aimed to overcome the boundaries between the body and the mind, manual and mental labor, and the manual and mental classes.     

Gladstone Studies

Charting recent ‘turns’ in history, towards empathy and ethics, this paper proposes reading Mayhew as a writer. The entry point proposed is Mayhew's What to Teach and How to Teach It: So that the Child may become a Wise and Good Man (1842), a book that charts Mayhew's theories of literacy and language, and of voice and writing.     

Originality and Eroticism: Constantine Cavafy and the Alexandrian Epigram

Abstract

Although it has become generally accepted by critics that Constantine Cavafy (1863–1933) was influenced greatly by the Hellenistic epigram ‘in attitude, subject matter, and technique’, a close comparison of that poetic tradition and Cavafy's poems reveals interesting differences as well as similarities. We know that Cavafy was familiar with Hellenistic literature and that he had a copy of J. W. Mackail's Select Epigrams from the Greek Anthology in his personal library. His reading, however, ‘was much more extensive than his library’. More significant than this is the evidence to be found in his poems, which range from an actual mention of ancient epigrams to obvious imitations of them. Cavafy's poems for the most part, however, are quite original in their tone and erotic stance when compared directly to the Alexandrian epigrams.     

Differential Imagery Experience and Ut Pictura Poesis in the 18th-century

That the ability to visualise, to see with ‘the mind's eye’, varies between individuals has been known since Francis Galton reported on the results of his ‘Breakfast Table’ questionnaire in 1880. Research in the ensuing years has supported what Galton's surveys suggested: that the vividness of the population's mental imagery lies across a spectrum, with small percentages at the extremes being bereft of imagery or visualising with near percept-like quality. This paper explores what impact this factor of individual psychological difference had on the literary-theoretical debate over ut pictura poesis — whether poetry can or should emulate painting — as it culminated in the 18th-century. After making the case for personal experience of imagery being an influencing factor on the position that critics in the period took on ut pictura poesis, the paper concludes by engaging with the methodological and conceptual difficulties — for the philosophy of science as much as for literary theory and history — that the line of argument produces.     

The Newer New Life: A.S. Byatt,E. Nesbit and Socialist Subculture

This article considers the political implications of Victorian language-study for Thomas Carlyle's The French Revolution (1837) (reprinted and edited by K.J. Fielding and David Sorensen (Oxford: Oxford World's Classics, 1989)). I investigate how Carlyle responded to the scientific study of language with what he termed a ‘bodied word’, a reading of language based in the word-become-flesh or the doctrine of the Incarnation. I show how this bodied word reflects wider changes in modern conceptions of the polity in the wake of the French Revolution, in the shift from a hereditary body politic towards what critics have termed a ‘social body’ or a more broadly inclusive model that incorporates the working classes. I then offer a reading of The French Revolution to show how Carlyle's French history was crucial to the linguistic and conceptual production of this liberal notion of the social body, even as he worked both to acknowledge and contain its political agency.     

Unrolling time. Christiaan huygens and the mathematization of nature

At the end of the eighteenth century, the new revolutionary authorities in France made history one of the most important school subjects in their central schools. In order to teach this subject, the revolutionaries prescribed all teachers to use Claude-François-Xavier Millot's Élémens d’histoire générale (1772-1773). In this article, the characteristics that molded the narrative of this textbook will be analyzed. What form did the composition of this book, especially recommended because of its ‘philosophical plan’, take? How did its historiography relate to that of other enlightened historians such as Voltaire, Montesquieu, Mably or Goguet? And how was it that Millot's textbook was still considered useful for history teaching almost twenty years after its publication date?