Topoiesis de la recepción literaria

ABSTRACT

This article proposes a particular notion about “topoiesis,” focusing on the text reception point of view. Initially, it establishes a theoretical framework using useful concepts from hermeneutics and post-structuralism, to later discuss the real existence of a dialogue or a “fusion of horizons” in which a “sense of space” of a text would be blended in the meeting point between textuality and the reader. Finally, through this space we propose a categorization of the different types of “topoiesis” of literary reception, establishing correspondences with the concept of “enunciative instances” in the text space, detailed in another article.     

Topoiesis del espacio textual

ABSTRACT

The concept of topoiesis of textual space addresses an analysis of the spatial elements that tend to provide a meaning to the literary text. Based on textual semiotics where there is an organized relational system of meanings, in this article we propose that it is possible to determine the function of space as a meaning issue from three different literary text instances (event or motive; character; and object). This distinction will permit a deeper interpretation of the sense of space in the literary text.     

Lying and deception in the Biblical and post‐Biblical Judaic tradition

Abstract

A great variety of cuneiform texts have been found within the precincts of the high priest's building complex in ancient Ugarit. Some of the texts are letters, others are lexical texts and others again are ritual texts. The great epics of aqht and krt are best described as literary texts. Some of the texts, however, do not unambiguously belong to one group only: Some scholars would construe the Baal‐cycle as a ritual text or at least a text somehow connected with the cult performed in the temples; others would describe the Baal‐cycle as pure literature. Similarly the enigmatic text about Shachar and Shalim (abbreviated SS) apparently contains cultic and literary elements. Is this text then a cult‐text or a piece of literature? The aim of the article is to investigate if from the archaeological evidence we can add an argument to the on‐going debate about the Sitz im Leben of the Ugaritic Baal‐cycle: Were the clay tablets in the high priest's building distributed according to their content? The answer seems to be yes. The Baal‐cycle was in fact stored with other literary texts in the high priest's building whereas SS has been kept in the room of the ritual texts. This fact might give us a hint as to how to interpret these two texts.     

The Shock Factor of Divine Revelation: A Philological Approach to Daniel 8 and 9

ABSTRACT

This article explores the story and plot of Daniel 8 and 9, and argues that the angel Gabriel assists Daniel in handling the shock factor associated with Divine revelation concerning a seemingly successful antichrist. A comparison of the Septuagint traditions with the Masoretic text this article shows that Daniel 8 and the later part of 9 present visions of an apparently successful blasphemous king and an initially unsuccessful Messiah, rulers against and for God respectively. The perplexities of the prophet about the apparent lack of fulfilment of earlier Divine revelation are part of the literary tension of the text. This article takes a philological approach to Daniel 8 and 9 as a literary unity passed on by a Judeo-Christian tradition and recognizing a unifying role of the Angel Gabriel in Biblical literature.     

Pier Paolo Pasolini and the medium of song: Texts written for Laura Betti for the Giro a vuoto show

This article focuses on the outcome of an important episode within contemporary Italian culture: the encounter between the world of literature and song, and specifically examines the lyrics written by Pier Paolo Pasolini for the actress and singer Laura Betti for the Giro a Vuoto show, performed in 1960 in Milan. This essay intends to highlight the key elements of this encounter and the characteristic elements of these songs by virtue of textual and stylistic analysis, and provide remarks with regard to the relationship between music, text and singing performance. A study of this kind allows emphasis to be placed on the innovation originating from this distinctive collaboration which represents an important sign of change towards the emergence of a quality song within the mass market which would later come to be defined as canzone d’autore (singer-songwriter genre).     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Topoiesis de los dispositivos de registro del texto literario

ABSTRACT

Never before have the layout, the text format, and support been as important as they are today. Studies reflecting on the relationship between the meaning of the literary text and its form have rapidly increased. This kind of study has focused mostly on the history of the reading process and the history of the book as well as on the possibilities of new technologies in the literary field. However, none of these approaches has reached the point of creating a comprehensive methodology for the analysis of the relationship between the message and its channel. This work is intended to propose a methodology of analysis based on some concepts such as peritexts (Genette) and visuo-graphic zone (Cárdenas).     

‘Proclaim liberty throughout all the land unto all the inhabitants thereof!’ Reading Leviticus 25:10 through the centuries

ABSTRACT

This paper follows the text of Leviticus 25:10 in the Hebrew Bible and in selected works of the exegetical tradition of both Rabbinic Judaism and Western Christianity, in order to provide a lens through which to assess the use of a biblical text which was instrumental during the early modern period in formulating ideas about the Republic and its use in the modern liberal state. The main argument of the paper is that over time the meaning of the text shifted from the socio-economic to the salvific to the political, depending on the context in which it was read. Further, all the authors cited here approached the text as an authoritative normative text, and did not look at the text as a textual artefact. While the move to re-introduce Jewish Sources into the debate in political theory is to be welcomed, it is argued that the results would be improved by balanced reading strategies and by interaction with critical academic biblical scholarship.     

The playful mode of writing in Psycharis's To Tαξíδι μoυ (1888)

Abstract

The aim of this paper is to discuss the literary qualities of Psycharis's To Tαξíδι μoυ, in particular, to analyse specific examples that demonstrate its playful mode of writing. Firstly, it will attempt to place the text in the literary context of its period by discussing its conception and significance for Modern Greek literature. Secondly, it will focus on the element of humour in the text, which can best be described as a playful mode of writing. The playfulness can be explained as raising false expectations in readers in a way that does not become obtrusive or unpleasant, but aims to entertain through the effects of surprise. This mode of writing is created mainly through intertextual allusions, incongruous juxtapositions, and comical, satirical or parodic undertones.     

The meaning of El Roi and the mythological dimension in Genesis 16

Abstract

This article discusses the literary debt of the story of Hagar in Genesis 16 to the Ugaritic text KTU 1.23, suggesting that behind the present tale lie ancient royal ideological motifs. These have a bearing on the present form of the story, ans suggest a message of hope to an exilic readership. The divine epithet Roi is explained as “seen”, expressing Hagar's surprise at surviving a vision of God.     

The Book of Job – The Cyclical Progression of the Aporia

ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.     

Slanted histories,Hesperian fables: material form and royalist prophecy in John Ogilby’s The Works of Publius Virgilius Maro

ABSTRACT

This article considers the status of John Ogilby’s Virgil translations as royalist texts. The paratextual material to the 1649 and 1654 editions provides a framework which invites a royalist reading; the translation promotes this by manipulating Virgil’s text and contemporary typographic conventions. These factors combine in passages that depict the death of kings. The volume follows the Virgilian precedent of foretelling events that had already occurred by presenting the passage on the death of Priam in such a manner to imply that it anticipated Charles I’s execution. This allowed Ogilby to grant a sense of inevitability to the prophecies his translation offers regarding events that he hoped lay in the near future. The 1654 edition subtly draws on Caroline-era royalist literary tropes to suggest a permanent revival of the monarchy under Charles II. Ogilby’s contributions to Charles II’s coronation celebrations draw on the Virgil translations in vindication of such prophecies.     

Becoming-minoritarian in Paco Bezerra’s Grooming and El señor Ye ama los dragones

Abstract

Marginalization is at the core of Paco Bezerra’s work. The dramatic themes explored in his plays are varied, ranging from molestation, feminism, ecoterrorism, and immigration to bullying and many others. However, on another level throughout his oeuvre, there is always another element that stems from the marginalization aspect embedded in the dramatic conflict: a far more insidious and entrenched rotten core that affects everything and everyone on stage. While most of his characters are clearly beleaguered on the grounds of race, gender, sexual orientation, class, or a combination of several biases that act unabashedly on the surface, there is also an unrelenting criticism toward a higher form of political oppression or authoritarianism that pervades each play. In this article, I examine Bezerra’s Grooming and El señor Ye ama los dragones as enunciative acts of oppositional discursive strategy to show how the marginalization process, at the two levels sketched above, occurs. By analyzing the plays under Gilles Deleuze and Félix Guattari’s concept of minoritarian, minor literature and becoming-minoritarian, we can witness how marginalization functions to rupture the fragile order in Bezerra’s plays at both levels. Hereby we can see that the playwright has created works that belong to a minor language as defined by Deleuze and Guattari. Examining the move from the particular issue at hand, the dramatic motor, to some larger unspecified phenomena, suggests a potentially troubling forecast for Spanish society.     

Chastity Models in the Legenda Aurea and in the Sermones de Sanctis of Jacobus de Voragine

Abstract

The Sermones de sanctis of Jacobus de Voragine is not an independent text but the last written link of a communicative chain that starts with the holy figurae of the Legenda aurea and is completed with a final speech from a preacher to his audience. Chastity is represented in this hagiographical material, which is closely connected to the most important saints of the Dominican calendar, through absolute models that are removed from everyday experience: these models need to be interpreted by a preacher's spoken words and to be illustrated with a choice of exempla to reach laypeople effectively.     

The land which bled forth its bounty: An exile image of the land of Israel

Abstract

The expression: “a land flowing with milk and honey” appears some 20 times in the MT version of the Hebrew Bible and is generally thought to express the overall productivity of the Land of Israel. It is one of the few expressions which is used in many literary strata of the text as a distinctive term to describe the Land of Israel and its produce, although its absence from poetic, proverbs and wisdom literature indicates that it was not seen as a universally useful expression. Appearing in writings attributed to J, E, Dtr¹ and Dtr², as well as the writings of the prophets, Jeremiah and Ezekiel, the expression is understood by medieval and modem commentators as a metaphor for abundant grazing land and date palm honey (i.e. abundant flora and fauna). It's presence in different literary strata of four of the five books of the Torah, in particular, seems to point to the antiquity and long term utility of the expression. Further investigation of this expression reveals that it may not be a realistic perspective on the ancient land of Israel, but rather a rather poignant, nostalgic, exilic, and purely metaphoric view of the land written at a period after the land had passed through a significant devastation. This article will investigate the language of this passage and attempt to locate it in its original historical context.     

Implicaciones legales de las seis muertes en La Celestina: Un acercamiento histórico-literario

This article examines the different types of deaths in La Celestina from the point of view of their legal and sociological significance. The analysis builds on contemporary historical data on suicide, homicide, executions, and accidents. It is shown that, beside its literary value, La Celestina is also an important historical document that provides an accurate portrait of the legal system relative to deaths that were socially unacceptable at that time. This study also highlights the presence of social criticism in the text when it describes how the authorities did not comply with some legal regulations.     

Books Received

This article is an analysis of Argentine writer Jorge Luis Borges's short text “Kafka and His Precursors.” Although appearing to be an example of literary criticism, Borges's essay is in fact the exploration of a certain logical paradox. It is a paradox that is to be found throughout Borges's work, with the result that “Kafka and His Precursors” can be read as a disguised literary manifesto on the part of Borges. I also explore the consequences of Borges's essay for thinking about questions of cultural transmission. I argue that Borges’ work lives on—like those literary, religious and philosophical traditions he admires—because its most profound subject is the relationship it has with the person who reads it.     

A Byzantine hagiographical parody: Life of Mary the Younger

Abstract

In this paper, it is argued that The Life of Mary the Younger, an anonymous Byzantine text of the eleventh century, has a conscious intertextual dialogue with the oldest Byzantine Life venerating a holy woman, the Life of Macrina written by her brother, Gregory of Nyssa, between 380 and 383. The intertextual relation between these two female Lives takes the form of parody. Following Linda Hutcheon's theory of parody, this article shows how the anonymous hagiographer of Mary reworks Gregory's authoritative text to create a new work, a parody in terms of postmodern literary criticism, whose aim was to criticise old and contemporary customs, conventions and ideologies. In other words, the present article approaches and decodes the literariness, the function and ideology of Mary's Life in the light of Macrina's Life.     

Reading,tourism, and geography consumption in literary places

Literature and geography are closely related in the worlds of consumption and mobility, and literature is often used as a resource for the tourism industry. The reading and consumption of literature, therefore, are related to visitation of a real place, and the roles of readers and tourists merge. The case of one literary tourism site, the San Mao Teahouse in the ancient town of Zhouzhuang in China, is selected to explain the complexity of reading and geography consumption in literary tourism. Observations and in-depth interviews were used to collect the data, and then the thematic analysis method was used. The study finds that tourists can also actively participate in the construction of literary places at destinations where relevant texts do not exist. In this kind of literary place, consumption occurs in multiple spaces as a result of tourists’ reading combined with geographical consumption. This study proposes a conceptual framework to analyze the geography consumption of literature in tourist destinations. The results show that the main geography consumption is reflected in three aspects, namely text, reality, and imagination. Based on their previous reading experiences, readers explore both the literary text and the reality. In this process, their imaginations always have an effect. Two distinguishing features have been found: first, through actively reading and decoding literary geography, the readers recreate a new fictionalized reality based on their imaginations. Second, the readers pursue the imaginative process from the real Zhouzhuang back to an imagined place that San Mao wrote about. The study contributes to the current literary geography research field, especially from the perspective of consumption. The study also provides a new perspective on literature in the modern world and practical implications for the design of literary tourist products and literary heritage conservation.     

Structural boundaries that effect the representation of gender and disability in works of fiction from the United States and United Kingdom

Abstract

Discussions of intellectual disability are found in medical journals, published biographies, and disability research. However, outside the realm of medicine or personal reminiscence intellectual disability struggles for spaces of social, historical, cultural and imaginative representation. This article addresses these struggles for space and specifically focuses on the imagined space of narrative fiction. Being imagined spaces they should easily be able to accommodate people with disability, and yet, very few characters with intellectual disability are represented or more importantly have agency in narrative fiction. Drawing on work from feminist geographies and literary geographies this article addresses the limiting narrative structures that have been used against fictional characters who have a disability and ways authors may move beyond these limitations. Reconciling feminist geographies and literary geographies allows new critical spatial knowledge around disability to emerge. It is not enough to write characters with disabilities into narrative fiction if the structures surrounding them remain limiting and prejudiced. This article discusses the three main limiting structures in narrative fiction: character representation, narrative voice and genre. Looking at narrative fiction through feminist and literary geographies reveals how these limiting structures function as power hierarchies, and importantly, shows how these imposed structures can be subverted and changed.