La DéontoLogie Ethnographique À l’Épreuve du Documentaire

This article offers a comparison of the legal suits filed by the interviewees against the director of the documentary être et avoir (to have and to be) with the rights of interviewees in ethnographic investigations, focusing particularly on image copyrights and labor law. To say that interviewees contribute to such investigations in anonymity does not solve the main problem - they are crucial to the investigation, marginal to the analysis, and then are assigned no publication credits. While information about the interviewees should remain confidential, this article argues, that contribution and role in the making of a publication should not be ignored.     

Bruit aérien et équité environnementale dans les quatre plus grandes métropoles canadiennes

Previous environmental equity studies have examined the spatial distribution of aircraft noise across cities. Their findings show that, in several cities, visible minorities and low-income populations are most affected by aircraft noise. In contrast, one study concludes that well-off populations are the most affected. These contradictory findings support the use of a comparative approach for several cities. The aim of this study is twofold. First, we want to identify if there are groups in the population that are in a situation of inequity to aircraft noise exposure in Toronto, Montréal, Vancouver, and Calgary. Then, we want to check if the exposure to the aircraft noise of the different groups varies significantly from one metropolis to another. We use the recommended noise exposure contour maps in Canada: the Noise Exposure Forecasts. Next, four variables are extracted from the 2016 Statistics Canada census at a fine-scale level (dissemination areas): that is, the percentages of low-income, visible minorities, 0- to 15-year-old, and 65-year-old and over populations. The results of a mixed effects logistic regression model show that environmental inequities in terms of exposure to aircraft noise for the four population groups are not consistent from city to city.     

Clientélisme et ascension sociale à Ségovie à la fin du moyen-âge

In this study of urban social structures in late-medieval Spain the author takes Segovia, a Castilian town on the northern slopes of the Sierra de Guadarrama seventy kilometres north-northwest of Madrid, as an example. The ways and means of social advancement are examined against the background of noble and royal intervention.     

Le rire et le théâtre dans la Lettre à M. d’Alembert

Often interpreted as a field of contradictions and fragmentation, the work of Jean-Jacques Rousseau presents an inner unity. This inner unity, though, is structured around regulated contradictions. I will examine here the distribution of those regulated contradictions by focusing on the preface to the Lettre à M. d’Alembert sur les spectacles and the relations between the Lettre and the Essai sur l’origine des langues. What Rousseau rejects as agents of corruption—theater and laughter—constitute at the same time the principles of his argument. The values of representation and technique implied by theater and laughter come to compose with those of presence and nature. Taking as a point of departure the work of Jacques Derrida on Rousseau, but also engaging it polemically, I will show in the analysis of the preface to the Lettre the distribution of regulated contradictions as well as the essential difference between language and theater in Rousseau throughout his reflection on the origin of theater and language.     

L’articulation du scepticisme religieux et du scepticisme profane dans l’Histoire du scepticisme d’Érasme à Spinoza, de Richard H. Popkin

The History of scepticism from Erasmus to Spinoza by Richard H. Popkin is not just an account of various sceptical doctrines of the 16th and 17th centuries: a thread gives the whole a coherence. In fact, a general conception of modern philosophy underlies his analyses. According to Popkin, philosophy, from the Renaissance to the Englightenment, was faced with the difficulty of overcoming the sceptical crisis which was born in the context of a religious quarrel and which quickly spread to all other intellectual fields. Thus, Popkins gives an original interpretation of modernity, an interpretation that can be questionned nevertheless in so far as he does not make a clear enough distinction between modern and ancient scepticism and does not take into account the specificity of fideism.     

La typologie des nations et l’Espagnol mélancolique: Notes pour l’interprétation d’un cliché

Included in the traditional typology of nations, the image of the melancholy Spaniard is a cultural stereotype which appears with a remarkable continuity since the Spanish Golden Age. Developed by foreigners--particularly by the French--this stereotype is also adopted by the Spaniards themselves. It is then necessary to inquire about the persistance of this stereotype through-out the centuries and to examine how--and why--the Spaniards did adhere to the image given by foreigners and the typology of nations. The examination of this stereotype aims at analyzing its mechanism, at discovering its representations--sometimes very different--and the implications involved. The image of the melancholy Spaniard is deeply subjective representation which engages a complex work of the imagination: it concerns the representation of the other and the consciousness that every nation has of itself, revealing many elements about the one who produces it.     

La scission et le développement dans la tradition de l’écriture féminine de Chen Ran

Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》