An American Prototype in Thomas Mann's Königliche Hoheit

This study is inspired by Henri Lefebvre's theories on the production of space to consider the issues of geographic scale, urbanism, and historical memory in Spanish playwright Jerónimo López Mozo's 1999 play El arquitecto y el relojero. In this drama, the discourses of scale and the spectacle of urban space permeate the dialogue and staging of the work while the characters confront contemporary anxieties about the spatial component of historical memory. Relying on Henri Lefebvre's tripartite theory of the production of space to explore this spatial component not only illustrates the important relationship between culture and space, but it also demonstrates how the production of space at one scale—the urban—simultaneously “articulates” (Delaney and Leitner) with the broader geography of the nation.     

文化适应背景下留学生的日常行为空间特征——以英国伯明翰市中国留学生为例

空间是文化适应的反映与表征,跨文化的社会学现象呈现了“人-地”关联研究的特征与脉络。本文对英国伯明翰市的中国留学生进行了“文化适应”及“日常行为空间”等的相关调查,分析了该群体在居住、消费等行为的空间特征,并探讨了“文化适应”对“空间行为”的影响。主要结论为:(1)留学生浅层的文化适应限定了活动空间,居住和日常消费就近在大学周边,中国城则成为周末通勤中心,对“住区与学校—中国城”以外的空间感知模糊。(2)人群分异明显,英国文化越融入,越喜欢光顾英式的空间;中国文化越坚守,对中国城越依恋。(3)空间的隔离性与重叠性加剧了对英国文化的疏离。无论是对中国城的更新、还是对大学周边的拓展,政府都需要寻求国际化的城市空间管制途径,加快留学生的文化适应。     

Earning their keep: child workers at the Birmingham Asylum for the Infant Poor, 1797–1852

This article examines the attitudes of the Guardians of the Poor in Birmingham towards childhood and child labour from the end of the eighteenth century to the mid-nineteenth century. Utilising minutes of meetings for the Birmingham Asylum for the Infant Poor, it finds that children were removed from the workhouse to separate accommodation with workshops sited on the premises so that children as young as five years old could become economic contributors to their own welfare. It argues that over the course of five decades, pauper children made significant contributions to Birmingham finances.     

THE SEVEN THEMES OF MUSIC GEOGRAPHY*

Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I - origins (non-‘geographical’); II - world distribution and types; III - location analysis; IV-source areas of musical activities; V - trends based on electricity; VI - impact of music on landscapes; and VII - global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations. La géographiede la musique est apparueau début comme un sous-domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt-cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. Mots-clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.