A geopolitics of migrant women,mobility and abortion access in the Republic of Ireland

Drawing on three select case studies and feminist engagements with mobility studies, I illustrate the Irish state’s use of a dialectic of gendered and racialized citizenship, and mobility and fixity, in the creation of ‘new geographies of belonging and exclusion’. Using detailed analyses from select cases, I argue for more nuanced feminist engagements with mobility that acknowledge and analyse ‘processes and trajectories’ in relation to a geopolitics of abortion – one that eschews undifferentiated uses of the category migrant and discourses of tourism, in analysing abortion in the Republic of Ireland. I expose how their use constructs limited ideas about gender, nation and Irishness to assure exclusions from Ireland, and from its diaspora.     

Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

The Gender,Place and Culture Jan Monk Distinguished Annual Lecture: Gentrification,assassination and forgetting in Mexico: a feminist Marxist tale

In this article, I employ feminist and Marxist tools to expose the struggles over the constant plunder and expansion of global capitalism along Mexico's northern border, specifically in Ciudad Juárez, Chihuahua. In particular, I examine how an official politics – promoted by the Mexican and US governments – for forgetting the economic and social devastation of a transcontinental drug war contributes to the mechanisms for further exploiting the working poor. By combining a feminist focus on the daily struggle of social reproduction with a Marxist emphasis on accumulation by dispossession, I show how this official ‘forgetting’ segues with an international gentrification plan in downtown Ciudad Juárez that seeks to expand the rent gap by denying place, legitimacy and legal status to the working women and their families who have made this border city famous as a hub of global manufacturing. As such, I argue that the social struggles against the official forgetting are struggles against a violent political economy that generates value via a devaluation of the spaces of the working poor, even of the spaces of their literal existence.     

Untangling creativity and art for policy purposes: ethnographic insights on Manchester International Festival and Manchester Day Parade

This paper draws on anthropological fieldwork of a civic parade in Manchester from 2010 to 2012 to argue for engaging with creativity as a process rather than an attribute of a particular sector or individual. It shows how the focus on funding and supporting ‘creative industries’ defined as ‘cinema, television, music, literature, performing arts, heritage and related areas’ actually excludes and diminishes the potential for others to engage with ideas and creative processes. Two major events in Manchester’s cultural calendar – Procession by artist Jeremy Deller, produced by Manchester International Festival and Manchester Day Parade, a council-led civic celebration – both combined community groups with artist input to put large-scale structures and people on the city’s streets. In this ethnographic analysis, I argue that the ‘creativity’ sought from these artists is their adaptive and productive approach to making ideas tangible. By focusing on creativity as a process rather than a character trait, there is even greater potential for stimulating a ‘creative’ city.     

Rethinking the place of emotions in the field through social laboratories

The insights of feminist science and technology studies (STS) into the constructed and situated nature of knowledge have proved crucial to informing feminist geography. Since the rise of emotional geographies, feminist methodologies no longer simply reflect on questions of positionality, partiality, and power relations, but also on the role of emotions in the field. In this article, we argue that a feminist STS perspective has much to offer when thinking about the way emotions are engineered, controlled, and negotiated in research processes. Our engagement with what we call ‘social laboratories’ – i.e., spaces in everyday life where (experimental) research is conducted with human beings – advances debates in feminist geography, as these laboratories crystallize the emotional entanglements feminists encounter in the field. Looking at economic experiments in Ghana and fertility clinics in Mexico, we discuss the difficulties of doing feminist fieldwork in these experimental research spaces. We argue that the constant negotiation of emotions and ethics is crucial to access, assess, and do fieldwork in research settings that do not adhere to feminist ideals, but nevertheless have gendered effects on women's and men's lives. Rethinking ‘the place of emotions in research’ (Bondi 2005, in Emotional Geographies, edited by Joyce Davidson, Liz Bondi, and Mick Smith, 231–246, Aldershot: Ashgate) through social laboratories forges instructive links across feminist/emotional geographies and social studies of science.     

Expressing Islamic feminism in Mariama Bâ's So Long a Letter

This article examines the presence of a strictly Qur'anic base shaping the Islamic feminism of Ramatoulaye, the narrator and main protagonist of Mariama Bâ's francophone classic So Long a Letter (1979). I argue that the widely circulated insistence by critics and readers of Bâ's epistolary style novel on the practice of Islam in West Africa, particularly in Senegal, as a syncretic presence eagerly adapting to indigenous non-Islamic beliefs and practice, has led to an overly generalized and somewhat inaccurate perception of Islam in Africa. Through my reading of some key Islamic concepts described in Bâ's novel, such as the mirath, polygamy, prayer and sunna, I situate my reading of Ramatoulaye's expression of Islamic feminism within an African and Islamic feminist reading and further position these within the cultural context of the practice of Islam in Senegal. By her ‘strategic self-positioning’, as defined by Islamic feminist Miriam Cooke, among others, within a small group of Senegalese Muslims – locally known as ibadu Muslims – Ramatoulaye succeeds in enacting Islamic feminism in her spiritual persistence for a strict adherence to the Qur'an and in her resistance to the temptation to expand the Islamic precepts of her faith.     

The reader as writer,the author as con artist: Nuala O'Faolain and the criminal narratives of Chicago May

Nuala O'Faolain seeks to revise the life story of May Churchill Sharp, an international con woman born in Ireland, in hopes of establishing a feminist identification with her. But O'Faolain's claim for her writing of a kind of authorial authenticity ultimately precludes an identification with Sharp, as Sharp's narrative – like all narratives – is a criminal narrative which renders feminist ‘authenticity’ impossible to achieve, something O'Faolain herself refuses to acknowledge.     

Calls for educating girls in the Third World: futurity,girls and the ‘Third World Woman’

In this article I examine three calls for Western support for girls' education in the ‘developing world’. Using transnational feminist theory and discourse analysis I look at three examples of these calls; Three Cups of Tea, ‘Because I Am a Girl’ and the United National Girls Education Initiative. I suggest that what Mohanty (1988) terms the ‘Third World Woman’ – a homogeneous, static image of women in the third world – is the spectre used to motivate Western support. Through representations of girls, Western viewers/readers are hailed to invest in order to save the girl-child from the haunting ‘Third World Woman’. The girl-child, through her particularity as a girl, her future womanhood as motherhood and her neoliberal potential, becomes presented as emblems of a better future with the investment of Westerners.     

Diasporic dwelling: the poetics of domestic space

This article explores the politics of diasporic dwelling in domestic spaces. Heidegger's concept of ‘dwelling’ is popular in studies of diasporic life as it articulates a sense of belonging in mobility without the problematic connotations of rootedness conjured up by ‘home’. However, the way Heidegger's ‘dwelling’ functions in diasporic contexts is rarely considered, an absence this article seeks to address by exploring the concept in more detail, focusing in particular on ‘the fourfold’ and preservation. This discussion is grounded in the domestic spaces of two Palestinian women living in Britain. Drawing on in-depth interviews, the article explores how these women's houses, and particular spaces within them, enable and constrain their dwelling. I argue for greater attention to be paid to the expansive and integrative capacities of domestic space and demonstrate the need to address houses in their social context and as internally heterogeneous. This article also contributes to ongoing debates about material and symbolic dwelling and diasporic identities that include but also exceed territorialised belonging.     

‘The right to immobility’ and the uneven distribution of spatial capital: negotiating youth transitions in northern Sweden

‘Successful adulthoods’ are associated with mobile professionals, higher education and cosmopolitan lifestyles. This paper takes an interest in how this discourse is adopted or altered by young people living far away from big cities. Based on interviews in a traditional woodland community in northern Sweden, the study examines how young people in the second and final years of upper secondary school negotiate their transition from education to work. It draws on the two-dimensional concept of ‘spatial capital’. It sheds light firstly on a range of local possibilities underpinned by ‘position capital’, such as proximity to mining districts as well as to educational institutions. These possibilities compete with ‘situation capital’ in the form of young people’s dispositions towards mobility where they consider alternatives in other cities in Sweden and sometimes – although rarely – abroad. I argue that spatial capital is an indication of young people’s habitus, where the geographical marginality of the study location influences perceptions of the future in divergent and sometimes contradictory ways. The paper also problematizes contemporary society’s privileging of mobility, which should be viewed in relation to youth’s perceived ‘right to immobility’.     

Heterotopic and holey spaces as tents for the nomad: rereading Gwen John's letters

In this article I look into the letters and paintings of the expatriate Welsh artist Gwen John, tracing her spatial practices in the urban spaces of modernity. Drawing on Foucault's, Deleuze's and Guattari's analytics, I argue that John's spatial narratives chart heterotopias and holey spaces that challenge the hegemonic spaces of modernity, temporarily giving shelter to what Braidotti has theorized as female nomadic subjects. John's fluid spatiality is thus conceived as an event that interrogates static conceptualizations of spaces and identities and foregrounds difference, movement and forces of desire as constitutive of the real.     

Cougar figures,gender, and the performances of predation

This article considers how nonhuman animals are enrolled in the construction of gendered identities. Specifically, I interrogate two gendered figures with which I was repeatedly confronted over the course of researching cougar–human relationships on Vancouver Island, home to what is estimated to be North America's densest population of cougars. The first figure, Cougar Annie, was a woman ‘settler’ on western Vancouver Island, reputed to have killed over 100 cougars in her lifetime and now celebrated as a strong, independent female. The second figure is a contemporary trope, an older woman who expresses interest in younger men, known in slang speech as a ‘cougar’. Both figures are intimately bound to a third figure, the animal cougar, Puma concolor, whose material–semiotic relationship to humans both performs and is performed by ‘cougars’ and Cougar Annie. Haraway's conception of figures as embodied and performative mappings of power is central to this article's discussion, which lies at the intersection of animal studies, more-than-human geographies, posthumanism, and feminist science studies. Methodologically, I draw on interviews and archival research to trace the historical and contemporary specificities of these two figures – Cougar Annie and ‘cougars’ – revealing how they are informed by, and simultaneously produce, uphold, and perform, gendered understandings of the relationship between humans and cougars, predator and prey, humans and animals, and culture and nature.     

Mobile sovereignty: The case of ‘boat people’ in Australia

State sovereignty, in terms of the organisation and expression of political authority by nation states, is traditionally interpreted as a political container that is being weakened by increasing human and non-human mobilities. However recent research indicates that states are themselves becoming more mobile as executive bodies move and sovereign spaces are tactically reduced and expanded to intercept and control global mobilities. While challenging dichotomous notions of mobility and sovereignty, such research frames the movements of governments, territory and sovereign agents as the tactics of already established states. This paper builds on extant research by drawing on both a mobile ontology and Giorgio Agamben's theory of sovereignty to examine how mobilities constitute modern state sovereignty. To do so I examine Australian sovereignty and the related material and symbolic exclusion of asylum seekers arriving by boat. My analysis finds that mobilities, in terms of material movements and their representation, are essential to the construction of Australian sovereignty and the position of maritime asylum seekers as its outsider and limit identity. Through their mobile interception and management, and their representation as mobile ‘others’, maritime asylum seekers are used to create sovereign borders between specific types of movement; between ‘correct’ and ‘incorrect’ (im)mobilities. I argue that this form of state sovereignty is disarticulated from space and follows populations who construct territories as being ‘inside’ or ‘outside’ of the Australian state as they move.     

“Security,mobility, and the body – Syrian insurgent groups’ infrastructures and their geopolitical contestations through/by/in legal institutions”

Political geographers have repeatedly demonstrated how the ‘global war on/of terror’ has led to repressive and unjust international and domestic policies. Nevertheless, little has been said about the multifold intertwinements between such ‘Western’ perceptions and their shaping of anti-terrorism efforts within. To this end, this paper draws on recent feminist understandings of scale, global/local processes, and geopolitics, suggesting how these might be combined with current European participations in Syria, and its legal prosecution as ‘state-endangering actions.’ By visiting the sites where issues on security, mobility, and their interrelated body actions have been negotiated, I deploy an intersectional and multi-scalar analysis of how a layered system of gender-rendered and racialized patterns intersects with/in Germany's legal institutions combating terrorism wherever it may occur as well as the way multifold and different modes of support and logistics have been carried out through the European Schengen Area to Syria. Combining both feminist geopolitics and the vibrant work of (feminist) geolegalities, I offer another way of redressing Hyndman's call (2019) for expanding the tent of feminist geopolitics by not reversing the former, but through refocusing on embodied and material power-geometries and (legally) interconnected sites of an Islam-rendered, Western state-defined ‘war on/of terrorism’ simultaneously.     

Washing urban water: diplomacy in environmental art in the Bronx,New York City

Lillian Ball's art project WATERWASH creates a new ecological imaginary in the South Bronx. Building on a tradition of ‘maintenance art’, the work exhibits the power of soil, plants and microorganisms to clean water – in effect maintaining urban water. An overarching goal of WATERWASH is to educate local people about the metabolism of urban water, causes of river pollution, and to familiarize them with the capacity of soil and plants to respond to that problem. As part of its creation, the project provided diverse groups of people with opportunities to participate, including a group of Bronx youth who assisted in planting the wetland. Several of these apprentices will be involved in future monitoring of the effectiveness of the wetland in mitigating parking lot runoff. I use Isabelle Stengers' notion of ‘diplomacy’ to interrogate the efforts of the artist in negotiating and creating an occasion in which people with divergent interests can both recognize and maintain the relationships of care that sustain them. In effect, this effort extends the feminist discourse of maintenance work to include that undertaken by the ‘other-than-human’.     

Towards a Female Topography of the Ancient Greek City: Case Studies from Late Archaic and Early Classical Athens (c.520–400 BCE)

In this article, I seek to move beyond the traditional, polarised model of ancient Greek cities which views the civic sphere as gendered male in contrast with the domestic sphere which was gendered female. I argue that this model oversimplifies a much more complex set of relationships, leading scholars to underplay the possibilities for female agency within the built environment of the Classical city (polis) and to underestimate the scope of women's activities within Greek society more generally. Taking Athens as an example, I suggest that space was not rigidly divided between ‘public’ and ‘private’ zones. Instead, a number of factors led to flexibility which enabled a woman to enter civic space in order to carry out a variety of activities on her own behalf, on behalf of her household and also as a representative of her household in the context of the wider community. The civic context was thus an inverse parallel for the domestic sphere which, although constructed as female, was clearly also an important arena for male activity.     

Chopsticks,phone bells and farms: Fuyuko Taira's diasporic spatial practice

In this article, I revisit my earlier project on local poetry practices by Japanese ‘war brides’ from the Second World War and explore a creative, transnational home-making activity by focusing on one of my informants, Fuyuko Taira's senryu poetry. Drawing on theories of global space and diasporic home-making practices, I suggest that her engagement in senryu involves a transnational spatial practice through the use of familiar everyday language. While the experience of displacement among Taira and other so-called ‘war brides’ cannot be understood without a consideration of socio-historical and economic constraints that characterized their emigration, my aim here is not to analyse how Taira's senryu simply reflects her diasporic victimhood but to explore how she exercises her creative agency to make her new home familiar and habitable by engaging with the everyday poetry practice of alternation between ‘pause’ and ‘move’ in the midst of changing landscapes. I argue that to a member of the Japanese diaspora like Taira senryu can be thought of as a different mode of experiencing at once the local and the global in an organic way.     

’When Men Are Weak‘: The Imperial Feminism of Frieda von Bülow

Frieda von Bülow was a colonialist woman author and activist who also engaged the bourgeois women's movement of pre-First World War Germany. She is of interest to scholars of German colonialism, racial thought, feminism, and women's literature. This article interprets her life experiences, including travel to German East Africa (mainland Tanzania) and her affair with Carl Peters, together with her feminist non-fiction and anti-feminist fiction, to argue that she developed an imperial feminism in which German women's emancipation was predicated on the subordination of racialised ‘others’.     

“Like the father's home:” perceived state of the Turkish-Sunni community in Germany

Focusing on a mosque organization, the Turkish-Islamic Union for Religious Affairs (DITIB), this paper engages with the Turkish-Sunni diaspora's complex perception of the ‘state’ in Germany. DITIB is a Sunni-Islam based mosque organization that oversees over 900 mosques across Germany. However, the Turkish-Sunni diaspora does not consider DITIB mosques as simply religious or cultural spaces but instead attributes a highly complex quasi-stateness to it. My field research between 2016 and 2018 reveals that for this community, DITIB reflects an intimate familial version of the Turkish state in Germany. While DITIB has significant connections to the state in Turkey, based on my findings I argue that these connections alone do not explain why the diaspora perceive DITIB like a state. Rather, DITIB's perceived stateness has been constructed through a historical process that brings to the fore diasporic experiences, feelings, and memories centered at the ethnoreligious spaces of mosques. Thus, this research produces new questions for, and theoretical approaches to geographies of states, extending this literature's emphasis on everyday and intimate perspectives. I build on feminist geopolitics and diaspora studies to contribute to this scholarship by analyzing the role of feelings and memories in forming perceptions of the state. I explain how spaces of perceived states become fluid, cross the borders of officially defined national territories, and exceed the classical spaces and embodiment of states. Instead, spaces like mosques come to be perceived like a state through their association with care, unity, and a home. This analysis points to the emotional and memory-based production of what is perceived as a state and how those perceptions are formed.     

Kitchen Window Feminism: Sarah Macnaughtan,Wartime Care and the Authority of Experience in the South African and First World Wars

Sarah Macnaughtan, a wealthy novelist, used volunteer care work to claim the legitimacy of her wartime experience in the South African and First World Wars and to assert women's rights in the early twentieth-century British empire. Macnaughtan framed her caregiving experiences in both inherently domestic terms – ‘from a kitchen window’ – and as a justification for women's suffrage and participation in public life. Her example loosens a persistent binary between trained nurses and untrained wartime volunteers and highlights the importance of precedents set in the British empire to the feminist politics and caring practices of the First World War.