‘How to handle eternity’: infinity and the theories of J.W. Dunne in the fiction of Jorge Luis Borges and Flann O'Brien's The Third Policeman

This essay examines the importance of the notion of infinity to the work of Flann O'Brien and Jorge Luis Borges. Using as a starting point their shared interest in the Irish-born popular scientist J.W. Dunne's highly eccentric theories about the ‘multidimensional’ nature of time, the essay goes on, through a close analysis of a number of Borges' stories and of O'Brien's novel The Third Policeman, to call attention to a fundamental affinity between these two ostensibly quite different authors. A case is ultimately made for a consideration of Borges and O'Brien as writers with remarkably similar views on fiction and the universe.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

The reader as writer,the author as con artist: Nuala O'Faolain and the criminal narratives of Chicago May

Nuala O'Faolain seeks to revise the life story of May Churchill Sharp, an international con woman born in Ireland, in hopes of establishing a feminist identification with her. But O'Faolain's claim for her writing of a kind of authorial authenticity ultimately precludes an identification with Sharp, as Sharp's narrative – like all narratives – is a criminal narrative which renders feminist ‘authenticity’ impossible to achieve, something O'Faolain herself refuses to acknowledge.     

Personal lives: narrative accounts of Irish women in the diaspora

The burst of writing about Irish women in the diaspora after the 1980s, led by Mary Lennon, Marie McAdam and Joanne O'Brien's Across the Water: Irish Women's Lives in Britain, coincided with the ‘narrative turn’ in the social sciences and literary representation. This paper uses Carol Smart's concepts of Personal Life (2007) – memory, biography, embeddedness, relationality and the imaginary – to examine a range of ways in which personal narratives have become central to our understandings of Irish women and their descendants in both written and visual representations. It interweaves disciplines, bringing together a wide range of sources including academic and public accounts in which Irish women appear both as main characters and in walk-on parts. It explores constructions of these ‘fictions’ and their connections with the biographies of authors.     

An Irish Party and the British Parliament: Conor Cruise O'Brien's Parnell and His Party

This essay reassesses the importance of Conor Cruise O'Brien's Parnell and His Party, 1880–90, originally published in 1957, with particular reference to its significance in the history of the British parliament. While establishing the book's continuing relevance, both as a study of a specific political phenomenon and as a model for analysing political movements, the essay questions aspects which do not hold up in the light of subsequent research. In particular, O'Brien's account and interpretation of Parnell's behaviour in 1890–1 in the aftermath of the O'Shea divorce case is shown to be inadequate in the light of more recent research and writing.     

Translocational Irish identities in Edna O’Brien’s memoir Country Girl (2012)

A rural-urban exodus subsequently followed by overseas migration has characterised geographical movement in Ireland. While Irish women have outnumbered men in their diaspora, physical and symbolic identification with Ireland has been decisive to the polemic of Irish female migration. This article explores how real and symbolic contradictions in Irish women experiencing displacement are reflected in Edna O’Brien’s memoir Country Girl (2012). Using translocational positionality as an intersectional research framework, the article reveals the importance of spatiality in the ‘life writings’ of a particular situational subject and its major role in identity construction processes. Furthermore, this article relates the individual biography to the collective and complex construction of identity of Irish women abroad in the second half of the twentieth century. The analysis sheds light on many unvoiced experiences shared by female migrants and discloses key aspects of Irish migration that result in a problematic gendered relation with the land still unresolved.     

Writing the History of Irish Women

Joanna Bourke, Husbandry to Housewifery: Women, Economic Change, and Housework in Ireland 1890-1914 Margaret Ward (ed.) In Their Own Voice: Women and Irish Nationalism Mary O'Dowd and Sabine Wichert (eds) Chattel, Servant or Citizen: Women's Status in Church, State and Society Joan Hoff and Moureen Coulter (eds) Irish Women's Voices Past and Present     

Calls for educating girls in the Third World: futurity,girls and the ‘Third World Woman’

In this article I examine three calls for Western support for girls' education in the ‘developing world’. Using transnational feminist theory and discourse analysis I look at three examples of these calls; Three Cups of Tea, ‘Because I Am a Girl’ and the United National Girls Education Initiative. I suggest that what Mohanty (1988) terms the ‘Third World Woman’ – a homogeneous, static image of women in the third world – is the spectre used to motivate Western support. Through representations of girls, Western viewers/readers are hailed to invest in order to save the girl-child from the haunting ‘Third World Woman’. The girl-child, through her particularity as a girl, her future womanhood as motherhood and her neoliberal potential, becomes presented as emblems of a better future with the investment of Westerners.     

Madness and Mother Ireland in the fiction of Patrick McCabe

This article explores the relationship between madness and the figure of Mother Ireland in the work of the Irish novelist Patrick McCabe. It situates his work in relation to contemporary feminist responses to representations of Ireland as a woman, by identifying different versions of the Mother Ireland figure as a cause of psychosis in McCabe's writing. It argues that McCabe, in contrast to writers such as Eavan Boland and Edna O'Brien, finds an alternative and radical means of contesting this historically troublesome literary motif.     

Decolonisation and mysticism in William Butler Yeats's The Celtic Twilight and The Secret Rose

Yeats's responsibilities as one of Ireland's most prominent artists commenced with his aspiration to make Ireland a nation. His writings incorporate the three phases of development that Frantz Fanon posited for all new nations. Although Fanon described his three phases of decolonisation well after The Celtic Twilight and The Secret Rose were compiled, Fanon's framework elucidates Yeats's writings. Yeats's use of mystical elements embodies Fanon's idea of the colonial binary, the negritude binary, and transnational consciousness. Yeats discovered the answers to decolonisation in mysticism. His insights about folklore when coupled with imagination brought about many mystical revelations that linked Ireland to mysticism of global dimensions. Yeats's insights moved Ireland beyond binaries and solely nationalistic thinking to encourage Ireland to develop a transnational consciousness, transcending postcolonial binaries to achieve nationhood.     

Walls of history: the use of mythomoteurs in Northern Ireland murals

This study set out to discover in what way murals may possibly reflect the history of the Northern Ireland conflict. The findings suggest that each conflict group's usage of imagery reflects the reality and the very complicated nature of the Northern Ireland conflict which crosses religious, cultural, and political fault lines. It is also apparent that the symbolism of murals creates its own invented versions of history. This is evidenced by both protagonists' usage of myth-symbol complexes and mythomoteurs in order to legitimatise their ethnic origins, religious and political ideologies. It is also axiomatic that many nationalist murals reflect O'Brien's notion of sacral nationalism. The symbolisation used in some Protestant/loyalist murals reflects Old Testament themes, whereas some nationalist murals reflect New Testament themes. Moreover, there is a profusion of murals reflecting diabolical enemy imagery, sanctification/demonisation imagery, militaristic imagery, ethnic victimisation imagery, ego of victimisation and blood sacrifice imagery in chronicling historic victories, rebellions, massacres, suffering, and imprisonment.     

‘Dark cognition’: W.B. Yeats,J.G. Herder and the imperfection of tradition

In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.     

Chopsticks,phone bells and farms: Fuyuko Taira's diasporic spatial practice

In this article, I revisit my earlier project on local poetry practices by Japanese ‘war brides’ from the Second World War and explore a creative, transnational home-making activity by focusing on one of my informants, Fuyuko Taira's senryu poetry. Drawing on theories of global space and diasporic home-making practices, I suggest that her engagement in senryu involves a transnational spatial practice through the use of familiar everyday language. While the experience of displacement among Taira and other so-called ‘war brides’ cannot be understood without a consideration of socio-historical and economic constraints that characterized their emigration, my aim here is not to analyse how Taira's senryu simply reflects her diasporic victimhood but to explore how she exercises her creative agency to make her new home familiar and habitable by engaging with the everyday poetry practice of alternation between ‘pause’ and ‘move’ in the midst of changing landscapes. I argue that to a member of the Japanese diaspora like Taira senryu can be thought of as a different mode of experiencing at once the local and the global in an organic way.     

Emer Martin and multimodal family dysfunction: More Bread or I’ll Appear (1999)

Emer Martin’s More Bread or I’ll Appear (1999) revisits the discourse of the family in Ireland between the 1970s and the 1990s. This article contends that Martin intersects her work with family “issues” of the day so as to accommodate the representation of what can be termed as multimodal family dysfunction. She provides insights to the role of women, family and global female diaspora. This paper draws upon work by Diarmaid Ferriter, Alpha Connelly and the tenets of transnational feminism to account for the historical, ideological and sociocultural contexts of the time. For Martin, dysfunction is multimodal in the way in which the Irish family portrayed faces real “hidden issues” from different discourses. Her novel also focuses on the “wounds” that have been the effect of abuse, secrets, appearances, violence and lack of communication within the family. Another mode of Martin’s representation of dysfunction considers the transnational experiences of her female characters on the margins of an Ireland becoming global. Her novel invokes transnational perspectives so as to commit to dislodging nation-centric and family-centric visions of Ireland.     

The tyranny of transnational discourse: ‘authenticity’ and Irish diasporic identity in Ireland and England

Through the prism of current state discourses in Ireland on engagement with the Irish diaspora, this article examines the empirical merit of the related concepts of ‘diaspora’ and ‘transnationalism’. Drawing on recent research on how Irish identity is articulated and negotiated by Irish people in England, this study suggests a worked distinction between the concepts of ‘diaspora’ and ‘transnationalism’. Two separate discourses of authenticity are compared and contrasted: they rest on a conceptualisation of Irish identity as transnational and diasporic, respectively. I argue that knowledge of contemporary Ireland is constructed as sufficiently important that claims on diasporic Irishness are constrained by the discourse of authentic Irishness as transnational. I discuss how this affects the identity claims of second‐generation Irish people, the relationship between conceptualisations of Irishness as diasporic within Ireland and ‘lived’ diasporic Irish identities, and implications for state discourses of diaspora engagement.     

The Irish question and the concept ‘identity’ in the 1980s1

ABSTRACT. This article critically investigates the social construction of ‘identity talk’ in relation to the Irish Question in the 1980s. Our contention is that the utilisation of ‘identity’ imagined people as bounded groups in a particular way – as the two traditions or communities in Northern Ireland – and that this way of imagining people was deployed against ‘will’‐based conceptions of politics. The first part of the article places the emergence of ‘identity’ as a concept in its historical context and suggests four phases in the use of ‘identity’. The second part focuses on ‘identity’ as a concept and locates its emergence within the meta‐conflict regarding Northern Ireland. The article concludes by reflecting on Brubaker and Cooper's (2000) analysis of ‘identity’ as a category of analysis in light of our case study of ‘identity’ as a category of practice regarding the Irish Question.     

The ummah as nation: a reappraisal in the wake of the ‘Cartoons Affair’†

ABSTRACT. In the wake of the 2006 ‘Cartoons Affair’ which saw international protests by Muslims against the publication of cartoons depicting the Prophet Muhammad, it is clear that identity based on membership in the Islamic ummah goes far beyond simple religious affiliation. This essay presents a novel argument for treating the ummah (the transnational community of Muslim believers) as a nation. I begin with a theoretical treatment of the ummah as nation which employs historic and current interpretations of what constitutes nationhood. I then turn to the current state of the ummah; my findings present a potent nexus of information and communications technology (ICT), emergent elites, and Muslim migration to the West that has facilitated a hitherto impossible reification of the ummah. I also discuss how globalisation, Western media practices, and the nature of European society allow ‘ummahist’ elites to marginalise other voices in the transnational Muslim community. Based on the global events surrounding the Danish cartoons controversy of 2005–06, I conclude that there is need to recognise ummah‐based identity as more than just a profession of faith – it represents a new form of postnational, political identity which is as profound as any extant nationalism.     

Strange associations: Elizabeth Bowen and the language of exclusion

Since The Last September was first published in 1929, the novel's style has been a major source of controversy amongst Elizabeth Bowen's critics, many of whom align the work with reactionary feeling among the Anglo-Irish community in early 1920s Ireland. This longstanding view ignores, I think, a complex but critically overlooked aspect not only of The Last September but also of Bowen's many opinions about the novel form: the author's fascination with the language of exclusion. In this essay I argue that Bowen's use of literary devices in The Last September that rely on exclusion – including ellipses, euphemism, rumour, overheard conversation, narrative digression, and lying – dramatise the ways in which war disorients figurative language and, in so doing, subverts and transforms the apparently stable metaphors through which the Anglo-Irish sought to reconcile events occurring in September 1920, that fitful last September of the Republic's colonial ties to England, with their historical role as settler-colonialists in Ireland. Further, Bowen's experimental style disorients the reader, thereby undermining any confidence in the legitimacy of Ascendancy protocol, or the morality of British colonialism, or the militant expression of Irish nationalism, and leads instead to an emergent, though ultimately unfulfilled, cosmopolitan vision of late modernist Ireland.     

Tourist,local, or other?: Greek Canadian women and the heritage fling in Greece

This article examines the romantic and sexual encounters between Greek men and Greek Canadian women vacationing in Greece and addresses how constructions of Greek Canadian female sexuality are related to foreign and local Greek conceptions of femininity during these ‘holiday flings’. Because of their Greek ancestry, Mediterranean ‘looks’, and familiarity with language and culture, Greek Canadian women exhibit ambiguous identities that uphold and cross boundaries between outsiders and insiders. Drawing on long-term fieldwork, I explore the conceptualizations of ancestral and national identity underpinning Greek women's erotic desires for Greek man who embody ethnic authenticity to them. Yet, Greek men thwart these desires when they subvert Canadian women's economic power through challenging their cultural literacy (such as a lack in language skills, etiquette, or sexual knowledge). This article addresses the question of how diasporic women's heterosexuality subjectivities – bound up with hybrid ethnic and national affiliations – take on different meanings across locales and times where transnational sex and romance are everyday occurrences.