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凡尔赛格局中,法西斯意大利既非“有”的国家,也非“无”的国家,而是介乎“有”与“无”之间的中间力量。意大利最后盟随德国,并不是一开始就有的既定方针,而是它在两次世界大战之间或主动、或被动的外交选择的结果。  相似文献   

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The essay offers an analysis of fashion and its bearing on the construction of national identity and politics of style during fascism in Italy. No recent work on fascism has analysed the role of fashion in the complex and contradictory phases of the cultural politics of Mussolini’s regime. The essay aims to illustrate the two sides of fashion and their relevance to the period in question. It shows, on the one hand, how the regime used fashion to discipline the social body, especially women’s, and to create a national style recognisable as such; and, on the other, how fashion is also an individual act through which was expressed the creativity both of the people working in the fashion industry and of ordinary people who used fashion and style to demonstrate their non–conformity with the diktats of the regime. Pointing out that it was as a result of the debate on nationalism of the pre–fascist liberal period that premises for fascist policy were set, the essay argues that the history of fascist fashion policy is one of continuities rather than ruptures.  相似文献   

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1936年12月12日的"西安事变"是历史学家公认的国共关系史上的重大事件.它结束了国共之间的内战,为两党第二次合作铺平了道路,意味着中国抗日战争的开始.有关西安事变的研究,一方面可加深对1930年代苏联对中国影响的理解,同时亦可深化人们对太平洋战争后中国共产党之所以在政治上获得成功的认知.①  相似文献   

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This article examines discourses and practices around women's drinking in Fascist Italy. The history of alcohol production and consumption in Italy during the fascist dictatorship has only recently received attention; alcohol's gendered dimensions, especially women's drinking, have been hitherto overlooked. While the production of legislation, rhetoric and propaganda on alcohol consumption was dominated by men, women were identified as key constituents whose alcohol-related practices could make or break the causes of fascist propagandists, ‘anti-alcohol’ campaigners and alcohol industry associations. The article explains how Italian women were imagined and addressed by regime propagandists, alcohol industry producers and temperance campaigners as (a) simultaneously the principal victims of and responsibility bearers for male excess alcohol consumption, (b) potential ‘crisis-women’ whose unpatriotic drinking choices (whether English tea, French champagne or American cocktails) denoted their prioritising of fashion over fascist values and (c) gatekeepers of family alcohol consumer practices and consumers of alcohol in their own right. It then moves to examine sources left by interwar Italian women to explore what, how and when they drank. Ultimately, it argues that despite attempts to construct women's drinking in archly nationalistic terms, the discourses and actual practices of Italian women around alcohol consumption operated within profoundly transnational frames.  相似文献   

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This article tries to compare the racisms of Fascist Italy and ultra-nationalist Japan as evidenced by foreign policy, attempting to categorize them into three dimensions: the inner logic of the nation state; the justification of expansionist foreign policies; and as an accelerator of cruelty in war. It also surveys Italo-Japanese relations by choosing some points of contact to scrutinize how different racisms reacted to each other.  相似文献   

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This article examines Fascist violence in war from the perspective of the strategies employed by the Italian army. Focusing on the military’s use of violence from the re-conquest of Libya to the civil war in Italy, the article argues that Fascism systematically employed forms of violence that were both typical and original.  相似文献   

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In the essay, 'Of Other Spaces', Michel Foucault contends that every society constructs sites which can be defined as effectively enacted utopias (heterotopias), sites where social policies are articulated and where ideals of social ordering are physically performed. The article examines how a number of places in Fascist Italy, which conformed entirely to the principles of the heterotopia that Foucault sets out, were perceived by a selection of prominent writers and journalists. It examines the recorded journeys to the cemeteries of the First World War, to various renovated prisons within Italy and finally to the new towns south of Rome. It explores the kind of mental and physical sensations which the different writers evoked as well as examining the ways in which their written accounts of their imaginative experiences interacted with the myths of identity and social control which were central to Fascist ideology.  相似文献   

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This article explores the phenomena of geographical imaginations and their seldom-noted promotion within various corners of Fascist Italy. Imagined geographies are socially constructed understandings of other places and regions and, as such, they are malleable, contingent, shifting and unquantifiable. Nevertheless, these imaginaries help us to navigate our imaginative worlds and our relative place in the material world. In 1930s Italy, various interest groups associated with the colonial and expansionist projects of Fascism promoted the development of wider geographical imaginaries among Italians. Academic geographers were often key figures in these initiatives: some prompted these projects, while others did so at the behest of the regime and its desire to expand Italians' coscienza geografica (the geographical imagination) to an ‘imperial level’. This article explores how academic geographers from Trieste sought to contribute to this project and to embed their geographical knowledge into the ordinary, everyday circuits of public life. The article therefore outlines the notion of the geographical imagination and demonstrates via case studies how Triestine geographers tried to nurture these phenomena. Finally, it suggests that, although elusive and amorphous, geographical imaginations were a feature of everyday life in some corners of Fascist Italy and, as such, they deserve academic attention.  相似文献   

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Ross  Corey 《German history》2006,24(2):184-211
This paper traces the development of ideas about ‘professional’and ‘scientific’ publicity during the Weimar era,and their gradual absorption by mainstream politicians and officialsfrom the late 1920s onwards. The unprecedented wartime effortsto influence domestic morale and the scandalous revelationsof misinformation afterwards greatly increased popular awarenessof the ability of élites to manipulate public opinion,and generated intense interest in the problems of communicatingwith mass publics. Nowhere was this fascination greater thanin Germany, where many attributed their defeat primarily tosuperior enemy propaganda. The result was a wide-ranging postwardiscourse about the power of this modern ‘weapon’and its unavoidability as a part of modern political and commerciallife. Far from learning the so-called ‘lessons of thewar’, government self-representation efforts were steadilycriticized by journalists and advertisers as both quantitativelyand qualitatively inadequate. Whereas most republicans regarded‘propaganda’ as mendacious and unstatesmanlike,many of the radical parties’ publicity efforts clearlyreflected the basic tenets of the concurrent propaganda discourse,in particular the emphasis on emotional appeal and ritualisticsymbols. During the crisis of the early 1930s, amidst the visiblesuccess of the Nazis’ advertising-inspired campaigning,the spread of this discourse across the political spectrum helpedto hollow out democratic conceptualizations of leadership andpublic opinion from the very centre of Weimar political life.  相似文献   

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