Can't I be seen? Can't I be heard? Black women queering politics in Newark

What does it mean for a black female to negotiate urban space? How is her body read, her politics enacted, and her agency understood and interpreted? How do black women use their bodies and identities to challenge structural intersectionality in US cities? To answer these questions, I explore how black women embraced a set of oppositional spatial practices to resist the intersectional effects of misogyny, homo/transphobia, racism, and poverty in Newark, New Jersey. I reconstruct the creation of the Newark Pride Alliance, a local lesbian, gay, bisexual, transsexual and queer coalition that mobilized in 2003 and 2004, after the death of Sakia Gunn. Exploring migrations between ‘black women,’ ‘black queer’ and ‘black feminist,’ I examine how black women respatialized social capital and enacted resistance. Through semi-structured interviews and frame analysis, I explore how black women forged new relationships between queer youth and black vernacular institutions, and created political spaces in which honest engagement of issues of gender violence, poverty, and power could take place.     

A Transnational Feminist Critique of Queer Tourism

This article frames queer tourism through two lenses. First, I explore how queer tourism and queer spatiality occlude questions of gender and efface the varied modalities of travel, tourism, mobility, and space/place–making activities of women, especially with respect to queer women and lesbians. Second, I point out the neocolonial impulses of all queer travel by highlighting the colonial history of travel and tourism and the production of mobility through modernity, and vice versa. Following M Jacqui Alexander’s (1997) claim that white gay capital follows the path of white heterosexual capital, how are queer women, queers of color, and postcolonial lesbian and gays also implicated in this process? Through these questions I propose to think about queer tourism and space through theories of intersectionality. In other words, how do we acknowledge and theorize “difference” in queer spaces? How do multiple identities, intersectionality, and social differences make the construction of queer space impossible?     

Soweto nights: making black queer space in post-apartheid South Africa

In this article, I examine black queer nightlife in Soweto and its relationship with the making of black queer space in South Africa. Through an in-depth examination of the microgeographies of a Soweto stokvel party, I reveal the complexities of post-apartheid formations of race, class, gender, and sexuality. Employing the idea of usable space, I highlight quotidian practices of leisure as an important site for understanding cultural creativity within the marginalized spaces occupied by black South African queers. Performance and performativity are central to organizing nightlife spaces and reveal both the possibilities and limits encountered by black queers as they try to construct livable lives.     

Trans geographies,embodiment and experience

Queer geographers have long been interested in the interconnections between sexuality and space. With queer theorizing as its hallmark, queer geographical research has made substantial contributions to our understandings of genders, sexualities and embodiment and their constitution in, and production of, space and place. This article examines how trans scholarship intersects with several themes central to queer geographical research – subjectivity/performativity; experience/embodiment; and the historical, political and social constitution of what are now called ‘traditional’ LGBTQ or ‘queer’ urban spaces – and offers geographers interested in intersections between sexuality, gender and the body, alternative and challenging avenues of inquiry. This scholarship highlights, in part, the discontinuities and silences embedded in so-called LGBTQ and queer communities and spaces and points to the need to explore more particularly historical and political conceptualizations of the formations of subjectivities, identities and forms of embodiment in play in these spaces.     

White gloves,feminist fists: race,nation and the feeling of ‘vintage’ in femme movements

This article raises the question of how the cultural politics of race and nation manifest within contemporary queer femme movements, performances and aesthetic practices. Focussing on the feeling of ‘vintage’, I specifically examine symbols, icons and aesthetics used in projects to queer femininity that invoke ‘the 1950s’. Grounded in femme-inist multi-sited ethnographic research in a movement to which I also belong, I draw on interviews and participant observation in queer subcultural spaces and analyse two examples of ‘vintage’ iconography within contemporary femme organizing where ‘vintage’ is a form of archival activism that also relates to a broader cultural imaginary of racialized femininity. Then I turn to an example of queer performance where ‘vintage’ is used as a critique of imperialism and whiteness. In closing, I discuss how the feeling of ‘vintage’ relates to whiteness and to a form of imperialist nostalgia.     

Queerly situated? Exploring negotiations of trans queer subjectivities at work and within community spaces in the UK

While traditional perspectives on transgender from some strands of feminism and within medical/psychoanalytical discourse have argued that transgender people conform to and reproduce gender stereotypes, queer theory has celebrated transgender as a site that highlights the social and cultural construction of ‘sex’ and ‘gender’ and, moreover, as a symbol of transgressive gender possibility. Both of these readings ignore the complexities of lived trans experiences and identifications. By evaluating a queer reading of trans through recent empirical research into transgender identities, I suggest that while trans identifications certainly queer binary models of ‘sex’ and ‘gender’, such transgressions are materially, culturally, socially and spatially contingent. The article draws on empirical research to explore the ways in which access to queer subjectivities is constrained by, and negotiated alongside, the locales of the workplace and community spaces.     

Intersectionality and planning at the margins: LGBTQ youth of color in New York

Through an intersectional lens, this article reflects on the dialog between planning and gender, feminist, and queer studies to analyze the lesbian, gay, bisexual, transgender, and queer (LGBTQ) youth of color (YOC) community in New York City (NYC). The community is subject to multiple disenfranchisements, given their ethno-racial status, class, age, gender, and sexual orientation. This community's limited access to safe public spaces and amenities, housing, health services, job training, and other opportunities is an urban planning challenge insufficiently understood or addressed. Our methodology includes participant observation and analysis of an LGBTQ YOC tour of West Village in NYC, interviews with LGBTQ individuals and NGO staff, life stories, observations in LGBTQ-friendly meetings and facilities, and content analysis of LGBTQ reports and media coverage. The research shows the agency of an LGBTQ youth group as a resilient community organization effectively participating in planning processes and exerting rights to public space and services. Finally, it offers recommendations to planners and policy-makers to facilitate the recognition and expansion of rights to the city for LGBTQ, particularly YOC, by committing to understanding their unique conditions and needs and expanding their access to safe housing and public spaces, poverty reduction programs and job opportunities, and health and social support services.     

The stage: a space for queer subjectification in contemporary Turkey

This article focuses on the role of the stage in complex modes of gender performativity in the work of three Turkish performers: Zeki Müren (1931–1996), Bülent Ersoy (b. 1952), and Seyfi Dursuno?lu (b. 1932) a.k.a. Huysuz Virjin [Cranky Virgin]. These three, I suggest, are the pioneers of contemporary Turkish queer performance. Their performances – both on- and off-stage – are validated through a reiterative absence of queerness in their everyday lives and stand in the midst of various negotiations between queers and the secular Islamic nation-state in Turkey. In the works of Müren, Ersoy, and Huysuz, the stage is suggestive of a space where queerness can be managed. It is a contested space that does at least allow for the communication of queer ideas to a wider audience. I discuss the works of these three performers as three variations of queerness in Turkey in relation to different eras and different political climates that are directly related to the nation-state's desire to perform modernity. While explicating complicated modes of gender performativity, I consider the stage as the primary space for a queer body to exist. Through this discussion, I aim to activate debates both within and against the context of secular Islam, on gendered political space, and on those overlooked sexualized spaces in which the nation-state produces powerful yet unstable values to manage queer subjectivity in contemporary Turkey.     

Reorienting the nation: spatio-corporeal imaginaries and Turkey’s father of modern obstetrics,Dr Besim Ömer

In this study, I use a queer theoretical framework to critically assess narratives of reproductive reorientation in the early Turkish republic. I focus on the writings of one of the central medical professionals associated with the Kemalist regime, Dr Besim Ömer. Inspired by Sara Ahmed’s approach to orientation, I undertake a queer reading of Dr Besim Ömer’s writings on reproductive bodies and the spaces that they inhabit. Spatial dimensions of reproductive misalignment and reorientation are especially evident in Dr Besim Ömer’s work between 1923 and 1938. Rural and urban women are written as out-of-line with respect to the presumed national family line of Turkishness, one that extended Turkish bodies from the heroically fertile past and into a successfully (re)productive future. This assessment is predicated upon a spatio-corporeal imaginary: the naturally fecund Turkish woman, a body whose otherwise reproductively inclined tendencies had become misaligned in both the stagnating rural and industrializing urban spaces of the late Ottoman Empire and early Turkish republic. I draw upon Ahmed in order to highlight the slantwise character of desires for properly oriented reproductive bodies and spaces that were in-line with the nationalistic family line of Turkishness; desires that were predicated upon a placeless idealization and an embodied utopia. Spatio-corporeal imaginaries such as these have limited the scope and dimension of what constitutes, as Ahmed describes, ‘a life worth living.’     

Queering rurality: reading The Miseducation of Cameron Post geographically

This paper contributes to research on geographies of queer rural youth through an analysis of an award-winning young adult novel, The Miseducation of Cameron Post by Danforth (2012a. The Miseducation of Cameron Post. New York: Harper Collins). Three themes from the text are explored in this paper. The first is the well documented heterosexism of rural life. We note that the main protagonist, Cameron Post, experiences rural life on the margins, not only because of her queer identity but also because of her age and gender. A second theme in Danforth’s text is that rural spaces can be transgressively queer. In this respect the author subverts conflations of rurality and heterosexuality and urbanity and homosexuality as well as universalising notions of rurality as static, repressive and exclusive. The final theme emerging from a geographical reading of the text is that of placelessness. While highlighting the pervasiveness of this theme, we note that it elicits criticism from readers in relation to the book’s ending as it departs from the norms of familiar coming-out-narratives. In conclusion, we emphasise the efficacy of young adult literature as a source for furthering geographic knowledge about young people and sexuality.     

Queers in the American City: Transgendered perceptions of urban space

This paper explores the complex relationship between transgendered people and cities in the USA, and, in particular, their relationship with queer spaces within those cities. Some have argued that queer spaces occur at the margins of society and constitute a safe haven for LGBT oppressed by the hetero-normative nature of urban areas. Data from a survey of 149 transgendered individuals indicate that although queer spaces provide a measure of protection for gender variant people, the gendered nature of these spaces results in continued high levels of harassment and violence for this population. The author argues that the strongly gendered dimensions of these spaces suggests that a discursive re-visioning of gender is needed to create more transgender friendly urban spaces.     

Trans experiences in lesbian and queer space

This article explores how individuals who identify as transgendered and transsexual men experience the internal possibilities, limitations, and resistances found in spaces identified as ‘lesbian’ or as ‘queer’ in the City of Toronto. The article draws on interview data transcribing the experiences of 12 transgender and transsexual individuals in LGBTQ (lesbian, gay, bisexual, trans, and queer) spaces. These interviews empirically illustrate how fluid and unfixed gendered and sexualized practices can transform spaces and their occupants. Further, this article considers the ways spaces may be ‘queered’ and the implications of these processes on the constitution of LGBTQ spaces. The experiences of transmen in lesbian and queer spaces bring into sharp relief the complex ways that material spaces, even those arising out of resistive impulses, incorporate disciplining expectations and new opportunities. Those who research or utilize these places must be attentive to these processes, if there is to be a serious commitment to the creation of libratory, inclusive spaces.     

Intersectional feminist and queer geographies: a view from ‘down-under’

Despite rapid growth of geographies of genders and sexualities over the past decade, there is still a great deal of homophobia, transphobia, and heterosexism within academic knowledges. A queer and feminist intersectional approach is one way to highlight gendered absences, institutionalized homophobia and transphobia. To understand the diversity of genders and sexualities, feminist and queer geographers must continue to talk about, for example, genders (beyond binaries), sex, sexualities, bodies, ethnicities, indigeneity, race, power, spaces and places. It is vitally important to understand the way that genders and sexualities intermingle in community group spaces, rural spaces, and within indigenous spaces in order to push the boundaries of what feminist and queer geographers understand to be relevant sites of queer intersectionality. Reflecting on the production of queer and feminist geographical knowledges ‘down-under’ may prompt others to consider the way place matters to intersectional feminist and queer geographies.     

Messing with the attractiveness algorithm: a response to queering code/space

Responding to the collection of articles, ‘Queering Code/Space,’ this article discusses how algorithms affect the production of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) spaces, namely online dating sites. The set of articles is well timed: lesbian bars have closed en masse across the US and many gay male bars have followed suit so that online spaces fill – or perhaps make – a gap in the social production of LGBTQ spaces. I draw on Cindi Katz’s idea of ‘messy’ qualities of social reproduction and the necessity of ‘messing’ with dominant narratives in order to think about the labor, experience, and project of queering code/space.     

Sexualities,subjectivities and urban spaces: a case for assemblage thinking

In this essay, we argue that assemblage thinking has much to offer geographers attempting to conceptualize the interrelationships between sexualities, subjectivities and contemporary urban spaces. In our current research on queer mobilities, we found that despite the explanatory weight provided by mobilities approaches, two fundamental questions remained: how to conceptualise the nature of ‘the queer subject’, and how to better explain why certain kinds of urban spaces still seemed to support these newly mobile queer subjects. Here we speculate on the potential of assemblage thinking to formulate some new theoretical and conceptual responses to these questions. While quite preliminary, there is the potential to understand how interlocking (but temporary and unstable) notions of identities, subjectivities and mobilities (of ideas, people, knowledge, capital, etc.) can be ‘assembled’ in and across urban spaces, recursively reshaping sexualities and places.     

The matter of displacement: a queer urban ecology of New York City's High Line

This paper critically queers gentrification through an ecological analysis of the redevelopment of New York City's High Line. Taking the abandoned-queer-ecology-turned-homonormative park as a novel form of gay and green gentrification, I argue that the ‘success’ of the project must be critiqued in relational ecological terms. Intervening into the literature of gentrification, I begin to account for the material and symbolic aspects of ecological gentrification with the help of innovations in plant geography and queer ecology. To ground my analysis, I look to the process of ‘succession’, focusing, in particular, on one of the most established and successful plants growing on the abandoned High Line, Ailanthus altissima or the Tree of Heaven. Drawing on empirical insights, this account of the High Line's redevelopment tracks relations between queers and plants. Through layers of sexuality, ecology, and geography, the matter of displacement becomes central to a consideration of ethico-political possibilities for a queer ecological critique of urban space. In conclusion, I argue for an ethics and politics of responsibility to and for abandoned spaces that calls us to pay closer attention to the queer, the ecological, and their ongoing entanglement.     

Queering code/space: the co-production of socio-sexual codes and digital technologies

The mutual production of space by sexuality and technology has been differently addressed in the often-disparate disciplinary pursuits of queer geographies and critical studies of technology in geography. Building on Dodge and Kitchin’s ‘code/space,’ we highlight how studies of technology in geography are already concerned with questions of sexuality through the examination of biopolitics and the regulation of bodies, together with the (re-)establishment of new and old lines between the public and the private. The immanence of sexuality in code/space foregrounds the importance of spatial processes characterised by their difference and normativity in the geographies of technology. Queer geographies critically examine such different experiences and processes of differentiation through space in their nuanced conceptualisations of spatial regulation and transgression. We illustrate how these two bodies of geographical scholarship might be synthesised by outlining three approaches for studies of ‘queer code/space.’ To show how there are a variety of relationships between sexuality, code, and space, we play on the double entendre of ‘code’ as a set of social rules and norms, and ‘code’ as the set of algorithmic instructions underlying software systems. In both senses, codes constrain forms of intimate life, but can also transgress, disrupt, and distribute the norm. To queer code/space is to emphasise the complexities of difference and normativity in living with technologies, where technologies might both proliferate and regulate socio-spatial experience.     

The (un)promised land: queer identity and South Africa’s post-apartheid urban landscape

Abstract

In this article, I explore the intersection of photography and contemporary urban topographies in the production of queer identity in post-apartheid South Africa. To do so I examine Thebeautifulonesarehere, a contemporary photo-collage portrait series by Kelebogile Ntladi, which attempts to queer representations of South African cityscapes to reveal the entrenched homophobia and the systematic rejection of queer subjects. Ntladi, inspired by their own experiences of counter-normativity and the omnipresent threat of violence they face as a result, took to the streets to walk through their home city of Johannesburg to photograph the urban and cultural landscape; these photographic prints were then used as the building blocks in the assembly and fabrication of imagined spaces in which they and their fellow queer citizens would be able to live without fear of violence, where they could move freely and without repercussion. Using the trope of the flâneur as a starting point, I draw on Walter Benjamin’s paradoxical experience of Paris: his writing of Paris as the ‘capital of the nineteenth century’ and ‘the promised land’ of the flâneur exists in stark juxtaposition with his own complex experience of anxiety, dislocation and impending doom while living in the city while in exile during World War II. Ntladi’s personal experience of post-1994 Johannesburg echoes the paradoxical experience.     

Faith-based Queer Space in Washington,DC: The Metropolitan Community Church-DC and Mount Vernon Square

Religion and spirituality are important in queer place-making processes. More than a private part of life relegated beneath sexual identity, religious affiliation and spirituality motivate queers to interpret, experience, and shape space in distinct ways. Just as studies of queer residential spaces have neglected religion and spirituality, so have studies of queer religiosity and spirituality ignored less morally charged arenas of life such as residential choices and gentrification. Considering the material impact of spirituality and religion and understanding competing visions for the future of space in queer residential communities contributes to a clearer view of queer residential strategies. In Washington, DC, Christian queers are working with others to shape a distinct residential space called Mount Vernon Square. This ethnographic study offers a broader framework for understanding how some queers integrate sexuality and spirituality in their residential choices.     

Fragile subjectivities: constructing queer safe spaces

This paper uses framing theory to challenge previous understandings of queer safe space, their construction, and fundamental logics. Safe space is usually apprehended as a protected and inclusive place, where one can express one’s identity freely and comfortably. Focusing on the Jerusalem Open House, a community center for LGBT individuals in Jerusalem, I investigate the spatial politics of safe space. Introducing the contested space of Jerusalem, I analyze five framings of safe space, outlining diverse and oppositional components producing this negotiable construct. The argument is twofold: First, I aim to explicate five different frames for the creation of safe space. The frames are: fortification of the queer space, preserving participants’ anonymity, creating an inclusive space, creating a space of separation for distinct identity groups, and controlling unpredictable influences on the participants in the space. Second, by unraveling the basic reasoning for each frame and its related affects I show how all five frames are anchored in liberal logics and reflect specific ways in which we comprehend how queer subjectivities produce/are produced through safe space and its discourse.