Lewis Harcourt's Journal of the 1914 War Crisis

Lewis Harcourt, who was Colonial Secretary in Britain's Liberal government, from 1908 to 1915, kept a political journal for many years, some earlier parts of which have already been published. Reproduced below is the whole neat version of the journal from 26 July 1914, when Harcourt first mentions the events of the ‘July Crisis’, until 4 August, when Britain declared war on Germany. Originals of the entries are kept at the Bodleian Library, Oxford in file Ms. Eng. c. 8269 of the ‘Further Papers of Lewis Harcourt’, which only came to light in 2008. Historians can be grateful that Harcourt kept such a record of ministerial discussions during the July Crisis, because no official records were taken of Cabinet meetings before 1916, apart from short reports by the Prime Minister to the King. There are some diary entries, letters and memoranda from those involved, but the only source with comparative detail to Harcourt's is the diary kept by the education minister, Jack Pease, which has already been published.     

Sex,Fashion, Work: James Joyce and the Late-Victorian Actress

This article considers the presence of three late-Victorian actresses (Mrs Patrick Campbell, Eleonora Duse, and Sarah Bernhardt) in the work of James Joyce. The first appears in Joyce’s short story ‘A Mother’ (Dubliners). The strong influence of the other two is also detectable in the characterization of Ulysses’ heroines, Gerty MacDowell and Molly Bloom, and in a seminal text of late modernism, Finnegans Wake. In ‘A Mother’, Joyce’s attention to the importance of fashion on the stage and to poor working conditions for female performers calls to mind the career of Mrs Patrick Campbell. In Ulysses, Gerty’s performance in ‘Nausicaa’ recalls the techniques of the Ibsenian actress Eleonora Duse, known especially for her blushing; I argue that, given this famous skill and Joyce’s fascination with her, Duse directly informs Gerty’s characterization. Finally, Molly Bloom’s repertoire of dramatic references, including Trilby, Lillie Langtry, Sarah Bernhardt, publicity photographs, and Pineroticism, suggests Joyce’s immersion in a late-Victorian dramatic world. After sketching these connections in detail, I show that his interest in these actresses encourages scholars to continue to question the validity of traditional periodization boundaries. I end by arguing that the appearance of these actresses in these examples of early, high, and late modernism indicates the cultural richness of the long nineteenth century for Joyce, which continues throughout modernism’s successive phases.     

The Authoritative Medium: George Eliot,Ruin, and the Rationalized Market

This essay analyses the competing dynamics that shaped the formation of market relations in mid-nineteenth-century Britain: abstraction and rationalization, on the one hand, and embeddedness and personalism, on the other. It takes as its central case the mid-century debates over bankruptcy reform, focusing in particular on two textual representations of ‘ruin’: the system of certificates classifying bankrupts according to their culpability of character, established in 1849 and abolished in 1861; and Eliot's 1860 novel The Mill on the Floss, with its account of financial and sexual ruin. I argue that the debates surrounding the character certificates' intervention in market relations, and Eliot's explorations of abstract and embedded or sympathetic modes of knowledge were part of a larger concern to negotiate the tensions produced by the contemporary impulse toward market rationalization. Eliot's mode of omniscient narration – her construction of a simultaneously interested and disinterested, authoritative and sympathetic narrative voice – represented, I suggest, a novelistic instance of a broader cultural fantasy that an approach to character representation could be found that would mediate the changing marketplace. At the same time, her narration of the story of debt through familial and sexualized representations highlights the way that the personal continued to pose a challenge to the establishment of market rationality. However, despite the generic distinctions that can be traced, I argue that their shared interest in character provides grounds for the project of reading across genres, and suggest that the cultural history of the Victorian credit economy requires attention to what different genres have in common, as much as how they have diverged.     

Dynamics of a Non-Decision: the 'Failure' to Devalue the Pound, 1964-7

Harold Wilson's delay in devaluing the pound until November1967 is still widely thought of as a fatal mistake, despiterecent work which has emphasized the economic case for not surrenderingsterling's parity with the dollar. This paper re-examines notjust the economic but also the political reasons behind theLabour government's defence of the national currency—anddoes so in order to explain both the initial rejection of devaluationand its eventual acceptance. It concludes that the governmenttried to avoid devaluation in order to avoid disruption to theworlds financial system and because it believed it would notsolve Britain's long-term economic problems. The governmentalso knew that it would be electorally damaging, and that theattack on public and private spending that would have to accompanyit would threaten its parliamentary survival. Devaluation occurredin 1967 because of a complex series of contingent events. Butdevaluation also took place because the government could convincinglyargue to the outside world that it had done its utmost, becauseits alternative approach failed to deliver the goods in time,and because, having an increased majority, it decided to facedown rather than pander to its own parliamentary supporters.     

Between Galen, Geddes, and the Gael: Arthur Brock, modernity, and medical humanism in early-twentieth-century Scotland

Arthur Brock (1879-1947) is generally remembered as the physician who treated poet Wilfred Owen for shell shock and as the translator of Galen and other ancient physicians. He was also a key figure in the early-twentieth-century humanist revival within medicine. Brock's interest in humanism, I argue, was inspired by a broader concern about modernity and by a desire to return medicine and society to the more harmonious, organic existence that he believed was characteristic of ancient Greece and could still be found among "primitive" peoples, such as the Scottish Gaels. This article explores Brock's anxieties about modernity and its relations to his interests in ancient and "primitive" peoples; to his medical thought and practice; to his interests in history, sociology, language, and translation; and to his involvement in the social and political life of Edinburgh and North Queensferry, where he moved in 1925. Crucially, it shows how all these interests and activities were influenced by Brock's mentor, Edinburgh polymath Patrick Geddes. The article concludes with a discussion of Brock's place in early-twentieth-century medical humanism.     

Charles Eliot Norton,E.L. Godkin,and the Liberal Republicans of 1872

The Liberal Republican Party of 1872 combined ‘genteel’ intellectuals such as Charles Eliot Norton and E.L. Godkin with hardened politicos like Horace Greeley. It serves therefore as a window on the political thought of Norton and Godkin at a moment when their ideas were tested by exposure to the real world of practical politics. The two men's revulsion at the nomination of Greeley and the debasing of the reform cause exposed their underlying conservatism during this time.