Las expresiones de violencia en una Medea itinerante: Medea maelstrom de Roberto Viña

This Latin American Medea plunges us into the well-known classical Greek myth from a novel approach. The Cuban writer Roberto Viña redefines the heroine's voyage with the Argonauts from the moment of her escape from her native Colchis. That is why Viña fragments the myth and focuses his tragedy on the sorcerer's maritime itinerancy that bears another nomination. Thus we identify the ethos of an ambivalent woman, peculiarly shy, and yet able to commit fratricide. Within the framework of the literary reception studies, we will analyze the expressions of extreme violence perpetrated by the characters of this play from very dissimilar perspectives.     

Mitología e ingenio en el Poema heroico de San Ignacio de Domínguez Camargo

This article examines the mythological motifs in the Poema heroico de San Ignacio, by the Colombian poet Hernando Domínguez Camargo, not only as material extracted from a prestigious culture (i.e., classical culture), but as a starting point for the elaborations of wit, which is the main objective in the aesthetics of the wit.     

El codescubridor Juan Niño y el puerto de San Juan en el marco de la marinería andaluza y de los viajes de Colón

Este trabajo de investigación ofrece resultados inéditos en relación con Juan Niño —maestre y propietario de la carabela Niña— que colaboró de forma relevante con Cristóbal Colón en la preparación de la armada en 1492 y en su primera travesía oceánica a tierras americanas. Asimismo, desvela el lugar concreto de vecindad y de residencia de este marino en el puerto de San Juan (Huelva, España) mediante documentación contrastada, así como el periodo en el que se produjo su fallecimiento permitiendo aclarar especulaciones historiográficas que ofrecían determinados datos erróneos sobre su trayectoria vital después del descubrimiento de América. Por último, aporta datos indicativos sobre el estatus socioeconómico y el nivel de rentas disfrutado por el codescubridor de América y por su familia.     

Violencia y género en Los comendadores de Córdoba de Lope de Vega

This article studies the correct generic framing of an early work of Lope de Vega,Los comendadores de Córdoba, which has attracted recent criticism, in part because the structure of tragedy is undermined by numerous laughable and grotesque elements. It therefore seems to be a play characterized by failure to follow the path of a specific genre. This article tries to overcome this problem by studying the relationship between gender and violence.     

“Vivo sin vivir en mí”: YouTube y la poesía de santa Teresa de Jesús

ABSTRACT

The poetry of Saint Teresa of Jesus has not aroused the same interest from the critics as has her prose. There are several reasons for this. However, her poetry has remained in the memory of anyone who has come in contact with it, as well as in public manifestations, one of which is the phenomenon of new media—in particular, YouTube. Consequently, this article presents an analysis of Teresa de Jesus's poem “Vivo sin vivir en mí” (“Live without living in me”) in the context of new media, specifically YouTube, in order to further analyze the oral-auditory impact of her work as a strategy of representation in the reception of her writing and, therefore, expand the communicative possibilities of her writing style close to the spoken language, beyond her time and context.     

Le prieuré de Saint-Zacharie en i403 d'après le Livre de raison de son prieur

Saint-Zacharie is a small township northeast of Marseille, some kilometers from the main Aix-en-Provence-Nice road. In the middle ages it possessed a priory of Benedictine nuns of St Zacharias which was a dependency of the abbey of St Victor at Marseille. This abbey appointed a monk with the title of prior to administer the nunnery at Saint-Zacharie, while the nuns themselves elected a prioress. The Livre de raison drawn up by Jean de Assana, prior in 1402, allows us to establish the convent's budget. It reveals the efforts undertaken to restore a situation which had been severely shaken by the troubles of the fourteenth century, and in particular to develop the domain, which furnished the greater part of the convent's revenues from the production of corn and wine. Only corn provided a cash surplus. The economy of the priory was thus fragile because insufficiently diversified. The house faced other problems too. The development of its spiritual life was no longer a prime aim: the abbey of St Victor on several occasions arbitrarily limited the number of its nuns. There were ninety-eight of them in 1322; twenty-four in 1402; five in 1461. What is more, they were reduced to an income which provided only a bare living so that the convent's possessions appeared to be being exploited mainly as a source of profit for the prior and for the financial benefit of the mother house of St Victor, the archbishop of Aix, and the papal court.     

La prudencia de Cortés: teoría política y práctica retórica en la Historia de la conquista de México de Antonio de Solís

The Historia de la conquista de México, published by Antonio de Solís in 1684, and later extensively reissued and translated, has been praised for the ‘elegance’ and ‘sweetness’ of its style. From very early on these qualities made the Historia to be read as a prose model worthy of imitation. Different scholars have studied Solís's sources and the way he manipulated them on the one hand, and, on the other, the extent of the reliability of his account. However, very little has been said about the actual writing practices of the Historia in the context of contemporary historiographical theories, or the author's own ideas about history or politics. This paper analyzes how some of these rhetorical techniques (I particularly focus on the use of oratio figurata, sententia, and epiphoneme) gave shape to Solís's political ideas, in particular the concept of prudence.