“It is loved and it is defended”: Critical Solidarity Across Race and Place

Since 2010, the Wixárika (Huichol) indigenous people of western Mexico have struggled against transnational mining activity in their sacred pilgrimage site of Wirikuta in the semi‐desertic plateaus of San Luis Potosí. This struggle has been accompanied by a multitude of non‐indigenous and largely urban actors who have joined the Wixárika, bringing with them their own cultural, political and geographic registers for understanding and mobilising against mining in the region. Taking Wirikuta as a contemporary demonstration of interracial and cross‐geographic alliance building, I analyse how social movements that express solidarity and affective ties with the territories and cultures of indigenous peoples struggle to unsettle entrenched racial and spatial relations.     

MAPPING THEM 'OUT': EURO-CANADIAN CARTOGRAPHY AND THE APPROPRIATION OF THE NUXALK AND TS'ILHQOT'IN FIRST NATIONS' TERRITORIES, 1793–1916

As social constructions of reality, maps embody the values, truth-claims and power-structures of the cultures that make them. Using a variety of interpretive methodologies, geographers and cartographers have developed the thesis that, through selective 're-presentation', maps 'work' at a discursive, symbolic level. In focusing on the artifact itself, however, they have tended to forget that maps are made by someone. Indeed, as part of a wider institutional network, organized and reified by people in pursuit of certain goals, maps serve to create and sustain territories. In a colonial context, moreover, maps arrest and de-legitimize the territorialization of some cultural groups even as they enfranchise and legitimize that of others. Maps are, in this view, ideological weapons. In this paper I use a materialist hermeneutic to investigate the way in which maps helped to actualize the territorial dispossession of the original inhabitants of what is now British Columbia. Beginning with the charts of George Vancouver and Alexander MacKenzie, and ending with the Indian Reserve maps of the 1916 Royal Commission, I illustrate this thesis by tracing the cartographic encirclement of the Nuxalk and Ts'ilhqot'in First Nations. As an essential adjunct in the Euro-Canadian colonization of the region, the analysis has implications for our understanding of the social, political, and juridical function of maps within contemporary land claims discourse.     

Green,red, yellow and purple: gendering the Kurdish Question in south-east Turkey

This article discusses the role of women in the contemporary ethno-territorial struggle of Kurdish Question in Turkey. I argue that gendered development has become the primary terrain where Turkish and pro-Kurdish political groups articulate their nationalist interests. The Kürt Sorunu (Kurdish Question) – the enduring debate over the political status and rights of Turkey's Kurdish population – is Turkey's largest geopolitical challenge to date. In the last decade, Turkish government policy towards the predominantly Kurdish south-east region has shifted from military intervention to gendered and socio-economic development. Simultaneously, the popularity and growth of a formal pro-Kurdish political movement has given the campaign for Kurdish rights an institutionalized voice and stronger role in regional affairs. The primary work of both the Turkish national government and local pro-Kurdish municipality of late has focused on women. Drawing on historical analysis and participant observation of development activities, I describe the symbolic and physical role women play in the contemporary Kurdish Question. Geographically, this pointed focus on women marks a territorialization of political power upon gendered spaces of the home and neighbourhood. I describe this process of territorialization through an examination of education curriculum, neighbourhood mapping and nationalist landscapes.     

Pre‐Black Futures

Abstract: In this essay I look at the contemporary production of surplus life in liberal democracies, and how it manifests a new type of sovereign spatial power. This power operates through the capacity to exile individuals and populations who are defined—in advance—as risk failures. I investigate further the ways that these pre‐known risk failures are determined through historical and geographical processes of racial formation, arguing that certain kinds of bodies have become vessels for concepts of risk formed in anticipation of an inevitable future. This “inevitable future” involves the formation of populations, which I term Pre‐Black, who are projected as outside of the enabling web of pastoral power. Moreover, as a consequence of this pre‐failure, individuals and populations can be forcefully and, more importantly, “justifiably” removed from commonly held spaces and resources in a contemporary liberal form of sovereign dispossession.     

National identity and economic development: reiteration,recapture, reinterpretation and repudiation*

Abstract. This article attempts to move beyond assumptions that nationalism is essentially cultural and/or narrowly political, and that it is primarily past‐oriented and defensive. We do this by examining evidence relating to the creative (re)construction of the nation from a contemporary economic perspective. Paying particular attention to Scotland and Wales, we show that the mobilisation of national identity within this process of (re)construction is not exclusive to those who seek greater political autonomy. National identity is also mobilised, often in a ‘banal’ fashion, by non‐political national institutions such as economic development agencies. We argue that, within the strategies and discourses of economic development, historic national characteristics are reconciled with contemporary needs and aspirations through four processes: reiteration, recapture, reinterpretation and repudiation.     

Designing cultural policy in a postcolonial colony: the case of Puerto Rico

Puerto Rico became a territory of the United States in 1898 with the end of the Spanish-American War. In 1952, the island became a ‘Commonwealth’ through the development and approval of a local constitution. While this political status allows Puerto Rico some degree of autonomy, it nevertheless continues to subject the island to United States federal authority. For the last 60 years, discussions on whether Puerto Rico’s Commonwealth status is a permanent or transitional status has fuelled much of the political debate and public policy of the region, and has been highly influenced by political status ideologies: to become a state of the United States, to maintain the current status, or to become independendent. Budgetary, legal, and commercial dependence on the United States causes constant conflicts in the design and implementation of Puerto Rican public policy in areas such as education, law, and economic development. Likewise, culture has not been exempt from these debates. In fact, cultural differences have caused conflict at all levels – from the theoretical conceptions of culture, to cultural policy and arts management. Moreover, the implementation of cultural policies has also been subject to political ideologies and the concept of culture has variably been seen as an obstacle or strength for specific political purposes. In the midst of a sustained economic crisis, the current Puerto Rican government has proposed the development of a comprehensive cultural policy through a participatory process. The objective of this paper is to present this process as a means of analyzing Puerto Rico’s experience through the challenges in designing and implementing cultural policy within a ‘postcolonial colony’ scenario. This paper will place emphasis on the government’s role, cultural public institutions, and cultural production.     

Cultural policy in France’s overseas: permanence of colonial logics and the potential for creole resistance

France's overseas territories have received greater political autonomy these past three decades. In the Arts sector, the centralised government as well as local governments have developed many cultural policies. Yet, a close examination, through postcolonial lenses, reveals that these policies are imbued with a colonial logic and that colonial patterns are being maintained. These policies hide and deny processes of creolisation that represent a potential for resistance and emancipation.     

Islands,extraction and violence: Mining and the politics of scale in Island Melanesia

Set against the backdrop of past, contemporary and possible future mining-related violence on islands in the western Pacific, this article explores how scholarship on the politics of scale, as well as strands of the burgeoning island studies literature, might sharpen our understanding of the political economic and violent effects of extractive resource enclaves in Island Melanesia. Drawing upon field research in Bougainville and Solomon Islands, I argue that just as Melanesian islands were produced as a scale of struggle in the context of the introduction of capitalist social relations under colonialism, so too have they emerged as a critical, albeit problematic, scale of struggle in contemporary contestations around extractive resource capitalism under the current round of globalisation and accumulation by dispossession. I suggest that this politics of scale lens enriches our understanding of how “islandness” can be an important variable in social and political economic processes. When the politics of scale is imbricated with the well-established idea of the island as the paradigmatic setting for territorialising projects, including the nation-state and sub-national jurisdictions, islandness emerges as a potentially powerful variable in the political economic struggles that attend extractive resource enclaves. I also highlight, in the cases considered here, how islands can become containers for internal socio-spatial contradictions that can be animated by extractive enclaves and can contribute to the island scale becoming violent and “ungovernable”. The article advances recent efforts to bring the island studies literature into closer conversation with political and economic geography.     

The Trials Of Theology

Abstract

Theology experiences many trials of practice and interpretation as it charts a course through contemporary society's political and cultural challenges. September 11 has generated more such trials, some of which are concerned with the historic issues surrounding the ‘War on America’ and its defence in terms of Christian rhetoric and belief. This article begins with a consideration of some of the background to this defence in the language and events of the American Civil War, particularly Stonewall Jackson's dying words and their juxtaposition with Lincoln's Gettysburg Address. It then considers the validity of such notions as freedom and justice in contemporary debate, and challenges an understanding of Christian political thought that views it as responsible for defending a particular form of western society. It ends with some trenchant conclusions about a theologian's responsibilities in the present and future world.     

Heritage erasure and heritage transformation: how heritage is created by destruction in Bahrain

This article suggests that heritage erasure is also heritage transformation. The article is an analysis of alternative contemporary heritage processes in the Arab Gulf state Bahrain. I use three cases to illustrate the diversity of what heritage means in Bahrain and how heritage is transformed through erasure. First, I discuss the vast burial mound fields of ancient Dilmun, which in the process of their destruction due to modern development have been appropriated as some of the most significant national heritage of the Bahrain state. Secondly, I point to a heritage allegedly neglected by the state, the religious shrines of the Shia community, which to this group signify an alternative heritage and history of the islands. Finally, I discuss a potential heritage of the future, based on the recent destruction by Bahraini authorities of the Pearl Monument, which was the centre of the 2011 uprising in Bahrain as part of the so-called Arab Spring. Besides their political differences, the three cases are three different modes of engaging the past, either as past preserved, as a living past in the present or as a past that will change the future.     

‘But we are the most backward’: Hierarchical categorization of modernity in contemporary Chinese national identity

This article examines how the classification of specific territories in China as backward constructs contemporary Chinese national identity. Recent scholarship has examined the role that regions within nations play as repositories of undesirable traits of national identity. This article examines how spaces at scales other than the region within a national territory are classified on a continuum of backwardness and modernity through an examination of four forms of classification of political spaces within China: minzu (ethnicity), westness, poverty, rural/urban. Drawing on ethnographic field work in Western China, alongside the writings of noted anthropologist Fei Xiaotong and others Chinese intellectuals, this article shows that spaces were discursively categorized as backward. This classification of backwardness is not a case of binary othering, but rather exists as a graduated teleological hierarchy in which all spaces classified as backward have the theoretical ability to move out of their backwardness through state-led development. With the goal of helping backward spaces advance towards modernity, the state has enacted de jure forms of territorial classification target specific spaces for development and modernization.     

Capitalism, cities, and the production of symbolic forms

A striking characteristic of contemporary capitalism is the increasing importance (in terms of growth, employment, revenue, etc.) of sectors whose outputs are imbued with significant cultural or symbolic content. Sectors of these sorts are predominantly, though not exclusively, located in large cities. I describe how these cities function as creative fields generating streams of both cultural and technological innovations. Post-Fordist cities are shown to be especially fertile terrains of commodified cultural production. A number of these cities have become major centres of image-producing industries such as film, music recording, or fashion clothing, and this phenomenon is also often associated with profound transformations of their physical landscapes. I argue that the economic foundations of these trends reside, in part, in the structural characteristics of image-producing industries, marked as they frequently are by modularized, network structures of production and a strong proclivity to geographic agglomeration. At the same time, the main centres of the contemporary cultural economy are caught up in insistent processes of globalization. I suggest that after an initial phase of product standardization and concentrated development in only a few major centres, the cultural economy of capitalism now appears to be entering a new phase marked by increasingly high levels of product differentiation and polycentric production sites. I also submit that the contemporary cultural economy of capitalism constitutes a historical shift beyond consumer society as such.     

Controversy,uncertainty and the diverse public in cultural diplomacy: Australia–China relations

In the past few years, foreign policy tensions between China and Australia have become especially fraught. In some cases, this political situation manifests in the very diplomatic initiatives that were funded to help ease relations. This article considers a case study of a theatrical collaboration in the context of contemporary Australia–China relations to interrogate the value of our understandings of and evaluation frameworks for public diplomacy. This article argues that theories of cultural diplomacy and assessments of initiatives need to consider the multiple and competing objectives, diverse publics and controversial receptions that may be the outcomes of cultural diplomatic initiatives. It demonstrates this complexity in relation to Australia–China relations. Taking a cultural diplomatic initiative that sought to increase positive association for Chinese culture in the Australian public as a case study, it illustrates the range of differences that can be found amongst stakeholders, and the different roles that may be ascribed to cultural diplomacy. These interests, including those of different artistic and political stakeholders, as well as differences in the publics involved, are best segmented not only according to nation but also to subculture.     

The “War on Terror” and the Military–Archaeology Complex: Iraq, Ethics, and Neo-Colonialism

The archaeological response to the 2003 invasion and occupation of Iraq is often portrayed as a crusade to rescue antiquities, destroyed either directly by the military action itself or indirectly by the looting of archaeological sites and museums. I argue in this paper that this narrative is awfully inadequate, and masks the ethical and political dimensions at the core of this historical episode. I contend that, in their often well-intended attempts to rescue antiquities, most archaeologists involved have projected a professionalized, apolitical and abstract response, devoid of the social and political context, and based on the fetishisation of a narrowly and problematically defined archaeological record. I argue further that the increasing collaboration of many archaeologists with the invading militaries and occupation authorities since 2003, assisted by the “cultural turn” especially within the US military, have laid the foundations for an emerging military-archaeology complex. I trace the contours of this phenomenon by examining various archaeological and museum discourses and practices. This new development (with historical resonances that go as far back as the 18th century, if not earlier) is linked directly with the ontology and epistemology of archaeology, and deserves further close scrutiny and analysis. The thesis advanced here does not advocate inaction and withdrawal in situations of warfare, but a critical engagement that safeguards the autonomy of the scholar; critiques the political agendas and power structures of contemporary warfare; deconstructs its discursive basis and its ideological overtones; and shows its catastrophic consequences for people and things alike, past and present.     

Cultural censorship in defective democracy: the South Korean blacklist case

ABSTRACT

This paper attempts to understand the cultural censorship practiced in contemporary South Korea, a liberal democracy, where cultural quangos were established after political democratization, following the arm’s length model. I will focus on the analysis of cases from the film industry which has been central to the censorship debate historically in Korea because of its popular appeal. The establishment of arm’s length cultural organizations laid the foundation for freedom of cultural expression which had been seriously curtailed under military rule. However, recent revelations of cultural blacklist cases under the two previous administrations are baffling to understand since rampant political censorship was practiced through ostensibly autonomous cultural organizations. The paper examines the ways in which the state constructed a ‘system of ideological censorship’ by using not only cultural quangos but non-cultural state apparatuses. In so doing, the paper emphasizes the role of non-cultural policy state institutions in the operation of cultural policy and the effect of state systems on cultural organizations. I draw upon the concept of defective democracy to understand the socio-political condition where these cultural organizations exist.     

Spatial processes and politics of renewable energy transition: Land,zones and frictions in South Africa

This paper seeks to make a contribution to on-going debates about how to conceptualise the spatial processes of renewable energy transition. It makes a case for understanding renewable energy transitions as simultaneously spatial and political processes, constitutive of new territories and configuring development pathways. Drawing on a case study of South Africa's Renewable Energy Independent Power Procurement Programme (REI4P), the paper explores the ways in which energy transitions are intrinsically bound up with both the materiality and the historical and contemporary politics of land. It then examines the relationship between energy transitions and territory to conceptualise the ways in which transitions take on an experimental shape in the form of 'zones'. The paper argues that these zones are new territories deploying forms of spatial and political-administrative exceptionality, which allow political and economic actors to exercise authority and commercial power. Two types of zone emerging from South Africa's energy transition exemplify these processes: legally-defined zones for the development of solar and wind energy and zones of socioeconomic development required by REI4P. The paper explores the spatial and political consequences of these strategies and suggests that these may not necessarily translate into conflict and confrontation, but instead produce uneasy co-existences of different political, social and spatial projects and interests, with potential to create new polities.     

Creating the cultures of the future: cultural strategy,policy and institutions in Gramsci

Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical reorientation of cultural studies away from hegemony theory and radical politicisation, and towards reformist–technocratic engagement with the policy concerns of contemporary government and business. Their criticism of the ‘Gramscian tradition’ as inadequate for the study of cultural policy and institutions has remained largely unexamined in any detail for almost 20 years and seems to have had a significant role in the subsequent neglect of Gramsci’s contribution in this area of study. This essay, consisting of three parts, is an attempt to challenge such criticism and provide an analysis of Gramsci’s writings, with the aim of proposing a more systematic contribution of Gramsci’s work to the theoretical development of cultural policy studies. In Part I, I question the use of the notion of ‘Gramscian tradition’ made by its critics, and challenge the claim that it was inadequate for the study of cultural policy and institutions. In Parts II and III, I consider Gramsci’s specific writings on questions of cultural strategy, policy and institutions, which have so far been overlooked by scholars, arguing that they provide further analytical insights to those offered by his more general concepts. More specifically, in Part II, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but also as a key for deciphering and interpreting cultural policy themes that he later developed in the prison notebooks, and which originated in earlier debates. Finally, in Part III, I carry out a detailed analysis of Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. I then answer the question of whether Gramsci’s insights amount to a theory of cultural policy.     

PUTTING WOMEN IN THEIR PLACE: THE CARNIVAL AT GREENHAM COMMON*

In this paper I examine reactions to the Greenham Common Women's Peace Camp. I argue that the media, local and government responses to the Greenham women reveal geographical assumptions about “normality.” The peace women, by living away from home, on the edge of a military (and therefore masculine) establishment challenged accepted patriarchal understandings of “women's place” and were thus described as “out of place.” More specifically, the women were referred to in terms of hygiene, inadequate culinary ability, sexuality and hysteria. Each of these implies a gendered form of disorder in which social, cultural and geographical boundaries have been transgressed. These reactions are placed within the context of Bakhtin's formulations of the carnivalesque and grotesque realism. I suggest that the women, through their highly visible opposition to a patriarchal military establishment, represent a threat to neatly bounded official culture which finds its geographical expression in the formal territories of the courtroom and the air base. In conclusion this illustration is placed in the wider context of cultural/political protest. I argue that transgression, while serving to reveal normally assumed hegemonic landscapes, is restrained by already existing boundaries.     

Speaking for the past in the present: Text,authority and learning in archaeology museums

Abstract

This paper examines the development of debates surrounding the nature of curatorial authority and of public education in archaeology museums, with particular reference to texts accompanying exhibitions of prehistoric material in England and Scotland. Traditionally, such texts have been conceived of as authoritative aids to museum education and communication. However, since the late 1980s, they have been criticised, particularly on the grounds of curatorial bias and inaccessibility. As a consequence, a new ‘cultural approach’ to museum texts was developed in the 1990s, based upon curatorial principles of critical awareness and public responsibility. The resultant texts have received mixed responses from museum archaeologists and visitors, whose perspectives reflect contemporary political tensions in Britain. They also highlight the fundamental question of the future status and role of text in museums. The answer proposed here is that texts, although not entirely popular with visitors, will remain key elements of archaeology museum displays, and that differences of curatorial approach and opinion, as expressed through texts, are beneficial to learning in archaeology museums.