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Negar Mottahedeh 《Iranian studies》2009,42(4):529-548
This essay addresses itself to the century long history of cinema in Iran, focusing on the history of the senses as they combine with and are extended by film technologies. It argues that Khomeini's aim was to produce a transformed and Shi'ite Iran by purifying the sensorial national body by means of film technologies. 相似文献
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Peter Bugge 《Central Europe》2013,11(1-2):114-116
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