Secularism Meets Coloniality: Mariategui's Andean Political Theology

This article seeks to clarify the link between Mariategui's political theology and his critique of modern-secular-coloniality. I argue that understanding the place and the significance of Mariategui's critique of secularism/colonialism helps us grasp the fuller extent of Mariategui's thought, a pioneering critic of modernity in the early twentieth century who keenly understood the limits of modern-liberal framework for analyzing the political problems of Latin America. Mariategui's reading of Marx and revolution raises important challenges to various forms of twenty-first-century political theologies that tackle modernity from within Western liberal modernity (postmodern theories and philosophies). Mariategui offers important insights not only for critics of the secular and modernity who fail to attest to the important question of coloniality from which secularism/modernity must be disentangled, but also for critics of colonialism/coloniality who fail to view religion as the key fabric of coloniality.     

Jules Verne's Metaphor of the Iron Cage

Max Weber's concept of the iron cage has become a byword in the scholarly world since the publication in 1930 of Talcott Parsons’ translation of The Protestant Ethic and the Spirit of Capitalism. What is less well-known is that Jules Verne had earlier used the iron cage metaphor in Twenty Thousand Leagues Under the Sea (1869) to reveal the paradoxes of modernity. Roland Barthes criticized Verne's vision of modernity as bourgeois and positivistic, pointing out his narrow-minded enthusiasm for futuristic technology. In this essay, I argue that Verne's originality lies precisely in his equivocal attitude towards modernity with its high technology. Verne, I suggest, does not reject technological modernity, but by dissecting it he reveals its propelling forces, high demands and price. He shows that the Enlightenment's Rule of Reason is, in the end, governed by the ancient passions of fear, bitterness and the thirst for revenge. It is this combination that makes the human condition tragic. Verne's Homeric imagination creates an epic hero—Captain Nemo—who personifies the remarkable alliance of modern science and ancient heroism.     

KOSELLECK ON MODERNITY,HISTORIK, AND LAYERS OF TIME

In the scholarly reception of his work, Reinhart Koselleck's notion of modernity and his theory of multiple times have been cast as essentially at odds with each other. This article argues that although these positions are valid, Koselleck's writings can also accommodate an interpretation according to which the theory of multiple temporalities, or “layers of time,” provides theoretical ground for the modern understanding of time and history. Elaborating on this insight, the article shows the linkages sustaining the unity between Koselleck's formal theory of multiple times and his interpretation of modernity. To that end, I outline the main premises of the temporalization thesis that lies at the heart of Koselleck's theory of modernity, scrutinize his notion of Historik within which the framework “layers of time” belongs, and explore Niklas Olsen's and Helge Jordheim's interpretive accounts on how to conceive of the relationship between the two strands in Koselleck's thought. Ultimately, I argue that “layers of time” entails the formal conditions for historical acceleration, which is crucial for explaining the emergence of a specifically modern temporality wherein experience and expectation increasingly grow apart.     

Screening Singapore: The Cinematic Landscape of Eric Khoo's Be With Me

This paper investigates the mutually constitutive relationship between the context of film production and the composition and content of images produced. Singapore film director Eric Khoo is central to our investigation, and his 2005 film Be With Me is a key example of how Singapore's ongoing urban redevelopment to become a world city reflexively shapes the style and appearance of the city‐state projected in the film. Singapore's history as a developmental state, its pervasive influence on the public and private spaces of its citizens, and recent state‐led initiatives to nurture the arts and media sectors all make it an ideal site to examine the relations between the cinema and space. Be With Me also lends itself to spatial analysis as its mise‐en‐scène is a geography of the life course: particular parts of the city are ‘cast’ as spaces of youth, middle, and old age. We elaborate how the landscapes deployed in the film are simultaneously constituted through state policies, mise‐en‐scène, and gender/age/class considerations. In so doing we show how Khoo's vision of the city‐state has altered since his emergence as a film director in the 1990s: from an oppressed site of hyper‐modernity to a more ambivalent ‘globalised’ built environment in which marginalised or liminal urban spaces for sensuous life and hope for human connection can be experienced.     

‘Dark cognition’: W.B. Yeats,J.G. Herder and the imperfection of tradition

In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.     

Spaces of capability: Consumption geographies at an inner‐city university

Inner‐city universities are noteworthy in relation to food provisioning and consumption because of their locations and spatial characteristics. Among 18,500 university students surveyed by Universities Australia in 2017, one in seven reports being unable to eat in regular patterns. This finding suggests that it is important to explore how eating spaces at inner‐city universities intersect with students' eating practices. Ethnographic work conducted over three semesters in Melbourne at RMIT University's city campus revealed that around 100 microwaves installed there were used by students to prepare food in ways that may support regular eating. The research included observations, focus groups, and digital ethnography. Analysis of the findings suggests that the university's eating spaces and their material arrangements are related to students' on‐campus and off‐campus practices. Using both Walker's interpretation of Sen's capability approach—the social practice capability framework—and Schatzki's site ontology, I propose that this relationship produces spaces of capability, encouraging and enabling varied activities such as using leftovers, bulk cooking, and buying discretionary foods less impulsively. The study and its use of the idea of spaces of capability may foster new insights about the ongoing challenge to ensure student wellbeing and to consider the relationship of student wellbeing to broader issues such as sustainable consumption and environmental justice.     

Michael Polanyi's Response to the Crisis of Modernity and Its Relation to Recent Developments in Theology

Abstract

Michael Polanyi's theoretical response to the crisis of modernity ultimately leads to a consideration of theological issues, and Polanyi's attempt to address these issues has been extended by William H. Poteat. I argue that the theological formulations of both Polanyi and Poteat could be strengthened by a consideration of the work done by recent theologians, particularly Colin Gunton, and that, at the same time, the work of Polanyi and Poteat can extend the concepts developed by theologians like Gunton. Specifically, I argue that Gunton's analysis of the Trinity indicates that Polanyi and Poteat use a somewhat one-dimensional conception of God, at least in their explicit formulations. Conversely, Polanyi's understanding of knowledge and his recognition of the ambiguous nature of modernity and Poteat's discussion of the speech-act as a central model for Hebraic thought can actually point toward a more complete theorization of the Trinity and give a clearer indication of its political implications.     

Girls,consumption space and the contradictions ofhanging out in the city

Geographers have effectively examined girls' reactions and resistances to adult control in public space, but the ways that girls learn about and reinscribe social differences like race and class through ‘hanging-out’ practices in public, urban space have yet to be sufficiently explored and theorized. Therefore, in this paper I consider the normative productivity of girls' spatial practices, as well as girls' resistances to adultist space. I examine the case of consumption space and focus on how girls utilize, create and reproduce myriad social identifiers as they hang out in public, urban space. Consumption space and consumerism dominate the urban spaces and hanging-out practices of teenagers, and while girls complain about the ubiquity of consumption space, girls' public social-spatial activities inevitably involve consumption space. Therefore, consumption's symbols and spaces are central to the normative production of girls' identities like class and race, and of social difference more generally in urban space.     

Karl Polanyi and the Modernity-versus-Postmodernity Debate

The originality of Karl Polanyi's work in the interwar period has gained increasing recognition in recent years, during which time the major debate on modernity has erupted. In order to link Polanyi's work with this debate, I will first discuss his legacy on the controversial concept of progress, and then relate his position to this debate. It is my contention that Polanyi's position combines the better aspects of the two rival approaches to modernity. I will then re-link Polanyi's thought to the intellectual figures, movements and climate of his time and thereby disclose a curious affinity between his thought and the Critical Theory of the Frankfurt School. This affinity can best be understood within the parameters of the historical context that they once shared.     

ON HANDLING URBAN INFORMALITY IN SOUTHERN AFRICA

In this article I reconsider the handling of urban informality by urban planning and management systems in southern Africa. I argue that authorities have a fetish about formality and that this is fuelled by an obsession with urban modernity. I stress that the desired city, largely inspired by Western notions of modernity, has not been and cannot be realized. Using illustrative cases of top–down interventions, I highlight and interrogate three strategies that authorities have deployed to handle informality in an effort to create or defend the modern city. I suggest that the fetish is built upon a desire for an urban modernity based on a concept of formal order that the authorities believe cannot coexist with the “disorder” and spatial “unruliness” of informality. I question the authorities' conviction that informality is an abomination that needs to be “converted”, dislocated or annihilated. I conclude that the very configuration of urban governance and socio‐economic systems in the region, like the rest of sub‐Saharan Africa, renders informality inevitable and its eradication impossible.     

King John and St Wulfstan

In accordance with the terms of his will, King John was buried near to the shrine of St Wulfstan in Worcester cathedral despite his apparent intention earlier in the reign to be buried in a Cistercian house. When and why John might have developed his particular interest in Wulfstan, the last Anglo-Saxon bishop, are considered and attention is drawn to the relevance of a famous legend linking Wulfstan and Edward the Confessor to King John's dispute with Innocent III over the king's authority in the appointment of bishops. The revival of Wulfstan's cult, which led to his formal canonisation in 1203, is seen as part of a general interest in indigenous saints, both Anglo-Saxon and contemporary, in the late twelfth and thirteenth centuries. The suggestion is made that this concern with national saints provides the context for John's devotion to St Wulfstan and for the significant choice of his place of burial.     

Self and space,resistance and discipline: a Foucauldian reading of George Orwell's 1984

The novel 1984, George Orwell's nightmarish vision of totalitarianism published after the Second World War, remains relevant in the twenty‐first century. Orwell's concerns regarding the abuse of power, the denial of self, and the eradication of both past and future continue to resonate in contemporary discussions of politics and society. Geographers, however, have directed minimal attention to the spatiality embedded within 1984. Accordingly, in this paper I examine the theoretical implications of space, resistance and discipline as manifest in the novel. Drawing on the theoretical insights of Michel Foucault, I detail how the spatial and temporal control of everyday activities serves to discipline spaces within a totalitarian society. Moreover, I suggest that 1984 illustrates how the production of knowledge through the act of writing may forge spaces of resistance within disciplined spaces. This paper contributes, therefore, in two areas, these being resistance geographies and fictive geographies.     

Terrace Dissent in Urban Western Sahara: Between Plazas and Homes

Since 2018, domestic Saharawi houses in occupied Western Sahara have become tactical sites for organising dissent. The move to interior spaces came as a collective retreat from the city's public plazas. This retreat from extravagant plazas illustrates that the turn toward interior spaces was a tactic in front of destructive occupation power rather than a withdrawal. This article explores Saharawi spatial production of dissent under two different political moments. I ask, what spaces of dissent do people under occupation animate when the city is mobilised against them? This paper is based on ethnographic engagement with encounters between Saharawis and Moroccan security forces that led Saharawis to construct the house as its own public. I demonstrate interiorising the exterior by analysing homes’ terraces as the new space of urban dissent in the Western Sahara. As such, the terrace appears as a new space and a new tool of and in urban insurgency.     

HISTORIA MAGISTRA VITAE,INTERRUPTING: THUCYDIDES AND THE AGONISTIC TEMPORALITY OF ANTIQUITY AND MODERNITY

In this essay I discuss Koselleck's thesis on the dissolution of historia magistra vitae in modernity with a view to exploring how the modern historiographical engagement with Thucydides entails qualifications of this argument. Focusing on Barthold Georg Niebuhr's contextualization of Thucydides in a new temporality of “ancient and modern history,” I examine how modernity is caught between conflicting notions of its own prehistory, and that this conflict suggests that the forward‐leaping qualities of Neuzeit were co‐articulated with other temporal notions, and particularly an idea of historical exemplarity associated with historia magistra vitae. This plurality of times highlights an agonistic temporality linking antiquity and modernity: a model of conflicting times inscribed in a dialogue through which modern historiography interrupted the “useful” history of antiquity, while simultaneously being itself interrupted by it. By following this dialogue, I seek to test two interrelated hypotheses: a) that modernity produced a multitemporal scheme in which the ideas of differential time and the future were intertwined with a notion of historia magistra vitae as meaningful and sense‐bearing time; and b) that contradictions in this scheme arising from the modern confrontation with Thucydides's poetics challenges the opposition between historia magistra vitae and modern historical sense and configures a temporality that is self‐agonistic in the sense that it confronts historical actors before and beyond the terms through which they may be able to give it meaning. Formulated as a poetics of the possible, this notion is approached as a corrective alternative to the modern consideration of the future as distanced from the space of experience, but nonetheless as grounded in actuality and therefore largely mastered by human knowledge and action.     

1. TOWARD A HISTORY ON EQUAL TERMS: A DISCUSSION OF PROVINCIALIZING EUROPE

This essay is a critical discussion of Dipesh Chakrabarty's book Provincializing Europe as well as a first sketch of a History on Equal Terms. After giving a short summary of Provincializing Europe, I first argue, against chakrabarty, that there is no necessary connection between the discipline of history and the metanarratives of modernity. To the contrary: the founding idea of the discipline of history was a turn against such grand narratives. With his attempt to deconstruct the narratives of the European Enlightenment and of modernity, Chakrabarty therefore has to be regarded as a thinker of radical historicism rather than as a critic of the discipline of history. Second, I criticize the use of the term “modernity” in Provincializing Europe and the concept of modernity in general. Instead of a deconstruction of the discipline of history, I propose a deconstruction of the concept of modernity. This could open up the way for a History on Equal Terms situated within the discipline of history, that is, a historiography that would—just as Chakrabarty rightly demands—in principle pay the same attention to and expect relevant results from any region in the world, depending only on the focus of research.     

From the Little Tree,Half a Block Toward the Lake: Popular Geography and Symbolic Discontent in Post‐Sandinista Managua

Abstract: The inhabitants of Managua, Nicaragua have a sophisticated, often bitingly ironic, popular geography that they use to navigate the city. The Nicaraguan capital has been destroyed twice by earthquakes, ravaged by war, left to decay for lack of funds, transformed by the creative destruction of speculative capitalism and subjected to a series of ideological impositions. Few people know the official names of streets, and recent governments have not had the ability to put up signs. So a supple system of popular geography dominates, resisting and ridiculing attempts to impose an official order, and adapting to change while preserving a bottom‐up sense of memory, history and place. Drawing on Allan Pred's classic account of popular geography in late nineteenth century Stockholm, I use Managua's language of spatial orientation as a window into peripheral modernity and the politics of everyday life.     

Tribute to John Paul Stevens

Justice Stevens is supposed to be older than I am, but the evidence is mixed. I remember one morning back in June of 2009, for example, when he and I happened to get to work at just the same time. I was in a suit, but John was still in tennis shorts, after one of his four weekly singles matches at 7:00 a.m. (He usually arrived in civvies.) I asked him, how’d the game go. There was a little victory leap. “I really beat him.” John's a player.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

The ‘New Woman’ and the Politics of Love,Marriage and Divorce in Colonial Korea

This study seeks to explore the changing discursive forces that competed to define Korean women's identity and roles within the context of the new spaces created by colonialism and modernity. It argues that a small coterie of literate women seized the initiative to enhance their education, define the politics of physical aesthetics and con‐tribute to the debate about the changing gender roles and expectations in Korean society all under the guise of 'Westernisation' and progress. The emergence of these 'new women' challenged traditional notions of Korean womanhood and brought the 'woman question' to the forefront of public discourse.     

From Dionysus to the Anti-Christ

Abstract

This essay is a reconstruction of Rene Girard's Christian apology in “I saw the Devil fall like Lightening.” It develops Nietzsche's antithesis between Christ and Dionysius which Girard identifies as the antithesis of modernity as such. Against Girard's own alliance with Carl Schmitt the essay adopts the Trinitarian point of view suggested by the author, in order to show that it is Erik Peterson's “Trinitarian” critique of Carl Schmitt's political theology of sovereignty which could fulfill the “true” aim of the author in fact much better.