Towards Liveable Cities: Progress in the European Union Urban Environmental Agenda

The 2006 “Thematic Strategy on the Urban Environment” is the first piece of official European Union (EU) policy solely focused on the urban environment. It follows a process of several years in which the EU has tried to promote an integrated approach to urban management. During the 2005–2007 “Liveable Cities” project, reflection was given to the “Thematic Strategy”. This resulted in important critiques on the EU's approach to the urban environment. Explaining how the initial top-down approach chosen by the EU contributed to the perceived “failure” of the “Thematic Strategy”, suggestions are made for alternative approaches to the creation of liveable cities in Europe.     

The supreme court of Israel: Formative years, 1948–1955

In seeking to establish a paradigm of a literary “New Jew” for the early twentieth century, we must view the cultural developments of the time on the background of European modernist culture. During this period the European “New Jew” underwent many incarnations, including Max Nordau's muscular hero, Buber's “Renaissance” Jew, Berdyczewski's Nietzschean “new man,” Herzl's “authentic Jew,” and the Hebrew literary talush (rootless person). All the divergent ideas of Jewish renewal propounded in Europe were united in Shaul Tchernichovsky's poetry, either through deliberate reference or as a result of the tenor of the time. This article examines Tchernichovsky's implicit conception of the “New Jew” through two poems: “Lenokhah pesel Apollo” (Before a statue of Apollo, 1899) and “Ani – li misheli ein klum” (I have nothing of my own, 1937).     

PARADIGMS BEHIND (AND BEFORE) THE MODERN CONCEPT OF RELIGION

This essay identifies five paradigms that are basic to understanding the historical emergence and uses of the generic idea of “religion” in the Christian cultures of Europe and America. The spread of this concept has been sufficiently thorough in recent centuries as to make religion appear to be a “social fact,” to use Durkheim's phrase, rather than so many cultural expressions and different social practices. The supremacy of Euro‐American culture—and an academy still saturated with Christian ideas—has enjoined other cultures and forms of religiosity to conform to this idea of religion; for these cultures contentment with the status quo can vie with the anxieties of influence, including “modernization.” The key paradigms discussed are the following: Christianity as the prototype; religion as the opposite of reason; the modern formulation of “world religions”; the cultural necessity of religion; and critical analysis of the Western “construction” of religion. These paradigms demonstrate the limits on theoretical variety in the field, the difficulty in making real changes in set ways of thinking, and productive foci for interdisciplinary methods of study.     

European Transfigurations—Eurafrica and Eurasia: Coudenhove and Trubetzkoy Revisited

The Eurasianist movement launched a theory according to which Russia does not belong to Europe but forms, together with its Asian colonies, a separate continent named “Eurasia” whose Eastern border is the Pacific Ocean. Similarily, in the early 1920s, Richard Coudenhove-Kalergi, the founder of the Pan-European movement, developed, the idea of “Eurafrica.” I compare the writings of Coudenhove and those of Nicolas S. Trubetzkoy and show how the idea of Europe was used as an anti-essentialist model of a cultural community. Though both “Eurasia” and “Eurafrica” may be understood to express cultural and economic imperialism, the sophistication with which both concepts are brought forward makes their interpretation as simple derivatives of chauvinism impossible. Both Trubetzkoy and Coudenhove refuse national “egocentricity” which “destroys every form of cultural communication between human beings.” Above that, Trubetzkoy and Coudenhove agree that cultural apogees have often come about through fusion. I discuss the idea of “convergence” in the context of Bergson's and Deleuze's biophilosophies.     

Storm Drains as Assemblages: The Political Ecology of Flood Risk in Post‐Colonial Bangalore

Cities around the world are increasingly prone to unequal flood risk. In this paper, I “materialize” the political ecology of urban flood risk by casting stormwater drains—a key artifact implicated in flooding—as recombinant socionatural assemblages. I examine the production of flood risk in the city of Bangalore, India, focusing on the city's informal outskirts where wetlands and circulations of global capital intermingle. Staging a conversation between Marxian and Deleuzian positions, I argue, first, that the dialectics of “flow” and “fixity” are useful in historicizing the relational politics of storm drains from the colonial to the neoliberal era. Second, flood risk has been heightened in the contemporary moment because of an intensified alignment between the flow/fixity of capital and storm drains. Storm drains—and the larger wetlands that they traverse—possess a force‐giving materiality that fuels urban capitalism's risky “becoming‐being”. This argument raises the need for supplementing political‐economic critiques of the city with sociomaterialist understandings of capitalism and risk in the post‐colonial city. The paper concludes with reflections on how assemblage thinking opens up a more distributed notion of agency and a more relational urban political ecology.     

The road to modern Jewish politics. Political tradition and political reconstruction in the Jewish community of Tsarist Russia

This article examines how Maoist theory and practice were imported to France during the 1960s. A syncretic phenomenon, as notions developed in the Chinese cultural context were adapted to the very different Gallic situation, French Maoism proved to be especially influential among students at the École normale supérieure at the rue d’Ulm in Paris, where the Marxist theoretician, Louis Althusser, was teaching. Maoist philosophy facilitated critiques of the Moscow-aligned French Communist Party and its student union; it enabled Althusser's rethinking of the Marxist tradition, and it ultimately provided ammunition for his students’ eventual break with his “theoreticism.” Maoism's fecund contribution to French intellectual culture in the 1960s, helping to lay the groundwork for the events of May 1968, derived principally from its dual theoretical and practical nature. This article highlights two specific Maoist tenants—the inevitably violent nature of revolution and the ersatz-empiricist method of the “investigation”—and suggests how, after 1968, French Maoism ultimately surrendered the former as the latter proved more useful to direct democratic politics.     

BETWEEN GENOCIDE AND “GENOCIDE”

The two books discussed here join a current pushback against the concept (thus also against claims for the historical occurrence) of genocide. Nichanian focuses on the Armenian “Aghed” (“Catastrophe”), inferring from his view of that event's undeniability that “genocide is not a fact” (since all facts are deniable). May's critique assumes that groups don't really—“objectively”—exist, as (by contrast) individuals do; thus, genocide—group murder—also has an “as if” quality so far as concerns the group victimized. On the one hand, then, uniqueness and sacralization; on the other hand, reductionism and diffusion. Alas, the historical and moral claims in “defense” of both genocide and “genocide” survive.     

“Voy a empeñar la Edad de Oro”: Historia,música y política en la crisis española (2011–2016)

ABSTRACT

Spain's current economic and social crisis has involved a profound reappraisal of the country's history, institutions, and official narratives, especially after the emergence of the 15M or indignados movement in 2011. A crucial example of this shift has been the widespread criticism of Spain's “Transition to Democracy” or Transición, widely considered Spain's “foundational” narrative. In this article, a series of examples from the musical field—including essays, songs, and public uses of music—are studied and contextualized in order to analyze different interpretations and critiques of the Transición developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its “climate” (Fernández Savater). In these examples, two complementary trends are identified: on the one hand, an intention to reclaim part of the Transición's collective mood through its musical symbols; on the other, a rejection of its political legacy, as expressed in criticisms of its musical canon.     

“Twitter Bodhisattva”: Ai Weiwei’s Media Politics

Abstract

This article investigates artist and activist Ai Weiwei’s media politics. In 1997 Ai Weiwei imagined a modernist movement that would practise a “non-compromising vigilance on society and power” and since 2005 he has embraced blogging and micro-blogging to enact such intent. We argue that his “communication activism” is part of a broader artistic and political program that long predates his online presence. The study examines how the artist has experimented with blogging and micro-blogging to spread his message of “awakening” in defiance of censorship and surveillance. It shows how Ai Weiwei’s communication strategy combines an international celebrity status, criticism, irony and a round-the-clock interaction with his netizen audience and the media. It also critiques the effectiveness and coherence of this mode of activism from two perspectives – namely, Jean Baudrillard’s analysis of “private telematics” and Jodi Dean’s “blog theory” – and finally assesses its impact. The study aims to enhance our understanding of the web-based communication strategies of Chinese activists, shedding light on cultural production and consumption in Chinese cyberspace as a socio-political barometer.     

Covering the Building of a Kingdom: The Saudi Arabian Authority in The London Times and The New York Times, 1901–1932

The orientalist literature subjected the Middle East in an exotic way — mostly as an “Arabian Nights” society ruled by traditional sultans and/or tribal chiefs — rather than modern governance structure's “bureaucracy.” The presumption within postcolonial scholarship has been that this perception influenced the policy landscape in the United States and Europe, especially the media depictions of the oriental leaders and leadership. The paper empirically tests this hypothesis through content analysis using Weber's categorization of leadership of two newspapers of record — The New York Times in the United States and The London Times in the United Kingdom — during the period of state building in Saudi Arabia (1901–1932). I find that rather than depicting the Saudi leadership as “backward,” these newspapers in particular, tend to overstate the development of the Saudi state during this period. As Weber is best known for his three types of authority, it benefits the discipline to see how the interpretive communities of Western journalists operationalized “authority” in terms of politics and religion of Saudi Arabia as this monarchy emerged.     

Books Received

This article is an analysis of Argentine writer Jorge Luis Borges's short text “Kafka and His Precursors.” Although appearing to be an example of literary criticism, Borges's essay is in fact the exploration of a certain logical paradox. It is a paradox that is to be found throughout Borges's work, with the result that “Kafka and His Precursors” can be read as a disguised literary manifesto on the part of Borges. I also explore the consequences of Borges's essay for thinking about questions of cultural transmission. I argue that Borges’ work lives on—like those literary, religious and philosophical traditions he admires—because its most profound subject is the relationship it has with the person who reads it.     

Rules for Cultural Radicals

Abstract: This article explores the various forms of “social skill”, what we call “rules for cultural radicals”, that the Amber Film and Photography Collective (and primarily its founder and leading visionary, Murray Martin) used to create and sustain an egalitarian arts organization and oppositional cultural movement in the Northeast of England. The collective represented a radical challenge to the world of British filmmaking, featuring innovative practices of cultural work, non‐commodified forms of cultural economy and a commitment to a democratic culture. These “rules” constituted innovative forms of strategic action—visionary leadership, improvisation, risk taking, brokerage—that helped create a durable collective identity and networks of solidarity. We explore the extent to which Amber's “rules” are prefigurative of contemporary forms of cultural activism and radical artistic practice.     

Reflections on the European Legacy (from the Plains of Anatolia)

Turkey's insistence on its European credentials, and its endeavours to join the European Union, provide an opportunity to reflect on what the European legacy means. While acknowledging the diverse contributors to Europe, and the extensive interactions with the rest of the world that have shaped European history and identity, this essay locates Europe's most important legacy—and measure—in the realm of ideas, especially the ideas we use to organise our experience and approach the challenges of the world. These ideas came to fruition in the Enlightenment, and they provide an approach that is potentially liberating for peoples but uncomfortable for those with power, and those that aspire to power, including within Europe itself. The challenge for Turkey is to recognise that the EU is not necessarily the last word on ‘Europe,’ while continuing to engage creatively with the European legacy.     

Dwelling in the Sites of Finitude: Resisting the Violence of the Metaphysical Globe

Abstract: In this paper Martin Heidegger's notions about dwelling in the sites of finitude and “power‐free” (Macht‐los) “letting‐be” (Gelassenheit) are explored as fundamental possibilities for resisting the ontological violence posed by global capitalism, the planetary outcome of the metaphysical condition Heidegger calls the “machination” (Machenschaft). Beginning from the planetary machination—the emergence of the flexible and circularly functioning power of calculative intelligibility—resistance is understood ontologically and hence as a radical critique of power as a consummation of the history of the metaphysical constitution of being. The paper culminates in a discussion of Heidegger's view on the awakening of the “other beginning” of the abyssal “Event” of being, a groundless “time‐space‐play” capable of constituting an alternative modality of relations no longer based upon the calculative functions of power but upon groundless thought and non‐violent dwelling in the earth‐sites of finite being.     

THE HISTORY OF EMOTIONS: AN INTERVIEW WITH WILLIAM REDDY,BARBARA ROSENWEIN,AND PETER STEARNS

The history of emotions is a burgeoning field—so much so, that some are invoking an “emotional turn.” As a way of charting this development, I have interviewed three of the leading practitioners of the history of emotions: William Reddy, Barbara Rosenwein, and Peter Stearns. The interviews retrace each historian's intellectual‐biographical path to the history of emotions, recapitulate key concepts, and critically discuss the limitations of the available analytical tools. In doing so, they touch on Reddy's concepts of “emotive,”“emotional regime,” and “emotional navigation,” as well as on Rosenwein's “emotional community” and on Stearns's “emotionology” and offer glimpses of each historian's ongoing research. The interviews address the challenges presented to historians by research in the neurosciences and the like, highlighting the distinctive contributions offered by a historical approach. In closing, the interviewees appear to reach a consensus, envisioning the history of emotions not as a specialized field but as a means of integrating the category of emotion into social, cultural, and political history, emulating the rise of gender as an analytical category since its early beginnings as “women's history” in the 1970s.     

FELLOW CITIZENS AND IMPERIAL SUBJECTS: CONQUEST AND SOVEREIGNTY IN EUROPE'S OVERSEAS EMPIRES

This article traces the association between the European overseas empires and the concept of sovereignty, arguing that, ever since the days of Cicero—if not earlier—Europeans had clung to the idea that there was a close association between a people and the territory it happened to occupy. This made it necessary to think of an “empire” as a unity—an “immense body,” to use Tacitus's phrase—that would embrace all its subjects under a single sovereign. By the end of the eighteenth century it had become possible, in this way, to speak of “empires of liberty” that would operate for the ultimate benefit of all their “citizens,” freeing them from previous tyrannical rulers and bringing them under the protection of more benign regimes. In such empires sovereignty could only ever be, as it had become in Europe, undivided. The collapse of Europe's “first” empires in the Americas, however, was followed rapidly by Napoleon's attempt to create a new kind of Empire in Europe. The ultimate, and costly, failure of this project led many, Benjamin Constant among them, to believe that the age of empires was now over and had been replaced by the age of commerce. But what in fact succeeded Napoleon was the modern European state system, which attempted not to replace empire by trade, as Constant had hoped, but to create a new kind of empire, one that sought to minimize domination and settlement, and to make a sharp distinction between imperial ruler and imperial subject. In this kind of empire, sovereignty could only be “divided.” Various kinds of divided rule were thus devised in the nineteenth century. Far, however, from being an improvement on the past, this ultimately resulted in—or at least contributed greatly to—the emergence of the largely fictional and inevitably unstable societies that after the final collapse of the European empires became the new states of the “developing world.”     

Capitalism's Anxious Whole: Fear,Capture and Escape in the Grundrisse

Abstract: Two Hegels inhabit the Grundrisse. The first is conservative of the “selfsame” subject that continuously returns to itself as non‐identical identity and propels “history”. The other Hegel tarries with the “negative” he (which or variously calls “non‐being”, “otherness”“difference”) to disrupt this plenary subject to Marx's reading of a Hegel who is different‐in‐himself lends Grundrisse its electric buzz: seizing Hegel's “negative” as the not‐value of value, i.e. “labor”, Marx explains how capital must continuously enroll labor to its will in order to survive and expand. But this enrollment is never given; hence, despite its emergent structure of necessity, capital's return to itself as “self‐animating value” is never free of peril. The most speculative aspect of my argument is that the figure of “labor” in Grundrisse, because of its radically open formulation as not‐value, anticipates the elusive subject of difference in postcolonial theory, “the subaltern”—that figure which evades dialectical integration, and is in some ontological way inscrutable to the “master”. Unexpectedly, then Grundrisse gives us a way to think beyond the epistemic and geographic power of “Europe”.     

‘Fragments of Cultural History'? Recent work on south-east European cultural history

Abstract

In his review of Jean-Baptiste Duroselle's ‘Europe. A History of Its Peoples’, Paschalis Kitromilides lamented that in most general accounts, Europe has been reduced to a history of Visigothic Europe. In these two volumes reflecting his oeuvre until 1994 — one a valuable monograph on a crucial figure of the Balkan Enlightenment, the other an updated collection of essays written in the course of fifteen years and covering some of the central processes of the past two centuries — Kitromilides is rectifying this short-sighted view of Europe. What he shows is a Europe as a common playground of ideas where elements from the core regions are transmitted and transformed to other, adjacent and peripheral territories. His focus is on the Balkans (or Southeastern Europe in his preferred nomenclature). What he also shows admirably is the reverse relationship of core and periphery in scholarship. Even good scholars of the core are parochial in their exclusive confinement to the centre. Conversely, good scholars of the Balkan region are, as a rule, deeply knowledgeable and conversant with ideas and trends outside their immediate geographic sphere of expertise (immensely complex in itself). Paschalis Kitromilides happens to be not simply among the good scholars of and from Southeastern Europe; he is one of the best. At present director of the Centre for Asia Minor Studies in Athens and professor of political science at the University of Athens, Kitromilides is considered the leading Greek authority on the history of ideas, particularly the history of political thought. He himself describes his work as ‘fragments of cultural history’; I would add, cultural history at its best.     

3. MENTALITY AS A SOCIAL EMERGENT: CAN THE ZEITGEIST HAVE EXPLANATORY POWER?1

This paper probes the explanatory value of mentality as a social emergent in general and of the Zeitgeist in particular. Durkheim's contention that social facts have emergent properties is open to the charge that it implies logically inconsistent “downward causation.” on the basis of an analogy with the brain‐mind dilemma and mental emergentism, the first part of the essay discusses and dismisses the notion of social emergent properties that cannot be reduced to the properties of their component parts—individuals—and their internal relations. However, ontological individualism need not compel us to methodological individualism. The second part introduces two challenges to methodological individualism. The most radical is Rajeev Bhargava's assertion that the meaning of a belief is determined not by the individual holding the belief but by the entire linguistic community. Bhargava's “contextualism” is closely related to the (post)structural demand that we focus on discourse as a communal entity instead of continuing a delusive quest for the intentions of individual speakers. a more modest alternative is Margaret Gilbert's plea for using “plural subjects”—social groups in which “participant agents” act jointly or have a jointly accepted view—in the practical syllogisms that are central to rationalizing action explanation. The notion of plural subjects lends credence to, and is reinforced by, “situationist” social psychology, which shows how people conform to peer groups, authorities, and roles. building on Wesley Salmon's and Peter Railton's ecumenical accounts of explanation, the essay argues that both individual rationalizing action explanations and explanations based on plural agents can give explanatory information: we need not choose one or the other. The third part discusses how the Zeitgeist can provide added explanatory value in an analysis of the New left. This is possible if the “spirit of the sixties” is seen as representing the values and worldviews of the “sixties generation” as a social group in Gilbert's terms. Radical youth would suspend judgment and pool their wills to conform to what they perceived were the views of the imagined “sixties community” or—rendering more explanatory force—to smaller parts of it in the guise of peer groups and organizations.     

The “State Idea” in Theory and Practice

Recent anthropology of the state is influenced by sociology's cultural turn—taking up “the state idea” as situated meaning. The works reviewed here pursue the state's idea of itself—in two cases through state projects of extreme social and cultural engineering, in two as a comparative problem. Notwithstanding differences of purpose and approach, the authors evince tacit points of convergence around the state as a form of modernism, as a function of elite interests, and as a localized process of depoliticization, associating dissent with cultural authenticity. The essay relates these points to western state nationalism and current ethnographies of political subjectivity.