The ‘French’ mill in medieval Tuscany

At the beginning of the thirteenth century the territory of Florence possessed three types of grain mill: the floating mill, found particularly on the River Arno in the immediate vicinity of the city of Florence itself; the suspension mill, located on the Arno as well as the free-flowing Elsa to the southwest; and the horizontal mill situated primarily along the streams throughout the Florentine countryside. The floating mill and suspension mill were run predominantly by the Vitruvian gearing system while the horizontal mill was operated by the apparently less efficient ritrecine or horizontal walerwheel. An examination of the notarial chartularies lodged in the Archivio di Stato of Florence shows that after 1250 the Florentines, while incorporating northern- European methods for the manufacture of woolen cloth, began to use overshot and undershot mills, the former being designated as French and the latter as orbital. The orbital mill was constructed along the banks of navigable rivers like the Arno and the Elsa and soon was partly responsible for the disappearance of the floating mill. The French mill, on the other hand, was located by the erratic torrents of the hills and mountains of the countryside. It did not by any means replace the horizontal mill. In many cases, it simply became part of a pre-existing complex housing a ritrecine. In others, particularly in the latter half of the fourteenth century, there was a successful symbiosis of the principal mechanisms of the overshot and horizontal types, creating the French horizontal mill. By the end of the fourteenth century the territory of Florence thus had five types of grain mill and thereby anticipated the basic milling technology of the High Italian Renaissance as illustrated in Agostino Ramelli's compendium of machines completed in 1588.     

Transnational blackface,neo-minstrelsy and the ‘French Eddie Murphy’ in Intouchables

The 2011 French film Intouchables is an interracial buddy film about a black caregiver from the suburbs and a quadriplegic white aristocrat. Éric Tolédano and Olivier Nakache’s film broke box office records in France and abroad, becoming the second highest grossing French film of all time in domestic release and the most successful non-English film on the export market. However, the film’s critical reception was mixed; some celebrated the film’s social conscience while others denounced its racism. In this article, the author analyses the film’s treatment of race, specifically the ways in which Tolédano and Nakache draw on tropes of American blackface, neo-minstrelsy and 1980s Hollywood interracial buddy comedies starring Eddie Murphy to visualise racial inequality and discrimination in contemporary France. The author tracks the ways in which these American tropes align and do not align with representations of cultural diversity and the banlieues in France, and he ultimately argues that the film’s financial success and ambivalent reception track with the contradictory politics of American tropes for representing blackness.     

‘Martial Races’ and ‘Imperial Subjects’: Violence and Governance in Colonial India, 1857–1914

This essay explores the specificity of colonial violence in India. Although imperial and military historians are familiar with several instances of such violence—notably the rebellion in 1857 and the 1919 massacre at the Jallianwalla Bagh in Amritsar—there is a broader, and arguably more significant, history that has largely escaped attention. In contrast to metropolitan European states, where sovereignty derived, at least in principle, from a covenant between subjects and government, the sovereign power of the colonial state was always predicated on the violent subjugation of ‘the natives’. However, while violence was integral to colonialism, such violence was never a purely metropolitan agency: most of those recruited to serve in the colonial military were, themselves, Indian. Exploring the history of the imperial military in South Asia after 1857, the paper outlines the complex and rather ambiguous relationship between the colonial state and its ‘native armies’.

résumé ?Cet article se penche sur la spécificité de la violence coloniale. Malgré des exemples familiers—comme la grande révolte de 1857 en Inde ou le massacre de Jallianwalla Bagh à Amritsar en 1919—il y a une histoire plus large et plus importante qui a échappée à l'attention des historiens. Contrairement aux états européens ou la souveraineté dérivait en principe du moins d'un contrat social entre les acteurs sociaux, le pouvoir souverain de l'état colonial restait fondé sur la subjugation violente des indigènes.     

‘Culture’, ‘sustainable development’ and cultural policy: a contrarian view

Abstract

This essay offers a critical analysis of the ‘culture and sustainable development’ discourse, notably among cultural activists and in actually existing cultural policy. It interrogates the utility of the narrative, seeks to uncover the semantic manoeuvres it employs and challenges the conventional wisdom it represents. The essay first explores the itinerary of the ductile notion of ‘sustainability’, the ways in which it has been stretched far beyond the original intent of those who coined the term, and identifies the conceptual discontents that this semantic multiplication has entailed. It hypothesizes that precisely because the term ‘sustainable’ and its derivatives are so acceptable and malleable at the same time, they have been easy to yoke to the bandwagon of the many-faceted and totalizing process that is ‘development’, allowing many different actors to project their interests, hopes, and aspirations under this composite banner. The essay then analyses the campaign to make culture ‘the fourth pillar of sustainability’ under the banner of the movement called ‘Agenda 21 for Culture’. It concludes with a plea for a return to the original ecological focus of the term ‘sustainability’ – notably as regards climate change – and outlines some cultural policy responses such a focus can and should generate.     

Anton Dumitriu,the ‘Axiomatic Culture’ and the ‘Crisis of the West’

Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.     

‘The Garrison Mentality’ versus ‘La Survivance’: English‐French relations in lower Canada, 1791–1838

Legacies of Fear: Law and Politics in Quebec in the Era of the French Revolution by F. Murray Greenwood. Toronto: University of Toronto Press for The Osgoode Society, 1993. Pp.xvi + 359. £26.00 (hardback); £13.00 (paperback). ISBN 0–8020–0534–8; 0–8020–6974–6.

The Christie Seigneuries: Estate Management and Settlement in the Upper Richelieu Valley, 1760–1854 by Françoise Noel. Montreal and Kingston: McGill‐Queen's University Press, 1992. Pp.xiv + 221. £29.95 (hardback). ISBN 0–7735–0876–7.

The Patriots and the People: The Rebellion of 183 7 in Rural Lower Canada by Allan Greer. Toronto: University of Toronto Press, 1993. Pp.xiv + 385. £32.00 (hardback); £12.50 (paperback). ISBN 0–8020–2792‐X; 0–8020–6930–4.     

Consumption and the ‘Social Self’ in Medieval Southern England

Over the last 30 years we have become increasingly aware of the commercialising nature of the medieval English economy. However, these insights have had little impact on narratives of consumption, which persist in seeing it as a characteristic of modernity. Here it is argued that we must move away from seeing an early modern consumer revolution and instead think about consumption in medieval society, particularly to examine the implications of commercialisation for identity and selfhood. A framework is developed, building upon David G. Shaw’s use of the ‘social self’ and the writing of Gilles Deleuze and Felix Guattari, to explore how the increasing variability, and wider range, of objects impacted upon the negotiation of selfhood in the 13th–15th centuries.     

ZHUMO AND HER CRANES──Primitive Ecological Culture in ‘KingGesar’

ZhumowastheconcubineofKingGesaroftheStateofLing.Sheownedthreecranes.WhentheHorKingBaizammadeinroadsintoLingandcarriedheroff,sherefusedtobehisconcubine.Throughthethreecranes,shesentaletterwritteninherbloodtoKingGesar,askinghimtorescueher.Thethreecranesdidwhatshedemanded.IntheepicKingGesar,theBattleBetweenHorandLingdepictsthisepisodeofhistoryinvivid,touchingwords.ItrevealsthemistakesofKingGesar.Giventhefactthat,whentheepicwascreated,theTubosocietyfeaturedworshipofthekingasthesonoftheGo…     

Parité, la nouvelle ‘exception française’

This article shows how a movement for gender parity in politics, distinct from the second-wave women's liberation movement, formed in the 1990s, and how the subsequent parity reforms, which public opinion strongly favoured, gained support among political elites. It highlights the triumph of a conception of democracy based on the idea that political representation is to be shared between two equal and different sexes. Nevertheless, what appears to be a common sense victory, namely, the establishment of a universalism finally made real by the increase in the number of women in elected assemblies, is in fact ambiguous, especially when considered in relation to the feminism of the 1970s.     

‘Demonstrating the Machine Guns’: Rebellion,Violence and State Formation in Early Colonial Darfur

Recent literature on British colonial rule in Africa has increasingly emphasised the ways in which relatively cautious colonial states were formed in processes of engagement and accommodation with local societies. This article uses the example of a major rebellion against colonial authority in southern Darfur in 1921 to demonstrate the ways in which these processes of local engagement might themselves feed into rebellion against state authority, rather than secure colonial rule. The rebellion was inspired by Mahdist millenarian belief, but the involvement of local societies in both the rebellion and its repression was also shaped by patterns of local rivalries into which the colonial state had entered as an additional actor. The article also reminds us, more broadly, that spectacular violence and local accommodation were not distinct modes of colonial governance but rather continually intertwined in processes of colonial state formation.     

The history of ‘Social Technology’, 1898–1930

Since the term was first coined, in the late nineteenth century, ‘social technology’ has had a mixed fate. Whereas ‘technology’ has become one of the keywords of the twentieth century, ‘social technology’ never quite seemed to settle in the vocabulary of social theory. In this article, we focus on the early history of ‘social technology’, tracing its spread from its origin in the sociology department at the University of Chicago, and describing the increasing competition from the term ‘social engineering’ starting in the 1920s. We argue that this shift in terminology is significant, because it is an index of changing ideas about the demarcation of sociology, about the application of science in the betterment of society and about the nature of technology.     

A ‘Murderous Affair in Lincoln County’: Politics,Violence, and Memory in a Civil War Era Kentucky Community

The 1867 assassination of Unionist James H. Bridgewater typified politically motivated community violence in central Kentucky during the Civil War Era. His assassins, members of a band of ‘regulators,’ viewed Bridgewater as representative of ongoing federal interference in the Commonwealth and thus a hindrance to their local agenda. Regulators used terror tactics both to stymie political competition for the building blocks of state power, including the offices of sheriff and magistrate, and to impose a white supremacist social order after the formal abolition of slavery. Like‐minded partisan editors sought to legitimize both the actions of these night riders and of state and local elected officials by arguing that ‘outlaws’ such as Bridgewater had to die so that law and order might be restored, while assuring readers that such things did not happen to ‘good citizens.’ In so doing, these editors laid the foundation for a usable memory of the Civil War and Reconstruction in Kentucky.     

The ‘Liverpool model(s)’: cultural planning,Liverpool and Capital of Culture 2008

Within the UK, the ‘Liverpool model’ is being celebrated as the new template for Capital of Culture festivals, and culture led urban regeneration in general. This paper will question this celebration and argue that there are, in fact, two ‘Liverpool models’: the first, outlined in its bid and developed within its initial planning strategy, represented the apogee of a New Labour informed ‘cultural planning’ framework for urban development; the second, developed post-2008 within the impact analysis Impacts08, is a more sober and realistic reflection of the role of culture in urban regeneration. This paper will demonstrate how this first model, while politically expedient and rhetorically seductive, was both theoretically unstable and practically unrealizable. Its subsequent abandonment represents an indictment of cultural planning as a nostrum for the complex structural, social and economic problems of the post-industrial city.