James Joyce: steps towards a diagnosis

Authors whose scholarship is in the golden realm of English literature have not hesitated to make pronouncements on James Joyce's health. A publication in this genre claims he had tabes dorsalis. One feels that an authoritative comment, accepting or rejecting a diagnosis of neurosyphilis, should be provided by the Journal of the History of the Neurosciences.     

James Joyce: Steps towards a Diagnosis

Authors whose scholarship is in the golden realm of English literature have not hesitated to make pronouncements on James Joyce’s health. A publication in this genre claims he had tabes dorsalis. One feels that an authoritative comment, accepting or rejecting a diagnosis of neurosyphilis, should be provided by the Journal of the History of the Neurosciences.     

Sex,Fashion, Work: James Joyce and the Late-Victorian Actress

This article considers the presence of three late-Victorian actresses (Mrs Patrick Campbell, Eleonora Duse, and Sarah Bernhardt) in the work of James Joyce. The first appears in Joyce’s short story ‘A Mother’ (Dubliners). The strong influence of the other two is also detectable in the characterization of Ulysses’ heroines, Gerty MacDowell and Molly Bloom, and in a seminal text of late modernism, Finnegans Wake. In ‘A Mother’, Joyce’s attention to the importance of fashion on the stage and to poor working conditions for female performers calls to mind the career of Mrs Patrick Campbell. In Ulysses, Gerty’s performance in ‘Nausicaa’ recalls the techniques of the Ibsenian actress Eleonora Duse, known especially for her blushing; I argue that, given this famous skill and Joyce’s fascination with her, Duse directly informs Gerty’s characterization. Finally, Molly Bloom’s repertoire of dramatic references, including Trilby, Lillie Langtry, Sarah Bernhardt, publicity photographs, and Pineroticism, suggests Joyce’s immersion in a late-Victorian dramatic world. After sketching these connections in detail, I show that his interest in these actresses encourages scholars to continue to question the validity of traditional periodization boundaries. I end by arguing that the appearance of these actresses in these examples of early, high, and late modernism indicates the cultural richness of the long nineteenth century for Joyce, which continues throughout modernism’s successive phases.     

Knopfelmacher's essays

Frank Knopfelmacher: Intellectuals and Politics, Nelson's Australian Paperbacks, Melbourne, 1968, vii + 156 pp., $2.95.     

Euripidea. Collected essays

In the last thirty years historians of republicanism have offered us the image of Harrington as the true hero of Machiavellism. This paper suggests instead that Harrington adopted Machiavelli's method in political science, but shared only few of his master's values, often referring to those cherished in anti-Machiavellian circles, as in the case of the agrarian laws. Indebted to the anti-Machiavellian Petrus Cunaeus's analysis of the Jewish Jubilee laws, Harrington transformed Cunaeus's specific observations into a general law of his own political science. This paper emphasizes the originality and modernity of such science, based on the inextricable interconnectedness between politics and economics. Further, it argues that this science entails a new, post-Machiavellian theory of liberty and property.